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Finally, redemption is possible and is achieved by some: when Hester, Pearl and Dimmesdale all stand on the public scaffold, Dimmesdale falls fatally ill and Pearl kisses him, the spell of sinfulness is broken for them (Hawthorne 175), while Chillingworth "positively withered up, shrivelled away and almost vanished from mortal sight" because his plan to destroy Dimmesdale were simultaneously broken (Hawthorne 175). In sum, Puritan religious views are highly influential in Hawthorne's the Scarlet Letter. However, Steinbeck's Cannery Row is not at all concerned with formal religion's concepts of sin, guilt, alienation and redemption.
3. Conclusion
John Steinbeck's Cannery Row and Nathaniel Hawthorne's the Scarlet Letter reveal views of humanity that are very much alike in at least one respect and quite different in at least another respect. oth authors extensively use paradox to describe their characters and therefore speak to the complexity of human beings. In Steinbeck's characters of…
Bibliography
Benson, Jackson J. John Steinbeck, Writer: A Biography. New York, NY: Penguin Putnam, Inc., 1990. Print.
Hawthorne, Nathaniel. The Scarlet Letter (Dover Thrift Study Edition). Mineola, NY: Dover Publications, Inc., 2009. Print.
Miller, Edwin Haviland. Salem is My Dwelling Place: A Life of Nathaniel Hawthorne. Ames, IA: University of Iowa Press, 1991. Print.
Railsback, Brian. "Dreams of an Elegant Universe on Cannery Row." Ed. Shillinglaw, Susan and Kevin Hearle. Beyond Boundaries: Rereading John Steinbeck. Tuscaloosa, AL: University of Alabama Press, 2002. Print.
As one writer says, not reading this novel "…deprives individuals and communities of the opportunity to respond to an ethical imperative insisting on virtuous treatment of our fellow human beings" (George, 83).
This is a tremendous summation of fundamentally what Steinbeck is trying to achieve with a novel like of Mice and Men, and a notion which sums up most likely Steinbeck's strongest motivation for writing the novel.
However, as one writer points out, even though the ending of this novel might disturb most readers, "these scenes also point us in the direction of an understanding of human virtue that underscores the idea that no one is expendable and that illuminates the power of courage, compassion and goodness, even under the bleakest of circumstances" (George, 83). This quote naturally leads to a discussion of the ending and with good reason. The ending of Mice and Men is indeed disturbing. After…
Works Cited
George, S.K. The Moral Philosophy of John Steinbeck. Lanham: Scarecrow Press, 2005.
Print.
Kew, M.. "Of Mice and Men -- Steinbeck's Influences."ac.jp. N.p., n.d. Web. 23 Apr
2013. .
Ed. Peter Lisca and Kevin Hearle. New York, NY: Penguin, 1997. 604-615.
Outline
Thesis:
The three critical appraisals this essay will examine shows a changing "magnification." Each of our three critics has the "Okies" under the microscopic; but they employ three different lenses to examine their subjects. As we move from Reed to Owens to Gladstein, the calibration of the microscope moves steadily away. The movement starts with a narrow aperture, and "zooms out" to encompass a universal perspective: the "Okies" however, remain solidly in the center of our lens' field of vision.
Points
John R. Reed, in his article "The Grapes of rath and the Esthetics of Indigence" close scrutiny of life & language of the migrants.
A reveals their dignity focus firmly on them, no need for archetypal / biblical interpretation
Louis Owens, in his article "The American Joads," widens the lens of perspective symbolic of the entire…
Works Cited
Gladstein, Mimi Reisel. "The Grapes of Wrath: Steinbeck and the Eternal Immigrant.." The Grapes of Wrath: Text and Criticism. Ed. Peter Lisca and Kevin Hearle. New York, NY: Penguin, 1997. 682-692.
Owens, Louis. "The American Joads." The Grapes of Wrath: Text and Criticism. Ed. Peter Lisca and Kevin Hearle. New York, NY: Penguin, 1997. 644-653.
Reed, John, R. "The Grapes of Wrath and the Esthetics of Indigence."
The Grapes of Wrath: Text and Criticism. Ed. Peter Lisca and Kevin Hearle. New York, NY: Penguin, 1997. 604-615.
In the end of the book Rosasharn agrees and goes to him.
In the film version there is no flood, Rosasharn does not give birth, and the baby does not die. When Tom leaves at the end, his speech to Ma about fighting injustice seems almost victorious, as though Tom were a hero instead of a victim. After he leaves, Ma and Pa get in their old truck and head for a different part of the state, hoping to get work. Pa admits to Ma that he's not good for much anymore, and Ma gives him a nice talk. She tells him the people will always go on because the backbone of the country is the people. Although the Joads are still poor, the film ending leaves hope for better times, whereas Steinbeck's ending is tragic and leaves no hope that anything will improve. The film, on the other hand,…
She describes the transcendental experience of a starry night: "Every pointed star gets driven into your body. It's like that. Hot and sharp and -- lovely" (p. 345) It is a moment that shows the close connection of the painful and the sublime for Elisa, a connection that she understands perhaps because the brutal and tender nature of gardening.
The most profound contradiction in the story comes at the end, when we see her reaction to the stranger's callous treatment of her chrysanthemum shoots. Before she sees the chrysanthemums wilting on the side of the road, she is full of pride and awareness of her own strength as a woman, as a grower of things, and as a potential fixer of things. At the sight of the abandoned chrysanthemum shoots, however, that vision of herself crumbles. Her question to the husband about the violence of professional fighting suggests a desire…
References
Steinbeck, John. "The Chrysanthemums." 50 Great Short Stories, ed. Milton Crane. New York: Random House, 1988. p. 337-348.
John Steinbeck, why soldiers won't talk.
"hy soldiers won't talk:"
John Steinbeck's imaginative essay on the psychological impact of war
One of the most interesting aspects of John Steinbeck's essay "hy Soldiers on't Talk" is the way in which he subtly shifts from the first person to the second person in the essay. He begins the essay stating that he himself is not a soldier: "During the years between the last war and this one, I was always puzzled by the reticence of ex-soldiers about their experiences in battle" (Steinbeck 1). However, according to Steinbeck, gradually he has come to understand why soldiers struggle to articulate the horrors they have seen. Then, the essay makes a major shift from 'I' to 'you': "This is how you feel after a few days of constant firing. Your skin feels thick and insensitive. There is a salty taste in your mouth" (Steinbeck 1).…
Works Cited
Shillinglaw, Susan. "John Steinbeck, American Writer." Steinbeck Center.
1 Jan 2014.
http://as.sjsu.edu/steinbeck/biography/index.jsp?val=biography_biography_in_depth
This biography is a summary of John Steinbeck's life, with a particular emphasis on how his life events shaped his works. There is a stress upon how Steinbeck's identity as a Californian influenced his major literary works and the role of the environment in creating the characters. Steinbeck believed that environment created a man's character, not vice versa.
authors, John Steinbeck puts a lot of himself in his novels. In his novels we can see self-characters, representing Steinbeck himself in some ways and also hidden characters that represent his family, his friends and the events of his life. We also see how the people he met in his life resulted in his interest in some major themes that are seen in many of his novels. The greatest of these themes is the question of what is real wealth, which this question provoked by Steinbeck's own family and childhood and also his interaction with poor farm workers.
