343 results for “Roman Architecture”.
Roman public architecture contained elements derived from both Greek and Etruscan traditions. Spatially, Roman architecture shows a development from closed, simple space units and regular articulation to more complex spatial relations, more fluid interpenetration of spaces, and more rhythmic organization of space and mass. New materials, such as concrete with brick and stone facing and marble veneers, sculptural decoration, and walls painted with illustration helped to further enhance the early Roman architecture.
A characteristic feature of Roman design was the combined use of arcuated and trabeated construction. Although at first tentatively employed in the spaces between the classical columns, the arch eventually came to be the chief structural element. Flanking columns, usually engaged and superimposed served merely as buttresses or for decoration. The building of Roman architecture was aided after the invention of concrete. Using this material, architects covered vast interior spaces with vaults of increasing complexity and without interior…
Daniel J. Boorstin, (1992) explains how omans made use of marble, concrete and bricks to hold their structures together, "By the time of Augustus, marble, used in oman buildings mainly in slabs for facing or in decorative fragments for mosaics or pavements, was a material more cosmetic than structural. Like stucco, it covered a solid core of brick and concrete. Yet it was concrete that made ome's grand and distinctive buildings possible. Bricks, one of the most ancient and familiar building materials, when added in the concrete gave character, novelty and grandeur to oman works. Bricks embedded in concrete helped hold together grand new shapes."
Apart from the Colosseum there are several other beautiful buildings in ome that remind us of ancient architects who achieved so much with few resources and facilities. The reason why these buildings have withstood the test of time is because of the use of a…
References
1) Roman architecture., the Columbia Encyclopedia, Fifth Edition, 01-01-1993
2) Daniel J. Boorstin, the Creators., U.S. News & World Report, 08-31-1992, pp. 74-103.
3) Yegul, Fikret, Hadrian's Villa and Its Legacy. Vol. 79, the Art Bulletin, 09-01-1997, pp 547(4).
4) Roman Colosseum: http://www.greatbuildings.com/buildings/Roman_Colosseum.html
The city became filled with triumphal arches commemorating great victories of generals and emperors, like the Triumphal Arches of Titus, Constantine, and Septimus. Thus, in contrast to ancient Greece, civic leaders as well as the gods were consecrated in images near every public dwelling.
Roman building materials were also different. Unlike the Greeks, Roman builders could not use marble all the time, because it had become expensive. But the Romans had developed concrete, in addition to their terracotta, stone and brick. Concrete was another example of a superior Roman technological reform. It was "made by mixing pazzolana, a strong volcanic material with rubble and a mixture of limes. The concrete was used to make walls, domes, vaulted roofs of solid concrete, concrete with brick ribs and faced structure" ("Roman Architecture," Romans Page, 2008).
The use of the arch, along with the development of new building materials enabled Romans to create…
Works Cited
Ancient Roman Architecture." Crystal Links. 12 Apr 2008. http://www.crystalinks.com/romearchitecture.html
Roman Architecture." Romans Page. 12 Apr 2008. http://www.iol.ie/~coolmine/typ/romans/archie2.html
St. Madeleine Church
Roman Architecture
Romanesque art and architecture was the true depiction of mediaeval Christian art and was in full boom in the 12th century. The term Romanesque, points to the principal source of the style and the buildings of the Roman Empire. In addition to classical elements, however, Roman church architecture is derived from components of Byzantine and Eastern origin.
French Architecture
French Romanesque architecture is characterized by (French Architecture) 1 various vaulted styles. Provencal churches have pointed domes and facades decorated with tiers of wall arcades filled with sculpture. In the Auvergne region in central France, architects built churches containing a long choir with side aisles and, around the semicircular sanctuary, an arcaded ambulatory semicircular aisle) with radiating chapels. In Burgundy the barrel-vaulted, three-aisled basilica was highly developed.
Norman architects, influenced by Lombardian methods, created an original style with groined vaults supported by flying buttresses, and facades…
Works Cited
French Architecture, http://www.geocities.com/SoHo/Workshop/5220/middle/romanesq.html
Vezelay: The Great Romanesque Church, http://www.frenchculture.org/books/release/art/mouilleron.html
Vezelay, http://53.1911encyclopedia.org/V/VE/VEZELAY.htm
Eglise St. Madeleine (St. Madeleine Church), http://www.europeguidebook.com/france/regions/northeast/troyes/fr_troyes_poi.cfm
After this, there could have been very little perceived threat left; not only were the Carthaginian's surrendering rather peacefully, but they were even giving up their means of waging war effectively. The giving up of weapons in an age when manufacture and shipping -- the two methods by which any commodity, military or otherwise, can be obtained -- took an extended period of time meant that the Carthaginians were showing themselves to desire peace not only in the short-term, but as a general social principle.
Their submission to the Romans, then, should have been the end of the war. If the reason behind Rome's military invasion of the Carthaginian territory was the possible threat the area presented to Rome, then its disarmament would have solved that problem. The Romans refused to let the issue go, however, demanding that the entire city of Carthage be destroyed right to the ground.
It…
Architecture
Naves During the Middle Ages -- Architectural Analysis
Timber Roof
From a structural perspective, the basic timber roof possesses some problems, most notably its relatively flimsy structural integrity. It is easy to construct, requiring less manpower to lift it and to construct its support network, but provides relatively little resistance to the elements of snow and the wind. It is functional in the sense that it performs the sheltering function of shielding the building's inner dwellers, and encloses the building from the open air, but aesthetically is not satisfactory in providing the sense of 'reaching up to the sky' so important in Medieval cathedrals of the era, and of some import in castles and other symbolically significant structures.
Longitudinal barrel vault
This is the simplest form of a vault, consisting of a continuous surface of semicircular or pointed sections. It resembles a barrel or tunnel that has been cut…
20,21). Romanesque structures tend to be dark and cave-like on the inside. Arches became pointed, rather than rounded as in Roman structures. Gothic architecture represents an advancement in engineering techniques, as builders found that they could do with thinner materials and that roofs could span greater distances. The roofs in Gothic architecture was supported by this new form of arch, rather than by the massive walls, as was done in Romanesque architecture ("Gothic Architecture," pp. 20,21)
Gothic structures sported and increased number of towers, flying buttresses, and decorative designs ("Gothic Architecture," pp. 20,21). Gothic architectures indow openings were adorned with either stained glass or the distinctive Gothic Rose indows. Adornments included human figures, animals, scenes of ordinary life, wars, important events, gargoyles and other mythological creatures. Gothic structures were highly ornate when compared to Romanesque Structures.
Conclusion
Visiting different structures on a trip through Europe can be an exciting adventure.…
Works Cited.
"Gothic Architecture." Athena Review. Vol. 4. No. 2.pp. 20,21. < http://www.athenapub.com/14gothic-architecture.htm >. Accessed October 6, 2010.
Gothic Art. "Worldly Famous Gothic Cathedrals and Key Characteristics of Gothic Cathedrals." < http://www.gothicart.org.uk/characteristics_of_gothic_cathedrals.htm >. Accessed October 6, 2010.
Sacred Destinations. "Romanesque Architecture." Sacred-Destinations.com. 2010. < http://www.sacred-destinations.com/reference/romanesque-architecture >. Accessed October 6, 2010.
An integrated system was used in buildings where columns, pilasters, and entablatures came together as support. Arches were also used in building churches and other such structures. Semi-circular or segmental vaults were used which were mostly without ribs. In this era domes were not only used in churches but they were also used in building secular structures. Doors and windows usually had square lintels in the buildings of the era. Cravings and decorations also became prominent part of the structures taking their inspiration from the classic structures. Though Florence was the place where renaissance started but Italy embraced renaissance and effects of classic architecture as opposed to Gothic architecture. enaissance style further gave way to baroque style in the 17th-century. The Georgian style became notable in the 18th-century while the 19th century was given over to the classic revival and the Gothic revival.
Conclusions
Though our current architecture is derived…
Reference:
Architecture History'. Wikipedia Encyclopedia. Available at http://en.wikipedia.org
The architects are not simply referencing a general Neoclassical style but evoking specific elements of Roman architectural style that suggested wealth and success.
