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This is why Homer is killed: he has lied to Emily and to the townspeople, and his deceit is punishable by death (at least, so it seems to Emily -- if Blythe is correct in his analysis). This is why the tension that exists between Emily and the community comes to the forefront in the first place: "Every human lives in a social environment and is influenced by surrounding community, but as individual he also possesses his unique character. hen the two come into conflict, it surely will cause great confrontation" (Fang 22). The conflict, here, is one of truth and falsehood -- mask and revelation; false face and real face.
Emily's real face, made-over as much as possible, is finally revealed. But in true Southern manner, it is not revealed until she is safely dead and buried in the ground. There can be no cause for hurt feelings or…
Blythe, Hal. "Faulkner's a ROSE for EMILY." Explicator, Vol. 47, No. 2 (Winter
1989), p. 49-50. Print.
Fang, Du. "Whom Makes a Devil out of a Fair Lady? -- an Analysis of the Social Causes
of Emily's Tragedy in 'A Rose for Emily.'" Canadian Social Science, Vol. 3, No. 4 (2007), p.18-24. Print.
Though my loneliness certainly isn't as extreme as Emily's, and I do not think I would want to sleep next to a corpse for years instead of finding people to interact with in the outside world, the sense of being cut off from those around you and kept in a separate bubble is something I can relate to. There are times when I have exactly this feeling as a student in a foreign country -- no matter how nice and understanding people are, there are certain moments where I just don't fit in or I have no idea what's going on, and I imagine that Emily must have felt this way a lot, too. It would have been much worse to feel this way in your own town, full of people from the same place as you and that you had known all of your life, and the powerful level…
The "original paraphernalia" (Jackson 618) from the very first occasion was lost "long ago" (618). The people in this small town instinctively know that something is wrong with the lottery but still they feared "to upset even as much tradition as was represented by the black box" (618). Here the people do not know why they gather every year; they only know that they have done it for a very long time. They have allowed themselves to become comfortable with the idea even if it is an awful one. The lottery is accompanied by a "perfunctory, tuneless chant that had been rattled off each year" (619) and a "ritual salute" (619). In addition, the people gather with fear before each lottery; the children cannot fully enjoy summer because they know what it means. The people are creatures of habit because "no one likes to upset even as much tradition as…
Jackson, Shirley. "The Lottery." The Norton Anthology of Short Fiction. Cassill, R.V. ed. New
York W.W. Norton and Company. 1981.
Faulkner, William. "A Rose for Emily." The Norton Anthology of Short Fiction. Cassill, R.V.,
ed. New York W.W. Norton and Company. 1981.
Rotten but Not Forgotten: Cherished Corpses in illiam Faulkner's Short Story "A Rose for Emily"
A streak of insanity seems to run through the once-distinguished Grierson family of illiam Faulkner's mythical town of Jefferson, Mississippi, within his short story "A Rose for Emily." Near the beginning of the story, a surviving, never married Grierson daughter, Emily, is shown demonstrating her extreme reluctance, even three days after her overbearing father's death, to allow his body to be removed by authorities from the house:
The day after his death . . . Miss Emily met them at the door . . . She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body. Just as they were about to resort to law and force, she broke down, and…
Faulkner, William. "A Rose for Emily." Literature: An Introduction to Fiction,
Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 4th Compact Ed.
New York, Longman, 2005. 29-36.
Along with her psychological behavior, her social behavior was also completely absurd and she proved this when she poisoned Mr. Homer arron, a Yankee with whom she started dating after Mr. Giererson's death. Faulkner has emphasized on racism and addressed Homer as "a big, dark, ready man with a big voice and eyes lighter than his face," in other words he was a nigger. Emily was aware of the fact that Homer arron who didn't meet up the measure of her father's expectations and society could feel bad about it but still Homer was her obsession and she couldn't think of letting her love go for any reason. People were surprised to see a man in her life and considered a disgrace for town as she was openly dating with him. They were curious about the deal Emily would make with him, either she would marry him or he would…
Morton, Clay. "A Rose for Emily': Oral Plot, Typographic Story," Storytelling: A Critical Journal of Popular Narrative 5.1. 2005.
Ruthman, Davina, "A Chronology of William Faulkner's a Rose for Emily," GRIN Verlag, 2007, Amazon.com
Werlock, H.P.Abby, "The Facts on File Companion to the American Short Story," Second Edition, New York, Infobase Publishing, 2009.
Rose for Emily
illiam Faulkner was born, raised and wrote in the South and his old Southern roots are shown in his writing. One of the earliest nationally published examples of this writing is A Rose for Emily. In this short story, Emily represents the South while her lover, Homer Barron, represents the North. Though Homer's description is short, his connection with the North is obvious. Miss Emily's long description is more subtle in some ways but mirrors the Old South in a number of aspects.
The work of illiam Faulkner (1897 -- 1962) grew from his Southern roots. Born in Oxford, Mississippi only 32 years after the Civil ar, Faulkner was also raised in Oxford as a member of an old Southern family and wrote most of his works on a farm in Oxford (Nobel Media AB, 2012). Faulkner spent his life creating characters that represented "the historical growth…
Beck, J., Frandsen, W., & Randall, A. (2009). Southern culture: An introduction, 2nd edition. Durham, NC: Carolina Academic Press.
Faulkner, W. (2012). Selected short stories. New York, NY: Modern Library.
Gwynn, F.L., & Blotner, J.L. (1995). Faulkner in the university. Charlottesville, VA: University of Virginia Press.
Nobel Media AB. (2012). William Faulkner - Biography. Retrieved on October 12, 2012 from www.nobelprize.org: http://www.nobelprize.org/nobel_prizes/literature/laureates/1949/faulkner-bio.html
Rose for Emily" Emily takes the life of her lover, Homer arron, by poisoning him with arsenic. y doing so, she erases any hope that she has for getting married and having children. Most analyses of the work focus on Emily as a victim to explain her motives for murder. However, Judith Fetterley takes a more novel stance by emphasizing Emily's intelligence and ability to turn discrimination against the perpetrators. Given Emily's strong independent nature, Fetterley's view holds the most merit for explaining Emily's murder of arron.
Symbolism associated with description of a picture of Emily's father, "Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door" is highly illustrative of the lack of control in Emily's life.
A slender figure in white represents…
Beaty, Jerome, Booth, Alison, Hunter, Paul and Mays, Kelly. The Norton Introducton to Literature, Shorther Eighth Ediction. New York: Norton, 2002. 425-432.
Blythe, Hal. "Faulkner's 'A Rose for Emily.'" Literature for Composition. 4th Ed. Sylvan Barnet, et al. New York: HarperCollins, 1996. 191-193.
