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Sleeping Beauty / Dirty Dancing
It might seem strange to compare dances in The Sleeping Beauty and Dirty Dancing, however, that is precisely what this paper will attempt to do. The pas de deux dance between Prince Florimund and Aurora in Act III of The Sleeping Beauty and the "I Had the Time of My Life" dance in Dirty Dancing are not unlike in terms of staging and purpose, despite the fact that one is a ballet and one is contemporary dance. Both come at the end of the story (the play and film, respectively) and their purpose is to show the transformation of child to woman and, at the same time, show the burgeoning relationship between her and her lover.
The pas de deux of Act III in The Sleeping Beauty begins with the two lovers center stage as onlookers observe. Likewise, though Patrick Swayze comes down the aisle…
Balanchine, G., & Mason, F. (1975). 101 stories of the great ballets: The scene-by-scene stories of the most popular ballets, old and new. Anchor.
Final Movies. "Dirty Dancing -- Patrick Swayze & Jennifer Grey -- The Final Scene."
You Tube. Accessed on March 31, 2011:
"The Sleeping Beauty" by Lord Alfred Tennyson uses several narrative techniques. The first of which can be seen in the second line of the first stanza. "She lying on her couch alone" (). The phrase uses incorrect English to change the tone of the poem. Although the poem does not try to establish a rhyming pattern in the BC in the first stanza with "grown" and "form," the two words sound well together as though they rhyme. The pattern however is ABABCDCD with BC sounding like they should rhyme. All the "slumberous light" uses personification to describe light.
Many of the lines within the first stanza are filled with imagery of this woman: "A braid of pearl" and "rounded curl." She is so beautiful and magnificent that even the smallest things she does are explained or described on a grand scale. She is the epitome of beauty and wears the…
Distinctly from John Updike's teenage character Sammy in his short story "A&P," who realizes he has just become an adult; Connie as suddenly realizes she feels like a kid again. Now she wishes the family she usually hates having around could protect her. The actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (paragraph 7). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the Big Bad olf, or the evil stepmothers (and/or stepsisters) that fix on Snow hite, Sleeping Beauty, Cinderella, and other innocent young female characters as prey. And Connie at the end of "here Are You Going, here Have You Been" wishes, like Little Red Riding Hood, Snow…
Kafka, Franz. "The Metamorphosis." E-text. 28 May 2007 http://www.mala.bc.ca/Johnstoi/stories/kafka-E.htm
Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" Celestial Time
Piece: A Joyce Carol Oates Home Page. 28 May 2007 http://jco.usfca.edu / works / wgoing/text.html>
Updike, John. "A&P." Tigertown.com. 28 May 2007 http://www.tigertown.com/whatnot/updike/html
Moral Messages in Children's Literature
I chose four children's classics: Charlotte's web (1952) by E.B. White, and other three children's fairy tales, two by Jakob and Wilhelm Grimm (Cinderella and Snow white and the seven dwarfs) and one by Charles Perrault (Sleeping Beauty). These were among my personal childhood favorites. Looking back on all four as an adult, I see many similarities, but also many differences, in these books' inherent moral messages. All have been positively reviewed (e.g., have received awards or good critical reviews, and/or have stood the test of time). Each contains many distinct moral messages, some plain, others less so. Each also deals with situations that require moral decisions.
Charlotte's web is a story about eight-year-old Fern, who, while growing up on a farm, loves and nurtures a pet pig, Wilbur. Wilbur grows up (with help from Fern and various animal friends, including a wise…
Insightful Critical esponse, Demonstrating an Understanding of the Effect of Medium on Meaning
The story of "Briar ose" uses one story to describe and relate another deeper meaning. The details of one story parallel or overshadow this hidden story now being revealed. The use of the story of a variation of "Sleeping Beauty" is retold by Gemma, a character in the novel, her own personal story is retold and given shape through the fable. She has replaced the horror of Holocaust memories with a fairy tale in the attempt to share her history with her grandchildren. The retelling is a mirror into her past an reflects an actual recorded human history. According to a writer from Britain, David Lodge, the use of the medium of the fairy tale "Sleeping Beauty" in this case, resonates to the impression or memory of her present life (Yolen, 1992).
Briar ose" tells a story…
Yolen, J. (1992). Briar rose. The Endicott Studio. Terri Windling.
mythology is important for both individualistic and collective reasons. On an individual level, mythology could teach moral or human truths, whereas on a collective level mythology could be used to keep people in touch with their origins. Mythological stories could then be used to teach children values such as hard work, diligence and obedience. Role models are created through mythological figures. Also, the mythology of different cultures can serve to teach the student about the values of that culture. This is particularly important in the world today, since advancing technology and phenomena such as globalization has brought foreign cultures much more frequently in touch with each other than was previously the case. It is therefore important to study mythology for the values that it can teach both children and adults, and also for understanding the heritage inherent in these stories.
Mythology derives from the complexity of the human…
Oregon Mediation Center. "Dispute Resolution Mythology." 2004. http://www.to-agree.com/medres/pg23.cfm
Miller, Ken. "An Introduction to the Mythology of the Druids." Oct.-Nov. 2002. Bandarach Council of Druids. http://www.bandarach.org/Paper002.htm
Balanchine to Petipa
George Balanchine was born in the year 1904. He was invited to come over the United States of America by Lincoln Kirstein, in the year 1933, and subsequently, Balanchine arrived in America in the month of October 1933. One of the very first things that Balanchine is reputed to have done after his arrival in the United States, was to found the 'School of American Ballet', which opened in the year 1934, with a class of twenty five students. It must be stated here that although Balanchine and Kirstein made several attempts through many years to start a Company, they did not succeed in their endeavor, but the School of American Ballet, however, has endured and remains intact, to this day. This was the Scholl through which Balanchine was able to present his very first ballet to the entire world, in America, which was named the 'Serenade'.…
Ballet Training Techniques. Retrieved From
http://www.the-ballet.com/techniques.php Accessed 15 October, 2005
Balustrade. Retrieved From
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…
"What better way to annoy the Hollywood liberals than to remind them every single day that
George W. Bush is STILL the President?" Retrieved from https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2 Accessed 15 September, 2005
"What's interesting about the business is that it's no longer the movie business" Retrieved from http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html Accessed 14 September, 2005
Charles Perrault was responsible for collecting and adapting many of the fairy tales best known to contemporary audiences, and his collection of Stories or Fairy Tales from Past Times with Morals, also known as Mother Goose Tales, offers a unique insight into both the evolution of fairy tales in general and the socio-political context of Perrault's own writing. In particular, Perrault's use of domesticated and wild animals in certain tales shed light on the gender and class conflicts that under-gird both the stories themselves and Perrault's own historical context. By performing a close reading of Perrault's "Little Red Riding Hood," "Puss in Boots," and "Donkeyskin," one can see how Perrault uses domestic and wild animals in order to reinforce notions of gender that idealized male autonomy and proactivity while condemning female exploration, in addition to simultaneously supporting the preexisting class structure that impoverished the majority while rewarding the nobility;…
Ashliman, D.L.. "Charles Perrault's Mother Goose Tales." University of Pittsburg. Web. 3 Dec
Ahmed, K. Al. "Charles Perrault's "Le Petit Poucet" and its Possible Arabic Influences."
Bookbird 48.1 (2010): 31-41.