The Los Angeles Stock Exchange on Spring St. (which no longer houses the stock exchange) includes the neoclassical elements of symmetry and alternating bands of vertical and horizontal elements. It also features three bas-relief panels carved into the granite over the central entrance that reflect Roman and Greek styles of decoration on public buildings. These bas-reliefs, like the carvings on the Continental Building are meant to summon up a certain kind of wealth and triumph, in this case the capitalist economy. Buildings in the Classical world would not have had to be so direct in broadcasting their function and stature. But the architects of this neoclassical building understood that a 20th-century clientele needed more explicit cues (Hickey). Classical buildings shared a common vocabulary that had been lost…
Works Cited
Brain, David. Discipline and style. Theory and society 18: 807-868, 1989.
Carlihan, Jean Paul. The Ecole des Beaux-Arts: Modes and Manners. New York: Association
of Collegiate Schools of Architecture, 1979.
Christ, Karl. The Romans. Berkeley: University of California Press, 1984.
Piranesi on Architecture:
Argument and Summary
Giovanni Battista Piranesi, a fantastic writer on Roman architecture, argues, against the contemporaries of his time, for this type of architecture. Such contemporaries would state, on Roman architecture, that "there is no composition that is not full of superfluous ornament, and absolutely hors d'oeuvre. Everything is sacrificed for luxury, and in the end one is left with style that quickly becomes ridiculous and barbarous."[footnoteRef:1] However, Piranesi sticks with his taste, and proves, through a dialogue written by the critic himself, the importance of Roman architecture. Thus, this paper will give a brief summary of the afore-mentioned dialogue and the argument presented. [1: Source given by customer -- Thoughts on Architecture by Giovanni Battista Piranesi (Translation by Michaels Nonis and Mark Epstein) ]
The essay presented in this document is called Parere su l'architectura, and provide a clear exposition of the author's thoughts on "ornament…
Architecture
Leon attista Alberti and Claude Perrault viewed the beauty and order of architectural in different terms. Alberti's perspective represented the High Renaissance's love of classicism and mathematical precision. Thus, Alberti viewed architectural order and beauty as being rooted in mathematical symmetry and harmony. Perrault, on the other hand, represented a worldview that came two hundred years later, after Europe had already been split apart by the Protestant Reformation, the Scientific Revolution, and now embarked upon the Age of Enlightenment (which would lead directly into the Romantic Era). Perrault's perspective was shaped less by the order and mathematical discipline that Alberti associated with architectural order and more by the perception of beauty and the impression of spatial dimension and order. Perrault understand how the Greeks played tricks on the eyes by adhering not to a formulaic structure but rather to a consideration for the viewer, placing columns, for instance, in…
Bibliography
Alberti, L.B. (1980) On the Art of Building in Ten Books. Cambridge: MIT Press.
Alberti, L.B., Rykwert, J. (1955) Ten Books on Architecture. UK: Tiranti.
Allais, L. (2005) Ordering the Orders, Future Anterior, 2(2): 53-74.
Ching, F., Jarzombek, M., Prakash, V. (2011) A Global History of Architecture. NY:
3. Curriculum or Method of the Study
The research methodology that was applied in this study was essentially an inclusive, extensive and comparative overview of the literature on the subject. Various sources were consulted, which included books and scholarly articles on the column in architectural history. Also included in the literature survey was information and data from online databases and verified websites.
The information gleaned about columns and their historical context was extrapolated and then entered into a free-from database for further analysis. This resulted in an overall survey of the progression and evolution of various forms and types of columns, from the Egyptian column to the present day. A comparative method of analysis was employed in order to ascertain the commonalities as well as the differences between the various types and forms of this architectural structure.
What should also be mentioned is that the focus of the research, and…
References
Ancient Roman Architecture. Retrieved from http://www.crystalinks.com/romearchitecture.html
Architecture of ancient Greece. Retrieved from http://upge.wn.com/?t=ancientgreece/index12.txt
Barry C. What Are the Types of Architectural Columns? Retrieved from http://www.ehow.com/about_5453707_types-architectural-columns.html
Column: New World Encyclopaedia. Retrieved from http://www.newworldencyclopedia.org/entry/Column
Engineering the oman Colosseum
While the Colosseum stands, ome shall stand; when the Colosseum falls, ome shall fall; when ome falls, the world shall fall. -- The Venerable Bede quoting an Ancient Anglo-Saxon Peasant Prophecy
Perhaps the most enduring symbol of the greatness of the oman Empire can be seen today in the ruins of the Colosseum. This massive amphitheatre is situated in the middle of modern ome near the oman Forum and has become an iconic representation of the oman Empire at its zenith. Although estimates vary, analysts believe that at least 50,000 and perhaps as many as 80,000 spectators were accommodated in its capacious dimensions and the Colosseum has become the benchmark by which all subsequent stadia have been judged. Flush with the treasures and riches of Jerusalem, the builders of the Colosseum spared no expense in its design and construction, but despite its impressive seating capacity and…
Street in Columbus, Ohio, the humbly named Broad Street Presbyterian Church was built in 1887, but has had several additional architectural elements added since then, including structural and functional spaces beyond the main apse and nave, ranging from a large north side parking area to the multiple annexes and entryways. The Broad Street Presbyterian Church occupies a relatively large footprint, spanning about four acres of urban land. On the south side of the street, the Broad Street Presbyterian Church receives an ample amount of sunlight throughout the day, which gleams and glows as it reflects on its flagstone finish. On its centennial in 1987, the church was formally added to the National Register of Historic Places in spite of its numerous modern additions, solidifying the church in Columbus's urban landscape. In fact, the Broad Street Presbyterian Church shares the street with four other landmark churches in Columbus, all built within…
They displayed great knowledge of architecture, and their building style had been noteworthy.
As the Roman Empire began to take shape, Romans built several wonderful architectural structures for their time. They built city walls, fortifications, temples, bridges, and pavements. Most of the structures were built using large stones which were gently cut. Romans are also among the first nations in the world to have built a functional sewer system. Their remaining of their architectural structures withstood the passing of millennia and survived till today. Christian churches and even apartments buildings were built over Roman temples and other public buildings with some of them, like the Theater of Marcellus being functional even today.
orks cited:
1 H.R. Hitchcock, Seton Lloyd, David Talbot Rice, Norbert Lynton, Andrew Boyd, Andrew Carden, Philip Rawson, John Jacobus 1963. "orld Architecture: An Illustrated History." McGraw-Hill.
2. Hamlin, Talbot 1940 "Architecture through the Ages." G.P. Putnam's Sons,…
Works cited:
1 H.R. Hitchcock, Seton Lloyd, David Talbot Rice, Norbert Lynton, Andrew Boyd, Andrew Carden, Philip Rawson, John Jacobus 1963. "World Architecture: An Illustrated History." McGraw-Hill.
2. Hamlin, Talbot 1940 "Architecture through the Ages." G.P. Putnam's Sons,
H.R. Hitchcock, Seton Lloyd, David Talbot Rice, Norbert Lynton, Andrew Boyd, Andrew Carden, Philip Rawson, John Jacobus. "World Architecture: An Illustrated History." McGraw-Hill, 1963.
Talbot Hamlin. "Architecture through the Ages." G.P. Putnam's Sons, 1940.
Bramante Architecture
A fact of history is that enaissance marked a new emerging base towards the already established architecture of antiquity that was rooted in thorough recovery of the past and new inventiveness, but it was because of this that the great cities of Europe gathered much of their form that is admired by the world today. The word renaissance has entered the minds of people with dominant positive connotations of pure genius and renewal. (Campbell, 2004)
enaissance architecture is the architecture of the early 15th to 17th centuries in different areas of Europe which demonstrated a revival of elements of the ancient Greek and oman thought and culture. First established in Florence by Filippo Brunelleschi, the renaissance spread like wild fire to other parts of Italy as well and from there the style was carried to France, England, ussia, Germany and other parts of Europe. (Gromort)
During the enaissance,…
References:
Campbell, G. (2004). Renaissance art and architecture . (1 ed., p. 318). Oxford University
Press, USA.
Gromort, G. Italian renaissance architecture: A short historical and descriptive account.