The town had just let the contracts for paving the sidewalks, and in the summer after her father's death they began the work. The construction company came with riggers and mules and machinery, and a foreman named Homer Barron, a Yankee -- a big, dark, ready man, with a big voice and eyes lighter than his face (Faulkner 53).
It is Emily's hanging onto the past that is the resounding feeling throughout Faulkner's story. The story begins where the reader learns of her death, but the reader is then taken on her journey, her slow giving in to death. In fact, Faulkner describes her as "bloated, like a body submerged in motionless water, and of that pallid hue" (Faulkner 49), giving the idea of a woman who has physically lived life, but yet is still hanging on, floating in life, motionless and suspended in a world that also won't let…
Booth, Alison. & Mays, Kelly J. Wm. Faulkner. A Rose for Emily. The Norton Introduction to Literature (Shorter Tenth Edition). W.W. Norton & Company; Shorter Tenth Edition
edition, 2010. Print.
Getty, Laura J. "Faulkner's 'A Rose for Emily'." The Explicator, Vol. 63, No. 4, pp. 23-4.
Point-of-view is extremely important in any story, as who is telling the story can greatly affect what gets told. If Faulkner had chosen Emily or her servant as the narrator, the story would have been very different, and readers would have known what was going on in Emily's house much sooner, but since Faulkner chose a townsperson, the secrets of Emily's disturbed mind remained hidden until the final scene where the rotting corpse of her second suitor is discovered in her bed. The story is much more entertaining this way, because finding out about Emily too early would have made the rest of the story dull and somewhat uninteresting.
Once they make the gruesome discovery, not much more analysis about Emily is needed. Each person in the town had opinions and beliefs about Emily, and the final scene lets the townspeople know whether their opinions and beliefs were correct. The…
Faulkner, William (2007) a Rose for Emily. Enotes.com. http://www.enotes.com/rose-emily/
Rose for Emily
For some people, letting go of the past is particularly difficult, whether they are holding on because their past was spectacular and wonderful, or, as in William Faulkner's "A Rose for Emily," the past is all they have. For Miss Emily Grierson, the title character in Faulkner's grotesque, haunting tale, the past offers a place of safety and respectability unavailable to her in the present. The townspeople who once held her aristocratic family in reverence has morphed into a crass and detached place, and Emily is the victim of this passage of time and values. Faulkner presents Miss Emily sympathetically and the reader feels for her as she powerlessly watches time pass and the town's respect for her dwindle, an inescapable indictment of the "new" values of the South.
Miss Emily Grierson was born into an aristocratic family in the post-Civil War South. Her family's house was…
Miss Emily is different, because she has none of these trappings of womanhood, and so, the other women concern themselves with her life and plight. They feel sorry for her, and pity her, but they do not take any steps toward befriending or understanding her. Faulkner writes, "Being left alone, and a pauper, she had become humanized. Now she too would know the old thrill and the old despair of a penny more or less" (Faulkner). The women are not humanitarians, which is another clue to their place in society. They do not seem themselves as caring or helpmates, they see themselves as aloof and removed from the situation, and no one puts out a hand to Miss Emily in friendship or concern. They leave those details to the men, who ignore them entirely. In fact, these southern women are not very nice, and Faulkner makes that very clear throughout…
Faulkner, William. "A Rose for Emily." Fu Jen University. 2005. 26 June 2007. http://www.eng.fju.edu.tw/English_Literature/Rose/el-text-E-Rose.htm
First of all, there is the issue of Homer Barron's ancestry. He is a northerner, living in a Southern region that was still smarting from its loss in the Civil War. The Yankee also worked with and was obviously friendly with his crew of black laborers. He also stood to profit from construction in the south, another fact that would have caused great consternation among the townspeople.
In addition, the townsfolk, especially the older ones, whispered about how Miss Emily was violating the principle of noblesse oblige. In exchange for the social prestige that the town had accorded her, the townspeople expected a certain amount of social responsibility from their Miss Emily.
This includes being aware of her class and social background. It certainly did not bode well for Miss Emily, and by extension the town, that Emily was cavorting with a Northerner who was also a day laborer. Miss…
They state in the story he was known to like men, and that he would often be found in the company of other men. It is evident she was in live with him, and actually it appears that he loved her in a way too, but since she could not have him completely then he would have to die.
Explain the conflict in Emily's life? There was a conflict of love and acceptance. She appears to want the love that was denied her when her father was alive. Her father would alienate her, and she did not really have any opportunities to develop a loving healthy relationship. Emily also has conflicts over the way she believes her life should be lived and they way that society believes that she should live her life. Emily refused to conform and follow the rules i.e. she did not want the number put on…
Faulkner, W. (year). A Rose for Emily. Retrieved from http://www.wwnorton.com/college/english/litweb05/workshops/fiction/faulkner1.asp
Rose fo Emily chonicles the life of a woman named Emily Gieson as naated by the people in he town. The shot stoy by William Faulkne focuses on the chaacte itself, and Faulkne used the townsfolk as his 'eye' in chaacteizing and descibing Emily to the eades. The voice that naates in the shot stoy is but a epesentation of the people's collective sentiments fo Miss Emily. In the stoy, Emily was chaacteized as a vey pivate, stubbon woman, a woman who once belonged to a noble, ich family of the South, and who expeienced he downfall afte he fathe died, leaving he alone with he faithful Nego sevant. Thoughout the stoy, the naato tells us the vaious issues that became the cente of eveybody's attention in Emily's small town. The gadual decease of the flow of income in Emily's household, the deteioating state of he house, and the deteioation…
references as the narrator tells us of her affair with Peter the professor, and of her great affection for the old man. The story never seemed to be romantic in tone, except for the narrator's expression of her feelings for Peter. However, the sudden change and realization of the narrator makes us realize that the story is a love story after all, and that the narrator's story is a deep contemplation of her love for Peter, whether her love for him was genuine or somehow misguided. The story finds resolution after the narrator leaves the ole man, Peter, behind after her sudden realization of her love for him (which is actually a love fed by insecurity and longing).
Later the reader will discover the smell is the rot from corpses, first Miss Emily's father, then her dead suitor. But the women's comments, even when the reader is unaware of the corpse in Emily's home suggest that the women regard Tobe as less competent than a female run home, with a husband and wife -- here, Tobe is regarded in their eyes as a symptom of Miss Emily's eccentricity and solitude, but still not as a character himself.
Faulkner does not present the reader with Tobe's feelings about Miss Emily and her father's oppression of his race or himself, though. Even when Tobe acts, it is in a very muted and decorous way. "hen the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the…
Faulkner, William. "A Rose for Emily." 1930. http://xroads.virginia.edu/~drbr/wf_rose.html
Stafford, T.J. "Tobe's Significance in 'A Rose for Emily.'" (1970): 87-89. Reprinted in Readings on William Faulkner. Ed. Clarice Swisher. San Diego: Greenhaven, 1998. 74-77.