And it was rightly found in a life form which we encounter daily in our real lives- insects. ightly, insects possess the shape, form as also the texture that aligns perfectly within the realm of computer technology and the restricted movement was also not a vital challenge to the evolving medium of animation. This started with "A Bug's Life." From then onwards, the Pixar Studio has gone even more into the details of character design which were not believed to be possible till that period, like fantasy monster, fishes and cartoon superheroes. Like the 2D animation prior to that, 3D is yet to defeat the human form in any means in which the characters are able to act in a natural manner and no look like models made of plastic or wooden sculptures in the absence of the life form inside them. (White, 33)
The initial stage of…
Belgrave, Tito a. Applying the 12 principles to 3D animation. July, 2003. http://features.cgsociety.org/story_custom.php?story_id=1429
Collie, Craig. The Business of TV Production.
Cambridge University Press. 2007.
Cusson, Roger; Maffei, Pia; Discreet Logic Inc. 3ds Max 7 Fundamentals and Beyond Courseware. Focal Press. 2005.
Trace the roots of many of the traditional cannon of fairy tale - Cinderella, Snow White, Sleeping Beauty etc. - and women and children are often subdued by the establishment. Stardust's suggestion that there might be greater things inside all of us seems perfectly in line with traditional fairy tales.
If, however, you believe in more traditional gender roles and are very conservative in regards to family structure then Stardust may present a problem namely, that homosexuality is okay. To those coming from the hard right, Captain Shakespeare's effeminate behavior behind closed doors (or in the closet), and his revelation to the crew that he enjoys cross-dressing and they're subsequent reveal that they already knew, Stardust is definitely a challenge to the status quo. Even the heterosexual romance between Tristan and Yvaine pushes the limit as they are shown in bed together on more than one occasion. Magic and the…
The level of the investment also isolated them more in the case of a failure. They paid attention to the wrong details. Disney acted on American views of Europe rather than on native views, which could identify the important cultural differences. It appeared that the managers were too confident in their success to research the small details about European cultures.
In planning Euro Disney there were not any contingency plans put into place. The attitude towards customer habits was very complacent. They assumed that there would be so many customers every day, each staying an average number of nights spending an average amount of money. In America this would have worked because there is already a well established theme park culture. The European market proved to be a lot more unpredictable.
Up until now, Disney's venture into China has been anything but magical. The Hong Kong theme park, which opened…
Balfour, Frederik. 2009. "Disney Shanghai: Good for China, Bad for Hong Kong." 28 June,
2010. Business Week. Web.
Liu, Ling Woo. 2009. "Disneyland in Shanghai: A Second Try in China." 28 June, 2010. Time.
H.P. Lovecraft wrote him fan letters and composed a poem about his art. The fine hatching and pebble board were all used to give his images a texture and depth beyond anything seen in the field. Finlay and another illustrator at this time named Lee F. Conrey (see above) both provided lots of imaginative drawings for both magazines and books (BPIB).
Comics were another genre that started hiring illustrators. Born in Humbolt, Minnesota, Austin Briggs studied at the Wicker Art School in Detroit, and then attended the Art Students League in New York City. He settled there and worked for an advertising agency and freelanced for various magazines, like the Dearborn Independent, Collier's, McClures and Pictorial eview. He started his comic strip career as an assistant on Flash Gordon, then took over the Secret Agent X-9 strip, and began anonymously illustrating the Flash Gordon daily in the 1940s and early…
American Art Archives. 16, November 2007. http://www.americanartarchives.com/
Ask Art Blue Book. Oscar Edward Cesare, Artist. 16, November 2007. http://www.askart.com/askart/c/oscar_edward_cesare/oscar_edward_cesare.aspx
BPIP. Jessie Wilcox Smith Biography. 16, November 2007. http://www.bpib.com/illustrat/jwsmith.htm
Comic Art Fans. 16, November 2007. http://www.comicartfans.com/forums/topic.asp?TOPIC_ID=1127
As Connie grows more frightened of Arnold's escalating threats, she eventually allows her own imagination to run wild, to the point where she can neither think clearly anymore, nor even manage to use her own telephone to call the police.
The fright-inspiring actions of the fearsome Arnold, are foreshadowed early on, when he warns Connie, the night before, after first noticing her outside a drive-in restaurant: "Gonna get you, baby" (p. 2279). From then on, Arnold's quest to "get" Connie feels, to Connie and the reader, in its dangerous intensity, much like the predatory evilness of malevolent fairy tale characters, e.g., the ig ad Wolf, or the evil stepmothers (and/or stepsisters) that fix on Snow White, Sleeping eauty, Cinderella, and other innocent young female characters as prey.
The shaggy-haired man who drives "a jalopy painted gold" (p. 2279) first notices Connie at a "drive-in restaurant where older kids hung out"…
Bender, Eileen T. "Joyce Carol Oates, b. 1938." Retrieved November 16, 2006, at http://www.georgetown.edu/faculty/bassr/heath/syllabuild/iguide/oates.html .
Celestial Timepiece: A Joyce Carol Oates Home Page. Retrieved November 16, 2006, from: http://www.usfca.edu/facstaff/southerr/wagner.html#preface html>.
Friedan, Betty. The Second Stage. New York: Summit, 1981. 341.
Gilbert, Sandra M., and Susan Gubar. "Joyce Carol Oates 1938-." The Norton
father's death and her father requesting that treatment be accorded him so that he speedily is delivered from his pain, Ms. Wolf is faced with the dilemma of whether or not to accede. Always a staunch opponent of any euthanasia-assisted program, she realized that the choice was not so simple and that sometimes suicide or euthanasia exists in the gray zone.
Ultimately, nature, as she puts it, helped her out and her father lingered on long enough to enjoy his last remaining moments with her and die comfortably and at peace.
In those last few hours, she sang to him, reminisced about his time with her, they shared loving and tender recollections (he moved his jaw three times inferring that he loved her); the father had a chance to see his other loved ones and his death was more of a closure. More so, during that period of time, he…
Hare, R.M. Moral Thinking, U.K: Oxford, 1981.
Kant, I. Groundwork for the metaphysics of morals New Haven: Yale University Press, 2002.
Sharon, G. Sharon: the life of a leader. New York: Harper, c2011.
astelands of Labyrinths, astelands of the Modern Past and Present
The wasteland of myth is a place where people have been mislead, where they dwell in a terrible half-existence, living a lie. Perhaps the most familiar modern expressions of the word 'wasteland' are those of T.S. Eliot's poem about "The asteland" and the idea of a modern, suburban 'teenage wasteland.' hen people speak about a teenage wasteland, they usually are referring to a group of disenchanted youths who have given up on their parent's values but cannot construct their own, new set of values. hen people speak of the "asteland" poem of Eliot, written during the early half of the 20th century, they are referring to Eliot's vision of modern life as a series of broken visions of past phrases, verses, and schemas of believe that no longer have a coherent form or provide moral guidance for people living today.…
Campbell, Joseph. Hero with a Thousand Faces. 1948.
"The Greek Myths: Theseus and the Minotaur & The Wasteland Motif." From The Norton Anthology of World Masterpieces. Seventh edition. Volume 1. W.W. Norton & Co, 2001.
