In this same sense, though, Hannibal the Cannibal and Clarice of the Cannibalized Psyche are magnetically-attracted (although most unlikely, or so it seems at first but that soon enough makes perfect sense) soul mates. [Yes, even human monsters that could and would eat us alive have souls.]. And it is this cannibal in a cage that slowly makes it possible for the true Clarice who is still locked-down inside her own labyrinth of psychological cages, to begin to give birth to her own scar-swaddled yet still fully authentically self. This is Hannibal's human love and his self-regeneration at once. Here in particular, Demme's implication is a feminist one. ut it is also a universal one. A woman may give birth to her true self. ut sometimes a man, and even the most unlikely among them at that, can help in that process, and in some cases (this is one, Demme…...
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Bibliography
Demme, Jonathan, dir. Silence of the Lambs. With Anthony Hopkins and Jodie
Foster. Orion, 1991.
Harris, Thomas. Silence of the Lambs. New York: St. Martin's [Reissue edition]
Silence of the Lambs
The movie Silence of the Lambs, released in 1991 has remarkably portrayed suspense, horror, intrigue and crime in such a mesh that is commendable in its story baseline and continues to thrill people of all generation with the plot that satisfies all limits of grotesque and cannibalistic criminal activities (Lehman, 2001). This research paper tends to explain how this movie satisfies its viewers in terms of being an exquisitely developed crime story event and how it continues to depict the ugly aspect of criminal activity involved with human killings and cannibalism. This movie also shows a strong female protagonist that develops into strength of the story by showing a bolstered character of courage and determination towards bringing end to a crime.
The ideology communicated by the movie
Although Silence of the lambs is based upon thriller and horror genres however it presents a unique ideology that was never presented…...
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References
Lehman, P. (2001). Masculinity: Bodies, Movies, Culture. Chicago: Routledge.
Williams, T. (1996). Hearths of Darkness: The Family in the American Horror Film. Madison [u.a.]: Fairleigh Dickinson Univ. Press [u.a.].
He has no ethical qualms about killing or consuming his victims. His mind is acute. His decisions are not as much immoral as they are amoral; Lecter does not believe in right vs. wrong in terms of his own behavior. He is far more concerned with his own personal victories in outsmarting a system he is familiar with, of proving himself to be a superior human being with greater intelligence than the mass of humanity he belittles by his cannibalistic behavior. He mocks humanity, he self-aggrandizes, and he makes no excuse for his actions except as a form of self-indulgence. Neither Lector nor Starling change dramatically during the course of the movie, but Starling does become wiser after her encounters with Lecter. Her innocence is all but absent toward the end of the film, but she is nevertheless as optimistic and as professionally driven as she was when she…...
Yet, we also see that he still does not understand the true origin of the beast -- the human within. The fact that he dies before he is successful, yet the monster obviously goes off to end his own fate, indicates that the evil both originated, and eventually died with him -- the true source from which it sprang.
Victor Hugo's Hunchback: An Illustrative Device
In Victor Hugo's Hunchback of Notre Dame, there exists a strikingly similar theme -- if different in form. Although it is definitely true that Hugo's famous Quasimodo is a bit more innocuous than the Frankenstein monster, he nonetheless evokes a certain horror if only in appearance. Yet, much like in Shelley's work, Hugo brings out the monster that is human nature within the other character's interactions, motivations, and actions in the story.
There is little question that Hugo fully intended Quasimodo to evoke horror in his readers.…...
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Works Cited
Baldick, Chris.
In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing.
There is a direct correlation with, say, Henry Hill's cocaine abuse and the increasingly rapid cuts between shots. Faster-paced narrative parallels quicker-moving shots. When viewers finally see the film in the theater, the finished product reads like a cohesive narrative when in fact the filmmakers strung together disparate shots and cuts and combined them later after thousands of hours of painstaking labor. Analyzing a movie must therefore include respect for the editorial prowess of the post-production crew.