Rose for Emily: Resources." 2005. http://www.mcsr.olemiss.edu/%7Eegjbp/faulkner/r_ss_roseforemily.html
Watkins, Floyd C. "The Structure of 'A Rose for Emily.'" Inge, www.mcsr.olemiss.edu (1970): 46-47.
According to McDermott, this direct lineage and relationship that both novels owe to Faulkner is tremendous. The murder of Homer is a flashback and a continuation of Emily's dysfunctional relationship with her father. Just as she later holds onto Homer's corpse, she also refuses to let her father's corpse go for three days. Although both male figures dominate her, she can not let them go. Her aberrant grieving for her father foreshadows her later necrophilia. As a last attempt to capture long lost love, she has to murder Homer. She then holds onto the decomposing corpse for decades, just as she does all of the other old, decomposing things in her life.
From Ms. Emily's home Edgar Allan Poe seems like a natural progression. "Unlike Poe's other mysteries, the Cask of Amontillado" is not a tale of detection. There is no investigation of the murder of Fortunato and Montresor himself…
Baraban, Elena V. "The Motive for Murder in 'The Cask of Amontillado' by Edgar Allan
Poe." Rocky Mountain E-Review of Language and Literature 58.2 (2004): 5 Jun 2010. .
Hong-mei, Yang. "Use of Literary Elements in Characterization and Theme Presentation:
Comparison and Contrast of John Steinbeck's the Chrysanthemums With William Faulkner's "A Rose for Emily." U.S.-China Foreign Language, 6 (2008): 6.5, 71-75.
Foreshadowing "Rose for Emily"
Foreshadowing in illiam Faulkner's "A Rose for Emily"
illiam Faulkner's "A Rose for Emily" has a horrifying, macabre ending: at the death of one of the most prominent figures in a small southern town, it is discovered that Miss Emily kept the corpse of the man who jilted her many years ago after she murdered him. She slept beside him every night until her own death. This ending sounds unbelievable in the extreme as a plot point. However, because of Faulkner's use of foreshadowing, regarding Emily's character as well as her actions, the ending seems consistent.
The beginning of the story portrays Emily, now an old woman, as faded and "a tradition, a duty, and a care" to the town (Faulkner 1). She refuses to pay taxes, because her father Colonel Sartoris claimed he did not need to pay taxes because he had made a loan…
Faulkner, William. "A Rose for Emily." Pp.1-9. [13 Feb 2012]
Emily through the eyes of the townspeople, who narrate William Faulkner's short story "A Rose for Emily." The townspeople's understanding of Emily is limited by prevailing norms and values: as a mysterious and almost antisocial woman, Emily subverts gender norms and roles in the traditional Southern community. Emily never marries, although she is rejected by two men. Her fear of abandonment is the only identifiable aspect of Emily's character, as her abandonment issues are made clear relatively early in the story: "After her father's death she went out very little; after her sweetheart went away, people hardly saw her at all," (Faulkner II). The final straw for Emily, what set her over the edge into committing a murder-suicide, was Homer Barron. Barron is described in terms almost as ambiguous as Emily herself. He is a Yankee -- a northerner -- and it may be that he was both a person…
Emily Grierson and Ambrose Bierce
In works of fiction, traditionally the sympathetic characters do actions that are heroic and those that are supposed to be unsympathetic perform actions that are decidedly less so. Given that humans are very judgmental creatures, authors have tried to change reader perceptions by providing plots where characters that may perform unspeakable acts are arguably the most sympathetic creatures in the piece. It is difficult to see a murderer in anything other than a negative light. In illiam Faulkner's "A Rose for Emily," and Ambrose Bierce's "An Occurrence at Owl Creek Bridge," the two authors create antagonists that are killers, but who are compelling and developed enough that the reader cannot dismiss them as mere murderers. Instead, readers are challenged to look at the events surrounding the crimes to make their own determinations about each protagonist.
illiam Faulkner's 1930 short story "A Rose for Emily" tells…
Bierce, Ambrose (1891). "An Occurrence at Owl Creek Bridge."
Faulkner, William (1931). "A Rose for Emily."
rose emely, 1st person account short story miss emely's point view, text reference quoting parenthetical citations.
"A Rose for Emily:" A first-person account of Emily's point-of-view
I remember what my father the Colonel used to say: never forget that you are a Grierson and you are my daughter. Other people wanted me to forget. The new people of my town, with their new money, with their shiny suits and Northern ways. But I never forgot.
They wanted me to pay taxes. Did they not know that I never had any taxes, nor did my father? How dare they! I remember my father laughing and tearing up the tax notices when they came to our house. It was not done, simply not done. The fact that I had to actually come myself to inform them of this truth was a sad sign of the times.
My father loved me, even though…
mily-Rose had just turned 36 and was in her first semester at university when her world began to crumble. This could not have come at a worse time as she has always looked forward to doing a Health Studies degree. Her friends and family were alarmed at the sudden moodiness, insomnia, fatigue, headaches, confusion, joint and muscle pain, nausea & #8230;and above all, the enduring feeling of tiredness she complained of.
mily-Rose has suddenly changed from a happy woman to someone who battled daily episodes of what she calls extreme tiredness and anxiety. In the first three weeks of starting university, her husband Harry and sons, Brian and Bob have put this down to overwork at university and firmly told her to "slacken up a bit." Although she tried a new relaxation regime suggested by her friend Anita, she still complained of daily episodes of overwhelming tiredness and general malaise.…
Even in the west we have a relatively new field, psychoneuroimmunology (PNI) that suggests a connection between mind and body. In 1964, psychiatrist George Solomon noticed that patients with rheumatoid arthritis got worse with depression. His reasoning was that the mind has an impact on inflammation and on the general immune system.
Another physician, Herbert Benson, later showed how medication could affect blood pressure and he coined the term "relaxation response." Mind -- body connection was becoming increasingly popular and reached further publicity when Robert Ader in 1975 showed the impact that the mind (and cognitions as well as mental state) had on the immune system.
Today, the mind has achieved a larger place in Western medical practice, although conventional medicine still battles with its principals and, in many places, denies its exclusive veracity. There are some areas that are still in doubt
shaped character Miss Emily "A ose Emily." What forces work creates a character Miss Emily? Something made Emily character meet story. • Locate (2) scholarly resources include a minimum quotes (2) source.