The story of Bluebeard is a famous one, although not as often retold as some of the happier stories like "Cinderella" or "Sleeping Beauty." One of the reasons for this is that the story of "Bluebird" does not end happily, nor does it allow the hearer to vicariously imagine him or herself saved from a life of poverty or despair. Fairy tales were told not only to entertain but also to instill wisdom and teach the listener important lessons about proper behavior. The concept was that if a young person, particularly a young female, emulated the behaviors of the virtuous characters in these stories, then perhaps they too would be saved from a miserable life of destitution and depression. This tale, then, is an advisory both about who you choose to marry and about the dangers of disobeying your husband. Critics have argued about what the purpose of this…
Dworkin, Andrea. "Onceuponatime: The Roles." Woman Hating. New York: Dutton. 1974.
Lurie, Alison. "Folktale Liberation." Don't Tell the Grown Ups. Little Brown. 1990. Print.
Opie, Iona and Peter. "Bluebeard." The Classic Fairy Tales. New York: Oxford UP. 1974. Print.
Children's Literature Timeline
LITERATURE FOR CHILDREN: A SELECTIVE TIMELINE
Charles Perrault. Histoires ou Contes du Temps Passe: Les Contes de ma Mere l'Oie. (Tales and Stories of the Past with Morals: Tales of Mother Goose.) France.
Jacob and Wilhelm Grimm. Kinder- und Haus-marchen. (Children's and Household Tales.) Germany.
Hans Christian Andersen. Eventyr Fortalte For Born (Fairy Tales Told To Children.) First and Second Volumes. Denmark.
Heinrich Hoffmann, Struwwelpeter (Shock-Headed Peter). Germany.
Lewis Carroll, Alice's Adventures in Wonderland. Britain.
Louisa May Alcott, Little Women. U.S.A.
Mark Twain. The Adventures of Tom Sawyer. U.S.A.
Carlo Collodi. Le Avventure di Pinocchio. (The Adventures of Pinocchio.) Italy.
1900. L. Frank Baum. The Wonderful Wizard of Oz. U.S.A.
1926. A.A. Milne, Winnie the Pooh. Britain.
1937. J.R.R. Tolkein, The Hobbit. Britain.
1944. Astrid Lindgren, Pippi Langstrump. (Pippi Longstocking.). Sweden.
1952. E.B. White. Charlotte's Web. U.S.A.
1957. Dr. Seuss. The Cat in the Hat. U.S.A.
Maison LANVIN 2016 Company Analysis
Lanvin is A French multinational company specializing in high fashion. Established in 1889, the company is presently more than 125 years old. At present, Lanvin is a reference to French fashion, Luxury, accessories and perfumes. Since its establishment, the company registered office remains the same at Faubourg in Paris. Jeanne Lanvin is renowned for her talents, and through her innovative talents, the company has become known for refinement, elegance and luxury globally. Start as a milliner, and later sell to Paris's upper class, the company has built its name as a top company that designs ultra-feminine clothing marked with elaborate trimming that includes beading, embroidery, beading, and fragrances. Despite the success of Lanvin House, the company experienced a decline in sales towards the end of 20th century.
In 2001, Lanvin found a critical and financial success with the help of designer Alber Elbaz…
.. anyway how... you know how"
I used the digital camera to photograph her in her routine. I also recorded her speaking and, occasionally, took notes when something interested me. I also took longhand notes of the names of the ointments in order to remember them.
My cousin looks at herself closely in the mirror as she applies each thing. Here and again, she says' drat' and pronounces that she sees a 'spot' or wrinkle when I see nothing whatsoever. Sometimes she presses her face real close to the mirror so that vapor gathers on the glass. Other times, she takes the magnifying mirror form her bedroom, and she presses her face against the glass.
When she is rummaging for her ointments (like the sunscreen that she finally finds in her purse), she drags everyone else out and leaves it on the floor or bed.
As he himself admits, "I have a very grim perspective. I do feel that it's a grim, painful, nightmarish meaningless existence, and the only way to be happy is if you tell yourself some lies. One must have some delusions to live" ("Cannes 2010: oody Allen on Death -- 'I'm Strongly Against It'"). hat Midnight in Paris is for him (and us), therefore, is a kind of distraction from the reality that at some point the final credits will roll.
Malick's Tree of Life, then, is a kind of answer to Allen's melancholy. It is, of course, a religious answer told through an impressionistic and indirect medium. Nonetheless, unlike Allen, Malick is willing to embrace the spiritual side of man and explore its meanings and possibilities. For Malick, life is a spiritual journey that can lead one either upwards to the good or downwards to the bad. Allen's film may…
Allen, Woody, dir. Midnight in Paris. Los Angeles: Sony Pictures Classics, 2011.
Augustine. City of God. Edinburgh: T&T Clark, 1888. Print.
Augustine. The City of God against the Pagans. Cambridge University Press, 2002.
Roxana as Tragedy
"Roxana" stands unique among Daniel Defoe's work in that it ends a tragedy. The work is a lot more than that, however. "Roxana" dispenses with the formalities associated with many texts and paints sex as a commodity from the very get-go. Roxana ends up a tragedy not so much because of what transpires at the end of the novel, but because Roxana herself cannot deal with her decision to prostitute herself: Roxana is a tragic figure because at the end she cannot reconcile her morals, her guilt and the fact that although she has been able to achieve wealth through her actions, through social upward mobility has eluded her, partly through her own eyes. In fact, her reliance on her beauty and body compound this desire for social upward mobility, and eventually result in a sort of manic race to delude not only her daughter, newest Dutch…
hen Edith harton tells us that "it was the background that she [Lily] required," we understand that both Emma Bovary and Lily have a very important thing in common. They are first of all women in the nineteenth century society, fettered by social conventions to fulfill any kind of aspirations or ideals. A woman, as it is clearly stated in both novels, had no other means of being having a place in society than by acquiring respectability and money through a good marriage. To marry was the only vocation of a woman, as harton tells us.
Of course, there interferes a great difference between the two heroines here, because Madame Bovary, as her very title proves it, is already a married woman, while Lily in harton's book is in constant pursue of a redeeming marriage. But, essentially the frustration of the two heroines is the same, as Emma is as…
The American Experience: Andrew Carnegie- The Gilded Age. PBS Online. 1999. 1 Oct. 2006 http://www.pbs.org/wgbh/amex/carnegie/gildedage.html .
Byatt, A.S. Scenes from Provincial Life. The Guardian. July, 27, 2002. Oct.2006 http://www.findarticles.com/p/articles/mi_m2342/is_n1_v30/ai_18631915 .
Cahir, Linda Costanzo Solitude and Society in the Works of Herman Melville and Edith Wharton. New York: Greenwood Press, 1999
Deppman, Jed. "History with style: the impassible writing of Flaubert - Gustave Flaubert." Style. 1996. Oct 2006
Both men's appearance are said to repel the young, yet they attempt to safeguard their 'just' reputations -- Blindy even says directly that he earned his nickname in his infamous fight: "you seen me earn it" (495). Blindy says that Willie Sawyer's castrating him, although not blinding him was 'too much' during his final fight, as if bargaining with fate.
Eventually, some compassionate individual steps in to defend the reputation of the old men. In "A Clean, Well-Lighted Place" the older waiter takes the old man's side when the younger waiter casts aspersions on the old man's lack of sexual prowess -- because, it is implied that he also lives alone in similar depression and isolation. Frank the bartender tells the story of Blindy's final fight. This is essential given that even if they men believe their fates are 'just' in some fashion, they are haunted by incomplete business in…
She also learns, too late, that the jewels and the life she coveted so long ago was a sham. Hence, the symbolic nature of the necklace itself -- although it appears to have great value, it is in fact only real in appearance, not in reality and the heroine is incapable of assessing the false necklace's true worth.