The greatest example of self-character is seen in East of Eden. In A Journal of a Novel: The East of Eden Letter Steinbeck calls the novel "the story of my country and the story of me." The story is narrated by Steinbeck as himself, telling the story as the Grandson of the…
John Steinbeck's 1942 novel The Moon is Down can be interpreted as a propaganda piece, aimed at emboldening and comforting the conquered peoples of Europe during the Second World War. However, admitting this pragmatic objective of the book does not necessarily detract from the value of the arguments or themes found within. Steinbeck manages to convey a comprehensive picture of contrasting world perspectives though his depiction of a fictitious small town in Scandinavia. He takes special care to characterize the standpoints of individual German soldiers, suggesting their mentalities' representative and prevalent holds upon the nation's broader self-identity. Additionally, notable emphasis is placed upon the ordinary nature of the townsfolk. The fundamental theme that Steinbeck wishes to communicate is that the very mechanisms by which the German military extends its dominance over the conquered demand that their empire will ultimately fail: it is a consequence of the social structure that the…
Bibliography:
1. Bender, David and Bruno Leone. (1996). Readings on John Steinbeck. San Diego: Greenhaven.
2. Books and Writers. (2003). "John Steinbeck: 1902-1968." Retrieved from, www.kirjasto.sci.fi/johnstei.htm.
3. Library of America. (2005). "Steinbeck Novels: 1942-1952." Retrieved from, classiclit.about.com/library/weekly/aafpr090103a.htm.
4. Newman, Gerald and Eleanor Newman Layfield. (2004). A Student's Guide to John Steinbeck. Berkeley Heights: Enslow.
A gift like this should be a time of joy, but with Jody's hard-edged dad, it was more tension than joy. "God's preference seems arbitrary and apparently denies Cain free will," Etheridge writes, alluding again to Cain and Able. And there is also an element of "laying down the law" in what Carl Tiflin said to his son. And Tiflin leaves the job of showing Jody how to care for his pony to the hired hand, Billy.
Jody may be obedient when it comes to doing what his parents want him to do, but he is also rebellious on another level, as essayist Joyce Hart writes in the book Novels for Students. Steinbeck, "slowly but surely," hints that Jody is becoming more independent of his parents and is doing things that rebellious little boys will do. For example, out of anger Jody kicks a muskmelon with his heel. "He doesn't…
Works Cited
Bernardo, Anthony. "The Red Pony: The Gift. Masterplots II: American Fiction Series,
Revised Edition (Work Analysis). MagillOnLiterature Plus / EbscoHost.
Eckley, Wilton. "The Red Pony: Overview." Reference Guide to Short Fiction. Detroit: St.
James Press. Gale Document Number: GALE/H1420007687.
Dubious attle, by John Steinbeck. Specifically, it will focus upon how characters represent the various ideas held by capital and labor by the 1930's. "In Dubious attle" is the story of poor field workers fighting a lost cause against prosperous owners. Rather than a story of reform and revolt, "In Dubious attle" is really a struggle between good and evil, and the self-destructive behavior that lives in all mankind.
IN DUIOUS ATTLE
Steinbeck wrote the novel "In Dubious attle" in 1935, after visiting migrant settlements in the Central Valley of California. Jim Nolan, the tale's main character, is a young man searching for himself when he meets a Communist Party organizer trying to organize the fruit pickers into a cohesive union. One critic noted the fruit farms are an important theme throughout the novel, as are Jim's reactions to what is happening around him. "However, although the beckoning potential of…
Bibliography
DeMott, Robert. Steinbeck's Typewriter: Essays on His Art. Troy, NY: Whitston, 1996.
Hayashi, Tetsumaro, ed. John Steinbeck: The Years of Greatness, 1936-1939. Tuscaloosa, AL: University of Alabama Press, 1993.
Owens, Louis. "Writing 'in Costume': The Missing Voices of 'In Dubious Battle.'" John Steinbeck: The Years of Greatness, 1936-1939. Ed. Hayashi, Tetsumaro. Tuscaloosa, AL: University of Alabama Press, 1993. 77-94.
Sinclair, Upton. The Jungle. New York: Doubleday, Page & Company, 1906.
Grapes of Wrath
John Steinbeck's novel, "The Grapes of Wrath," described the economic divide that existed in America during the Great Depression of the 1930's and the tragic result that occurred as a result. A native Californian, Steinbeck used his home state as the backdrop for a story of a family of migrant farm workers, derisively called "Okies" for their area of origin, Oklahoma. The troubles the family faced, although originally brought on by a natural catastrophe, seem to be made worse as a result of man's inhumanity toward his fellow man. Steinbeck novel was a criticism of a system of economics that allowed a few wealthy landowners to take advantage of scores of powerless, yet honorable, common people.
Growing up in California, John Steinbeck was fully aware of the wealthy landowners who, after acquiring the land from it's original Mexican owners through dubious means, transformed the state into an…
References
Railsback, Brian, and Michael Meyer. (2006). A John Steinbeck Encyclopedia. Westport,
CT: Greenwood Press. Print.
Steinbeck, John. (1939). "The Grapes of Wrath." Big English Novels. Retrieved from http://142.23.40.13/big/english/novels/GrapesOfWrath.pdf
Windschuttle, Keith. (June 2002). "Steinbeck's myth of the Okies (Another archtypical myth debunked). New Criterion. Retrieved from http://www.freerepublic.com/focus/news/709593/posts
...and then by her unfortunate marriage to Curley, whom... she does not even like." (Attell) All of her attempts to talk to the other characters, disastrous as they potentially might be, can be seen as attempts to make any kind of human contact. The solution for the farmhands in their loneliness is more simple -- they need to learn to reach out and make friends, and commit to each other as people in their journey. Curley's wife has a more difficult quest before her, because she has already tried to take that first step (marrying Curley was no doubt an attempt to break out of her loneliness), and now any further steps are being restricted by him. On can definitely see why she asks, "Wha's the matter with me? Ain't I got a right to talk to nobody? Whatta they think I am, anyways? You're a nice guy. I don't…
Bibliography
Attell, Kevin. "An Overview of Mice and Men." Exploring Novels. Literature Resource Center. Gale, 1998. http://galenet.galegroup.com/servlet/LitRC?vrsn=3& ; dcoll=gale& locID=d0_mlpbcls& c=13& ste=47& DT=Criticism& n=10& frmknp=1& docNum=H1420006089
French, Warren. "John Steinbeck." Twayne's United States Authors Series. New York: G.K. Hall & Co., 1999.
McCarthy, Paul. John Steinbeck. New York: Ungar Publishing Co, 1980.
Scarseth, Thomas. "A Teachable Good Book: Of Mice and Men." Censored Books: Critical Viewpoints. Ed. Burress, Lee; Karolides, Nicholas; and Kean, John. New York: Scarecrow Press, 1993. 388-394.
Grape Depression
John Steinbeck's Naturalism and Direct Historical epresentation: The Great Depression and the Grapes of Wrath
Literature cannot help but be reflective of the period in which it is written. Even novels that are set somewhere outside the time and place that author occupies will necessarily include some degree of commentary on the issues, beliefs, and values of the author's own world. This is, in part, what makes an understanding of history so essential to a true understanding of individual works of literature as well as larger literary movements, periods, and genres; though historical criticism is certainly not the only valid approach to reading and interpreting literature, a lack of basic historical knowledge concerning the background of a specific text will almost certainly lead to a misinterpretation of that text and a lack of awareness of certain subtleties and implications in a given work.
At other times, of course,…
References
Campbell, D. (2010). Naturalism in American Literature. Accessed 3 January 2011. http://www.wsu.edu/~campbelld/amlit/natural.htm
Cutajar, M. (2010). Realism and Naturalism in Literature. Accessed 3 January 2011. http://www.suite101.com/content/realism-and-naturalism-in-literature
DeLong, J. (1997). The Great Crash and the Great Slump. Accessed 3 January 2011. http://econ161.berkeley.edu/tceh/slouch_crash14.html
Shmoop. (2010). The Grapes of Wrath Symbolism, Imagery & Allegory. Accessed 3 January 2011. http://www.shmoop.com/grapes-of-wrath/symbolism-imagery.html
They work when they can picking crops, but agitators create a violent atmosphere, after wages are cut due to the overabundance of pickers. People are starving and the law is harsh with locked out strikers who fight with desperate workers who become "scabs." This is a forceful story about how a proud family survives, and about the humanity in even the meanest of men.