Hersey, G.L., &, F. (1993). High renaissance art in st. peter's and the vatican, an interpretive guide. University Of Chicago Press.
The artworks prevalent during the early Middle Ages in many ways stand between these two extremes. The art of this period was one that was both religiously inclined but also celebrated the human form and human nature that was to become so prominent in the enaissance. In many ways much of early Medieval art was similar to the abstract and decorative art that we find in Islamic examples. An example that has been chosen to represent this early period of European art is the Gerona Bible Master from Bologna, Italy,
Figure 3.
(Source: http://www.artlex.com/ArtLex/m/middleages.html)
This decorative example displays intricate artwork that emphasizes and enhances the Biblical context. The text or lyrics on the page refers to hymnal and religious phrases of praise, such as "Let us rejoice" (Art: Middle Ages). Note the way that the decorative images add depth to the aesthetics of the script and the manuscript as a…
References
Art and architecture of the Early Middle Ages. Retrieved from http://www.artandpopularculture.com/Middle_Ages
Art: Middle Ages. Retrieved from http://www.artlex.com/ArtLex/m/middleages.html
Middle Ages. Retrieved from http://www.answers.com/topic/middle-ages
Roman art. Retrieved from http://www.artchive.com/artchive/R/roman.html Siddiqui E.
Patterned after the old cathedral at Reims, the abbey church displays a similar set of volumes with east and west transepts with crossing towers; an especially large western apse balancing a triple apse at the opposite end.
The massing of the towers around the main structure of the nave, and the rows of round arched windows set high in the walls are typical Romanesque features. The overall affect is one of fortress-like magnificence - a fitting setting for an abbey in a world that was still heavily plagued by violence, and in which the learned were as yet required to turn inward. Symbolically, too, it represents the introspection of religion, the commitment of the devout to purge themselves of sin, and to create a pure space within themselves, one that is walled off from all external temptations. The interior plan, as well, is simple and straightforward, a two-aisled nave that…
Works Cited
http://www.questia.com/PM.qst?a=o&d=53317567
Calkins, Robert G. Medieval Architecture in Western Europe: From a.D. 300 to 1500. New York: Oxford University Press, 1998.
A www.questia.com/PM.qst?a=o&d=74414343
Horste, Kathryn. Cloister Design and Monastic Reform in Toulouse: The Romanesque Sculpture of La Daurade. Oxford: Oxford University, 1992.
" (New Standard Encyclopedia, 1986) There were two classes of people in ancient Rome, specifically those who were the patricians, or landowners and the plebeians who were poor farmers and those who worked in the city as well as those who had gained citizenship.
III. BEST RESENTATIVE of the GOOD SIDE of ROME
The emperor Marcus Aurelius who is remembered for his excellent form of a working government is stated to have passed away during the year of 180 a.D. during a war with the tribes of the Danube River, who were viscous tribes. The government was broke and the countrymen of Rome were sick from the plagues that had been infecting the land. The son of Marcus Aurelius, Commodus was spoiled and loved pleasure. Under the rule of Commodus, the government was poorly run and the result is that Rome is stated to have fallen into decay.
IV. RULE…
Works Cited
Charlemagne (2006) Lucid Cafe Website. Online available at http://www.lucidcafe.com/library/96apr/charlemagne.html.
Rome (1986) New Standard Encyclopedia. Standard Educational Corporation Chicago, Illinois.
Durrant, Will (nd) a Story of Civilization. Online available at http://www.chronique.com/Library/MedHistory/charlemagne.htm
Ancient Roman History
Gothic Architecture
The ancient cities of ome and Florence are layered ones. If one has the chance to walk the streets of these cities it is clearly that the they have had far more than the nine lives of the feline: Layer upon layer of human life and human ingenuity is displayed in the many different styles that line the streets. While we may tend to think of ome and Florence as the classical city that they once were (and of which they still bears many elements) they are also in many ways Gothic cities, for some of the cities' finest examples of architecture date from the Gothic period. This paper examines two particular Gothic churches - Santa Maria Maggiore in ome and the church of S. Maria del Fiore in Florence is no exception. Each church is examined for the combination of specific historical forces and styles, the building…
References
Brown, Peter. "A Dark Age Crisis." English Historical Review 88 (1973), 1-34.
Cameron, Averil. "The Virgin's Robe: An Episode in the History of Seventh-Century Constantinople." Byzantion 49 (1979), 42-56.
Croddy, S. "Gothic Architecture and Scholastic Philosophy." The British Journal of Aesthetics 39 (3), 263-272.
Davis, Michael, Science, Technology, and Gothic Architecture. Avista 8 (2) (1994/95), 3-6. http://www.area.fi.cnr.it/bivi/eng/schede/Toscana/Firenze/17cattedrale.htm
Ancient Rome
Diocletion attempted to stabilize the Roman Empire by splitting it into two (and later four) regions with four rulers -- also known as the Tetrarchy, with each ruler picking a successor (Mathisen). Since the time of Caesar, it had essentially become too big to be governed by one ruler. Thus, Diocletian's re-ordering of the empire was a way to make governance more practical and possible (Khan Academy). He himself took over governance of the Eastern half with its base in Constantinople while appointing a co-ruler for the Western half. Later to keep out the Visigoths, Diocletian also appointed two more rulers to help keep the barbarians from invading. In doing so, Diocletian began the practice of subdividing provinces into dioceses -- and creating a hierarchy of governance from the local level on up to the imperial level. This is where the Catholic Church adopted its diocesan rule from.…
wealthy Roman, a villa a retreat stresses public life? I asked role villa life a wealthy Roman a definite conclusion. as a villa a retreat, a number roles. I appeal evidence drawn Roman literature, Horace Pliny, Younger.
The Roman Villa
Romans considered villas to be more than just locations where they could live on a daily basis, as these buildings served a series of other purposes. City life imposed a great deal of stress on the wealthy and intellectual members of the Roman community and thus they needed a place where they could escape colloquial duties. City streets were dirty, unwelcoming, and filmed with violence, as they practically contrasted villas and their surrounding environments. In order for a villa to satisfy its inhabitant to its maximum potential, it had to be in accordance with his personal desires, both inside and outside. Also, the scenery where the villa was located needed…
Works cited:
Melmoth, William, "Elegant epistles, or, a copious collection of familiar and amusing letters: selected for the improvement of young persons, and for general entertainment, from Cicero, Pliny ... And many others," Printed for Charles Dilly, 1790, New York Public Library.
Rykwert, Joseph and Schezen, Roberto From Ancient to Modern, New York: Abrams Books, 2000
"Sketches of the domestic manners and institutions of the romans," Printed for Baldwin, Cradock, and Joy, 1821, Complutense University, Madrid.
passive solar architecture is nothing new. Socrates observed, more than 2400 years ago, that when a house is facing to the south, the sun's rays penetrate through the windows of the house in the winter, giving heat to the inside, and shines right above the house in the summer, giving shade and cooling on the inside. At that time, this house probably lost heat as fast as it was collected, because of the convective and radiation losses. ut the idea was there, which the Romans built upon, by using windows, covered with glass, to trap the solar energy. This caused the internal temperature to stay constant throughout the night.
Passive solar architecture has come a long way since the time of Socrates. Most passive solar homes have the same characteristics in each that make them more energy efficient than they were back then. In the Northern Hemisphere, the windows are…
Bibliography
Holloway, Dennis R. Architecture Solar Virtual Reality Native American Archaeology. 6 December 2002. www.taosnet.com/architectVRe/html/SolarDesignb.html
Passive Solar Heating and Cooling Page. Arizona Solar Center. 6 December 2002. www.azsolarcenter.com/technology/pas-2.html
Hodges, Laurent. The Hodges Passive Solar Home in Ames, Iowa. 6 December 2002. www.public.iastate.edu/'envr_stu_324/house.htm
Passive Solar Architecture and Energy Efficient Houses -- Renewable Energy in the Home. The Australian Greenhouse Office. 6 December 2002. www.greenhouse.gov.au/renewable/home/passive_solar.html
Bust of Antinous
The piece of Roman art being discussed is the bust of Antinous Mondragone, which is now in the Louvre in Paris, and it came from the Mondragone villa, located in Frascati, Italy. The artist is unknown, but it is thought to have been sculpted around 130 AD. This beautiful sculpture represents much of Roman art at the time, and it represents a larger cultural context, as well.