The tale of "The Necklace" conveys the moral that what is real, the replacement she returned to Madame Forstier, can be won not with beauty but with hard work, sweat, and toil. Like "The Tell-Tale Heart," "The Necklace" revolves around the use of irony and a single, symbolic element, exemplified in the title object that works throughout the tale, using the literary device of irony, to reveal the protagonist's moral character. That final revelation engineered by the title object makes the story compelling, even if both protagonists may seem morally repugnant. The…
Works Cited de Maupassant, Guy. "The Necklace." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/necklace.html de Maupassant, Guy. "A Piece of String." Classic Short Stories. 28 Jun 2008. http://www.classicshorts.com/stories/string.html
Poe, Edgar Allen. "The Tell-Tale Heart." The Online Literature Library. Literature.org.
28 Jun 2008. http://www.literature.org/authors/poe-edgar-allan/tell-tale-heart.html
Proust, Narratology f. Specifications
Narratology and Proust: An Essay on the Narrative Form
Narratology refers to the narrative form in literature, and all that it entails. It is concerned with the order and method by which the narrative is crafted. y design, a narrative must contain at minimum characters and a narrator, a voice apart from the characters that plays the role of storyteller, observer, and commentator. It is important because narration touches our lives through mass media, television, news print, and almost every form of information we receive in our daily lives. Four our purposes however, we will examine its use in fiction, or more finitely, the novel. In order to best understand the use of narratology within the novel context, we will examine the various elements of narratology according to conventional theory. Then, we will explore the example of Proust's style of narratology in his famous works, "In…
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation. Baltimore: Johns Hopkins UP, 1987. http://www.sla.purdue.edu/academic/engl/theory/narratology/notes/whitecontent.html
Felluga, Dino. "General Introduction to Narratology." Introductory Guide to Critical Theory.[date July 17, 2002]. Purdue U. [Site Accessed July 15, 2003]. http://www.purdue.edu/guidetotheory/narratology/modules/introduction.html .
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Vintage, 1984.
Barthes, Roland. S/Z. Trans. Richard Miller. New York: Noonday P, 1974.
There are remedies (albeit not easy ones for the individuals involved), as suggested by the research. However, and this is very important, the current public health approaches that the Saudi government has taken, as Mabrey et al. (2010) note, have focused fairly narrowly on medical approaches. This focus includes research that has been conducted on metabolic syndrome (which is caused primarily by being overweight). This is caused by clear-cut factors and has a number of possible poor consequences.
Mabrey et al. (2010) note that metabolic syndrome is on average 10 to 15% higher in the GCC states than in the rest of world and that females are disproportionately affected by metabolic syndrome. These researchers are among those who note that a strictly medical approach to such medical problems is far from sufficient. For while metabolic syndrome itself can be identified and described in purely medical terms, such an approach does…
Abraham, S. & Nordsieck, M. (1960). Relationship of excess weight in children and adults. Public Health 75: 263-273.
Alghamdi, K.M. (2010). The use of topical bleaching agents among women: A cross-sectional study of knowledge, attitude and practices. Journal of the European Academy of Dermatology and Venereology, 24(10): 1214-1219.
Al-Qahtani, D.A., Imtiaz, M.L., Saad, O.S., & Hussein, N.M. (2006). A comparison of the prevalence of metabolic syndrome in Saudi adult females using two definitions. Metabolic Syndrome and Related Disorders, 4(3): 204-214.
Al Qauhiz, N.M. (2010). Obesity among Saudi Female University Students: Dietary Habits and Health Behaviors. Journal of the Egyptian Public Health Association 85(1-2):45-59.
corpse strangled with the rope still around his neck, the first thing I wanted to do was to remove the rope. Because the look on the dead body's face was horrible, and obviously the rope was what was responsible for the death, and also for the horrible look on the corpse's face, with bulging bloodshot eyes and the tongue sticking out. But Harry went and looked at the body to make sure that he was dead, and then basically Harry told me that this was a crime scene, so we shouldn't disturb any possible evidence. So we didn't take the rope off, and instead we went to talk to the victim's wife. She hadn't moved from the last time we saw her; she was just motionless in her chair. I asked her if she had told anybody about her husband's death, and in a weirdly non-emotional way she said that…
Even in Catholic France, the Protestant sentiment that God's grace alone can save His fallen, human creation was evident in the humanist king, Francis I's sister, Margaret, Queen of Navarre's novel when she wrote: "We must humble ourselves, for God does not bestow his graces on men because they are noble or rich; but, according as it pleases his goodness, which regards not the appearance of persons, he chooses whom he will."
Shakespeare's Hamlet is haunted by the ghost of his father from Purgatory. Purgatory was a Catholic concept. But rather than trusting the vision of the divine on earth, Hamlet is suspicious about the ability of fallen human beings to enact justice. Rather than finding good in the face of women, Hamlet sees only evil. "In considering the cultural conditions that allow tragedy to revive, we may also want to consider that the plays occurred in Christian Northern Europe;…
Both have in their own way gone against the norm. When Babli, embittered by the men in her life, and after losing hope of ever having the man she loves decides to have a baby alone, she breaks her fathers will. For in a traditional Hindu family the girl accepts the match set up by the father, but here, we read how she chooses her mate, loses him and then goes against her own values to have a child. it's the ultimate rebellion from the conventional ways and undermines the very conception of hindu family values as understood by the traditional Indians, and hence creates a conflict of conventional and modern ways and starts the debate of whether second and third generation immigrants will ever completely follow their own cultures as set forth by their parents.
5. The Gold-Legged Frog by Khamsing Srinawk
Passage: "You sure are lucky,' the words…
Subtle Disapprobation of Labor Conditions
The Harbinger's magazine article, "Female Workers of Lowell," which was initially published November 14, 1836 by an unidentified author, is one of the earliest surviving accounts of conditions of labor (not associated with institutionalized, chattel slavery) in the post-Industrial era United States of America. This particular excerpt, which details the living and working quarters of an entirely female textile mill presumably in the North Eastern (New England) region of the U.S., is decidedly sympathetic to the harsh existence many young female labors were forced to endure. However, this sympathy is tempered by the powerful economic impetus of profit, or capital (as it is termed in the magazine article), which was used to justify the development and implementation of just such means of industrialization. A close read of the text illustrates the fact that the author begins the article favoring the institution of such an oppressive…
Sociology and Socialization: Gender Differences Examined
Go to any card shop and take a look at the birthday cards. Birthday cards display numerous messages about society's attitudes toward gender, age, mental status and more. Most of the birthday cards available in a typical Hallmark store, the store examined, display what might be considered gender 'norms'. For example, girl's birthday cards are mostly offered in pink, showing pictures of flowers or bunnies or other soft items. Male birthday cards often depict pictures of sporting items, blue colors, or even women. The cards available suggest that differences exist between what men and women like, and emphasize that these 'norms' have become social institutions. The messages provided in cards suggest that women want to hear flowery messages of love and caring, whereas men would rather here a good joke or look at a picture of a member of the opposite sex.…
Shepard, J.M. (2001). Sociology, 9th ed. West Publishing Company.
Oh well, them's the breaks! I wonder if maybe I should start stalking the rehab centers, maybe I can meet a cool chick there too!
