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What is Spain?

Spain is a subject that appears across history, political science, cultural studies, and international relations courses. Its long arc from medieval kingdom to global empire, followed by decline, dictatorship, and democratic transition, gives it unusual range as an academic subject. Students are drawn to Spain because it sits at the intersection of European development and world history, serving as a bridge between the Old World and the Americas, between Christian and Islamic civilization, and between colonial power and postcolonial consequence. Its influence on language, law, religion, and governance across multiple continents makes it genuinely difficult to contain within a single discipline.

The papers archived on this topic reflect that breadth. Many take a historical approach, tracing how Spain became a world power and examining specific episodes such as the Spanish Armada's confrontation with England in 1588 or the conquest of New Spain. Others shift to cultural and colonial analysis, exploring how Spanish conquest shaped contemporary Mexican identity or produced lasting structures in colonial Africa and the Philippines. Some papers zoom into individual figures or movements, including the architect Antonio Gaudí, while others engage with policy questions such as immigration and international commercial law, situating modern Spain within contemporary European frameworks.

A strong essay on Spain needs a clearly bounded thesis — covering five centuries in a few pages produces only surface-level survey. Papers that work well commit to one period, region, or causal argument and support it with specific historical evidence or textual analysis. The most common pitfall is treating Spain as a backdrop rather than an agent, so make sure your argument explains why Spanish decisions, institutions, or culture produced particular outcomes rather than simply describing what happened.

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Paper Doctorate

Santa Anna's Dictatorship: Revisionist Biography and Legacy

In his self-described revisionist biography Santa Anna of Mexico (2007), Will Fowler has courageously taken up the defense of the Mexico caudillo, fully aware that he is all but universally reviled in the historiography of the United States and Mexico. From the beginning, he made his intention clear to vindicate the reputation of a dictator whose "vilification has been so thorough and effective that the process of deconstructing the numerous lies that have been told and retold" is almost impossible. He is the tyrant that "all Mexicans (and Texans) love to hate", blamed for losing the Mexican War for a "fistful of dollars" and selling another large part of it for personal gain with the Gadsden Purchase in 1853. Timothy J. Henderson asserted that "Mexicans ever since have blamed him for many, if not most, of the misfortunes their country suffered." He had a great talent for exploiting and manipulating political divisions but none for governing a country. In U.S. history and popular culture, he has always been portrayed as a corrupt megalomaniac, the ‘Napoleon of the West', responsible for the massacres at the Alamo and Goliad. As John Chasteen and James Wood put it, even his autobiography was an "extraordinary work of self-dramatization" by a dictator who put on a show of being a "vulnerable, introspective protagonist" but was in reality a power-hungry tyrant with "unmitigated vanity" and "obvious self-absorption."

Research Paper Doctorate

US vs. Netherlands Drug Policies: Criminalization Compared

Drug Policies of the United States and the Netherlands

Research Paper Doctorate

Tragedy in Art: Picasso's Guernica and Hume's Theory

The newspapers are forever mentioning the word, 'tragedy'. It usually means that there has been a death or deaths associated with a catastrophic event. Surprisingly, this is in keeping with the use of tragedy as…

Paper Undergraduate

IAG's Acquisition of BMI: Rationale and Shareholder Value

This report will attempt to uncover understanding of this proposed acquisition, recognizing and critically discussing the business justification for the acquisition and the likely long term motivation (success or failure) of the proposed takeover. Research findings within the report intend to cover details of the strategy from the point of view of both companies with outside references to empirical studies from the body of academic literature that addresses the underlying motivation to concentrate on maximizing shareholders wealth through expansion.

Paper Undergraduate

Memory, Trauma, and Identity Across Four Historical Contexts

¶ … human memory -- whether individual or group memory -- to historical trauma. The historical traumas discussed, however, fall across a broad spectrum. Welzer's article "Re-Narrations" looks at Germany's Nazi past, but…

Research Paper Doctorate

Elevator Industry Consolidation: Acquisitions and Competition

The history of business in almost industry is one of initial diversification as a number of different firms move in to a new field and attempt to establish themselves with their particular blend of skills and innovations.

Research Paper Doctorate

Northern European Power Shift: Rise of England, France & the Netherlands

It seems to be a universal human trait that we are always seeking to go beyond perceived boundaries and explore the unknown. Sometimes, this is done for the sake of adventure and nothing more.

Research Paper Doctorate

Down These Mean Streets: Piri Thomas, Race, and Latino Literature

Down These Mean Streets believe that every child is born a poet, and every poet is a child. Poetry to me was always a very sacred form of expression. (qtd. In Fisher 2003)

Research Paper Doctorate

Manuel de Lacunza: Life, Theology, and Church Legacy

Manuel de Lacunza is one of the most significant figures in Church History. The purpose of this discussion is to examine the life of Manuel de Lacunza. We will also discuss the studies Manuel de Lacunza.

Vienna and Paris 1900–1910: Art Nouveau and Cultural Modernism

Vienna and Paris in the Decade 1900-1910 If Vienna and Paris of 1900 – 1910 could be described in a single expression, it would be Art Nouveau. Vienna was a center of literary, cultural and artistic advancement in "middle" Europe, enjoying booming population and innovative developments in all those spheres, even as it endured the rising tide of anti-liberal, anti-Semitic Christian Social forces. In keeping with this innovation, Vienna's music enjoyed avant garde developments of Art Nouveau from Paris, notably represented in Vienna by the works of composers Gustav Mahler and Arnold Schönberg. As Vienna became the literary, cultural and artistic center of "middle" Europe, Paris became the literary, cultural and artistic center of the World during La Belle Epoque. Drawing exceptionally gifted people from the entire globe, Paris boasted the first Olympics to include women and the World's Fair of 1900. Reveling in its invention of Art Nouveau, Paris also exerted worldwide magnetism on artists such as Pablo Picasso and Henri Toulouse-Lautrec, who already were or eventually became household artistic names. Parisian music also flourished during this time in the Art Nouveau-engendered form of "Impressionism," notably represented by Claude Debussy and Maurice Ravel. Reveling in their attraction of the exceptionally gifted in literary, cultural and artistic spheres, both cities became focal points of human endeavor and innovation. Predating the disturbing developments of World Wars, 1900-1910 were golden eras in the histories of both cities.

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