Of Mice and Men George and Lennie are brothers, and all they have is each other. Lennie is strong and mentally retarded. George is trying to take care of him. Lennie kills puppies, because he loves them too much and squeezes them too hard, and he kills a young women, Curly's wife, by accident, because he is trying to stop her from doing what he knows is wrong. Curly's wife comes to visit Lennie, attracted to his strength after he crushes Curly's hand. he gets scared…
Sources
Steinbeck, John: In Dubious Battle 1936
The Red Pony 1938
The Grapes of Wrath 1939
Of Mice and Men 1937
The message is that money and possessions get a hold on you. You don't own them -- they own you. Your freedom is gone and enjoyment of the little things that make life worth living -- eating with family members, for instance, and lying in bed with someone you love in safety and comfort.
The scene in which Kino and Juana find water up in the mountains -- a very small pool of pure, fresh water -- bring out this idea. The simple things in life that God gives are what is important, not what you can buy. The water gives them life and satisfaction and beauty, whereas the pearl brings nothing but destruction, hatred, envy, and death. The pearl cannot quench their thirst. Love and the simple enjoyments of life can.
Kino loses his innocence also when he focuses on money and possessions instead of spiritual things -- like…
I. Introduction
A. Elisa Allen is the protagonist of John Steinbeck’s short story “The Chrysanthemums.” Louise Mallard is the protagonist of Kate Chopin’s “The Story of An Hour.”
B. Both Elisa and Louise are products of their social and historical contexts, particularly when it comes to gender norms.
C. Elisa and Louise are passive protagonists, because patriarchy has stripped them of political agency.
Thesis: By creating passive protagonists in their respective short stories, Steinbeck and Chopin make powerful social commentary about the role of women in their private and public lives.
II. Body
A. Topic Sentence: Both Elisa and Louise feel stuck in their marriage, but perceive liberation as impossible within the confines of their culture.
1. First concrete detail: Nature symbolizes wasted potential.
a. Elisa is capable of so much more than gardening: “The chrysanthemum stems seemed too small and easy for her energy,” (Steinbeck)
b. Louise receives her…
Elisa Allen is the protagonist of John Steinbeck's short story “The Chrysanthemums,” and Louise Mallard is the protagonist of Kate Chopin's “The Story of An Hour.” Both Elisa and Louise are products of their social and historical contexts, particularly when it comes to gender norms. Elisa and Louise are passive protagonists, because patriarchy has stripped them of political agency. By creating passive protagonists in their respective short stories, Steinbeck and Chopin make powerful social commentary about the role of women in their private and public lives.
Both Elisa and Louise feel stuck in their marriage, but perceive liberation as impossible within the confines of their culture. In both short stories, nature symbolizes wasted potential. For example, Elisa is capable of so much more than gardening: "The chrysanthemum stems seemed too small and easy for her energy," (Steinbeck). Similarly, Louise realizes that she has wasted her life when she sees nature…
John Steinbeck's Morose Preoccupation
John Steinbeck's Of Mice and Men is a somewhat strange, surprising read. The author selects a very unlikely setting, a farm populated predominantly by hired hands, for a tale that is largely predicated on the conception of friendship and its myriad interpretations -- and applications. However, there is a definite undercurrent that some readers might find disturbing that is present in some of the most poignant notions of this tale. That undercurrent is one of death, the virtue that Western civilization seemingly extols above most other ones. An analysis of some of the more pivotal moments in this novel reveal that ultimately it is a morbid one in which death is seen as the ultimate expression of friendship: which is more than a little morose, to say the least.
Thematically, it is difficult to distinguish the motifs of friendship and death that are tightly intertwined in…
References
Steinbeck, J. (1993). Of Mice and Men. New York: Penguin Books.
"She relaxed limply in the seat. "Oh, no. No. I don't want to go. I'm sure I don't." Her face was turned away from him. "It will be enough if we can have wine. It will be plenty." She turned up her coat collar so he could not see that she was crying weakly -- like an old woman" (Steinbeck).
There are a number of fairly eminent points to be made about this quotation -- the first of which is that Allen's husband has taken her away from her source of power -- her garden. Away from that source, she is described by imagery that is rather enervating and in opposition to the vivacity she previously personified. The imagery of her sitting "limply" and weeping "weakly" is strongly contrasted with the images of her cutting through plants and powerfully gripping handfuls of earth -- which symbolizes the source of her…
Works Cited
Budnichuk, Monica. "The Chrysanthemums: Exposing Sexual Tension Through Setting And Character." Universal Journal. No date. Web. http://ayjw.org/print_articles.php?id=647033
Hemingway, Ernest. "Hills Like White Elephants." Men Without Women. New York: Scribner's Sons, 1927. Online reprint. Scribd.com, 2011. Web.
Hashmi, Nilofer. "Hills Like White Elephants": The Jilting of Jig." The Hemingway Review. (2003): 72-83. Print.
Hunt, D. "Steinbeck's Allegory of the Cave: Deconstructing Elisa Allen in "The Chrysanthemums." Universal Journal. No date. Web. http://www.ayjw.org/articles.php?id=582962
Philosophical and Literary epresentation of Capitalism
Progress & Technology in Capitalism
John Steinbeck wrote the social The Grapes of Wrath during the interwar years, just after the Great Depression harrowingly illustrated the power of unchecked capitalism. His novel takes the position that revolutionary change is needed, is inevitable, and that a just and non-exploitive society can only come about when capitalism is eliminated. Steinbeck is reported to have made clear his intentions as he prepared to write The Grapes of Wrath. In his words, "I want to put a tag of shame on the greedy bastards who are responsible for this" [the Great Depression and its widely destructive effects]." Steinbeck's collectivist-leaning voice at the time of his writing The Grapes of Wrath would become so altered over the course of three decades that it hardly seemed to belong to this writer who created on the very edge of moral fervor.…
References
Cunningham, C. (2002). Rethinking the politics of The Grapes of Wrath. [In Cultural Logic, ISSN 1097-3087].
Denning, M. (1996). The cultural front: The laboring of American cultural in the twentieth century. London and New York: Verso.
Hicks, G. (1939, May 2). "Steinbeck's Powerful New Novel." Review of The Grapes of Wrath. New Masses, 22-3.
Innis, H. (1930). The fur trade in Canada: An introduction to Canadian economic history. Revised and reprinted (1977). Toronto, Canada: University of Toronto Press.
East of Eden
John Steinbeck's story centers on two generations of the Hamilton and Trask families. "East of Eden" is essentially a modern-day 'Cain and Abel' tale corresponding the Biblical conflict to two generations of two sets of brothers, Charles and Adam Trask, and Adam's sons Aron and Caleb Trask. "The Trasks were his 'symbol people,'" Steinbeck insisted, "and their story was one about how one lives with human suffering" (Summary pg).
Cyrus, the Trask patriarch, favored Adam over his other son Charles, which led to lifelong conflict and an adulterous affair between Charles and Adam's bride, Cathy, who represents Eve in Steinbeck's 'Cain and Abel' tale. The Biblical correlation continues into the next generation of Trasks with Adam's treatment of his twin sons Aron and Caleb, favoring Aron over Cal and creating great suffering for Cal and drama for the entire family (Steinbeck 2003).
hether good or evil, the…
Works Cited
Steinbeck, John. East of Eden. Penguin USA. 2003.