The arts were becoming popular during this time in the Roman Republic, and sculpture was becoming increasingly popular after the Romans captured Syracuse during the Second Punic Wars and brought back much of the island's sculpture to display in Rome. Roman sculpture often copied classic Greek statutes, because the artists and people admired Greek art. The sculptures were often of Roman rulers, indicating how important they were to the culture, and how they were held up by the people as…
architects in the 21st century is the issue of sustainability. Not only is there no consensus opinion on how to approach the issue of sustainability in academic circles but there is also no formula of integrating sustainability into architectural curriculum (Wright, 2003). This deficiency underscores an even more stressing problem, however: as Edwards and Hyett (2010) note, "the techniques and technologies of green design are now generally understood -- what is still lacking is an architecture profession which gives priority to ecological issues" (p. 5). In other words, there is no connection between the myriad academic approaches and the professional architectural life. Wheeler (2015) asserts that this issue is due to an inadequate definition of sustainable architecture. In the capitalistic, consumerist global environment of the 20th century, the concept of preservation and connectivity to nature was largely overshadowed by corporate demand and higher margins.
Yet the end of the 20th…
References
About SsD. (2016). SsDArchitecture. Retrieved from http://www.ssdarchitecture.com/about/
Botsman, R. (2010). What's Mine is Yours: The Rise of Collaborative Consumption.
NY: HarperCollins.
Bovill, C. (2014). Sustainability in Architecture and Urban Design. NY: Routledge.
Ohio Capitol Building
Discuss the overall design of the building. Upon what earlier buildings or styles was the design of this structure based? hy is that significant?
According to those who helped to construct the building, the Ohio Capitol was intended to be a building that was designed simplistically, to reflect the refinement and simple nature of the people in the state (Gilkey 1902,-page 651). The Ohio Capitol Building's design is based upon Greek and Roman architecture. It has been considered a premier example of Greek revival architecture which became popular during the 19th century in the United States and Europe (Gilkey 1902,-page 652). The structure was designed before the United States Capitol building and thus does not have the round dome that most capitol buildings have, although that structure too was designed after Grecian and Roman architecture. Subsequent additions to the building, either because of the need for additional…
Works Cited:
Gilkey, Elliott Howard et. al. (1901). The Ohio Hundred Year Book: a Hand-book of the Public
Men and Public. Taylor: Columbus, OH.
"The Ohio Statehouse." (2012).
http://www.ohiostatehouse.org/Information/AboutTheStatehouse/Index.aspx
Architecture through the Ages
Mesopotamia
Construction in ancient times is second only to agriculture-it reaches back as far as the Stone Age and possibly further (Jackson 4). Before the existence of master builders in design and construction the Code of Hammurabi (1795-1750 B.C.) referred to design and construction as a simple process (Beard, Loulakis and undrum (13). Hammurabi was the ruler of Babylon, the world's first metropolis and he codified his code of laws (Beard 13). This is the earliest example of a ruler introducing his laws publicly. The code regulated the organization of society including the extreme punishments for violating the law. The builder's work is addressed in the code, however faulty design and improper construction were viewed as one (13). Six specific laws address the builder. These laws are;
228. If a builder build a house for some one, and does not construct it properly, and the house…
Works Cited
"Albert the Great." The Masonic Trowel. Web. 26 Mar. 2010. .
"Architecture and the Medieval Builder." Wikipedia The Free Encyclopedia. Web. 26 Mar. 2010. .
"Basilica of Santa Maria Novella." Wikipedia The Free Encyclopedia. Web. .
Beard, Jeffrey, Michael Loulakis, and Edward Wundrum. Design-Build:planning through Development. McGraw-Hill, 2001. Print.
In contrast, English baroque has been described as being more secular, with a higher degree of classical inspiration. However, as Daniells states, this form of the Baroque style is not easy to categorize with finality (Daniells). Wellek uses the term 'restraint' to characterize English baroque (Wellek). With regard to the period of the Scientific Revolution, English Baroque drew inspiration from renaissance geometry. As in the Italian or Roman Baroque, there is a strong religious element that permeates all the designs.
The form of Baroque is exemplified by work of Sir Christopher Wren and buildings like St. Paul's Cathedral. The following summary by Soo is reiterated as it encapsulates the link between English baroque and the religious and scientific values of the period. "...as the result of a compromise between native medieval tradition and continental classicism, reconciled by creating a disunity between appearances and reality, the final design of St. Paul's…
Churches represented the primary type of Romanesque architecture. Despite regional variations, Romanesque architecture shares a multitude of common characteristics such as harmonious proportions, stone barrel vault, round arches supporting the roof, thick and heavy walls and pillars, or small windows. Also, most Romanesque churches feature round arches used for exterior and interior decoration, a nave with side aisles though there is also a number of small, more modest churches which do not have an aisle), galleries above the side aisles, separated from the nave by a triforium, a transept, an apse and an ambulatory around the apse. Also, most Romanesque churches have multiples towers, as well as sculptured decorations on portals and capitals, and painted decorations throughout the interior. One of the most important structural developments of Romanesque architecture was the stone barrel vault which was intended as an alternative to wooden roofs which were prone to fires (Butt 162).…
Sources
Browne, Edith A. Romanesque Architecture. Kessinger Publishing, 2005.
Butt, John J. Daily life in the age of Charlemagne. Greenwood Publishing Group, 2002.
Gothic vs. Romanesque Architecture
The Romanesque and Gothic styles of architecture are key to the artistic development of the Middle Ages. They are they result not only of an aesthetical development, a natural consequence of improving socioeconomic conditions and a growing interest of individuals and groups to showcase their wealth and power with churches and other constructions, but also a result of technological developments. Indeed, many of the components of these styles came about as architectural necessities: to support the new constructions, technical innovations needed to be implemented and this sometimes translated into stylistic expressions.
This paper will investigate each architectural style in part, focusing both on a separate, relevant description of the main elements and on a comparison between the Romanesque and Gothic styles. To the degree to which this is possible, the paper will aim to showcase the description and the comparison with concrete examples from the civic…
Bibliography
1. Rolf Toman, Romanesque: Architecture, Sculpture, Painting, Konemann, (1997)
2. Banister Fletcher, A History of Architecture on the Comparative method (2001). Elsevier Science & Technology.
3. Helen Gardner; Fred S. Kleiner, Christin J. Mamiya, Gardner's Art through the Ages. Thomson Wadsworth, (2004)
4. Pevsner, Nikolaus. An Outline of European Architecture. Pelican Books. (1964)
Staircase ramps which are comprised of steep and narrow steps that lead up one face of the pyramid were more in use at that time with evidence found at the Sinki, Meidum, Giza, Abu Ghurob, and Lisht pyramids respectively (Heizer).
A third ramp variation was the spiral ramp, found in use during the nineteenth dynasty and was, as its name suggests, comprised of a ramp covering all faces of the pyramids leading towards the top. Reversing ramps zigzag up one face of a pyramid at a time and would not be used in the construction of step pyramids, while lastly interior ramps that have been found within the pyramids of Sahura, Nyuserra, Neferifijata, Abusir, and Pepi II (Heizer, Shaw).
Ancient Greece
Ancient Greek architecture exists mainly in surviving temples that survive in large numbers even today and is tied into Roman and Hellenistic periods which borrowed heavily from the Greeks.…
Bibliography
Ackerman, J.S. "Architectural Practice in the Italian Renaissance." Journal of the Society of Architectural Historians (1954): 3-11.
Alchermes, Joseph. "Spolia in Roman Cities of the Late Empire: Legislative Rationales and Architectural Reuse." Dumbarton Oaks Paper (1994): 167-178.
Allen, Rob. "Variations of the Arch: Post -- and lintel, Corbelled Arch, Arch, Vault, Cross-Vault Module." 11 August 2009. Civilization Collection. 5 April 2010 .
Anderson, James. "Anachronism in the Roman Architecture of Gaul: The Date of the Maison Carree at Nimes." Journal of the Society of Architectural Historians (2001): 68-79.
