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Poems
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What is Poems?

Poetry is one of the oldest and most studied forms of literary expression, making it a central subject across English literature, humanities, and arts courses at every level. Students write about poems to develop close reading skills, engage with questions of form and meaning, and understand how compressed language can carry profound emotional and philosophical weight. The works and poets that appear most frequently in this area — including Robert Frost, Langston Hughes, Walt Whitman, Charles Bukowski, Isaac Rosenberg, Arthur Hugh Clough, Herrick, and Marvell — represent a wide historical range, giving essays rich material for examining how poetry responds to its cultural moment.

The papers collected here take several distinct approaches. Comparative analysis is especially common, placing two poems or poets side by side to examine shared themes such as death, nature, race, or war. Other essays focus on a single poet's body of work, tracing pessimism, nationalism, or the relationship between narrator and reader across multiple pieces. Formalist explications — working line by line through structure, imagery, and tone — also appear frequently, as do essays that apply broader critical frameworks such as the Apollonian and Dionysian myth to interpret poetic meaning and argue for a specific reading of a speaker or author's intent.

A strong essay on poetry begins with a precise, arguable thesis about what a poem does and how it achieves that effect. Evidence should be drawn directly from the text — specific lines, word choices, and structural decisions — rather than broad generalizations about the poet's life. The most common pitfall is summarizing a poem's content instead of analyzing its craft; every claim about meaning should be anchored to the language on the page.

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Paper Masters
Faith and doubt in Matthew Arnold and Robert Browning's Victorian poetry
In the work of two of the three Victorian poets, discuss those elements, which you feel gave their contemporaries some answer to the problems of faith.
Paper Undergraduate
John Dryden's Mac Flecknoe as mock-heroic satire
The poem Mac Flecknoe was written by John Dryden in 1678 but was not published until 1682 (Broich, 1990). Dryden's poem is considered in the genre satire or mock-heroic poetry (Broich, 1990).
Research Paper Undergraduate
Edgar Allan Poe's life and literary legacy through obituaries
When the great American writer Edgar Allan Poe passed away on October 7, 1849, there were many interesting, informative obituaries written about his life and his literature - and not all of them positive, to be sure.
Paper Undergraduate
Why people hear their voice differently when recorded
When someone records their voice on a recording machine and then listens back to it, they are often surprised by how different their voice sounds. Typically, the reaction is that one does not even recognize their own…
Research Paper Undergraduate
Whitman's "president of regulation" and the runaway slave in "Song of Myself"
In the Preface to his compendium of poems, Whitman celebrates the role of the poet as a seer, a visionary, and as a "president of regulation." The latter phrase retains the same joyous tone of "Song of Myself," and the…
Paper Undergraduate
An explication of Edgar Allan Poe's "The Raven"
An Explication of Edgar Allen Poe's "The Raven"
Paper Doctorate
Robert Frost's consistent speaker across three lyric poems
Robert Frost's lyric poetry depends upon a first-person voice which maintains a consistency of tone even as the lyrics strain to push the concrete details of the verse into a kind of symbolically universal significance.
Paper Undergraduate
Irony and juxtaposition in Shakespeare's non-dramatic poetry
Irony and Juxtaposition in the Works of William Shakespeare
Paper Doctorate
Sylvia Plath's "Daddy": father figures and the Elektra complex
Sylvia Plath's "Daddy," written on October 12, 1962 and posthumously published in 1965's Ariel, is one of the author's most well-known poems, though it may be considered one of her most controversial.
Paper Doctorate
The evolution of autonomy in Whitman, Kant, and Aristotle's philosophy
The concept of Autonomy in "Paradise Lost"