Superheroes as Positive Psychological Role Models
One of the universal appeals of animation and manga is their ability to blend reality and fantasy. hile each story takes place in a fantastical realm populated by mythical creatures and superheroes with superpowers, there is always a metaphor for the human dimension. Superheroes might have superpowers, but they also have weaknesses that can be exploited by the enemy. Superpowers are, moreover, often depicted as hyperbolic human traits rather than as actual supernatural gifts. Both Superman and Goku exemplify positive psychological traits that can be developed by the ordinary person. They are family men, both, Goku with his progeny, and Clark Kent with his traditional family values. Yet Goku and Superman answer to a higher calling than mere house holding. They understand that their superpowers entrust them with responsibilities that are not available to the common person, and rather than ignore or shun those responsibilities…...

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Works Cited

Dragon Ball Z.

Ikeda, Satoshi and Foster, Martin. The Dragon Ball Z. Legend. Tokyo: DH Publishing, 2004.

Mitchell, Claudia and Reid-Valsh, Jacqueline. Girl Culture.

Rosenberg, Robin S. "Superman's Personality: From Krypton, Kansas, or Both?" In The Psychology of Superheroes. Dallas: BenBella, 2008.

While war, conquest, honor, and winning war was once valued by society, today, war is looked down upon by society. We don't praise those who can kill the most, we praise those whose innovation -- or superpower -- allows them to do the most good. Thus, one can argue that society's change in ideals has accounted for the development of the superhero. Innovation, or having an ability that no one else has and the capacity to do good with it, is now seen as more valuable than having sheer brute force.
In addition, the advent of secret societies instead of bragging rights can also be chalked up to a difference between classical and modern ideals. In classical times, heroes were in it for the glory, the honor, and the ability to brag about their status as a hero. Today, heroes are parts of secret societies were their identity is protected.…...

Superheroes
Ruba

Superhero Shows and Its Effects on the ehavior and Thinking of Audience

Since childhood, people had been exposed to different forms of media, which can be in the form of broadcast (radio and TV), print, and film media. Of all the forms of mass-communicated media, television and print are the most popular forms to children, since they contain audiovisual (for TVs) and visual (print) entertainment. The most prevalent form of entertainment in broadcast and print media re cartoons and comic book heroes, which are not visually-stimulating for the audiences, but also full of stories that provide children room for make-believe and fantasy thinking in their imagination. Why do comic book heroes proliferate, and what exactly do these superheroes bring to their audience that makes them more appealing than any other forms of media entertainment? These questions will be answered in this paper, which will conduct a critical analysis of the roles…...

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Bibliography

Batman's Biography." 16 April 2003 http://www.geocities.com/Hollywood/Hills/1756/biography.html.

Comic books." Microsoft Encarta Reference Library 2002. Microsoft Inc. 1998.

DC Comics." Microsoft Encarta Reference Library 2002. Microsoft Inc. 1998.

Hero, Definition of." Microsoft Encarta Dictionary. Microsoft Inc. 1998.

superhero is no easy feat or task. In order to be a successful superhero, one must possess a universal set of knowledge, skills, and abilities. Based upon Christopher Nolan's interpretation of Batman, it can be argued that Bruce Wayne/Batman possesses the necessary knowledge, skills, and abilities to be a superhero.
In order to be successful as a superhero one must know the difference between right and wrong. This ability to discriminate between right and wrong allows a superhero to establish his or her mission. Initially, Bruce Wayne was unable to distinguish between right and wrong and was, in fact, contributed to the evil that he came to revile. In Batman Begins (2005), Wayne is shown to gain first-hand knowledge of the criminal underworld through observation and participation. Through this knowledge, Wayne is able to develop a mission that was supported by his knowledge and experiences. Additionally, knowledge about the limitations…...

superheroes in comic books and movies. The writer apparently is fixated on Marvel Comics' Wolverine character because he blasts all other comic books and raves about Marvel and the Wolverine character plus another Marvel feature, X-Men. His conclusion is that spending money on any action movie -- or "summer blockbuster" -- other than the Wolverine or X-Men is wasteful. His basic theme throughout his presentation is that all action figures in comics and in movies pale in comparison to his favorite, Marvel (the Wolverine and X-Men).
What are the reasons?

The reasons that this writer raves about the Wolverine and other Marvel characters is that if his cousin Vinnie says the Marvel Comics characters are by far the best, it must be true. Of course his justification for taking the positions he takes is loaded with hyperbole but his reasons are clearly to make it known his favorite action comic and…...

graphic novel Watchmen by Alan Moore. It is basically about what inspired Watchmen's themes, story, and characters. As well as what Watchmen has influenced and how it has been influenced by other comics and heroes like Batman and uperman among others. Watchman and its influences
Watchman, authored by Alan Moore, artist Dave Gibbons, and colourist John Higgins was created in 1986 / 1987 in response to contemporary anxieties and as means of critiquing the superhero concept.

Watchman recreates history where superheroes emerged in the 1940s and 1950s who helped the U..A. win the war against Vietnam and later is involved in preventing nuclear war with the U...R. Most former superheroes have retired or are working for the government, so contumely freelance vigilantes are arbitrarily and voluntarily doing the job of protecting the country. The protagonists actively fight and strategically plot to help retired superheroes survive and they work to stave off…...

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Sources

Amaya, Erik. (September 30, 2008) Len Wein: Watching the Watchmen. Comic Book Resources..

Cooke, J.B. (August 2000) Alan Moore discusses the Charlton-Watchmen Connection. Comic Book Artist.

Contino, Jennifer M. (December 28, 2008. ) Who Watches Rich Johnston's Watchmensch. Comicon.com.