Houses permitted the people to move from a nomadic existence to a settled and more organized way of life. The majority of the houses were square with other rooms built on. The palaces of the early Sumerian culture were the political, economic and religious focal points of the city; large-scale, lavishly decorated, and consisted of rooms used to house craftsmen and such. Archaeological finds have also revealed them to be temples and burial chambers for the elite, as well as library complexes, armories, and entertainment halls decorated with pictorial and mythological figures.
It was during the time of the Sumerian civilisation transitioning from nomadic hunting to agriculture, that many changes occurred as the population grew and more force was exerted on the local food supply. This necessitated more organization and administration that led to non-tribal leadership with its own political, economic and religious arrangement. Mesopotamia's expansion led to a wide…
It also set up a conflict between labour and capital, a variation of the old conflict between peasants and nobility. Because it was based on a competitive "free" market, capitalism inherently sought labour-saving and time-saving devices by which it might increase efficiency and productivity. In other words, manufacturing and production processes were sped up through specialisation (division), automation, mechanisation, routinisation, and other alienating forms of production in which the human being was less a personality at work and more a replaceable cog in a much larger system. This changed the way construction products were made. The concept of capitalism itself envisioned the mass production system and then made it a reality.
Furthermore, with the rise of the factory and the mechanisation of labour, farming began a decline and people flocked to the cities to find other types of work. Added to this there were advances in medicine which meant that…
References
O'Conner, P. (2003). Woe is I: The grammarphobe's guide to better English in plain English. New York: Riverhead Books
One exception to this is Pausanias, a Greek writer. He recorded the quarrying done in Greece but he lived in the second century a.D. For other details, the information related to their architecture is limited to the writings of Vitruvius, an architect in ome, also a military engineer and a writer who lived during the rule of Augustus (Masrgary, 1957; Derry and Williams, 1961).
The Greek construction inherits its glory from the timber-framed European houses that revolved around three chambers and hearths and not from the buildings in the Near East or even the Mycenean tombs. The temples that appeared earlier in Greece were built of mud bricks with a timber roof that was thatched to facilitate a wider construction, the transverse beams were held by a row of posts that were kept in the middle and the posts were also kept in the mud brick walls for the same…
References
Derry, T.K. And Williams, T.I. A Short History of Technology from the Earliest Times to a.D. 1900. Oxford University Press. New York. 1961. Chapter 5.
Sttraub H. A History of Civil Engineering. (Eng. trans. By E. Rockwell). Hill, London, 1952.
Edwards I.E.S the Pyramids of Egypt. Penguin Books, Harmondsworth, 1950.
Toy, S. A History of Fortification from 3000 B.C. To a.D. 1700. Heinemann, London, 1955.
Arch of Constantine
From a structural perspective, the "Arch of Constantine" is a form of late Roman architecture, dated around 315 C.E. It was constructed by unknown men and women, and designed by an unknown architect or architects for a military commemoration of Rome's glory. In these characteristics, it shares many of the characteristics of ancient masonry of the Roman era, although it is smaller in scope than the Coliseum, for instance, and has no utilitarian purpose unlike that structure. ("Arch of Constantine," Great Buildings Online) It takes the form a triumphal or traditional upside down "U" shaped arch faced by two smaller "U's and located on the grounds of the Coliseum in the Piazza del Colosseo. It was commissioned to be erected by the Roman Senate in honor of Constantine to commemorate his victory over Maxentius in 312 A.D. (Planter and Ashby, 1929)
Despite is relatively late date, the…
Works Cited
Arch of Constantine." Great Buildings Online. Retrieved on March 6, 2004 at http://www.greatbuildings.com/cgi-bin/glk-http://sights.seindal.dk/sight/299.html
Benton and DiYanni. Arts and Culture. New York: Prentice Hall, 1988.
Planter and Ashby. "The Arch of Constantine." From A Topological Dictionary of Ancient Rome. Oxford University Press, Oxford: 1929. Retrieved on March 6, 2004 at http://www.ukans.edu/history/index/europe/ancient_rome/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/Arch_of_Constantine/home.html
The image of Mary's fingers embedded into the flesh of the child almost appears as sculptured image, thanks to the use of color separation. In addition, the glossy enamel of the panel furthers the illusion of movement within the three-dimensional shape (Marx, "The Madonna of St. Vitus Cathedral in Prague").
Still further representations of Bohemian influence of the architecture of Prague can be seen within the Church of Virgin Mary Victorious in Prague. The building, built in 1611 as the Holy Trinity Church, was reworked in 1636 as Mary Victorious. The church is a resounding example of Bohemian art within architecture. Originally based on oman architecture, the structure was renovated to represent a more Bohemian culture ambiance. Introducing a single-nave layout, typical of the Bohemian simplicity, the church brought a sense of anti-reformation. The rebuilding also included a paneling of the frontage of the structure with traditional Bohemian artworks of…
References
Kren, Emil. "Bohemia." The History of the Style. 2003. Prague National Gallery. 19 April 2003. Prague National Gallery. http://www.wga.hu/tours/gothic/history.html#bohemia .
Marx, Dan. "The Madonna of St. Vitus Cathedral in Prague." Prague National Gallery. 2003. Prague National Gallery. 19 April 2003. http://www.wga.hu/html/m/master/xunk_bo/madvitus.html .
Meilach, Dona. "Prague: The City is the Museum." Arts and Activities 129.2 (2001): 55-57.
Official Site for the Czech Republic. "Church of Virgin Mary Victorious." Bohemia and Moravia Baroque Architecture. 2003. Czech Republic. 19 April 2003. Official Site of the Czech Republic. http://www.cartage.org.lb/en/themes/Arts/Architec/BaroqueArchitecture/BohemiaMoraviaBaroqueArchitecture/BohemiaMoraviaBaroqueArchitecture.htm.
In the region of Aquitania in southwest France, it became customary to "cover church roofs with domes which reflected the influence of yzantium or Armenia" (Williams, 223). Most of these Aquitanian churches contained a longitudinal, aisle-less nave which was covered by a sequence of domes which in turn were usually covered by a pitched wooden roof.
The end result of this style was quite practical since the pendentive-supported domes required far less buttressing than continuous barrel vaults, such as found in ancient Roman architecture. Although these churches and other similar structures "never aimed for the soaring heights of northern Romanesque structures" like those found in Germany, they do "represent an almost perfect fusion of geometric planning with elevation and clearly exhibit the functions of all their structural parts" (Williams, 225).
Yet despite these architectural differences, the Romanesque style from about 1050 onwards created a number of clear characteristics, such as…
Bibliography
Smithson, Charles. The Architecture of Tuscany. New York: Abrams Publishing, 2003.
Williams, Kenneth a. The Architecture of Norman England. New York: Abrams Publishing, 2002.
Brunelleschi's Architecture
The religious architecture of Filippo Brunelleschi in Florence in the early 1400s established a new Renaissance aesthetic by blending religious symbolism with mathematical and classical principles that he drew from visits to ancient ruins of Rome as well as from Vitruvius' De Architectura. This paper will describe how Brunelleschi's unique blend inspired a new movement in Renaissance architecture -- a movement that began with the Dome of the Florence Cathedral and stretched through to the production of the Dome of St. Peter's Basilica under Michelangelo, whose plan was a kind of compromise between the Brunelleschi-inspired plan of Bramante and the more crux-like design of Raphael (Johnson). The Basilica's dome was meant to rival that of the wonder of Florence, created by Brunelleschi, which had essentially pushed the boundaries of Italian architecture into the next phase of greatness.
The phase of grandeur that Brunelleschi heralded with his Dome of…
Town/Village Development in the UK in the Medieval Ages
Leicester Development in the Medieval Ages
Leicester provides an excellent example of fort-settlement-town-city development through the Medieval Ages. Controlled at different stages by the Romans, Anglo Saxons, Danish and, of course, Great Britain, Leicester shows the combined contributions, primarily of the Romans, Anglo Saxons and British in its development. Realizing the importance of these contributions, the University of Leicester has undertaken various archaeological projects to continually learn about the city's Medieval development and the Leicester City Council has undertaken a considerable preservation project, particularly of the marketplace area. Both the University and the City Council intend to uncover and preserve Leicester's rich history.