Editors must be intimately familiar with the screenplay they work with, especially in films that do not have a linear narrative. For instance, Christopher Nolan's 2000 film Memento describes one man's struggle with memory degradation. elying on a non-linear plot, the filmmaker depended on the post-production crew to adequately convey the disjointedness of amnesia. Other elements like dramatic irony, in which the audience is privy to information that protagonists do not have access…...
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References
Bellour, R. (2000). The Analysis of Film. Bloomington: Indiana University Press.
Bertolucci, B. (1993). Little Buddha. Feature film.
Brown, B. (2002). Cinematography: Theory and Practice. USA: Elsevier Science.
Because of Haynes use of dolls, I was much more interested in Karen's story; I most likely would not have been interested in the film if it simply approached her story from the same perspective as other filmmakers.
Horror films can be subdivided into various subgenres. Rosemary's Baby, for instance, may fall into the category of Satan-inspired films due to the fact that in the film, Rosemary is used as a surrogate to Satan's child. What is interesting about this film is that it relies heavily on the viewers' perception of Satan since the entity is never actually shown and neither is his child. Not showing what Rosemary and Satan's child like forces the viewer to imagine what it must look like based on how he is described, which makes it much more frightening because this image is based on the viewers' psyche and feeds off of what they are…...
ut for some reason he began to collect junk, sometimes as many as four non-working cars and heaps of junk piles scattered around the front yard. Neighbors began to complain, not only about the mess on the lawn but also about the women in the house. Heidnik became furious and there were shouting matches with the neighbors. He also screamed to friends about a coming racial war that whites would win, although he himself dated only black women. His religious and sexual rants continued to fire up the neighbors. Finally, Heidnik withdrew to the basement and locked himself in there, with his arsenal, and daring one of them to come down to the basement and "tell him to his face." One neighbor decided to do this, and Gary shot him in the face. Somehow, charges were dropped, but Heidnik fled the house.
In 1977, he decided to invest the rest of…...
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Bibliography www.angelfire.com/ny/hermajestyszine/heidnik, html. April 14, 2010.
rown, in her biographic article for World of Forensic Science, states,
She views investigative criminal profiling as a dynamic process that does not conclude until a suspect is arrested and convicted. She deems it a support process for the criminal investigative team, made up of a combination of four skills: investigation, forensic analysis, psychological assessment, and the application of cultural anthropology. rown considers this type of profiling to be a real-time, speculative process requiring ongoing checking to avoid missing any significant data, and should never be done in isolation, but rather as one piece of the entire criminal investigative process (rown, ¶4).
rown works 'pro bono' on several cold case file crimes, trying to be closure for the family.
The profilers use a variety of known characteristics to start the profile. The years of research done by early profilers such as Douglas has enabled the profilers to obtain clearer pictures of the…...
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Bibliography
Brown, Pat. World of Forensic Science. Thomson Gale. 2005. HighBeam Research. 22 Jun.
2010 .
Cooper, Greg. The Violent Criminal Apprehension Program. The Forensic Examiner.
American College of Forensic Examiners. 2007. HighBeam Research. 22 Jun. 2010
Despite the fact that the field of forensic psychology was formally recognized by the American Psychological Association (APA) as a "subset" in 2001 (Salfati, 2009), aspects of this science have influenced law enforcement long before that. One of the most salient ways it does so is in terms of interviewing people for certain positions -- whether they be formal positions such as an appointment to a law enforcement position or informal ones such as witness and eyewitness testimony.
Various branches of the law have been made cognizant of the fact that individuals who work within law enforcement have a very tenuous, difficult job. There is a significantly greater amount of work -- and psychology -- involved in working as a police officer. Therefore, within the past several years law enforcement officials have included personality tests as part of the testing for police officers (Salfati, 2009). Although these tests are far from…...