Summary of East Of Eden (1952)." The Center for Steinbeck Studies: San Jose
State University. http://www2.sjsu.edu/steinbeck/ .(accessed 11-12-2003).
The mere fact that these people interact as much as they do is a sign of the blurring of class signs. Also, the image of Gatsby as essentially nouveau riche, is itself a statement indicating interclass mobility. Unlike Steinbeck's story, Fitzgerald's is much more concerned with individual prejudices and stereotypes. In Gatsby, the prejudgments are of the working class against the leisured class. The work also speaks to the utter aimlessness of someone like Gatsby - a man who lives it seems, just for the sake of inoffensive pleasure, but who, at the same time, contributes nothing to the overall society. The unbelievable disconnect between Gatsby's set, and the rest of humanity is captured in an offhand remark of one of his guests, who just happened to find himself in the library, "I've been drunk for about a week now, and I thought it might sober me up to sit…
Works Cited
http://www.questia.com/ PM.qst?a=o&d=25602892' target='_blank' REL='NOFOLLOW'>
The effect of all of this is to drive away those who actually worked the land because they loved it, replacing them with hired hands running machinery, neither of which is likely to be kind to the land.
Monopoly
Perhaps the most familiar form of business except for perfect competition, monopoly situations result when there are many potential buyers for a product or service, but only one seller.
In the Grapes of rath, a monopoly situation is created as the banks decide to remove tenant farmers, preferring to sell the land to a single large conglomerate of landowners or even a single corporation.
Steinbeck could hardly have painted a harsher picture of this monopoly-in-progress, with scenes of huge bulldozers razing all evidence of the tenant farmers from the land. However, he also notes that the 'monopolization' of the Great Plains was seemingly an event bigger even than those landowners who…
Works Cited
Cassuto, David. "Turning Wine into Water: Water as Privileged Signifier in 'The Grapes of Wrath'.." Papers on Language & Literature 29.1 (1993): 67+. Questia. 19 July 2005 http://www.questia.com/ .
Steinbeck, John. The Grapes of Wrath. New York: Viking Penguin, 1939.
Tortilla Flat
CHAACTES IN TOTILLA FLAT
Tortilla Flat" by John Steinbeck was first published in 1935. It is set in the Monterey coast of California. This book features the adventures of a group of men of Mexican-American descent called the paisanos. As California writer and critic Gerald Haslam has noted, "Steinbeck must be recognized for seeing the diversity of the state's population, for writing about the paisanos of Monterey, for example, at a time when the majority of Californians did not acknowledge the importance or even the existence of mixed-blood Mexicans." (Shillinglaw, Susan. "Steinbeck and Ethnicity, 1995)
Thought they are troublesome people they are good at heart and like to help less fortunate people than them. The members of the gang are Danny, Pablo, Jesus Maria, Pilon and Big Joe Portagee.
They are soon joined by another paisano, the Pirate. All these men like to do is to enjoy a…
References (Shillinglaw, Susan. Steinbeck and Ethnicity, 1995) www.questia.com/PM.qst?action=openPageViewer&docId=23148594(DeMott, Robert. Steinbeck's Typewriter: Essays on His Art. Troy, NY: Whitston, 1996). After the Grapes of Wrath: Essays on John Steinbeck in Honor of Tetsumaro Hayashi. Eds. Coers, Donald V., Paul D. Ruffin, and Robert J. Demott. Athens, OH: Ohio University Press, 1995 (DeMott, Robert. Steinbeck's Typewriter: Essays on His Art. Troy, NY: Whitston, 1996). (John Steinbeck, Tortilla Flat, 1935).
Shillinglaw, Susan, Steinbeck and Ethnicity After the Grapes of Wrath: Essays on John Steinbeck in Honor of Tetsumaro Hayashi, OH: Ohio University Press, 40-55, 1995.) (Walter Neary, Students Drawn to Human Themes of Hope, Equality The Californian, 1992)
1939, John Steinbeck published his novel The Grapes of rath, and that same year the film version of the story was released. The film was directed by John Ford and was very popular, and the book and the film together reached millions of people. In writing this novel, Steinbeck reflected many of the social, economic, and political currents of the time. The story is set in the Great Depression era, and the Depression was still have its effect in 1939. hat would bring about the end of the Great Depression was already starting in Europe, meaning orld ar II, which does not impinge directly on the story of the Joad family but which we can see from our standpoint today was about to bring about massive changes in American society. The very nature of the story of the Joads, however, links that story to the Depression and its effect on…
Works Cited
Banks, Ann. First-Person America. New York: W.W. Norton, 1980.Caldwell, Mary Ellen. "A New Consideration of the Intercalary Chapters in The Grapes of Wrath." Markham Review 3 (1973), 115-119.
Ford, John. The Grapes of Wrath. Twentieth Century-Fox, 1939.
The Grapes of Wrath." Contemporary Literary Criticism, Vol. 59. Chicago: Gale, 1989.
Groene, Horst. "Agrarianism and Technology in Steinbeck's The Grapes of Wrath." Southern Review (9:1)(1976), 27-31.
Never cold. an'fruit ever'place, an' people just bein' in the nicest places, little white houses in among the orange trees [...] an' the little fellas go out an' pick oranges right off the tree. They ain't gonna be able to stand it, they'll get to yellin' so."(Steinbeck, 95) Their conviction is enhanced by the stories they hear and by false advertisements they are sent. These false advertisements may very well stand for the archetype of contemporary commerce which is dependent on advertisement. California may moreover be a symbol for America itself, which was once seen as a heavenly continent, an unspotted, holy land. Steinbeck thus drafts at once a story of migration and tries to settle and capture the archetypes of the modern world. The story thus focuses on the fall of human life from wholeness into fragmentation: "Carbon is not a man, nor salt nor water nor calcium. He…
Works Cited
Kingston, Maxine. China Men. New York: Vintage, 2002.
Mukherjee, Bharati. Jasmine. New York: Grove Press, 1989
Steinbeck, John. The Grapes of Wrath. New York: Penguin Classics, 1992
Environmental Themes in Grapes of rath
This essay reviews environmental themes from the following five books: Dust Bowl by Donald orster, The Grapes of rath by John Steinbeck, Everglades: River of Grass by Marjory Stoneman Douglas, Killing Mr. atson by Peter Matthiessen, and River of Lakes by Bill Belleville. This paper discusses the role that culture has played in environmental issues during the past century. Five sources used. MLA format.
Environmental Themes
Humans from the very beginning of their existence have had an impact, for better or worse, on the environment. Man has for the most part tried to control the environment to suit his needs or tastes of the era. Over-grazing, over hunting, ignoring the importance crop rotations, dam building, and toxic dumping, are but a few of the ways man tries to control. Few societies have ever considered any of the above when it comes to the environment.…
Works Cited
Belleville, Bill. River of Lakes. University of Georgia
Press. 2001.
Douglas, Marjory Stoneman. The Everglades River of Grass.
Pineapple Press. 50th Anniversary Edition. 1997.
21, 388). Steinbeck's tone throughout is one of the owners' impending doom. ut their violent and cruel methods keep them in control.
The labor perspective is posed against this. Tom angrily mentions a strike. He says, "Well, s'pose them people got together an' says, 'Let 'em rot.' Wouldn't be long 'fore the price went up, by God!" (ch. 20, 336). He is told that the owners find out who the labor movement leaders are and jail or kill them. y the end of the novel, there is not much redeeming. The workers are exploited. The closest they come to organizing in unions is in the migrant camps. This does not help them overcome the powerful owners. Strikes are broken up because there are just too many people who are desperate for anything. Yet the Joad family falls into luck with cotton picking. This is symbolized in chapter twenty-eight with their…
Bibliography
Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. London: Verso, 1996.