"A ose for Emily:"
A false, fragile, and wilting image of perfect southern womanhood
William Faulkner's short story "A ose for Emily" chronicles the life of an aristocratic southern woman who is unable to accept the realities of the changing world around her. Two primary factors shape Emily's existence. The first is that of her father, Colonel Sartoris, who believes that no man can ever be good enough for his daughter. The Colonel is so rigid in his worldview, he chases all young men from his door, effectively condemning Emily to spinsterhood. The other shaping force is the mores of the town in which Emily lives. When Emily does not pay her taxes or when her yard smells,…
Faulkner, William. "A Rose for Emily." E-text available:
Nebeker, Helen E. "Emily's Rose of Love: Thematic Implications of Point-of-View in Faulkner's 'A Rose for Emily.' The Bulletin of the Rocky Mountain Modern Language Association,
24. 1(Mar., 1970): 3-13.
Faulkner's story is titled "A Rose for Emily," the text does not mention rose. It is ironic that Faulkner gives his story a title that seems to run counter to the characterization of Emily. Emily is portrayed as an object, at the same time the narrator pities her and describes her as an irritating person who would rather live life on her own terms, which eventually leads to her death. This appears to the reason for such a tittle. It seems to be an attribute to Emily, a way of expressing condolences to her death as well as sympathy to loneliness and her imagination about her status. He begins the story with a description of her funeral "When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument..." (Faulkner 484) he goes on to say that "…the…
Homer "liked men" (456) and this must have hurt Emily terribly but she does not respond the way we would expect. Circumstances with Homer are different because Emily is in love with Homer and she sees this as her last chance for sharing her life with someone. This is more than a simple affair for her. hen Homer rejects her, he puts an end to the love story that Emily desires. Because her father has "driven away" (455) all of Emily's previous prospects, Emily refuses to believe Homer cannot love her. She denies this fact, buries it, and begins working on a situation with which she can live. She surmises that living with a dead Homer would mean that she would never have to be alone again and never have to put up with the troubles that having a living boyfriend or husband brings. Homer is better dead than alive…
Faulkner, William. "A Rose for Emily." The Norton Anthology of Short Fiction. New York W.W. Norton and Company. 1981. pp. 451-9.
Her need for love makes her kill Homer. He was her last chance for love and her only chance to avoid being alone every night for the rest of her life. Dead in her bed was one way she knew she could have him forever. Death keeps Emily's dream alive.
Emily's life is one of loss. From the beginning of the story, we know Emily is protected and sheltered by her father. He was doing his best to keep her from getting hurt but all he did was make her life after his death more difficult. He had " driven away" (455) all of Emily's suitors in her younger days. Her father keeps Emily from partaking in some basic aspects of life so that when he dies, she is lost. She misses out on opportunities and friendships because he father is in the way.
"A Rose for Emily" is a…
Faulkner, William. "A Rose for Emily." The Norton Anthology of Short Fiction. Cassill, R.V.,
ed. New York W.W. Norton and Company. 1981. pp. 451-8. Print.
The image of the fog is significant because the protagonist is comparing himself to the fog in that he skirts along the outside of what is happening. If he is like fog, moving slowly and quietly, he does not have to become involved but can still see what is going on. hen he writes that there will be time to "prepare a face to meet the faces that you meet" (27), he is simply avoiding the issue by putting off the inevitable. The protagonist convinces himself that there will be time to do all that he wants to do, such as "murder and create" (28), and "drop a question on your plate" (30). Allan Burns suggests that the images are important to the reader in that they "underscore Prufrock's low self-esteem: he identifies with the lonely working class men" (Burns 47) and the image of his dead being chopped off…
Burns, Allan Douglas. Thematic Guide to American Poetry. Santa Barbara: Greenwood
Eliot, T.S. "The Love Song of J. Alfred Prufrock." The Bedford Introduction to Literature.
Boston: Bedford Books of St. Martin's Press. 1993.
Sister Buried in a Trunk" by Aaron Barth-Martinson evokes the loneliness of death and the fear that the living must encounter when death strikes down one they love. That is the case in Barth-Martinson's poem, as the narrator calls for Emily and begs her to come down to walk with him rather than die alone in her room.
The blank verse poem makes allusions to two famous Emily's of literature: Faulkner's Emily in "A Rose for Emily," and Emily Dickinson, the famous hermit poet, who died virtually unknown, with all of her poems under her bed unpublished. The allusion to the first Emily is made by the last line, "I shed a tear for Emily," as the narrator cries for the recluse. Allusion to Dickinson is made in the lines referring to the poems found in the trunk: "I found a trunk full / Of slanted verse / And I…
.." It is as if she is some kind of living museum.
Miss Emily's status as some example of former greatness protected her in other ways. time came when her house... well... smelled. A neighbor went to officials and complained. The response the neighbor got was, "Damn it, sir," Judge Stevens said, "will you accuse a lady to her face of smelling bad?" The assumption was that some animal, perhaps a rat, had died. The location of Miss Emily's house now being so unfortunate with the passage of time, this probably made sense to the town leaders. Rather than confront Miss Emily, they checked her property for carcasses, and sprinkled lime around to encourage the rapid decay if any bodies were about. Such action is unimaginable today, which is one thing that makes the story so striking: the narrator reports these events as fact. What the narrator knows is not…
men that died in Faulkner's story, Emily's father and Homer. In what way, if any, were they responsible for the way Emily reacted to them? How did her father's treatment toward her impact her relationship with Homer? Why was there no mention of Emily's mother in the story? Was this significant, in your opinion?
Miss Emily was to the town what a lot of people who have enough wealth to be exclusive are in a small town. The South is especially populated with families that have names which are recognized in their region or state as having been prominent at one time, so they are afforded more notice than everyone else. The people were curious about her, and they were, it seemed, especially curious about her relationships and why she had not appeared in public after Homer left her.
From the story it does not seem that the town was…
Rose for Emily," which was authored by William Faulkner in 1930 and "The Yellow Wallpaper," that was written by Charlotte Perkins Gilman in 1892, both are intimate stories about women living in their particular times in the United States. In addition, both provide true insights into what it was like as a female living during these historic times. However, the styles of the two authors make the stories very different in their approach and effect on the readers.