Laureate Education, Inc. (Executive Producer). (2009). "Introduction to forensic psychology." Baltimore: Author. "Foundations of Forensic Psychology" with Dr. C. Gabrielle Salfati.
Edgar Allan Poe and Hannibal
Edgar Allan Poe was more than a horror storywriter. He was a person that delved into the human psyche and created a psychological thriller that haunted the reader's mind well after the conclusion was made.
Poe has delved into the human spirit at a time when the idea of the unconscious mind had probably either not evolved, or had just been described and was not commonly known. In his stories of horror, Poe explored in depth the human psyche. Poe was a critic of rationalism but at the same time he was a master in the art of constructing, logically, the irrational 'rationale' for crime committed by his characters. Poe lived a difficult and rather impoverished life, and was himself often given to alcoholism in his private life and the narrator's fears and contradictions that the author describes are something he might have experienced himself. For as…...
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Bibliography
DeNuccio, Jerome, History, narrative, and authority: Poe's "Metzengerstein.' (Edgar Allan Poe's novel "Metzengerstein"). Vol. 24, College Literature, 06-01-1997, pp 71(11).
Arthur H. Quinn Edgar Allan Poe: A Critical Biography by (1941)
Author not available, Hannibal Lecter, Superstar., The Toronto Star, 06-20-1999.
THOMPSON Douglas, Moral with a twist., Sunday Star Times (New Zealand), 03-29-1998, pp 5.
Psycho
Alfred Hitchcok's Psycho was released in 1960, and encapsulates the social, psychological, and political tensions of the Cold ar era. As Raubicheck and Serebnick point out, Psycho could have been a bridge to the 1960s but the film is "less linked to and reflective of the so-called radical sixties than they are of the more controlled fifties and possess more cultural texture of this earlier era," (17). The issues related to gender, sexuality, and sexual repression in the film are likewise reflective of the interest in Freudian psychoanalysis that prevailed during the 1950s. Rebello points out that the popularity of Freudian psychology and theories like the Oedipus complex are played out on the screen in Psycho. Anthony Perkins's character Norman Bates is "connected with a much larger discussion, in the early Cold ar, of political and sexual deviance," (Genter 134). In Psycho, Bates becomes the archetype of the psychopath, which…...
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Works Cited
Genter, Robert. "We All Go a Little Mad Sometimes': Alfred Hitchcock, American Psychoanalysis, and the Construction of the Cold War Psychopath." Canadian Review of American Studies. Vol 40, No. 2, 2010.
Hitchcock, Alfred. Psycho. Feature Film.1960.
Raubicheck, Walter and Srebnick, Walter. Scripting Hitchcock. University of Illinois Press.
Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. Open Road Media.
Crime in Literature and Film
"Red Dragon" by Thomas Harris and "Manhunter" by Michael Mann
The original version of the novel red dragon was written by Thomas Harris in 1981. In the words of est, only few authors have risen to the level of relevance and success as Thomas Harris, who authored just five novels, beginning from 1975. The Red Dragon, with other fictional works in the same series, is a famous fictional book built around a crime thriller. The book was later adapted in the 1986 Michael Mann movie, Manhunter. Some key actors that played key roles in these movie series are Brain Cox, the first ever actor to play the role of Dr. Hannibal Lecter, the manhunter antagonist, who became the Red Dragon's protagonist. However, some other actors like Anthony Hopkins in the movie, the Silence of the Lamb and Red Dragon, Hannibal's Mads Mikkelsen and Hannibal Rising's Gaspard Ulliel,…...
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Vest, Jason P. "Dissecting Hannibal Lecter: Essays on the Novels of Thomas Harris." Journal of the Fantastic in the Arts (2009): 297-300.
Vlastelica, Ryan. Tracking Hannibal Lecter, from Manhunter to Red Dragon. 25 August 2015. 17 February 2016 .
Williams, Nicholas. "Eating Blake, or an essay on Taste: The Case of Thomas Harris's Red Dragon." Cultural Critique (1999): 137-162.