Kannenberg, Lisa. "Great Depression: 1930s." In Encyclopedia of U.S. Labor and Working-Class History, ed. Eric Arnesen, vol. 2: G-N, 542-547. New York: Routledge, 2006.
Levant, Howard. "The Fully Matured Art: The Grapes of Wrath." In John Steinbeck's the Grapes of Wrath, ed. Harold Bloom (Modern Critical Interpretations), 17-44. New York: Chelsea House Publishers, 1988.
Pizer, Donald. "The Enduring Power of the Joads." In John Steinbeck's the Grapes of Wrath, ed. Harold Bloom (Modern Critical Interpretations), 83-98. New York: Chelsea House Publishers, 1988.
" Steinbeck's novel was written in a much different style, much more modern, and so it is easier for modern readers to relate to it. Each of the novels places the characters in poor situations, so they all compare to each other in this regard. The reader becomes sympathetic to them because of their plight, and they want them to win. Unfortunately, because of society at the time, for most of the characters, that is not possible. Steinbeck's account of the Joads leaves them in a terrible situation by the end of the book, yet they somehow remain hopeful. Steinbeck is looking at the American people as a whole, and how, when the times are the worst, they still hang on to hope.
As for social impetus, the books did spark change. "The Jungle" actually helped form the first department in Washington to deal with food safety, the Federal Department…
References
Steinbeck, John. The Grapes of Wrath. New York: Penguin Books, 2002.
One of Wright's major works was Black Boy and one of the most poignant sections of that book was Chapter 12 in which Wright described the experiences of two southern black boys exploited by the "five dollar fight." Working for an optician in Memphis, Tennessee, the protagonist (Richard) hopes that his experiences with white people in Memphis will be better than in the small town of Jackson, Mississippi "The people of Memphis had an air of relative urbanity that took some of the sharpness off the attitude of whites toward Negroes & #8230;"
However, Richard finds that white people are just as exploitative and abusive of blacks in the big city as in small towns. Some of the white men where Richard works pay another black boy a quarter at a time to let them kick him in his rear end and even when white men seem to be nice…
The Adventures of Huckleberry Finn is perhaps the best example of Realism in literature because of how Twain presents it to us. Morality becomes something that Huck must be consider and think out as opposed to something forced down his throat. He knows the moral thing to do would be to report Jim, noting, " "People would call me a low down abolitionist and despise me for keeping mum -- but that don't make no difference. I ain't agoing to tell" (Twain 269). Furthermore, he cannot send Miss atson his letter he because his friendship with Jim trumps the morality he knows. Similarly, Jim wrestles with issues of good vs. bad. This is evident because of they way he decides to escape. He even begins to understand what Huck is going through when Huck does not turn him in. His revelation forces him to realize that Huck is "de bes'…
Works Cited
Crane, Stephen. Maggie, a Girl of the Streets. New York: Random House. 2001.
The Red Badge of Courage. New York: Aerie Books Ltd. 1986.
Steinbeck, John. Of Mice and Men and Cannery Row. New York: Penguin Books. 1986.
Clemens, Samuel. "The Adventures of Huckleberry Finn." The Heath Anthology of American Literature. Lauter, Paul, ed. Lexington D.C. Heath and Company. 1990.
However, it was changes in technology that originally made the cultivation of the land possible, and marked a shift from earlier methods of production, as practiced by Native Americans. hile small Okie farmers might have hated the larger agricultural conglomerates, they too had benefited from technology in past and paid the price when technology destroyed the land. And it was, in the end, technology that also saved such subsistence farmers, in the form of new cultivation methods -- introduced by the federal government.
orks Cited
Cooper, Michael. Dust to Eat. Clarion, 2004.
Davidson, J.R. "Interview." itness. The Dustbowl. PBS. May 1, 2010.
http://www.pbs.org/wgbh/americanexperience/features/interview/dustbowl-witness-jr-davison/
"Dust bowl." The Great Depression and orld ar II. May 1, 2010.
http://memory.loc.gov/learn//features/timeline/depwwii/dustbowl/dustbowl.html
"The Dust Bowl." U.S. History. May 1, 2010.
http://www.u-s-history.com/pages/h1583.html
Egan, Timothy. The orst Hard Time. Mariner, 2006.
"Hugh Hammond Bennett." The Dustbowl. PBS. May 1, 2010.
http://www.pbs.org/wgbh/americanexperience/features/biography/dustbowl-bennett/
Steinbeck, John. The Grapes of rath. Penguin,…
Works Cited
Cooper, Michael. Dust to Eat. Clarion, 2004.
Davidson, J.R. "Interview." Witness. The Dustbowl. PBS. May 1, 2010.
http://www.pbs.org/wgbh/americanexperience/features/interview/dustbowl-witness-jr-davison/
"Dust bowl." The Great Depression and World War II. May 1, 2010.
John Steinbeck's Morose Preoccupation
John Steinbeck's Of Mice and Men is a somewhat strange, surprising read. The author selects a very unlikely setting, a farm populated predominantly by hired hands, for a tale that is largely predicated on the conception of friendship and its myriad interpretations -- and applications. However, there is a definite undercurrent that some readers might find disturbing that is present in some of the most poignant notions of this tale. That undercurrent is one of death, the virtue that Western civilization seemingly extols above most other ones. An analysis of some of the more pivotal moments in this novel reveal that ultimately it is a morbid one in which death is seen as the ultimate expression of friendship: which is more than a little morose, to say the least.
Thematically, it is difficult to distinguish the motifs of friendship and death that are tightly intertwined in…
References
Steinbeck, J. (1993). Of Mice and Men. New York: Penguin Books.
" His use of alcohol only enforces his incapability to distinguish between what is real and what is memory. It seems as though every stop represents a moment in Ned's life that he chose to ignore, oblivious to the fact that it might interfere and disturb the course of life. He does not recognize what people are telling him, nor does he find himself on the same length with them, and he feels the journey has exhausted him more than he expected. As he finally reaches his home, he is bewildered not to find anything nor anyone there, as if the house were deserted. This is what constitutes the reality of the story, that Ned's life had been broken down by his incapacity to change his demeanor and to realize what was really going on. That people were reminding him of financial issues, that he seemed to like alcohol a…
Works Cited
Cheever, J. "The Swimmer." 19 June 2013. PDF file.
Steinbeck, John. "The Chrysanthemums." Literature: An Introduction to Fiction, Poetry and Drama. Ed X.J. Kennedy and Dana Gioia. 6th ed. New York: Harper Collins, 1995. 239-247. Print.
Capturing Cruelty in the Opening Scene of John Steinbeck's Of Mice And Men
The English author and historian Edward Gibbon once wrote that, "The works of man are impotent to the assaults of nature." Nowhere is this philosophical perspective better captured than in the John Steinbeck's Of Mice and Men. The novel tells the story of two migrant agricultural workers, George Milton and Lennie Small, during the Great Depression in 1930's California. A central theme in the novel is man's cruelty to one another and how it drives them to hurt other human beings as in the case of Curley's viscous attack on the mentally-handicapped Lennie. In the opening scene of John Steinbeck's Of Mice and Men, the author establishes a contrast between innocence and cruelty through the use of expansive descriptions of nature, symbolism and characterization. This opening dichotomy is vital to an understanding of the theme of cruelty…
She is the engine which drives the family.
Her attitude influences the one of the others. eing aware of this she succeeds to control the manifestation of her emotions. Another proof of her wisdom is the fact that she does not want to impose herself in all the circumstances. She lets Pa manifest himself, although she makes it clear for everybody that she has a strong authority as well. She is aware of her own condition.