"A Rose for Emily," told in five separate sections, is rich with the descriptions, plot structures and mood that made Faulkner such a dynamic and memorable writer. After only a few lines into his artistic work, the reader is transposed into that period and place. For example, when reading the second paragraph, one can easily imagine the look and style of the house: "It was a big, squarish frame house that had…
Southern Stories Revelation of the Intrigues of Classism and Racism
The two stories, William Faulkner's A Rose for Emily and Flannery O'Connor's A Good Man is hard to find are southern literature. Southern literature share common elements such as family focus, racial issues, classism and justice among others. Faulkner is one frequently mentioned writer especially in relation to the Renaissance movement during the 1930s. A Nobel Prize winner he is a significant figure in the history of the south. Faulkner witnessed the challenges that the South faced during his time and more so the discrimination against the African-Americans and the reluctance of the political establishment to embrace change. As much as he was not vocal on these issues, he used perspectivism as a tool against these issues and to point at the erosion of the southern hospitality that gave the family and community priority over the individual. He is bold…
Rose for Emily
In William Faulkner's short story "A Rose for Emily," the noted author doesn't give very strong evidence that Emily Grierson actually killed Homer Barron, and worse yet, that she slept with his corpse for years. Faulkner teases the reader into believing that Emily did indeed commit these horrific acts. In the process of teasing the reader, Faulkner succeeds in producing what amounts to a satire of sensationalized, hackneyed reporting, Thesis: Despite Faulkner's attention to detail in portraying Emily as possibly the murderer, a sharp attorney could counter the circumstantial evidence in a court of law and Emily would be exonerated.
Why does Emily probably kill Homer?
One of the strengths of this story is how brilliantly Faulkner drops hints -- without having to provide any proof -- that Emily either was likely or not likely the perpetrator of this heinous crime. For example a hint that she…
She kills Homer so she will have eternal love, as unreal as that seems, and to placate the townspeople who think she will commit suicide because of Homer's desertion. Southern women had few choices other than marriage, and for Emily, killing Homer was a rational act that gave her control and reason over something. In her town, that would not have been possible for a single, unmarried woman. Her culture limited her, and so she made the only decision she could to remain sane in a limiting and irrational world.
This is a sad story not because Emily lived so long contentedly with a dead man, but because the townspeople were so uninvolved with her and her plight. With some support and understanding, she might have lived a rational and happy life, but the culture did not support that for her or for other women.
ROSE FOR EMILY'-William Faulkner
William Faulkner's short story "A rose to Emily" is one of the best short stories of 20th century American literature because it contains all the mystery, drama, conflict and intensity that mark a good piece of literature. Emily the female lead of the story is an intriguing character who refuses to mingle with townspeople which gives rise to many vicious rumors about her. This story has been very popular among the readers especially those who are Faulkner's loyal fans as a story involving mystery and dark secrets of a woman who is a total recluse. Townspeople never get to see her or talk to her therefore hewn her father dies, they get a chance to meet this woman who had hitherto remained confined within the four walls of her house. Notice how Faulkner has carefully created the background of this woman; she is not a person…
Discrimination and Madness: Examining Motifs in the Short Stories of Faulkner and Gillman
"The Yellow Wallpaper," by Charlotte Perkins Gillman and "A ose for Emily," by William Faulkner, though remarkably different in style and voice, feature stories where women are the main characters. Both of these stories take the reader through a raucous trip through time and sanity leaving the reader constantly guessing. In the midst of these vivid journeys through the narrative, both short stories showcase their female protagonists in fictional worlds where various pertinent social issues fester in the background.
"The Yellow Wallpaper" tells a story written in the first person of a vivacious, imaginative woman who explains that she suffers from a temporary nervous depression colored by a bit of hysteria. Her husband, a doctor, who the narrator tells us is extremely practical, believes she is not sick and rents a colonial mansion for the summer so…
Faulkner, William. A Rose for Emily. 1930. In LitWeb the Norton Introduction to Literature Website. Retrieved from http://www.wwnorton.com/college/english/litweb05/workshops/fiction/faulkner1.asp
Gillman Perkins, Charlotte. The Yellow Wallpaper. 1891. In LitWeb the Norton
Introduction to Literature Website. Retrieved from http://www.wwnorton.com/college/english/litweb05/workshops/fiction/gilman1.asp
Faulkner and Olsen Analysis
Characters in Faulkner and Olsen
Complex characters tend to be challenging to write, especially in the case of those whose circumstances and actions make them slightly unappealing. William Faulkner and Tillie Olsen, however, show that with brief stories about their characters' pasts, endearment is not so difficult to elicit after all. In Faulkner's "A Rose for Emily," Emily Grierson's character is shown through the eyes of a collective narrator. In Olsen's "I Stand Here Ironing," the narrator looks back on the rearing of a troubled child (also the name of Emily). Both authors retell the stories that bring a sort of reader empathy toward the characters, especially after looking back on the past lifestyles both characters faced.
Faulkner's "A Rose for Emily"
"A Rose for Emily" is a short story told in five different sections, each reverting to a particular time period as narrated by a…
Psychology Movie elation
A ose for Emily
Diagnosing a psychological complication are a daunting task and one that requires immense responsibility of the concerned health professionals who examine the patient and decide the appropriate diagnosis (APA, 2001). Among the many variables that a psychological professional observes, are the patient's past life history. For Emily, an examination of the setting and characters in the plot, and an assessment of some of the themes in Faulkner's short story, A ose for Emily and the occurrences involving Emily's father aids the reader to comprehend the pressures with which Emily tried coping and how she might have suffered from schizophrenia. Emily came from a family of high stature and affluence in their southern community and always had a burden of enormous expectations that people had for her. Her community anticipated her to have a hereditary obligation to uphold traditions, norms that her ancestors had…
APA. (2001). Quick Reference to the Diagnostic Criteria from DSM-IV. Washington, D.C.: American Psychiatric Association.
Kinney, A.F. (2000). Faulkner's Narrative Poetics: Style as Vision. Amherst, MA: University of Massachusetts Press.
Staton, S.F. (2005). Literary Theories in Praxis. Philadelphia, PA: University of Pennsylvania Press.
William, F. (2003). "A Rose for Emily." In The Norton Anthology of American Literature. Ed. Nina Baym. 2160-2166. New York, NY: W.W. Norton.
narrative structure common to short stories of the past cannot be found in modern examples of the literary form, and that in short "nothing happens" in modern short stories. hen one examines the modern short story on its own terms, however, exploring the text for what it contains and extracting meaning and action from the words on the page (and the words not on the page), rather than trying to read modern short stories according to the frameworks and preconceptions of the past, it becomes clear that this stance simply doesn't hold water. hile it might be true that a direct narrative structure is less present in modern short stories than in examples from the past, it is far from true that nothing happens in the modern short story. An examination of two canonized and gripping short stories, illiam Faulkner's "A Rose for Emily" and Andre Dubus' "Killings," reveal that…
Dubus, Andre. "Killings." In Selected Stories 2nd Ed. New York: Vintage: 1996, pp. 47-
Faulkner, William. "A Rose for Emily." Accessed 18 October 2011.