As many of you know, Shawn and Chrissie have finally managed to develop a healthy addiction -- to each other. When I first met Chrissie I could see that she and Shawn were made for each other. They have a similar philosophy of life. I think they've both traveled down some of the same roads and have a lot that they can relate about throughout the rest of their lives. They're so nice to each other sometimes that it makes me want to puke. I don't know if all of you know how Shawn proposed, but I'm warning you, if you thought Shawn was macho, your image of him will be completely shattered. Shawn is a romantic sap at heart, and I know that Chrissie…
Post-Impressionist artists were interested in the ideas of Friedrich Nietzsche, particularly in his concept of the Ubermensch, a superman who would be capable through intense struggle of surmounting the lower forces that would limit his ability to achieve. The idea that man could evolve beyond his present capacities influenced the relationship of European man to previous cultures and to contemporary but less "civilized" societies. This paper explores the ways in which Paul Gauguin applied the Ubermensch concept to his art and to his life, and examines parallel motifs in the oeuvres of his contemporaries.
The Artist Gauguin: Man, Nature, Ubermensch and God
At the beginning of the enaissance, Massacio painted The Expulsion of Adam and Eve from the Garden of Eden, and initiated a new view of humanity: an intensely personal and emotionalized struggle against fate. In spite of the Neo-Classical return to the formal norms of the past, the…
Biography of Gauguin. http://www.abcgallery.com/G/gauguin/gauguinbio/html (November 14, 2002).
Dillon, John K. (1997) The Death of Tragedy: The philosophy of Friedrich Nietzsche's Ubermensch. http://www.nsula.edu/scholars_college/Thesisabstracts/HSTtheses/dillon.html (November 14, 2002).
Gauguin, Paul. (1897) Noa: The Tahitian Journal. 1985 ed. Dover Publishing.
Norris, George. (1996) Expressionism: Its Spiritual and Social Voice. http://www.br.cc.va.us/vcca/norris.html (November 15, 2002).
There isn't one time in the film that Martin doesn't act out of passion. Unlike Oedipus, Martin does not choose blindness but rather it is a result of his passion and desire for Mini.
atching Mini's First Time, the audience has a sort of god-like perspective as perhaps the audience felt in one of the great Greek theatres. As one watches the film, there is a definite feeling that it isn't going to end well for the humans involved. e can see the machinations growing and growing until they spin out of control and utter chaos is revealed. e are not sure what the fate of the characters will be, unlike Oedipus because we are so familiar with it, but like Oedipus, we know that there isn't much hope. In the Iliad and Odyssey, the gods do occasionally look down upon the humans with some compassion and interest -- and…
Sophocles. (Berg, Stephen., Clay, Diskin) Oedipus the King by Sophocles. Oxford University Press: Trade edition. 1988.
Ovid. (Martin, Charles) Metamorphoses. W.W. Norton & Company. 2005.
A perfect example of this is located in Chapter three. Chapter three opens with the camera zooming steadily in on a window. The shot then cuts to a shot of streetlights, establishing the time of day as early morning. Even though simply not enough of the room is exhibited to demonstrate what exactly exists within it, the shot following the streetlight is of a woman in bed, strongly suggesting it was her bedroom that the camera was stealthily creeping up to in order to peep through the lace curtains unbeknownst to the sleeping woman.
This voyeurism keeps going even as the aforementioned woman gets up, washes and dresses in various sequences interspersed in chapter three. Vertov's camera cuts from the sleeping woman to the painting on the wall of an old man, located and leering as if he too were watching her sleep.
This voyeurism is further emphasized by the…
Barnouw, Erik (1993) Documentary: A History of the Non-Fiction Film. 2nd ed. New York: Oxford University Press.
Barsam, Richard M (1973) Nonfiction Film: A Critical History. Bloomington: Indiana University Press.
Beller, Jonathan L (1999) Dziga Vertov and the Film of Money, Boundary 2: An International Journal of Literature and Culture. 26 (3). Duke University Press.
Guynn, William (1990) A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson University Press.
Love and the Developing and Unstable Female Sense of Self
Lord Byron, in his epic poem "Don Juan," famously noted that although love may be an all-consuming passion for men and women, only for women does it provide the reason for their existence, only for women does love constitute their reason for the self's existence alone. Although this point-of-view may be said to be that of a misogynist, both Marguerite Duras' The Lover and Love in a Small Town provide the same textual narrative for the reader, as did Byron's 19th century version of the young, dashing Don Juan. Both author's works suggest that, only by being exposed to a new, sexually awakened sense of body and self, does a woman gains her full identity as a human being.
Marguerite Duras presents a vision of forbidden love that on its surface may seem to challenge the reader's conventional assumptions…
Duras, Marguerite. The Lover. New York: Pantheon, 1998
Matlock, Curtiss Ann. Love in a Small Town. New York: Avon, 1997
Hill, Leslie. Marguerite Duras: Apocalyptic Desires. New York: Routledge, 1993.
Hoffman, Carol. Forgetting and Marguerite Duras. Boulder: University of Colorado Press, 1991.
Witnesses reported the noticeable odor of decay was present and dried mucous on one of her nostrils. The child was dressed in a light colored long-sleeved turtleneck and light-colored pants (similar to pajama bottoms). Her distraught father placed her on the floor by the front door. A white cord was tightly embedded around her neck similar to the string around her wrist. On her neck at the base of her throat was a red circular mark about the size of a quarter (World Law Direct Forums web site).
Based on her own experience Det. Arndt believed the child was dead and that she had been dead for some time. John amsey told Det. Arndt that he had found JonBenet in the wine cellar under a white blanket, that her wrists were tied above her head, and that a piece of duct tape was over her mouth. He pulled the tape…
Autopsy photos, Crime Shots True Crime Community web site: http://crimeshots.com
Autopsy report JonBenet Ramsey documents web site. http://www.crimemagazine.com/jonbenetdocs.htm.
Bane, V. (1998). Never ending story. People Weekly, 50 (22) 126-132.
Bardsley, M. (2006). JonBenet Ramsey murder case: An investigative analysis.
Post WWII Art Analysis
The piece of art that the paper will analyze is "Sleeping Girl." oy Lichtenstein painted "Sleeping Girl" in 1964, as part of his work in pop art & pop culture. Another artist who painted in the style of pop art was Andy Warhol, just to add context with whom Lichtenstein kept artistic company. "Sleeping Girl" is a seminal work in a series of paintings in comic book style. Comic book culture saw a huge surge after WWII and so did pop art. These artistic forms expressed a desire to escape from the horrors and great changes around the world after the war. Artists such as Lichtenstein tapped into these desires producing mash-ups of popular art forms to express an even more layered message. "Sleeping Girl" is directly influenced by DC Comics, as it is a rendition of an image found in Girls' omances, #105. It was…
Watson, L. (2012). Bringing home the Bacon: The record-breaking pop art masterpieces that fetched tens of millions at auction. Mail Online, Web, Available from: http://www.dailymail.co.uk/news/article-2142740/Lichtensteins-Sleeping-Girl-record-breaking-masterpieces-fetch-tens-millions-auction.html . 2013 April 16.
As Amun, he also wears a flat-topped crown, which was his signature. The figure is carrying and ankh in one hand and a scimitar in the other which is laid across his chest.