Another woman whom Steinbeck uses in order to communicate the new dynamics of the men-women relationships is Rose of Sharon. One of the most famous scenes in the book is the one in which she feeds the man, helping him to survive. Her role is fundamental. She is the strong one, the provider. The man on the other hand is weak and dependent. The symbolism is very strong. "The fact that Rose gave birth…
Bibliography:
Baillargeon, D. (translator Klein, Y.) "Making do: women, family and home in Montreal during the Great Depression." Google Books. Retrieved from http://books.google.com/books?id=-x65yYBTDTIC&printsec=frontcover&dq=women+great+depression&hl=it&cd=2#v=onepage&q&f=false
"Gender roles and sexual relations, impact of the great depression." http://www.novelguide.com/a/discover/egd_01/egd_01_00217.html
"Power of Women in the Grapes of Wrath." ***.com. 01 May 2010
.
In this novel, class has more to do with breeding and background than it does with simple wealth. Class is a complex concept, and this has made it very difficult to negotiate shifts and changes in one's class status. The Great Gatsby illustrates that class is capable of producing deep-seated prejudices that cannot simply be altered by external factors like money.
Another very famous novel that affirms these class divisions and the barriers to class mobility is Jane Austen's Emma. The main character thinks of herself as a very good matchmaker, and one of the many conflicts in the novel involves Emma trying to match her friend Harriet up with Mr. Collins, and dissuading her from her romantic feelings for the farmer Mr. Martin. Emma foolishly believes, simply because she likes Harriet as a friend, that Harriet will be accepted into the upper reaches of the eighteenth century British class…
Works Cited
Austen, Jane. Emma. New York: Bantam, 1984.
Fitzgerald, F. Scott. The Great Gatsby. Mew York: Scribner, 1995.
Shaw, George Bernard. Pygmalion. Mineola, NY: Dover, 1994.
Steinbeck, John. The Pearl. New York: Penguin, 1992.
GOOD VS. EVIL AND CATHY'S OLE
When you come across a fictional character that possesses true evil attributes and has not got a single good bone in his/her body, you are likely to respond in one of the two ways. That is, you would either reject the character terming it too monstrous to be believable or you would view it as a literary device used by the author to highlight his main theme. The first reaction however leads to nothing constructive, on the other hand the second type of response paves way for further and deeper analysis of the writing. This is how we seek to study John Steinbeck's novel "East of Eden" which contains one of the most iniquitous fictional characters in contemporary literature. This character is introduced to us as Catherine Ames "Cathy," who later changes her name to Kate. Cathy's personal attributes are so brutish in nature…
References
Steinbeck, John. Penguin Twentieth-Century Classics: East of Eden. New York: Penguin Books USA Inc., 1992
Both Elisa Allen and Goodman Brown suggest that sexual tension might be at the root of their conflict.
Allen arguably deals with her pain more constructively than Brown does. Brown becomes bitter as a result of the conflict he perceives in his heart. Moreover, Brown fails to ground himself in reality. Questioning whether or not the forest vision was real, Brown neglects to contemplate its value even as a dream. Learning that he does have longings to break free from the social conventions tying him down to the rigid and conformist Puritan society would have helped Brown come to terms with the Faith he does genuinely seek. Elisa cries but deep down knows that a simple dinner out with her husband is as much freedom as she can have while still savoring the joy of…
Reasons for the isolation of employer and employee focus on class conflict, on the need for the employer to maintain at least the illusion of social superiority. The isolation of the employee can, however, serve the needs of the worker because only through unions can laborers unite together in their common cause of obtaining just wages and working conditions.
The government camps play into the social stratification and systematic isolation of migrant workers, even if they were designed to help people. The Joads are only one example of a family being isolated from the community and from the outside work, forced to work for meager earnings and in poor conditions. Steinbeck depicts the camps as being prison-like, the camps' residents as being bereft of any political or economic power. Their disenfranchisement causes characters like Tom Joad to come into unfortunate and fatal conflict with authorities. The result is a cycle…
Dramatic eading for ESL
Differentiated eading with 10th Grade EFL Students
ESL literature is replete with studies focused on optimal learning environments and enhancements to student motivation (Lazaraton, 1886). Some of this literature parallels earlier work by linguists, psychologists (Harter, 1981), and educators (ichards & odgers, 2001), and early childhood researchers (Vygotsky, 1986) who specialize in language acquisition. Indeed, there is a plethora of anecdotal information about how to use visuals, games, music, and drama to increase ESL students' engagement in their learning. However, formal research about the effectiveness of drama as context for teaching English as a second language is not readily found in the literature.
This case study offers a discussion of the use of drama as part of a differentiated reading strategy to teach literature to 10th grade ESL students. Although the highlighted strategy is generally applicable, the literature used in this exercise is Of Mice and…
References
Baxter, J. (1999). A message from the old world to the new: Teaching classic fiction through drama. English Journal, 89(2), 119-124.
Berlinger, M.R. (2000). Encouraging English expression through script-based improvisations. The Internet TESL Journal, VI (4), April 2000. Retrieved February 25, 2011. from http://iteslj.org/Techniques/Berlinger-ScriptImprov.html
Boulton, M. (1968). The anatomy of drama (3rd ed.). London: Routledge and Kegan Paul Ltd.
Celce-Murcia, M. (2001). Teaching English as a second or foreign language (3rded.). Boston: Heinle & Heinle.
musical style epitomized the 1920s? Jazz
What did John Steinbeck describe in he Grapes of Wrath? he dust bowl and its impact on agricultural families during the great depression.
National Industrial Recovery Act? An act created by President Roosevelt to stimulate the economy by allowing the government to regulate particular industries.
What did the Civilian Conservation Corps do? Created jobs on state and national lands to stimulate the economy.
What did Eleanor Roosevelt see as her primary role as First Lady? o be an advocate for civil rights
Which of the following was not true concerning the election of 1936? Incomplete Question
Which of the following pieces of legislation was an attempt at campaign reform in the late 1930s? Incomplete Question
he National Resources Planning Board facilitated? he National Resources Planning Board facilitated creating and implementing employment for young men during the great depression.
What feature of the Agricultural Adjustment…
The Manhattan Project was? The secret project for inventing the atom bomb
Who were the Scottsboro boys? Nine black teenagers accused of rape in a 1931 Alabama case. It revealed the deeply seated racism in Alabama due to its denial of a fair trail.
A. Philip Randolph's call for a massive march on Washington led to? Desegregation of the armed forces.
women are confined in society as depicted in the stories by Steinback, Joyce and Oates.
Stories set in the end of the 19th century and beginning of the 20th century often depict women as being confined to the norms of society even while they struggle to be free. Authors of literary works may they be short or long stories have often presented these women as being frustrated with the status imposed upon them and show the problems they face in a patriarchal society. In John Steinback's Chrysanthemums for instance, the female character Elisa Allen has been portrayed as "a strong, capable woman kept from personal, social, and sexual fulfillment by the prevailing conception of a woman's role in a world dominated by men" (Steinback, 306). Her appearance, manner and speech all suggest that she is a woman frustrated with the male dominated world. Her husband forever reminds Elisa that she…
References
Walker, Alice. "Everyday Use." The Norton Anthology, 4th ed., shorter. New York: Norton, 1995.
Wright, Richard. "The Man Who Was Almost a Man" available at www.xroads.virginia.edu/~DRBR2/wright.htm
Oates, Joyce Carol. "Where Are You Going, Where Have You Been?" accessed on 8-11-2002 at: www.usfca.edu/fac-staff/southerr/wgoing.html
narration in four novels, "The Grapes of Wrath" by John Steinbeck, "Old Man and the Sea" by Ernest Hemingway, "All the King's Men" by obert Penn Warren, and "Absalom, Absalom!" By William Faulkner. Specifically, it compares are contrast the four different methods of narration in each of these novels.