Backdrop: British to Roman to Anglo Saxon to Danish to British
Leicester is a city located at 52°38"06"N 1°08"06" in modern-day East Midlands, Great Britain (Google, Inc., 2006). However, it did not become an organized settlement until it…
Works Cited
Artsin Leicester/shire. (n.d.). Historic buildings and monuments, from Roman times to 1800. Retrieved from Artsin Leicestershire Web site: http://www.artsinleicestershire.co.uk/architecture/historic_buildings.htm
Chaucer, G. (2007). Chaucer's Canterbury Tales. Retrieved from Electronic Lierature Foundation Web site: http://www.canterburytales.org/
Geolocation. (n.d.). The Free Grammar School in Leicester, England. Retrieved from Geolocation.ws Web site: http://upload.wikimedia.org/wikipedia/commons/0/0b/Leicester_Free_Grammar_School_west_side.jpg
Google, Inc. (2006, July 2). Leicester, UK. Google Earth (Version 5.1.3533.1731) [Software]. Mountain View, CA, USA: Google, Inc. Retrieved from Google Earth Web site.
Between 1225 and 1250 C.E., Notre Dame was extensively modified when the chapels were built into spaces between the buttresses and the transept arms were lengthened. Of course, it is Notre Dame's facade which draws the most attention, due to its verticality which makes Notre Dame one of the most satisfying and memorable structures in Gothic architecture.
In conclusion, the talented men who designed these churches and cathedrals which always towered over the towns and cities below symbolize a great confidence in their faith, for they regarded these structures as the "real image of the City of God" (Demus, 2004, p. 113), perhaps as a form of heavenly Jerusalem in which they felt very privileged to have worked on earth as representatives of God's own majesty.
EFEENCES
Demus, Otto. (2004). Byzantine art and the west. New York: New York University Press.
Erlande-Brandenburg, Alain. (2006). Gothic art. New York: Abrams Academic…
REFERENCES
Demus, Otto. (2004). Byzantine art and the west. New York: New York University Press.
Erlande-Brandenburg, Alain. (2006). Gothic art. New York: Abrams Academic Press.
Kubach, Hans Erich. (2005). Romanesque architecture. New York: Electra/Rizzoli Publishing.
IMAGE LINKS:
The Palace of the Emperor Titus was completed in 81 AD by the architect Rabirius.[footnoteRef:2] Located on the greater part of Esquiline Hill, the Baths of Titus (named the Palace of Titus by Pliny) extended from the “based of the Esquiline Hill near the Coliseum to one of its summits at the Church of SS. Martino e Silvestro, and to another at S. Pietro in Vincoli.”[footnoteRef:3] It is believed that the Palace was built rather quickly by converting an existing structure into the Baths.[footnoteRef:4] The Palace used the house of Mecenas and the Golden House of Nero which had come across from Palatine Hill as part of the construction that existed to make the Palace. There were “nine long corridors, converging together like the radii of the segment of a circle, divided from each other by dead walls, covered at the top and closed at the end” according to one…
The Palace of the Emperor Titus was completed in 81 AD by the architect Rabirius.[footnoteRef:2] Located on the greater part of Esquiline Hill, the Baths of Titus (named the Palace of Titus by Pliny) extended from the “based of the Esquiline Hill near the Coliseum to one of its summits at the Church of SS. Martino e Silvestro, and to another at S. Pietro in Vincoli.”[footnoteRef:3] It is believed that the Palace was built rather quickly by converting an existing structure into the Baths.[footnoteRef:4] The Palace used the house of Mecenas and the Golden House of Nero which had come across from Palatine Hill as part of the construction that existed to make the Palace. There were “nine long corridors, converging together like the radii of the segment of a circle, divided from each other by dead walls, covered at the top and closed at the end” according to one…
The second stage was of the Ionic order and with windows, rising to the level of the first apartments of the papal palace and of those of the Belvedere; to form subsequently a loggia more than four hundred paces on the side towards ome and another towards the wood, with the valley between, so that it was necessary to bring all the water of the Belvedere and to erect a beautiful fountain" (Vasari, 2006, Donato Bramante).
The work combined elements of a variety of sacred and secular oman architecture in its inspiration and design. Its "axiality recalled the ancient temple complex at Palestrina, the symbolism of the Cortile del Belvedere (1507-7) combined overtones of oman villa and theatre" (Donato Bramante, 2011, Encyclopedia of Art). Unlike the anonymous artists of the Gothic era, Bramante proudly created a frieze on the front of the Belvedere which bore the name of his patron…
References
Catt, Kasey. (2011). Donato Bramante. PSU. Retrieved September 6, 2011 at http://www.personal.psu.edu/mrp5074/donato%20Bramante.html
Chilvers, Ian. (2004). Bramante, Donato. The Oxford Dictionary of Art. Oxford University
Press. Retrieved September 6, 2011 at http://www.enotes.com/oxford-art-encyclopedia / bramante-donato
Donato Bramante. (2011). All About. Retrieved September 6, 2011 at http://www.allaboutrenaissancefaires.com/architecture/bramante.htm
As if to say scientific achievement and technological advancement work together with agriculture and mining to produce. Each complements and supports the other with Integrity watching over all. There was a speech given by Ayn Rand about the New York Stock Exchange about money from Atlas Shrugged?
The interpretation was if you think money is the "root of all evil," think again. hy would someone make such a statement. hy not say "what is the root of money" instead. Money is nothing of itself, it is a tool used by men in exchange for goods and services. Money cannot exists without man. It is the principles of man that determine how money is traded. They give money power or value based on the decisions they apply to the tool. He further states that "Money is not the tool of the moochers, who claim your product by tears, or of the…
Works Cited
Durante, Diane. "Integrity Protecting the Works of Man." < http://www.forgottendelights.com/NYCsculpture/salute/SalutesApril.htm#Integrity > April 2011.
Johnson, A. "Reviewing the Pediment of the NYSE." Reyte on Publishing. 2010.
"Museum Planet." NYSE. Federal Hall and Vicinity. < http://www.museumplanet.com/tour.php/nyc/fh/15 > 10 December 2011
"New York Stock Exchange." NYX.com. NYSE Euronext. Web. 5 Nov. 2011.
It consists a series of successively smaller platforms which lifted to a height of about 64 feet, and was constructed with a solid core of mud-brick covered by a thick skin of burnt-brick to guard it from the forces of nature (Burney). The Ziggurat's corners are oriented to the compass points, with walls sloping slightly inwards (Molleson and Hodgson) .
The Ziggurat of Ur was a component of a temple building complex that serviced the urban center as an administrative hub. Additionally, in terms of spirituality, it was believed to be the site on earth that the moon god Nanna (the patron deity of Ur) had selected to inhabit. Nanna was shown as a wise and unfathomable old man, complete with a flowing beard and four horns in number. A single shrine crowned the summit of the ziggurat (Faiella). This was purportedly the bedchamber of the god, and was occupied…
Charles Van Doren has concluded that the Copernican Revolution is actually the Galilean Revolution because of the scale of change introduced by Galileo's work.
The technological innovation of the Renaissance era started with the invention of the printing press (the Renaissance). Even though the printing press, a mechanical device for printing multiple copies of a text on sheets of paper, was first invented in China, it was reinvented in the West by a German goldsmith and eventual printer, Johann Gutenberg, in the 1450s. Before Gutenberg's invention, each part of metal type for printing presses had to be individually engraved by hand. Gutenberg developed molds that permitted for the mass production of individual pieces of metal type. This permitted a widespread use of movable type, where each character is a separate block, in mirror image, and these blocks are assembled into a frame to form text. Because of his molds, a…
66). St. Justinus' was influenced by St. Caster at Coblenz and churches Michaelstadt and Seligenstadt (Fegusson & Spiers p. 220). The columns and roofs are of cultural interest and the massive Gothic choir and its original seating still exist.