The gold represents the sun in ancient Egyptian culture, and so it is the only fitting
The Hellenistic period began in 323 BC, after the death of one of ancient Greece's great heroes, Alexander the Great. Alexander had conquered vast expanses of the ancient world, which opened up great cultural influences on the people of Greece (National Museum of Athens 2010). During this era, the people speak a multitude of different languages, and there are cultural influences from around the ancient world parading through the streets, which might I add, have all been recently paved. The city itself looks strikingly similar to more modern day cities. The culture is ripe with artistic expression and acceptance.…
American Institute of Pyramidology. "Part One: The Ancient Mystery Unraveled." The Great Pyramid. 2010. Retrieved 19 Feb 2010 from http://greatpyramid.org/aip/gr-pyr1.htm
Inter-City Oz. "About Ancient Egypt." Tour Egypt. 2010. Retrieved 19 Feb 2010 from http://touregypt.net/egyptantiquities/
Metropolotan Museum of Art. "Statuette of Amun." Works of Art: Egyptian Art. 2010. Retrieved 19 Feb 2010 from http://www.metmuseum.org/works_of_art/collection_database/egyptian_art/statuette_of_amun/objectview.aspx?page=2&sort=5&sortdir=asc&keyword=&fp=1&dd1=10&dd2=31&vw=1&collID=31&OID=100001249&vT=1
Metropolitan Museum of Art. "Statue of Eros Sleeping." Heilbrunn Timeline of Art History. 2010. Retrieved 19 Fed 2010 from http://www.metmuseum.org/toah/ho/04/eusb/ho_43.11.4.htm
Snow hite has a low sense of self-efficacy. She dreams of a prince making her life better, not of making her life better through her own initiative She does not leave her cruel stepmother's home, rather she waits until she is literally forced out in a life or death situation, even though she was being abused and used as a scullery maid. This behavior may also tie into her strong superego as a character -- she does not openly disobey her stepmother, ever, and works hard to earn her keep for the dwarves. However, her superego's strength is inconsistent -- she breaks into a home rather than takes refuge somewhere else, and allows herself to eat an apple from a stranger.
Snow hite is the subject of her stepmother's projections -- all of the woman's fears about aging and her loss of beauty are projected onto the girl, and the…
Wagner, Kendra Van. (2009). Erikson's stages of psychosocial development. About.com
Retrieved June 7, 2009 at http://psychology.about.com/od/theoriesofpersonality/a/psychosocial.htm
There are so many things that make successful storytelling. One of the major components that stick out is the events in the story. Selecting and arranging the events is highly important in the process of composing the story passage. ithout the events, there really is not kind of story. Brainstorming and writing down an important list of the things that have gone on is something that is very vital. The more ideas a story has the better it will be to the reader. hat makes good storytelling is the fact they a writer knows how to capture the reader's attention without having to go back and repeat themselves over and over. It is also important to make sure that the story has a lot of detail and also the links that are between them. The details make a story really good because it draws the reader into the…
Buss, H.M. "Gender, genre and identity in women's travel writing." Biography 21.6 (2005): 444-447,514.
Campisi, D., Costa, R., & Mancuso, P. "The effects of low cost airlines growth in italy." Modern Economy, 18.5 (2010): 59-67.
Folks, J.J. "Mediterranean travel writing: From etruscan places to under the tuscan sun." Papers on Language and Literature 14.7 (2006): 102-112.
Iannone, F. "A model optimizing the port-hinterland logistics of containers: The case of the campania region in southern italy." Maritime Economics & Logistics 14.1 (2012): 33-72.
One of the most valuable strategies that I have implemented for the management of stress is the utilization of a support network. My network consists of classmates, other students, and close family and friends. It is good to have people to talk to when schoolwork becomes too stressful. Conferring with other classmates is particularly useful when there is a difficult assignment or a concept that I do not understand well. Friends and family help me to keep my schoolwork and the other parts of my life in perspective, so that I am able to maintain some sort of balance. Lastly, it is good to talk to other students because that also helps me to realize that what I am going through, almost all other students are going through simultaneously.
Time management strategies are the crux of what helps me get going as a student. Time management allows me to…
Staircase ramps which are comprised of steep and narrow steps that lead up one face of the pyramid were more in use at that time with evidence found at the Sinki, Meidum, Giza, Abu Ghurob, and Lisht pyramids respectively (Heizer).
A third ramp variation was the spiral ramp, found in use during the nineteenth dynasty and was, as its name suggests, comprised of a ramp covering all faces of the pyramids leading towards the top. Reversing ramps zigzag up one face of a pyramid at a time and would not be used in the construction of step pyramids, while lastly interior ramps that have been found within the pyramids of Sahura, Nyuserra, Neferifijata, Abusir, and Pepi II (Heizer, Shaw).
Ancient Greek architecture exists mainly in surviving temples that survive in large numbers even today and is tied into Roman and Hellenistic periods which borrowed heavily from the Greeks.…
Ackerman, J.S. "Architectural Practice in the Italian Renaissance." Journal of the Society of Architectural Historians (1954): 3-11.
Alchermes, Joseph. "Spolia in Roman Cities of the Late Empire: Legislative Rationales and Architectural Reuse." Dumbarton Oaks Paper (1994): 167-178.
Allen, Rob. "Variations of the Arch: Post -- and lintel, Corbelled Arch, Arch, Vault, Cross-Vault Module." 11 August 2009. Civilization Collection. 5 April 2010 .
Anderson, James. "Anachronism in the Roman Architecture of Gaul: The Date of the Maison Carree at Nimes." Journal of the Society of Architectural Historians (2001): 68-79.
Art, Costume, And Scenery of Major Feature Films of the 1980s
Kiss of the Spider oman. Hector Babenco, 1988.
Adapting The Kiss of the Spider oman to the cinema presented a unique challenge to filmmakers. The story is set in a jail cell, and largely takes the form of dialogue between two prisoners: Molina, a homosexual window dresser, and his cellmate, a fiery radical named Valentin. To pass the time, Molina tells his cellmate stories. The dank, dark cell where the two men wear relatively minimalistic clothing is a stark contrast with the beautiful, melodramatic films that Molina narrates. Occasionally, some brightness will intrude into the jail, such as when Molina cooks for Valentin or when he puts a scarf around his head. Molina may make an attempt at drag, but it is relatively minor given the tools at his disposal. "Hurt wears a kind of improvised drag, mostly involving…
Canby, Vincent. "Women on the Verge of a Nervous Breakdown." The New York Times. 1988.
[May 3, 2010].
Ebert, Roger. "Wings of Desire." The Chicago-Sun Times. April 12, 1988. [May 3, 2010].
It is after all a ghost story, so one may assume, just based on the conventions of the genre, that the two apparitions in the story are indeed evil. Supposing the reader takes the narrator at her word, there is evidence to support that the red-headed lecher, Peter Quint, and his infamously beautiful paramour, Miss Jessel, are the hell raisers the Governess makes them out to be.
The Governess describes Miss Jessel in demonic terms when she spies her across the lake, "Another person -- this time; but a figure of quite as unmistakable horror and evil: a woman in black, pale and dreadful -- with such an air also, and such a face! -- on the other side of the lake. I was there with the child -- quiet for the hour; and in the midst of it she came" (James). According to this initial description, Miss Jessel fits…
James, Henry, and Robert Kimbrough. The Turn of the Screw. An Authoritative Text,
Backgrounds and Sources, Essays in Criticism. New York: W.W. Norton, 1966. Print.
Lane, Anthony. "Fright Nights." The New Yorker. 19 Feb. 2012.