Each of these classic novels uses a different form of narration to set the stage for the characters and move the plot along. Each form of narration adds to the impact of the novel, and altering the narration would certainly alter the way the novels affect the reader. These novels are excellent examples of the differing forms of narration, and how important they are to the overall art of fiction.
Absalom, Absalom!" uses a stream of consciousness type of narration that includes the shifts in points-of-view and setting that can be unsettling to the reader. This is the author's intention, for…
References
Faulkner, William. "Absalom, Absalom!" William Faulkner, Novels 1936-1940. New York: Library of America, 1990.
Hemingway, Ernest. Old Man and the Sea. New York: Scribner, 1996.
Steinbeck, John. The Grapes of Wrath. New York: Penguin, 1992.
Warren, Robert Penn. All the King's Men. New York: Harvest Books, 1996.
For two years prior to the publication of the Grapes of rath, Steinbeck spent his time with a group of migrant workers making their way towards California. Travelling and working with the laborers, Steinbeck found the heartfelt material in which to base his book." (Cordyack, 1) This shows in his gritty but sympathetic portrayal of the American working class.
This is an idea which illuminates perhaps the most important of parallels between the national experience during the Great Depression and the experience that the film portrays through the Joads upon their arrival to California. Namely, the capitalist system which has brought much pride and affluence to America's industrialists, and which somewhat questionably proclaims the opportunity for all to rise through an effective manipulation of the system, is the clear and declared enemy of the Grapes of rath. The inhumanity which is demonstrated by the banks and the bulldozers which reinforced…
Works Cited
Cordyack, B. (2005). John Steinbeck: The Grapes of Wrath. 20th Century American
Bestsellers; UIUC Graduate School of Library and Information Services.
Text can be retrieved here:
http://www3.isrl.uiuc.edu/~unsworth/courses/bestsellers/search.cgi?title=the+Grapes+of+Wrath
seemingly paranoid neuroses is it's obsession with machines and their replacement of humanity. Beginning in the Victorian era, shortly after the onset of the Industrial evolution, Western civilization began to visualize the coming competition between man and machine. Machines, instead of becoming man's saving grace, were, because of their ability to replace human labor, seen as a threat to man's existence. This view of machines and technology has only become more acute with the advent of computers and the virtually complete integration and dependence modern society has on these machines. One need only look at some of the most popular movies in the last few years to see a number of man vs. machine themes; with man not always the victor. If the modern world enjoys action-packed fantasies about a bleak future under the tyranny of the machines, this has not always been the case. American literature is also replete…
References
Steinbeck, John. (1939). The Grapes of Wrath. New York: Viking. Print.
Wright, Ronald. (2005). A Short History of Progress. New York: Carroll & Graf. Print.
This work was in effect an environment in which the viewer could interact with the artwork. It consisted of a Twenty- two foot long city bus complete with passengers, a working coin box, and a driver who turns to greet each new viewer. Grooms was also to create
The Tennessee Fox Trot Carousel, which consisted a fully operational carousel featuring 36 figurines and 28 scenes from his native home state of Tennessee.
RED GROOMS - an ARTIST for ALL REASONS)
There are many critiques and evaluations of the work of Red Grooms. hile his work varies extensively in terms of medium and size, his most popular and well-known weeks are the hallmark three-dimensional creations that have a "... high-spirited animated quality (RED GROOMS - an ARTIST for ALL REASONS) the following description of his work for the Christian Science Monitor sums up much of the popular response to these works.…
Works Cited www.questia.com/PM.qst?a=o&d=104400293
Alloway, Lawrence. Topics in American Art since 1945. New York W.W. Norton, 1975. Questia. 16 Mar. 2008 http://www.questia.com/ PM.qst?a=o&d=104400295' target='_blank' REL='NOFOLLOW'>
confusing at first because there is no mention of a turtle, but the scene needs to be set before the turtle can have a point. The title of the story is good because it talks about the main subject of the story, but it is also important to know that the turtle is a metaphor for something bigger. Steinbeck is trying to show that there are many things that human beings encounter in life, but by not giving up and by making the effort to do something more with life, most of the problems can either be avoided or corrected so that they are not really problems anymore. The thick shell of the turtle is like the 'thick skin' that people talk about. It means that things do not bother a person, and it is important to be this way when problems appear so that life can be enjoyed.
In…
Mice and Men is an excellent short novel by John Steinbeck which reflects the extraordinary bond of friendship that exists between George and Lennie, two migrant workers and physically contrasting personalities. This short novel gives a vivid account of the dangers that are in store for an innocent man like Lennie. Lennie has mild mental derangement which makes him vulnerable in the society and he depends on the constant guidance and protection of George. As a truly committed friend, George takes care of Lennie even though he feels life would have been much easier without this burden. He lies to his boss that Lennie is his cousin and tries to shield him as much as possible from the dangers of the world. Together they share the dream of owning a farm in the near future and being relived from the trouble of having to work for someone.
Throughout the novel…
" The narrator of the film asks: "hat's this war in the heart of nature? hy does nature vie with itself, the land contend with the sea? Is there an avenging power in nature?" Because it is a war film set during the Battle of Guadalcanal, the film explores the meaning of death and acts as a meditation on death much in the same way Christian eschatology contemplates the Four Last Things. In this sense, Malick's Thin Red Line explores themes similar to those explored by hitman and recognizes the need for spiritual transcendence in a world obsessed with death.
Likewise, just as Emily Dickinson represents the force and power of eternity in "Because I Could Not Stop for Death," so too does Malick in the Tree of Life. Dickinson writes in her poem of her understanding of immortality: "Since then -- 'tis Centuries -- and yet / Feels shorter…
Works Cited
Dickinson, Emily. "Because I could not stop for death." Bartleby. Web. 22 Oct 2012.
Malick, Terrence, dir. The Thin Red Line. Los Angeles: 20th Century Fox, 1998. Film.
Malick, Terrence, dir. The Tree of Life. Los Angeles: Fox Searchlight, 2011. Film.
Steinbeck, John. The Grapes of Wrath. NY: Penguin Books, 2002. Print.
The various places he stops represent certain alternative futures, and the brothel promises one of pleasure. His ability to resist it -- whether through morality or lack of money -- and continue on his journey is indicative of the revolutionary spirit. The fact that he keeps moving, and keeps searching in new places, matched the movement of the revolution and indeed of the country since then as it goes through its great democratic experiment.
Hawthorne's story is very enjoyable just as a piece of fiction. It is also an interesting historical piece, describing the feel of life in pre-Revolutionary America and the different opinions at various levels of society. These things are brought out in the setting perhaps more than in any other single element of the story. Time and place are incredibly essential to this story; the story is, in fact, about the changing political setting of the American…
American?
Throughout our history incidents and occurrences remind us what it means to be an American. During this time of war, after the deadly terrorist attacks upon the World Trade Center and the Pentagon on September 11, 2001, our American ideals and identity have come into re-examination. But where to begin: hold up a mirror to this country and see a mosaic of people, culture, and opinions. Nearly four hundred years ago, the Europeans began colonizing this land to begin new lives and expand the riches of empires in the Old World. And in less than four hundred years, the descendants of those original colonists have created a superpower that defends the liberties of all free people through the creation of a democratic republic that is founded of inalienable rights bestowed by a Creator, and guaranteed by a Constitution of laws; a unique, non-oppressive empire has been created that has…
References
Nixon, Richard, Address, 12th Annual Alfred E. Smith Memorial Foundation Dinner, New York City, October 18, 1956.
