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Revenge
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What is Revenge?

Revenge is a compelling subject in academic writing because it sits at the intersection of ethics, psychology, literature, and law. Students encounter it across disciplines — from literature and philosophy courses examining moral justice to criminal law classes analyzing punishment and retribution. What makes revenge intellectually rich is the tension it creates between emotional justification and ethical consequence, between a character's or society's desire for satisfaction and the cost of pursuing it. Works like The Count of Monte Cristo by Alexandre Dumas, Shakespeare's Hamlet, Titus Andronicus, The Revenger's Tragedy, and the ancient Greek Oresteia all place revenge at the center of their moral universes, giving students a wide literary tradition to analyze.

The papers archived here approach revenge from several distinct angles. Literary analysis is the most common, with essays examining how specific characters — particularly sons avenging fathers — navigate moral ambiguity, madness, and consequence. Comparative approaches appear frequently, setting texts like Hamlet against The Revenger's Tragedy, or contrasting adaptations of The Count of Monte Cristo. Some essays take an ethical or philosophical angle, asking whether a quest for revenge can ever be morally just. Others draw on religious frameworks or principles of criminal law to evaluate revenge against broader systems of justice.

A strong essay on revenge requires a focused, arguable thesis — not simply that revenge appears in a text, but what the work ultimately claims about its moral or psychological consequences. Literary evidence drawn from character actions, motivation, and outcome tends to carry the most weight. The most common pitfall is treating revenge as self-evidently wrong or justified without engaging the genuine complexity the source material presents.

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Research Paper Doctorate
Medea's Speech to the Women of Corinth: A Feminist Reading
One of the significant themes of Euripides' Medea is the role of women in Greek society. Through Medea, an archetype is made for the female as viewed by that society. Medea interacts with the Chorus, made up of the…
Paper High School
Galeano's Lizard Story: Themes, Allegory, and Politics
Literary Research Paper: "The Story of the Lizard Who Had the Habit of Dining on His Wives" By Eduardo Galeano "The Story of the Lizard Who Had the Habit of Dining on His Wives" seems to be a short, simple, strange story at first. But if a person looks into Eduardo Galeano's biography, the story makes much more sense and seems to say a lot more than just lizard-eats-women/woman-eats-lizard. The story actually says a lot about "be careful what you wish for," "what goes around comes around," the relationships between men and women, and political symbolism about South America. Maybe even most important is the theme of "rich against poor" because of Galeano's background and Marxist political beliefs. Eduardo Galeano is an important political leftist from South America. Raised a Catholic but soon to become a Marxist, he worked in many jobs but eventually became a writer. As a writer, he has fought for the poor, for the people of his own country of Uruguay and for Freedom of Speech. Although he has suffered because of his strong political beliefs, he is also praised and rewarded for being a fearless fighter. His short story of "The Story of the Lizard Who Had the Habit of Dining on His Wives" is not his most famous work and it is only a 4-page story; however, it has many themes. The story has the themes of "be careful what you wish for," "what goes around comes around," the relationships between men and women, and political symbolism about South America. Though nobody mentioned this, his short story also seems to have the theme of "rich against poor," which makes sense because of Galeano's history and political beliefs. Even his short story shows why Galeano is thought to be a major voice for the poor, his countrymen and Freedom of Speech.
Paper Undergraduate
Creation Myths Around the World: A Cross-Cultural Analysis
It is fascinating to note that creation narratives from all over the world possess certain commonalties. They almost all precede from the core point of one deity who stirred Himself to create a world and who involved humans in creation of that world. Another striking commonality is that all have creation emanating from their perspective as though they were the sole country in the world and the world was created for them. To illustrate this point, the essay takes five different narrative accounts – Hopi, Japanese, Hebrew, Indian, and Chinese – and compares and contrasts their similarities and differences. In each, creation culminated in forming that particular nation. In the Hebrew account, the narrative focuses around a mystical land called Garden of Eden; creation ended in forming the Hopis; the deities created Japan; the Indian god created animals (Bulls, cows etc. most primary to the Indian people) and most famously eh Ganges; whilst the Chinese tale also has symbols of China (specifically the turtle). For people in those days, the world was their country. It was all they knew. Creation myths, therefore, centered on their nation.
Paper Doctorate
Tom Ripley as Supervillain Antihero in Highsmith's Novel
This essay argues that the character of Tom Ripley in The Talented Mr. Ripley can only be understood in the context of adventure and comic book superheros and villains. In particular, while one can read Tom as a queer and class-conscious character, these traits are subsumed by his larger movement towards becoming a supervillain. Over the course of the novel, he comes into his own, and gradually comes to understand the unique power he controls and how to use it to make a place for himself in an inhospitable world.
Paper Doctorate
Humbert's Lust and Love in Nabokov's Lolita
In Lolita, Vladimir Nabokov creates the character of a clear anti-hero in Humbert, a man who has is guilty of pedophilia, possibly rape and murder. The bulk of the book, however, is devoted to Humbert's narration of his…
Paper Doctorate
Gender Roles in Greek Mythology: Hercules and Theseus
This paper takes a close look at the way in which gender constructs and identities function within the myths of Hercules and Theseus. This paper will demonstrate that quite often, it doesn't matter what particular character traits a given hero or heroine will possess, they'll still fall victim to certain gender tropes that resound throughout Greek mythology.
Essay Doctorate
Religion, Forgiveness, and Counseling: Values in Practice
The counselor ontologically stands in a different mode to the client and has his or her values. This necessarily extends to religion, or lack of it, and the problem may be that even though the counselor seeks not to…
Paper Undergraduate
Aristophanes, Cratinus & Eupolis: Old Athenian Comedy
Acharnians, Knights, and Clouds are three of the most revered works by Aristophanes. These works are of particular interest to this discourse because they have clear political and social nuances which affected the…
Research Paper Doctorate
Monster Motivations and Heroism in Beowulf Explained
¶ … Old English poem Beowulf offers a number of contrasts in telling the story of the hero Beowulf and his fight to save a community not his own first from the monster Grendel and then from Grendel's mother.
Research Paper Doctorate
Beowulf: Pagan Heroism and Christian Morality in the Epic
Beowulf -- a tale of pagan nationhood and Christian morality