3.4. Significances
St. Justinus' has undergone changes over the years. In 1298 the relics of St. Justinus' were transferred to the mother church St. Margaret who in turn dedicated the church. In 1419 the Antoniter order made numerous altercations to the church including the building of the gothic chancel. In the early 18th century the church added an organ that is mostly intact today (The American Organist). In the 1930s and the 1980s St. Justinus' underwent restoration; today the church belongs to the parish of St. Josef in the Frankfurt district of Roman Catholic Diocese of Limburg (aedekers Frankfurt).
Crusades:
4. Krak des Chevaliers, Syria (AD 1144 -- 1250) -- 950…
Bibliography Page
Albright, W.F. (1936), "Archaeological Exploration and Excavation in Palestine and Syria, 1935," American Journal of Archaeology (Archaeological Institute of America) 40 (1): 154 -- 167
Baedekers Frankford: a city guide series. Prentice Hall Press, 1987. Print.
Bennett, M. The Hutchinson dictionary of ancient and medieval warfare. Chicago, Il: Helicon Publishing, 1998. Print.
Billings, Malcolm. The Crusades: Five Centuries of Holy Wars. New York: Sterling
According to the author, the elements of architecture found within the Dome, such as the interior double colonnades and the wooden dome are echoed in the Cathedral.
Gray concedes that one might argue for the Islamic nature of the mosaic decorations. However, even this element adheres more to the Hellenistic tradition before the Islamic synthesis than to Islam itself. Elements of Islam that are included are the fact that there is no representation of men or animals in the mosaic, as well as the syncretic vocabulary.
Myriam Rosen-Ayalon more closely examines both the iconography and the concomitant purpose of creating the Dome of the Rock. he appears to agree with Gray, that a number of non-Islam influences were at work when the Dome was created. More specifically, she addresses the interaction of the mosaic images with the text inscriptions of the Dome. In this way, the author attempts to find…
Sources
Associates for Scriptural Knowledge. The Secret key to the Dome of the Rock. Oct 1, 1999. http://www.askelm.com/temple/t991001.htm
Ettinghausen, Richard and Grabar, Oleg. Extract from the Art and Architecture of Islam 650-1250 (pp. 28-34). New Haven and London: Yale University Press, 1994. http://www.thehope.org/domerock.htm
Garaudy, Roger. The Dome of the Rock. American Muslim Council, 1997. http://www.cyberistan.org/islamic/domerock.htm
Gray, Martin. Places of Peace and Power: Jarusalem, Israel. 1983-2006. http://www.sacredsites.com/middle_east/israel/jerusalem.html
political, social and economical processes of the first century AD, it's important to distinguish main superpower, which dictated its values and spread its influence on other nations and ethnic groups. If to look on the problem from these perspective the problems that arose from such interaction will become obvious and clear. That's why we have to describe the processes that took place in the oman Empire, the only super state on the world's map of that epoch.
At the beginning of the first century the power of oman empire had expended over the territories of Mediterranean region: omans had conquered Britain, Spain in the West and reached eastern borders of their possessions on the territories of modern Armenia, Northern Mesopotamia in the East, omania in the North and Sarah in the South. oman emperors starting from Julius Caesar expanded and empowered oman Empire, its territories, increased army and turned into…
Reference:
Craig, Albert M. Heritage of World Civilizations, Combined Volume (6th Edition) Prentice Hall; 6th edition 2002
Domestic interiors is a significant part of our lives because we live and spend a good part of our time indoors. We may love the outdoors, but it also represents the freedom we get from staying indoors and the reality that a good part of our lives are confined within four walls. We sleep, eat and do other activities at home, work in buildings or factories, study in schools and colleges and entertain in restaurants, galleries and theaters. All this makes domestic interiors an important aspect of living.
Human beings are believed to have appeared on earth 1.7 million years ago and history shows that primitive shelters were used by our ancestors for comfort and protection. The earliest known dwellings have been caves or other homes made of materials that were readily available in the region like mud, stones, sticks, animal skins, tree barks and leaves. Since then, we have…
References
Pile, John. 2005. A History of Interior Design. London, UK: Laurence King Publishing Ltd.
American Federation of Arts. 1912. Magazine of Art, Volume 3. Washington DC: American Federation of Arts.
Victorian Station, 2006. Interior Design. [online]. Available at: http://www.victorianstation.com/interiordesignmenu.htm [Accessed 20 October 2011].
Kaufmann, Edgar; MMA. 1970. Introductions to Modern Design. Ayer Publishing.
Rem Koolhaas: A survey of his work and aesthetic philosophy
The radical Dutch architect and architectural theorist Rem Koolhaas is often called one of the world's best -- and one of the world's most controversial -- architects. Koolhaas is as much known for his aesthetic philosophy as he is for his work. "Koolhaas' most provocative -- and in many ways least understood -- contribution to the cultural landscape is as an urban thinker…he has written half a dozen books on the evolution of the contemporary metropolis and designed master plans for, among other places, suburban Paris, the Libyan desert and Hong Kong" (Ouroussoff 1). Koolhaas does not merely wish to create buildings but also change the way in which the world conceptualizes buildings and aesthetic space.
One of Koolhaas' most famous buildings is the French convention hall the Congrexpo, located in Euralille, a shopping and entertainment complex in Lille, France.…
Works Cited
Craven, Jackie. "Metabolism." About.com.7 Apr 2014.
http://architecture.about.com/od/M-Architecture-Terms/g/Metabolism.htm
"Interview with Dutch Architect Rem Koolhaas: 'The World Needs Europe'." Spiegel Online.
30 October 2008. Retrieved on 6 Apr 2014. http://www.spiegel.de/international/europe/interview-with-dutch-architect-rem-koolhaas-the-world-needs-europe-a-587436.html
building program: Using AutoCAD® Architecture
One commonly used program to draft plans for buildings using CAD software is AutoCAD® Architecture. Program capabilities include the ability to draw walls, to create a 'slope' to mimic the real-world conditions of a foundation, and the ability to annotate notes directly onto a plan. Creating structures such as doors with a 'swing' can also be superimposed upon the plan to ensure that they have enough room to maneuver. There are automatic scaling devices to include tags, texts, and other objects within the layout. One user noted that it is with such detailing that the program distinguishes itself from the competition. "For example, when entering column sizes they used to pick an approximate size for use throughout the entire building. Now, they can isolate particular columns and properly detail them out. e can save space, make room for drains, you name it. It's been a…
Works Cited
"Case studies." AutoCAD® Architecture. [3 Feb 2014].
" This "unembellished sobriety," though, does not extend to the structure's west front. In this regard, Logerfo notes that the west front of Saint-Trophime features "a glorious tympanum describing the Last Judgement and statues of the apostles in nearby niches separated by small Corinthian columns in the style of decoration for a oman triumphal arch."
Conclusion
The research showed that the term omanesque architecture refers to an architectural style that emerged in Europe during the 10th century and reached its zenith during the 11th and 12th centuries. The highly ornate qualities of the omanesque style were shown to be supplemented by vaults and buttresses that added an aesthetic quality to the structures while serving important structural functions as well. While the authorities may not agree on the precise defining architectural elements that serve to define omanesque architecture, the research also showed that there are a sufficient number of commonalities among…
References
Calkins, R.G. 1998. Medieval Architecture in Western Europe: From a.D. 300 to 1500. New York: Oxford University Press.
Clapham, a.W. 1936. Romanesque Architecture in Western Europe. Oxford: Clarendon Press.
Cotterill, H.B. 1915. Medieval Italy during a Thousand Years: A Brief Historical Narrative with Chapters on Great Episodes and Personalities and on Subjects Connected with Religion, Art and Literature. London: George G. Harrap.
Kimball, F. And G.H. Edgell. 1918. A History of Architecture. New York: Harper & Brothers.
A romanticism that was rooted in the legendary European past served well to bring comfort and a sense of place in space and time to people who might otherwise have felt rootless and adrift. In its eclecticism the Richardsonian Romanesque house gave visible expression to the deepest needs and of an age.
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Alan Gowans, Styles and Types of North American Architecture: Social Function and Cultural Expression (New York: Icon Editions,…
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Gowans, Alan. Styles and Types of North American Architecture: Social Function and Cultural Expression. New York: Icon Editions, 1993.