Porphyria's Lover" -- a Man in Love with a Dead Ideal
"I knew Porphyria worshiped me," exclaims the narrator, and when Porphyria confirms that she does, she seals her doom as her lover vows to kill her, as she falls asleep by his side, near a comfortably roaring fire. This suggest that only when a woman is dead, according to Victorian ideology, can a man be sure that he possesses her utterly. This is why the speaker of Robert Browning's Victorian dramatic monologue poem "Porphyria's Lover" strangles his lover, despite the fact that the woman begins the poem "murmuring how she loved me," and is "too weak, for all her heart's endeavor," to resist him and to resist the temptation to give herself to him, completely and utterly. The idea that the woman has another past, with other men (whether in the speaker's envious fantasy or reality) or even the…
She says she envies Seldon's work, even though he is not of the highest orders of society, but she cannot emulate his masculine example:
"Ah, there's the difference -- a girl must, a man may if he chooses." She surveyed him critically. "Your coat's a little shabby -- but who cares? It doesn't keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. The clothes are the background, the frame, if you like: they don't make success, but they are a part of it. ho wants a dingy woman? e are expected to be pretty and well-dressed till we drop -- and if we can't keep it up alone, we have to go into partnership" (harton 17-18).
This is a lesson that Lily learned early in life from her mother. On…
Wharton, Edith. The House of Mirth. C. Scribner's sons, 1905. Google Books.
June 9, 2008. http://books.google.com/books?id=VruwAAAAIAAJ&dq=House+of+Mirth&printsec=frontcover&source=bn&hl=en&ei=lZsOStfVA4XFtgfU_qyQCA&sa=X&oi=book_result&ct=result&resnum=4
The actual construction was the work of ast (Villa ast). Similar to his previous creation, classicism is captured within the "fluted pillars" and "lateral projections." Numerous ornaments, such as pearl, egg-and-dart, and leaf moldings, are incorporated. Notable sculptures include one by Anton Hanak, above the tall windows on the right side of the house. Hoffmann's geometric motifs are also detected through the verticals and latticework. The furnishings also bear geometric grid patterns. Specific features include square flowers and lozenge patterns with complementary colors of white and black (white and gold is used as well). An overall impression of lightness is also achieved, with high stairwells, freestanding marble columns, and decorative glasswork. Notably, the design of the garden was intended to give off an exclusive impression. The terraces (some semi-cylindrical, some not) and ground level disparities instigate a conservative sense. In contrast, freedom is also employed with the rich modulations of…
The emergence of non-commercial still photography, in the form of an art is comparatively recent that may probably be dated from the 1930s. Just as poets use similar language as journalists, lawyers and curators, in the same manner, the ordinary realism of photography, including the medium of mug shots and real-estate ads, can be the material of visual poetry. In this context, the American photographer alker Evans was among the first to identify this potential (Masters of Photography).
In the 1930s, alker Evans contribution in the development of American documentary photography was significant. His each succeeding generation of photographers was greatly influenced by his precisely & comprehensive, frontal portrayal of people and artifacts of American life (Masters of Photography).
He abandoned his early ambitions of writing and painting and turned to photography, and as a result he reached at a dry, reasonable and modest style of photography that…
Masters of Photography: Walker Evans. Articles. www.masters-of-photography.com
Capa, Cornell. Walker Evans. The International Center of Photography. Encyclopedia of Photography
Cosmo Polis. Walker Evans. Biography & Exhibition.
A www.cosmopolis.ch.No. 8, July 2000.
Despite Kundera's own assertion that Nietzsche's eternal recurrence can only be interpreted metaphorically, he manifests four different forms of this philosophy by means of the lives he describes. These indeed include the literal interpretation, where actions and events literally repeat throughout a lifetime; the collective, where similar events occur in different lives but in similar relationships; the symbolic, where symbols recur within lifetimes, and the metaphorical, which Kundera describes in the beginning of the novel, where the same events occur in different forms. These forms of recurrence deserve some more detailed discussion, as follows.
Tereza and Tomas's relationship is somewhat problematic from the beginning, but no less inevitable for it. It is as if the decision to stay together despite the fact that their needs and goals are incompatible is made on their behalf by a power similar to fate. Hence the various fateful events that resulted in…
Corbett, Bob. Comments on The Unbearable Lightness of Being. Oct 2001. http://www.webster.edu/~corbetre/personal/reading/kundera-unbearable.html
Fraser, Giles. Meet Dr. Nietzsche: Response to comments. 2 Nov 2008 http://www.guardian.co.uk /commentisfree/2008/nov/02/religion-nietzsche-responses' target='_blank' REL='NOFOLLOW'>
Politics, literature and the arts -- Transformation, Totalitarianism, and Modern Capitalist life in Franz Kafka's "Metamorphosis," Fritz Lang's "Metropolis," and Albert Camus' Caligula
At first, the towering heights of the German director Fritz Lang's "Metropolis" may seem to have little to do with the cramped world of the Czech author Franz Kafka's "Metamorphosis." Fritz Lang portrayed a humanity whereby seemingly sleek human beings were dwarfed by towering and modernist structures, where one class of thinking humans were drunk on pleasure while others suffered in pain so that the upper classes or regions of Metropolitan society might prosper. Franz Kafka portrayed a man named Gregor Samsa who became a grotesque creature, increasingly beset upon by his tiny and encloistered environment until he is transformed into a gigantic cockroach. Rather than focusing on the higher echelons of society, Kafka focused on its lower elements immediately.
In Kafka, the transformed Gregor Samsa becomes…
Camus, Albert. "Caligula." 1936.
Kafka, Franz. "Metamorphosis." Translated by Ian Johnston. Released October 2003. http://www.mala.bc.ca/~johnstoi/stories/kafka-E.htm
'Metropolis." Directed by Fritz Lang. 1926.
In this regard, Nead notes that because she was an art lover, Richardson experienced a moral dilemma in her decision to attack "The Rokeby Venus," but she felt compelled to do so anyway based on her perception that the government was failing to act responsibility towards women in general and the suffragettes in particular. "In her statement during her trial, Richardson appears calm and articulate and nothing is said explicitly about any objections that she might have had to a female nude. Indeed, it was not until an interview given in 1952 that Richardson gave an additional reason for choosing the Velazquez: 'I didn't like the way men visitors to the gallery gaped at it all day'" (emphasis added) (Nead 36).
Figure 1. Velazquez, The Rokeby Venus.
Source: The Social Construction of Gender, 2006.
According to Mann (2002), functionalism could help explain the attack by Richardson on "The Rokeby…
Bartley, Paula. (2003). "Emmeline Pankhurst: Paula Bartley Reappraises the Role of the Leader of the Suffragettes." History Review, 41.
Damon-Moore, Helen. Magazines for the Millions: Gender and Commerce in the Ladies' Home Journal and the Saturday Evening Post, 1880-1910. Albany, NY: State University of New York Press, 1994.
Harris-Frankfort, Enriqueta. "Velazquez, Diego." Encyclopedia Britannica. 2006. Encyclopedia Britannica Premium Service. 31 May 2006 http://www.britannica.com/eb/article-222892 .
Mallory, Nina Ayala. El Greco to Murillo: Spanish Painting in the Golden Age, 1556-1700. New York: HarperCollins, 1990.