This skilled use of ironic prose is also observable in "A Jury of her Peers" by Susan Glaspell, as when the woman who has just committed murder tells the investigators: "after a minute...'I sleep sound.'" the tale depicts how a group of women gradually deduce, through small and simple clues, how Mrs. right killed her husband, and why. The women's observations are more astute than the male investigator's analysis, according to police protocols. The point of the story is not murder, but the fact that the murder's quiet wifely desperation has gone ignored for so long, and that only fellow female sufferers can see this sorrow after the fact. Likewise, the point of O'Connor's story, more than the lurid aspects, are the ways that families and human beings fail to connect and communicate with one another, before it is too late.
A naysayer might sniff and ask why use murder…
Glaspell, Susan. "A Jury of her Peers." 6 May 2007. http://www.learner.org/exhibits/literature/story/fulltext.html
Faulkner, William. "A Rose for Emily." 6 May 2007. http://www.ariyam.com/docs/lit/wf_rose.html
O'Connor, Flannery. "A Good Man is Hard to Find." 6 May 2007. http://pegasus.cc.ucf.edu/~surette/goodman.html
The whole poison-purchasing scene is very interesting and adds to the impact of her action. Emily is determined to buy poison and let the pharmacist assume it is to kill rats. While he is adamant about knowing the truth, Emily is not interested in sharing the details of her plans with him.
I want some poison," she said to the druggist. She was over thirty then, still a slight woman, though thinner than usual, with cold, haughty black eyes in a face the flesh of which was strained across the temples and about the eyesockets as you imagine a lighthouse-keeper's face ought to look. "I want some poison," she said.
Yes, Miss Emily. What kind? For rats and such? I'd recom -- " want the best you have. I don't care what kind."
The druggist named several. "They'll kill anything up to an elephant. But what you want is --…
1. Faulkner, William- Rose for Emily, Collected Stories of William Faulkner. New York: Random House, 1950, pp. 119-130
Cleanth Brooks and Robert Penn Warren, William Faulkner: An Interpretation. Stanford: Stanford University Press, 1957, pp. 37-38
M. Thomas Inge, a Rose for Emily: Charles E. Merrill: Columbus, OH. Publication Year: 1970.
Conflict between Traditionalism and Modernism in a Rose for Emily by illiam Faulkner
More often, literature provides people not only with a medium with which to entertain themselves, but also to know, understand, and empathize with the characters as the audience place themselves in the social environment and realities that the characters experience in works of literature. These characters and social environment and realities are portrayed in a subjective manner, where the writer/author puts his/her subjective interpretation of a social event or phenomenon, illustrating events in a manner that will have a profound effect on the readers/audience.
This is exactly the main thrust centered in illiam Faulkner's short story, A Rose for Emily. The story centers on the character of Emily Grierson, a member of the wealthy Anglo-Saxon class that had been the dominant and prevalent class in American society prior to the emergence of the 20th century. Through a…
Faulkner, W. (1931). E-text of A Rose for Emily. Available at http://www.wwnorton.com/introlit/fiction_faulkner1.htm .
But the friction between her and her mother translated also to the society, to the 'good country people.' The good country people, represented by Manley Pointer, turned against her, victimizing her by using her own ideals and beliefs. Manley took advantage of her 'weakness,' being able to see through her tough self, knowing that within her, there is a part of her that wanted attention and love without pity. O'Connor may have portrayed Manley to be truly taken by Joy/Hulga's sulkiness and believed her to be like him, the kind of 'good country person' who knew and experienced the harshness of life. This can be verified in his remark after he 'revealed' himself to Joy/Hulga, exclaiming to her, "[w]hat's the matter with you all of a sudden? You just a while ago said you didn't believe in nothing. I thought you was some girl!" (par. 139).
Though Emily and Joy/Hulga…
Faulkner, W. E-text of "A Rose for Emily." Accessed on 8 November 2008. Available at http://www.ariyam.com/docs/lit/wf_rose.html .
O'Connor, F. E-text of "Good Country People." Accessed on 8 November 2008. Available at http://us.geocities.com/cyber_explorer99/oconnorgoodcountry.html.
Then after Homer disappeared, she gave china painting lessons until a new generation lost interest, and then "The front door closed...remained closed for good" (Faulkner pp). Emily's depression caused her to become a recluse.
All three female protagonists are so dominated by male authority figures that their loneliness leads to severe depression, which in turn leads to madness, then eventually acts of violence. None of the women have active control of their lives, however, each in their own way makes a desperate attempt to take action, to seek a type of redemption for the misery and humiliation they have endured by the male figures in their lives.
Curry, Renee R. "Gender and authorial limitation in Faulkner's 'A Rose for Emily.'" The Mississippi Quarterly. June 22, 1994. Retrieved July 28, 2005 from HighBeam Research Library eb site.
Faulkner, illiam. "A Rose for Emily." Retrieved July 28, 2005 at http://xroads.virginia.edu/~drbr/wf_rose.html…
Curry, Renee R. "Gender and authorial limitation in Faulkner's 'A Rose for Emily.'" The Mississippi Quarterly. June 22, 1994. Retrieved July 28, 2005 from HighBeam Research Library Web site.
Faulkner, William. "A Rose for Emily." Retrieved July 28, 2005 at http://xroads.virginia.edu/~drbr/wf_rose.html
Gilman1, Charlotte Perkins. "The Yellow Wallpaper (1899)." Retrieved July 29, 2005 at http://www.library.csi.cuny.edu/dept/history/lavender/wallpaper.html
Gilman, Charlotte Perkins. "Why I Wrote The Yellow Wallpaper" 1913. Retrieved July 28, 2005 at http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
" As the kitchen gets darker, things move slower and people are more intoxicated. The symbolism is obvious in this story.
A reader could be forgiven if he or she shouted, "ould someone please shed some light on love, on relationships, on truth and dignity in this story and stop babbling through the gin!"
In the hite Elephant story -- as in the other two stories -- there is no resolution, no solution, readers don't know if the woman has her baby, or decides to do what the man wants, have the abortion. But light is important in this story too. The mountains looked like white elephants. There was "no shade and no trees" so the visual is focused on bright light. Shrill light, but there is not much light shed on the real difficult decision facing the couple. There is a lot of talking around the issue. "Let's try…
Carver, Raymond. What We Talk About When We Talk About Love: Stories. Ed. R.
Carver. New York: Vintage Books, 1989, c1981.
Faulkner, William. "A Rose for Emily." In the Best of Faulkner. London: The Reprint Society:
Mrs. Emily is described from the point-of-view of the townspeople as a very haughty person, respected by everyone because of her noble origins. Her refusal to pay taxes as well as all her other whims and peculiarities are accepted by everyone. hen she dies however, the same community is shocked as they realize Mrs. Emily had entertained a perverse obsession during her secluded life, and has slept with the dead body of her former lover, whom she had poisoned herself. Thus, the struggle between the woman's desires and the opposing forces is now apparent: she stubbornly holds on to the memory of her father and to the body of her dead lover, unwilling to relinquish her feelings for them.