Samuel Taylor Coleridge
The cliched image of the Romantic poet is of a solitary tortured genius; it is ironic that the work of the poets collectively regarded as the 'Romantic School' is marked by collective and co-operative effort as much as by individual creativity. For none of the great figures of Romantic poetry is this so true as it is for Samuel Taylor Coleridge. The first-rate poetic output of this extraordinary, multi-faceted man lasted only a few years, from approximately 1797 to 1802, and he has even been regarded by some historians and critics as 'merely a channel for the work and ideas of others' (Jasper, 8) rather than as a creative figure in his own right. It is as if his own creative character has become lost in the extraordinary wide-ranging and complex interplay of relationships between poets, thinkers, writers and critics which swirled around him. It is also the…...
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Works Cited
Coleridge, Samuel Taylor. Biographia Literaria. Ed. J. Shawcross. London: Oxford University Press, 2 vols., 1954.
Coleridge, Samuel Taylor, The Complete Poetical Works. London: Oxford University Press, 1912.
Hill, John Spencer. A Coleridge Companion. Basingstoke: Macmillan, 1983.
Holmes, Richard. Coleridge: Early Visions. London: Penguin, 1989.
The gate by which this movement is issued comes in lines 7-9, as love becomes "free" and "pure," unlimited now by the "level" of the builder or the numbers of the mathematician. Now, she loves like the "saints" (12), who exist by God's grace, which she hopes shall allow her to continue to love even "after death" (14). Thus, Elizabeth incorporates a religious idea into a poem that centers on her devotion to her husband.
In conclusion, just as her words echo one another line after line, so too does her most famous poem echo the words her future husband wrote to her in his first letter: "I do, as I say, love these books with all my heart -- and I love you too" (Ricks 33). Elizabeth Barrett Browning used language and style to infuse into her most personal poems a life that emanated from her heart and incorporated…...
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Works Cited
Browning, Elizabeth Barrett. "The Cry of the Children." A Victorian Anthology, 1837-
1895. E. Stedmund (Ed.). NY: Houghton, Mifflin, and Company, 1895. Print.
Browning, Elizabeth Barrett. "How Do I Love Thee?" A Victorian Anthology, 1837-
1895. E. Stedmund (Ed.). NY: Houghton, Mifflin, and Company, 1895. Print.
Children and Violence
Exposure to domestic violence can have negative effects on children that may result in short-term or long-term complications in the child's life. Taking timely and appropriate measures help limit the negative effects such experiences may have on children. Young kids living in families experiencing domestic violence are a disempowered lot. They develop limited emotional literacy and verbal skills. Further, the environment occasioned by domestic violence is that of intimidation and secrecy. The caregivers are also less emotionally available to the children. Together, such factors restrict the children's opportunity and capacity to make their opinions heard. To help the children, their preferences should be considered and a healthy environment that ensures the maintenance of the daily routine of children is maintained in the temporary shelters. They should be continually supported and support structures established in every area that the children are. Discussed in this paper are the consequences of…...
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Bibliography
Brown, R., & Luppi, F. (2010). Domestic Violence and Children. The National Child Traumatic Stress Network, 1-12.
Carpenter, G. L, & Stacks, A.M.(2009). Developmental effects of exposure to intimate partner violence in early childhood: Are view of the literature. Children and Youth Services Review, 31(8),831-839.
Ehrensaft, M.K., Cohen, P., Brown, J.,Smailes, E., Chen, H., & Johnson, J.G. (2003). Intergenerational transmission of partner violence: A20-year prospective study. Journal of Consulting and Clinical Psychology, 71(4), 741.
Epstein, C. & Keep, G. (1995). What children tell Children about domestic violence. In A. Saunders, C. Epstein, G. Keep & T. Debbonaire (Eds.), It hurts me too: Children's experiences of domestic violence and refuge life. Bristol: WAFE/Child-line/NISW.
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