Victorian literature was remarkably concerned with the idea of childhood, but to a large degree we must understand the Victorian concept of childhood and youth as being, in some way, a revisionary response to the early nineteenth century Romantic conception. Here we must, to a certain degree, accept Harold Bloom's thesis that Victorian poetry represents a revisionary response to the revolutionary aesthetic of Romanticism, and particularly that of ordsworth. The simplest way to summarize the ordsworthian child is to recall that well-known line from a short lyric (which would be appended as epigraph to later printings of ordsworth's "Ode: Intimations of Immortality, from Recollections of Early Childhood") -- "the child is father of the man." Here, self-definition in adulthood, and indeed the poetic vocation, are founded in the perceived imaginative freedom of childhood.
Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being's height,
Arnold, Matthew. "The Forsaken Merman." Web. Accessed 15 April 2012 at: http://www.bartleby.com/101/747.html
Arnold, Matthew. "William Wordsworth." In Steeves, H.R. (ed.) Selected Poems of William Wordsworth, with Matthew Arnold's Essay on Wordsworth. New York: Harcourt Brace, 1921. Print.
Arnold, Matthew. "Youth's Agitations." Web. Accessed 15 April 2012 at: http://www.readbookonline.net/readOnLine/12118/
Bloom, Harold. "Introduction." In Bloom, Harold (ed.). Bloom's Major Poets: A.E. Housman. New York: Chelsea House, 2003. Print.
Know hy the Caged Bird Sings
Angelou's I Know hy the Caged Bird Sings has been widely classified as an African-American autobiography, which chronicles the experiences of a young, black girl in the America of the 1930s. hile undoubtedly the work is a valuable contribution to the genre of African-American history, describing as it does the plight of black women living during a time of racial and sexual oppression, it is primarily a tale of survival. By choosing to render a honest account of her own painful insecurities as a child, along with her frequent encounters with racism, sexism, and classism, Angelou takes her readers through the process by which she learnt to value herself and develop a sense of self-worth. Thus, it can be said that I Know hy the Caged Bird Sings is an inspiring work about the human ability to rise above the most painful of circumstances.…
Angelou, M. "I Know Why the Caged Bird Sings." Bantam Books, 1969.
If it was a dream, then the programmers clearly attempted to incorporate background realism. For example, the characters get dirty; like sweat, dirt is not something that the programmers would need to create to have realistic humans, but there is dirt on people. If one accepts the premise that the entire story is a dream, it is not difficult to take an additional step and assume that the programmers would think to have a character, who is supposed to appear nervous, sweating while he was on screen.
7. There are clues throughout the movie that the hero could use to discover whether his experiences were veridical or not. Perhaps the best clue is foreshadowed at the beginning of the movie and comes at the end of the movie; the appearance of the blue sky on Mars. Having never been to Mars, I have to rely upon my own conjecture, but…
Forster, M. (2006). Stranger than Fiction. Los Angeles: Columbia Pictures.
Jonze, S. (1999). Being John Malkovich. Los Angeles: Gramercy Pictures.
Nolan, C. (2000). Inception. Los Angeles: Warner Bros. Pictures.
Nolan, C. (2000). Memento. Los Angeles: Newmarket Capital Group.
Maya Deren: An Experimental Life
Maya Deren, born Eleanora Derenkowsky on April 29, 1917 in Kiev, Ukraine, has been referred to as "the high priestess of experimental cinema." (1) Even though she was a dancer, choreographer, poet, writer and photographer, she is still considered a pioneer not only in experimental filmmaking, but also a voice for the feminist film community.
In 1922, the Derenkowsky family fled the threat of anti-Semitism in the Ukraine, arriving in New York where they changed their name to "Deren." The family, though, was frequently unhappy and at odds. As an adolescent, Maya was sent to Geneva to attend The League of Nations International School while Maya's mother, Marie Deren, studied languages in Paris and her father, Solomon Deren, practiced psychiatry in New York City.
After attending school in Geneva, Deren studied journalism and political science and became active in student politics at Syracuse University. She…
4. P. Adams Sitney, Visionary Film: the American Avant-Garde 1943-1978, Oxford: Oxford University Press, 1979, p.10
5. Nichols, Maya Deren and the American Avant-Garde, Berkeley: University of California Press, 2001, p.5
6. Deren, p. 33
Also, this carving is quite sentimental in appearance, for it reflects "the solemn pathos of the Greek citizen, much like some of the sculptures found on the pediment of the Parthenon" (Seyffert, 245).
Our last artifact is titled Pair of Armbands with Triton and Tritoness Holding Erotes, made in the Hellenistic period, circa 200 .C.E. These jewelry objects were apparently designed for a woman of high Greek culture, for they are made from solid gold and are fashioned in the shape of two loosely-coiled snakes or serpents. Whomever designed these intricate and beautiful objects realized the special properties of gold, for the woman lucky enough to wear these could easily slip her arms through the loops, due to the malleability of solid gold. The two figures located at the tops of each piece are representations of Triton and Tritoness, most closely associated with the Greek god of the sea Poseidon.…
New Greek and Roman Galleries." The Metropolitan Museum of Art. Internet. 2007.
Retrieved at http://www.metmuseum.org/special/greek_roman/images.asp .
Seyffert, Oskar. The Dictionary of Classical Mythology, Religion, Literature and Art.
New York: Gramercy Books, 1995.
Navajo mythology [...] Navajo mythology and how it works in their society. Navajo mythology is a deeply rooted part of their society, and closely tied to the land where they live. They relate their myths to the land, the people, and to their gods, and these stories of creation and emergence permeate their lives and everything they do. The Navajo myths are important to understand, because when the student understands the myths, they will come close to understanding the Navajo people, too.
The Navajo people of Northern Arizona, New Mexico, and Southern Utah identify with the land where they live, and many of their myths center around important landmarks on their lands, such as Monument Valley in Northern Arizona, and Shiprock in New Mexico. The Navajo were originally nomadic people who moved over the land throughout the seasons of the year, tending their flocks and hunting, but when they were…
Faris, James C. The Nightway: A History and a History of Documentation of a Navajo Ceremonial. 1st ed. Albuquerque: University of New Mexico Press, 1990.
Gill, Sam D. Sacred Words: A Study of Navajo Religion and Prayer. Westport, CT: Greenwood Press, 1981.
Griffin-Pierce, Trudy. Space, Time, and Astronomy in Navajo Sandpainting. Albuquerque, NM: University of New Mexico Press, 1992.
The luxury brands in this age of fierce and intense competition perceive and believe that the conventional methods of advertising and promotion are only an itinerary that creates the knowledge and awareness amongst the consumers. Nevertheless, targeted marketing (that represents the emotional driving force) is becoming the primary and fundamental aspect of concern that many of the brands are focusing in order to create emotional engagement with the consumers that can provide them lasting relationships and loyalty from the consumers (Buckingham 2008).
However, looking at the perspective of the brand of Swarovski, it has been monitored that they have created a consumer-based pyramid in order to keep closely connected to the consumers' emotions and feelings. In this regard, they ensure high quality with proper detailing of the product during the manufacturing process and make the product a perfect one that can easily catch the attention of the consumers. They very…
American Birding Association 1998, Winging it: newsletter of the American Birding Association, Inc., Volumes 10-11, the Association, USA.
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Becker, V & Taylor, JB 1995, Swarovski: the magic of crystal, H.N. Abram, Michigan
Becker, V, Langes-Swarovski, M & Le Gallais, R 2005, Daniel Swarovski: A World of Beauty, Thames & Hudson, Limited, USA.