Thus, the two stories portray the struggle between the natural body and the spiritual side of man, resolving into delirium and pathological states.
Bierce, Ambrose. Collected orks. New York:…
Bierce, Ambrose. Collected Works. New York: Oxford, 1977.
Faulkner, William. Collected Stories of William Faulkner. New York: Random House, 1950.
Yank in "Hairy Ape" by Eugene O'Neill
In the play, "Hairy Ape," by Eugene O'Neill, the character of Yank portrays the individual who seeks to conform in his society and is always in need to belong with other people. Robert Smith, or Yank, is illustrated as an individual who personifies anything that is deviant in the society: O'Neill portrays him as "broader, fiercer, more truculent, more powerful, and surer of himself than the rest. They respect his superior strength -- the grudging respect of fear. Then, too, he represents to them a self-expression, the very last word in what they are, their most highly developed individual." This passage from the play shows how, because of both his physical appearance and personality, Yank is immediately identified as 'distinct' and 'different' from other people.
Looking into his portrayal in the play, Yank also shows apparent dislike for conformity, deviating from all the…
Faulkner uses an unusual point-of-view: the first person plural, the point-of-view of the community in which Emily Grierson lived. Faulkner combines modernism with a few naturalistic elements in his story: Mrs. Emily's life is witnessed from the outside by the community, and the reader has no access to the story itself, but through the hearsay of the country folk. A Rose for Emily also has a surprise and grotesque ending: after Emily's death, the people find in one of the rooms of her house the body of Homer, Mrs. Emily' lover. Thus, Faulkner's style is very interesting, because he tells the story from the point-of-view of an ignorant narrator but impersonal narrator, the community itself, leaving the reader equally ignorant. Both stories thus have naturalistic or pathological elements and manage to keep the reader at a distance from the story itself.
Bierce, Ambrose. Collected orks. New York: Doubleday,…
Bierce, Ambrose. Collected Works. New York: Doubleday, 1960.
Faulkner, William. Collected Stories of William Faulkner. New York: Random Hous
Irony in "Soldier's Home" -- Irony is a device used by writers to let the audience know something that the characters in the story do not know. There is usually a descrepancyt between how things appear and the reality of the situation. Often the characters do not seem aware of any conflict between appearances and the reality, but the audience or reader is aware of the conflict because the writer has used irony in the story. Whatever the emotion of the story is, irony heightens it.
There is a strong element of irony in Ernest Hemingway's painful story "Soldier's Home." Harold, who served in the Army in World War I on the bloodiest battlefields, comes home too late to be welcomed as a hero. We know he needed to be treated as a hero (because he makes up lies about himself) but the townsfolk and his parents do not. While…
The existence of true love has been a debate among writers, authors, and philanthropists for years. There are many things in this world that we as people share together, but nothing else can bare, mend, or even heal like love. Every place we go and everything we see has in some point in time been touched by some form of love. It is through stories and poems that we indeed do find the existence of true love. I believe that stories and poems provide us with the necessary evidence to prove that true love does exist and we will analyze these poems and stories in the following work to indeed provide evidence of its existence. We find that true love does exist and it is real, when we analyze the writings of those who are most known for acknowledging it. In our world today, society explains love as…
Emily's only social imperfection in her eyes was remaining unmarried, and to remedy that when she could not possess Homer arron, she murdered him. The loss of her father is replaced by an obsession with another man. Emily literally cannot live without a man, even if she must become a kind of "threatening" and murderous harpy to have a husband (Clarke 6).
Faulkner's Emily lives for love. She follows the expectations of society in a perverse fashion: she kills a man so she will not lack a male presence in her life. In the story, there is no self-expression and freedom to live outside of social constraints and the expectations of how a woman must act. Love is not liberating. Emily is a symbol of a vengeful woman, and an outdated form of false Southern gentility. She seems to have no existence beyond the need for male approval. Although both…
Clarke, Deborah. Robbing the Mother: Women in Faulkner. University Press of Mississippi,
Fowler, Doreen & Ann J. Abadie. Faulkner and Women. University Press of Mississippi,
"It is, of course, impossible to catalogue all the circumstances in the outer world that shape children. Children are products of their moment in history, of prevailing conventions and wisdom, of social crusades." (eissbourd 27)
Lidoff, points out the value of the diconect, as it is seen through the narration of perception, rather than reality of feeling. Reflecting that one really can not know another, no matter how close one is to them or how much they wish they could, be the key to their understanding.
Mothers and daughters especially, in "I Stand Here Ironing"... are portrayed as they exist within the minds and feelings of each other: they are imaged by reflection, without the distinction between them always being clear -- to them, to us, to the narrator. The story of one becomes the story of the other with the nearly imperceptible figure-ground reversal of an optical illusion.
Lidoff, Joan. "Fluid Boundaries: The Mother-Daughter Story, the Story-Reader Matrix." Texas Studies in Literature and Language 35.4 (1993): 398-420.
Carter, Susan ed. Mothers and Daughters in American Short Fiction: An Annotated Bibliography of Twentieth-Century Women's Literature. Westport, CT: Greenwood Press, 1993.
Olsen, Tillie, I Stand Here Ironing Retrieved October 1, 2007 at http://ee.1asphost.com/shortstoryclassics/olsenironing.html
Weissbourd, Richard. The Vulnerable Child: What Really Hurts America's Children and What We Can Do about it. Reading, MA: Perseus Books, 1996.
quintessential elements of grotesque and the burlesque in Edgar Poe's The Fall of the House of Usher. The author opens the story with the description of a dreary environment. "DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens"(1846). This introduction is reason enough for an instinctive reader to pre-empt the nature of things to unfold. He goes further to explain the landscape, the haunted house, "….upon the bleak walls - upon the vacant eye-like windows - upon a few rank sedges - and upon a few white trunks of decayed trees…"( 1846). Moreover, there are many other indicators of grotesque elements including the author's description of Roderick and his sister's health conditions. He goes into detail on Madeline telling of the feelings she evokes on him. Nonetheless, the vagueness in the story is also…
I think Dickinson's poem is a work that is quite special because of the way she has taken the topic of death and she has made death into human form that is not at all like we would imagine him to be.
It is the sensibility that poets and others writers have, how they come to universal issues and human topics, that make a piece of writing literature. Some may argue that literature is only the classics, however, even popular books (e.g., the Harry Potter series or Twilight series) can be categorized as literature if they fulfill the purpose of the journey. Literature is literature if it speaks to people in a universal way and a lot of popular works can do that.