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Florence aptistery North Doors
Lorenzo Ghiberti (1378-1455) was a many-sided Renaissance figure: bronze-caster, sculptor, goldsmith, draughtsman, architect, writer and historian. Among his most celebrated surviving work are the bronze doors which he created for the aptistery of the Cathedral in Florence. This paper will discuss the circumstances in which Ghiberti secured and completed the commission to design the north doors of the aptistery (1400-24) and analyse their composition and character. Ghiberti's work in Florence will then be compared to that of Gianlorenzo ernini at the baroque church of Sant' Andrea al Quirinale, Rome (1658-70).
In late 1400 the officials of the Cloth-Dealers and Refiners' Guild of Florence (the Arte di Calimara) announced a competition to design a set of doors for the aptistery of the Cathedral. The aptistery is a very old structure, the primary elements of which probably date to the seventh and eight centuries AD. The exterior covering…
Bibliography
Blaser, Werner, and Stucky, Monica. Drawings of Great Buildings. Boston: Birkhauser Verlag, 1983.
Curl, James Stevens, Classical Architecture. New York W.W. Norton, 2002.
Fletcher, Sir Banister, Sir Banister Fletcher's A History of Architecture. 20th edn., London: RIBA/University of London, 1996.
Kostof, Spiro. A History of Architecture: Settings and Rituals. New York: Oxford University Press, 1995.
Fillipo Brunelleschi: Classical Architect and Visionary
Fillipo Brunelleschi might be known as a famous Italian architect, but in reality, the work that he does is so much more comprehensive than that. In reality, Brunelleschi is really more of a visionary than just an architect. "He was the first modern engineer and a problem-solver with unorthodox methods. He solved one of the greatest architectural puzzles and invented his way to success. Only now is he receiving deserved recognition as the greatest architect and engineer of the enaissance" (pbs.org, 2014). Scholars are aware of the indelible impact that he had on the Italian enaissance and how important it was, many seeing him as the father of the Italian enaissance.
Brief Background
A famous architect during his lifetime, Brunelleschi was born in Florence in 1377 and studied goldsmithing with Benincasa Lotti, an experience which taught him the essential skills of mounting, engraving and…
References
Harris, B., & Zucker, S. (2013). Brunelleschi and the Rediscovery of Linear Perspective. Retrieved from khanacademy.org: http://smarthistory.khanacademy.org/Brunelleschi.html
Kleiner, F. (2009). Gardner's Art through the Ages: The Western Perspective, Volume 2. Boston: Cengage Learning.
Museumvictoria.au. (2013). The Building. Retrieved from museumvictoria.au: http://museumvictoria.com.au/reb/history/the-building/
Pbs.org. (2013). Fillipo Brunnelleschi. Retrieved from pbs.org: http://www.pbs.org/empires/medici/renaissance/brunelleschi.html
gothic cathedrals, with a few examples and comparisons of the cathedrals. Gothic cathedrals are some of the most beautiful and enduring buildings in Europe. They have survived for centuries as testaments to the workmen who created them and the architects who designed them. The ornate buildings are as impressive today as when they first grew on the skyline, and they represent a high point in the culture and society of the Middle Ages.
Gothic Cathedrals
Gothic architecture, perhaps one of the most famous and ornate forms of architecture of any period, began in northern Europe as early as the twelfth century, and spread throughout Europe. It gradually replaced the omanesque Style of architecture, which had grown in popularity throughout Europe beginning at about the millennium year of 1000. omanesque buildings offered many of the same intricate details as the Gothic cathedrals, because building practices had evolved, and better tools, such…
References
Calkins, Robert G. Medieval Architecture in Western Europe: From A.D. 300 to 1500. New York: Oxford University Press, 1998.
Kaye, Nicholas. Gothic Cathedrals of France and Their Treasures. London: N. Kaye, 1959.
Roth, Leland M. Understanding Architecture Its Elements, History, and Meaning. 1st ed. New York: Westview Press, 1993.
The history from the Renaissance to the Machine Age was defined by major technical and stylistic advances that allowed for much larger, taller, more elegant buildings, and higher degrees of functionality and architectural expression.
In cultural and scientific matters, the Modern Era was characterized by an increasingly rationalistic trajectory of thought which was based on an ethos of the humanistic exploration of reality and truth. While in a cultural sense religion still played a significant role, the Industrial Revolution as well as the advent of the Machine Age and the predominance of empirical science and the scientific method, had overtaken the norms and values of the rural and agrarian worldview. There were many other factors that played an important role in the scientific culture of this era, including the rise of Capitalism and international trade. This in turn is linked to other concomitant factors such as the use of steam…
Gaudi's Works
Antonio Gaudi was born 25th June 1852 and went on to be a known Spanish Catalan architect. Antonio Gaudi was a remarkable architect whose true value only came forward a while after he created the buildings. He has also been known as the Spanish Catalan and the symbol for Catalian Modernism. Just as the people of the city were attempting to make their own mark in science and art, Gaudi's exceptional and unique style came. His work and the buildings he made were criticized by most of the people at first, yet their unique production and architecture added the true beauty of Barcelona. It has also been stated that the works of Gaudi are actually inseparable from Barcelona city. (Sola-Morales 5). The buildings that Gaudi made like Casa Mila, Parque Giell, and Sagrada Familia changed the way architecture was done in Barcelona. The buildings added to the beauty…
References
Chandler, W. (2002). Antonio Gaudi: Telling a Story with Brick and Mortar. School Arts, Iss. 5.
Cline, E. (2011). The Lasting Relationship between Antonio Gaudi and Barcelona, Spain. Senior Honors Theses, 24 Retrieved from: http://digitalcommons.brockport.edu/honors/24 [Accessed: 2 December 2012].
Descharnes, R., Pre-vost, C., & Pujols, F. (1982). Gaudi?, the visionary. New York: Viking Press.
Duffy, J.H. (2003). Signs and designs: Art and architecture in the work of Michel Butor. Liverpool: Liverpool University Press.
Arena
Although the contemporary, and future, world at large will never know who designed the Roman Colosseum, there is still an abundance of information that exists as to its construction and purposes. The Colosseum was located in the middle of Rome in fairly close proximity to the Roman Forum, and was completed in 80 Anno Domini during the reign of Titus. Construction was originally initiated in 72 A.D (Hopkins, Beard 72) by Titus' father, Vespasian. Although construction was officially finished in 80 B.C., there would be a few minor adjustments made to this massive building during Domitian's reign, which lasted from 81-96 A.D.
The initial purpose for this edifice was to serve as a place of gladiatorial exhibition. Other events that were open to the public were held there as well, including fighting with animals as well as executions. The building itself was immense, particularly for the epoch in which…
Works Cited
Byrnes, William. "Ancient Roman Munificence: The Development of the Practice and Law of Charity." Rutgers Law Review. 57 (3) 1043-1110. 2005. Print.
Claridge, Amanda. Rome: An Oxford Archaeological Guide. Oxford: Oxford University Press. 1998. Print.
Hassett, Maurice. "The Coliseum." The Catholic Encyclopedia. 1908. Web http://www.newadvent.org/cathen/04101b.htm
Hopkins, Keith, Beard, Mary. The Colosseum. Cambridge: Harvard University Press. 2005. Print.
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Fillipo Brunelleschi: Classical Architect and Visionary Fillipo Brunelleschi might be known as a famous Italian architect, but in reality, the work that he does is so much more comprehensive…
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gothic cathedrals, with a few examples and comparisons of the cathedrals. Gothic cathedrals are some of the most beautiful and enduring buildings in Europe. They have survived for centuries…
Read Full Paper ❯Architecture
The history from the Renaissance to the Machine Age was defined by major technical and stylistic advances that allowed for much larger, taller, more elegant buildings, and higher degrees…
Read Full Paper ❯Architecture
Gaudi's Works Antonio Gaudi was born 25th June 1852 and went on to be a known Spanish Catalan architect. Antonio Gaudi was a remarkable architect whose true value only…
Read Full Paper ❯Architecture
Arena Although the contemporary, and future, world at large will never know who designed the Roman Colosseum, there is still an abundance of information that exists as to its…
Read Full Paper ❯