Lincoln, Abraham, message to Congress, December 1862.
"Introduction." The "Average American" Book. Ed. Barry Tarshis. Atheneum/SMI. New York, 1979.
French, Warren. John Steinbeck. Twayne Publishing, Inc. New York, 1977.
James Dean, both his real life, and how it related to his role in the movie "Rebel without a Cause." It will relate the themes of youth violence, and parent/youth relationships between James Dean and his personal life and the movie and real life in the 1950's.
JAMES DEAN AND THE MOVIES got it and I know if I better myself that there will be no match. A fellow must have confidence. - James Dean
James Dean was one of the most popular stars of the 1950s. Ironically, he only made three films before he died, but they were all popular at the box office, and increased his popularity with his fans. The film he is most remembered for is "Rebel without a Cause," released in 1955, after he was killed in a car accident. Dean has always embodied the "bad boy," and "Rebel without a Cause" did nothing to…
Works Cited
Bindas, Kenneth J., ed. America's Musical Pulse: Popular Music in Twentieth-Century Society. Westport, CT: Praeger, 1992.
Byars, Jackie. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Chapel Hill, NC: University of North Carolina Press, 1991.
Cohan, Steven. Masked Men: Masculinity and the Movies in the Fifties. Bloomington: Indiana University Press, 1997.
Editors. "History of James Dean." James Dean Foundation. 28 Aug. 2001. http://www.jamesdeanartifacts.com/
Oklahomans
Oklahoma has only been a state in the U.S. since 1907, yet Oklahomans were around well before then. Oklahoma is known as the “sooner” state because settlers had arrived in the territory before it had even been declared part of the United States. In the first half of the 19th century, the region was part of Arkansas Territory. The Native Americans were forced on the Trail of Tears and made to settle in Indian Territory in modern-day Oklahoma. In the latter half of the 19th century, cattle ranchers from Texas drove their cattle through Indian Territory to states up north and out west, paving cattle trails along the way. More and more whites began to settle in the area as a result of these cattle trails and the expansion of the railroad. Then when oil was found, Oklahoma became a major focus for the oil industry and Tulsa became…
He would sometimes be wheel chaired to the door through which he would enter to make a public appearance, but once at the door, his leg braces would be put on him, and he would rely on his son's arm for support and balance (43-48). Later, with his son's support, he was able to use a cane, and the extent of his disability was successfully downplayed by the force of his political platform and the attention he commanded with powerful words and the presentation of himself in a dignified way with strong posture (43-48).
"Deeply concerned that the image of a 'permanently crippled man' seeking to lead a crippled nation out of the Depression would be damaging to his campaign, oosevelt's aides every effort to portray the Democratic nominee as a man who had conquered polio and who could walk. As he traveled across the country, his leg braces, without…
Reference List
Bardes, Barbara A., Shelley, Mark C., Schmidt, Steffen W. (2008).
American Government and Politics Today: The Essentials,
Coates, Peter A. (2006). American Perceptions of Immigrant and Invasive
Species: Strangers on the Land,
S. History, 2011).
Only after aggressive government intervention did the Dust Bowl conditions improve. The government, even before the drought was broken in 1939, was able to reduce soil erosion by 65% through the actions of the Civilian Conservation Corps, which planted 200 million trees to "break the wind, hold water in the soil, and hold the soil itself in place" ("Disasters: The 1930s," U.S. History, 2011). Farmers received instruction by the government on "soil conservation and anti-erosion techniques, including crop rotation, strip farming, contour plowing, terracing and other beneficial farming practices" ("Disasters: The 1930s," U.S. History, 2011). For the first time, the government took an interest not simply in preserving some of its land from development in the form of national parks, but gave counsel to farmers how to use the land.
The gap between the 'haves' and the 'have-nots,' already wide even before the Great Depression, grew into…
References
"Disasters: The 1930s." U.S. History. February 20, 2011
http://www.u-s-history.com/pages/h1583.html
"The Great Depression: What happened and how it compares with today." The Great
Depression. February 20, 2011.
It is the context of Catholic Ireland (and not so much the Hays Production Code) that allows Ford's characters to enjoy the light-heartedness of the whole situation.
Such context is gone in O'Neill's dramas. O'Neill's Irish-American drinkers have left the Emerald Isle and traded it over for a nation where religious liberty denies the right of any religion to declare itself as true and all others as false. The Constitution, in fact, has been amended to keep government from declaring the truth of any religion. If no religion is true, how can the Tyrone's be expected to know the difference between Baudelaire's "spiritual drunkenness" and "physical drunkenness"?
O'Neill has Edmund quote Baudelaire in Long Day's Journey into Night as an attempt to rationalize his characters' drunkenness: "Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your…
Works Cited
O'Neill, Eugene. Long Day's Journey into Night. Yale University Press, 2002. Print.
Despite his being the most lucid among the inmates, he was still not immune to psychiatric intervention that led to his eventual defeat against Nurse atched. This makes society all the more oppressive, not accepting any dissent or differing perspective and eliminating those it cannot subdue. Thus, the story resonates Szasz's argument that mental illness is a myth and that psychiatry is a practice masquerading as a science to exert control over behavior by medical treatment that do not necessarily have physio-biological bases.
Disturbing as it is, both book and movie teaches the valuable lesson that even so-called social misfits or people relegated to being mentally deranged do find their sense of self given the right motivations and under positive and uplifting circumstances. McMurphy's character highlights the need for man to challenge the norm, not necessarily for the benefit of the self but more so for others. In his journey…
References
Faggen, Robert. "Introduction." One Flew over the Cuckoo's Nest. Ken Kesey. : Penguin Classics, . ix-xxvi.
Goodwin, Susan and Becky Bradley. "1960-1969." American Cultural History. 2008. Lone Star College-Kingwood Library. 28 April 2009
Leifer, Ron. "Critique of Medical-Coercive Psychiatry." The Thomas S. Szasz, M.D. Cybercenter for Liberty and Responsibility. 2001. Ithaca, New York. 28 April 2009
http://www.szasz.com/leifercritic.pdf
Thus, these two stories point out a variety of plights for the working person of the modernist time. First, they both suggest that socioeconomic status and occupational status is very closely tied to respect within the community. ithout a good job, both stories imply, it is easy for one to be looked down upon in addition to being chastised. Second, the stories point out that working conditions can be so deplorable that they affect a person's mental and emotional functioning and characteristics. This certainly occurs in Abner's case, as he is driven to a violence that eventually kills him because of the work that he must do, toiling daily for those who have more wealth and power. For Krebs, too, the conditions of fighting as a soldier have so impaired his emotional and psychological faculties that he finds it difficult to assimilate into the society and the family that he…
Works Cited
Faulkner, William. "Barn Burning." RajuAbju.com n.d. Rajuabju.com. 30 March 2009.
Hemingway, Ernest. "A Soldier's Home." Department of Interdisciplinary Studies:
Virginia Tech. 1925. Virginia Tech. 30 March 2009.
It was necessary for the returning men to feel that they were coming home to resume their pre-war social roles. Roles that were governed by the rules of a patriarchal society that had changed by way of the roles women assumed in American society while men were away at war. omen became the decision makers, the bread winners, and the family mangers in a way that is portrayed as the exact opposite by June Cleaver's role in her family's life. The need of men prevailed over the reality of women lives, and women were depicted as weak, needy, clingy, and unable to make sound decisions. Instead, John ayne, the handsome and larger than life film figure of a man was there as a rock, the man who actually dictated the role of the women as one of being needy, clingy, and unable to survive without the stronger male counterpart.
Some…
Works Cited
http://www.questia.com/ PM.qst?a=o&d=104323672' target='_blank' REL='NOFOLLOW'>