Within literature there are definite styles and movements. Henry David Thoreau was a writer who focused on what it meant to be human by comparing the human…
Faulkner and Hemingway: Comparison
William Faulkner (1897-1962) and Ernest Hemingway (1898-1961) were contemporaries who chose to adopt writing style that was highly unique and totally different from many of other writers of their time. Both reached great heights of success and were awarded Nobel Prize for literature. Both Faulkner and Ernest were similar in many ways but there was something essentially different about their narration styles and the psychological influences, which their writings reflect. For example while Faulkner was totally obsessed with dark mysteries such as death and murder, Ernest created stories, which were closer to reality. That is the reason why latter received more appreciation for his work than Faulkner who was highly popular among those who enjoyed thrilling mysteries and dark adventures. But they were both totally original in their writing style and they are responsible for introducing unique powerful devices in literature. Ernest Hemingway enjoyed concealing important…
William Faulkner, The Columbia Encyclopedia, Seventh Edition, 2002
Ernest Hemingway, The Columbia Encyclopedia, Seventh Edition, 2002
Fiction has the unique attribute of being able to be relatable to a person regardless of its implications to real life. No matter how bizarre a plot or character might be, it is the meaning behind everything that is obvious that makes the interpretation of stories unique and applicable to the human experience. This is greatly demonstrated in a collection of quotations from a variety of stories that all share one commonality: survival. No matter how tough things go, and no matter what life's circumstances can be, survival is the ultimate goal, and these stories all bring together that philosophy in a variety of ways, but all coming up with the same equal concept.
Nothing brings on this notion of survival more than Zora Neale Hurston does in her story "Sweat." Life is all about how hard one works in order to be able to excel and in order to…
What person and voice are used for narrative writing?
To answer the question what "person" and "voice" are used for narrative writing, a reader (and a writer) must first have a clear understanding of what is meant by these terms. In discussion narration, the question of what "person" is used by the author usually means whether a particular work is written, for example, in the persona of an 'I,' that is a first person limited perspective, or the persona of a "he" or "she," in the third person limited or omniscient perspective.
In the first-person limited perspective, or "voice," the reader is taken through the story through the eyes of a single 'I.' Thus, the reader's perspective is limited by the voice and vision of that 'I.' A third-person omniscient perspective is narrated by an objective, outside voice. The third-person omniscient voice knows all and can see all,…
Diehl also points out that the poet's retrospective outlook cannot be overlooked, for "by placing this description in the realm of recollection, the speaker calls into question the current status of her consciousness" (Diehl). Here we come into contact with vivid imagery of the poet losing her faculties. Another interesting aspect we find in this poem is how it represents a personal experience. The poet's thoughts are coming from within. After all is said and done, we read "And the windows failed, and then/I could not see to see" (Dickinson 16). Obviously, the poet does not crack the mystery of death but she does seem to come to terms with it, at least.
The poet takes us on another journey in "I heard a Fly Buzz hen I Died." e are told about the "stillness of the air" (3) to the grieving to the distraction of a fly. The poet…
Bloom, Harold. Emily Dickinson. Broomall: Chelsea House Publishers.1999.
The Western Canon. New York: Harcourt Brace and Company. 1994.
Dickinson, Emily. "Because I Could Not Stop for Death." The Complete Poems of Emily Dickinson. Ed. Thomas Johnson. New York: Little, Brown and Company. 1960.
Death is a Dialogue" the Complete Poems of Emily Dickinson. Ed. Thomas Johnson. New York: Little, Brown and Company. 1960.
characters were similar and different in their ways, personalities and attitude. This paper also highlights some quotes from the stories to support its claim.
Compare and Contrast
Rose For Miss Emily by illiam Faulkner and Miss Brill by Katherine Mansfield relates the stories of two women who had been through a lot in their past lives and were trying to relive their past in their present. The characters of both Miss Emily and Miss Brill are the same. hile Miss Brill relates her past to her present with happy thoughts, Miss Emily considers her present an era that is trying to drift her away from her past. Both the characters of Miss Brill and Miss Emily symbolize loneliness. hile Miss Brill tries to communicate with the outer world, Miss Emily on the other hand shuts herself away from her neighbors and town people. Both the characters are the same and…
Katherine M. Miss Brill. Available on the address http://www.geocities.com/short_stories_page/mansfieldmissbrill.html. Accessed on 8
William F. A Rose for Miss Emily. Available on the address http://www.online-library.org/fictions/emily.html . Accessed on 8 Feb. 2004.
Dickinson, however, approaches art and nature in a much different way. She does not attempt to assert herself or set herself up as "Amerian Poet" the way that hitman does. Instead she wrote her poetry without ever once doing so for fame or fortune. She meditated on her relationship to her surroundings, her understanding of beauty, her admiration for truth, her appreciation of the essence of things. "The Sailor cannot see the North, but knows the Needle can," she wrote in 1862. She considered Death and Judgment as actual realities, doorways to Eternity, rather than the ending of existence. Dickinson looked beyond the here and now, beyond the fleeting feelings of transcendental poetry, to the Infinite. Her fascination with mortality produced vivid images and verses: "Because I could not stop for Death, / He kindly stopped for me; / the carriage held but just ourselves / and Immortality." Because she…
Anderson, Douglas. "Presence and Place in Emily Dickinson's Poetry." The New
England Quarterly, vol. 57, no. 2, 1984, 205-224. Print.
Dickinson, Emily. The Letters of Emily Dickinson. Harvard University Press, 1886.
Victorian literature was remarkably concerned with the idea of childhood, but to a large degree we must understand the Victorian concept of childhood and youth as being, in some way, a revisionary response to the early nineteenth century Romantic conception. Here we must, to a certain degree, accept Harold Bloom's thesis that Victorian poetry represents a revisionary response to the revolutionary aesthetic of Romanticism, and particularly that of ordsworth. The simplest way to summarize the ordsworthian child is to recall that well-known line from a short lyric (which would be appended as epigraph to later printings of ordsworth's "Ode: Intimations of Immortality, from Recollections of Early Childhood") -- "the child is father of the man." Here, self-definition in adulthood, and indeed the poetic vocation, are founded in the perceived imaginative freedom of childhood.
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being's height,
Arnold, Matthew. "The Forsaken Merman." Web. Accessed 15 April 2012 at: http://www.bartleby.com/101/747.html
Arnold, Matthew. "William Wordsworth." In Steeves, H.R. (ed.) Selected Poems of William Wordsworth, with Matthew Arnold's Essay on Wordsworth. New York: Harcourt Brace, 1921. Print.
Arnold, Matthew. "Youth's Agitations." Web. Accessed 15 April 2012 at: http://www.readbookonline.net/readOnLine/12118/
Bloom, Harold. "Introduction." In Bloom, Harold (ed.). Bloom's Major Poets: A.E. Housman. New York: Chelsea House, 2003. Print.