Kavanagh, B. (October 17, 2000.) The Alan Moore Interview: Watchmen characters. Blather.net.

The Influence of the Orestes in the The Eumenides on Marvels Daredevil SuperheroBeginning with Gilgamesh, superheroes have fascinated humankind since antiquity and this is not surprising given their seeming abilities to transcend mere mortality and achieve spectacular feats. It is also little wonder that the continuing interest in both ancient and modern superheroes has been leveraged to create enduring franchises that attract significant readership and audiences for motion picture adaptations. To gain some new insights into this phenomenon, the purpose of this paper is to discuss how the superhero Daredevil seems to be influenced by Orestes from The Eumenides (The Kindly Ones) by the ancient Greek, Aeschylus. An analysis of the laws of the time and their implications for ancient and modern superheroes is followed by a summary of the findings in the conclusion.Review and DiscussionIn The Eumenides, the last play in Aeschylus Oresteia trilogy, the son of Clytemnestra, Orestes,…...

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Works CitedAeschylus. “The Eumenides” (The Kindly Ones).Black’s Law Dictionary. West Publishing Co. St. Paul, MN., 1991.Rosen, Louis Michael. “The Lawyer as Superhero: How Marvel Comics’ Daredevil Depicts the American Court System and Legal Practice.” Capital University Law Review, vol. 47, no. 2, Apr. 2019, pp. 379–433.

This accounts for the durable popularity of the superhero -- Superman can fight Nazis during orld ar II and terrorists today. A comic hero can remain the same, yet always seem relevant to the reader's daily life, just like the daily work of a newspaper political cartoonist. The reason that this type of popularity is spurned is because of the fears of mass production of written material. McCloud agrees with Kunzle that mass production is critical to the genre. McCloud calls comics "juxtaposed pictorial and other images in deliberate sequences, intended to convey information and/or to produce an aesthetic response in the viewer" (McCloud 9). This response it elicits from all readers on a visceral level, however, should not be undervalued. Part of the reason for McCloud's trumpeting of the medium, however, may be his broader-reaching focus, while Kunzle tends to focus on more narrow historical or political works designed…...

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Works Cited

Kunzle, David. History of the Comic Strip. Volume 1: The Early Comic Strip. Berkeley:

University of California Press, 1973.

McCloud, Scott. Understanding Comics. Princeton, WI: Kitchen Sink Press, 1993.

Consequences of these choices only compound his deep-seated insecurities. (Zushi)
Both Ben and Miko are Japanese-Americans, and their shared ethnic background impacts on their lives in significantly different ways. Miko is proactive and politicised -- she is the assistant organiser of a film festival showcasing Asian-American talent. Ben, meanwhile, is a depressive manager of a local cinema, seemingly content in his life of slow-burning frustration and -- not surprisingly -- covert masturbation.

Sexual stereotyping is at the heart of the story. The title itself is a reference to Ben's feeling of inadequacy in the trousers department (underneath the dust jacket, the book cover bears a life-size image of a ruler). At one point, Ben recalls a "stupid joke": "hat's the difference between Asian men and Caucasian men?" The punchline -- "the cauc" -- is both funny and deeply uncomfortable. "I actually heard a girl tell that joke in college! I was…...

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Works Cited

The Columbia World of Quotations. New York: Columbia University Press, 1996. 16 Jan. 2008 www.bartleby.com/66/.

The Comic-Book Heroes with a Touch of Genius." The Daily Mail (London, England) 22 Dec. 2006: 64. Questia. 15 Jan. 2008  http://www.questia.com/PM.qst?a=o&d=5018563927 .

A www.questiaschool.com/PM.qst?a=o&d=107528075

Dunford, Richard. "Chapter 4 Developing a Research Proposal." Surviving Your Thesis. Ed. Suzan Burton and Peter Steane. New York: Routledge, 2004. 46-58. Questia. 15 Jan. 2008  http://www.questia.com/PM.qst?a=o&d=107528130 .

Faced with a social system that has no place for him, Tom does not rebel or repress himself, but merely creates a place for himself by dissolving into the background, becoming part of the hidden (and criminal) world that is a de facto product of any inequitable social system.
As mentioned above, Highsmith wrote for a number of comic books in the 1940s, and almost all of them were concerned with white male superheroes who had been given extraordinary powers or technology. There is a subtle joke about this fact early on, when Tom notes that his most recent victim "was a comic-book artist. He probably didn't know whether he was coming or going" (Highsmith 14). Thus, almost from the beginning Highsmith has made a connection between Tom and the world of comic books, a connection that helps explain Tom's eventual narrative journey.

hen looking at Tom's story in broad strokes,…...

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Works Cited

Haggerty, George. Queer Gothic. Champaign, IL: University of Illinois Press, 2006. Print.

Highsmith, Patricia. The Talented Mr. Ripley. New York: Vintage Books, 1992. Print.

Tuss, Alex. "Masculine Identity and Success: A Critical Analysis of Patricia Highsmith's the Talented Mr. Ripley and Chuck Palahniuk's Fight Club." Journal of Men's Studies 12.2

(2004): 93-.

Daredevil and OrestesThe character of Orestes in Aeschylus\\\'s Eumenides can be seen as having some influence on the Marvel superhero Daredevil if the two are compared in a thematic way. Both have narrative arcs that parallel one another as they include themes of justice and vengeance. The characters themselves must deal with unique legal and moral dilemmas. Aeschylus presents Orestes in a struggle for moral justification, as he faces judgment for the murder of his mother, Clytemnestra. This ancient myth might seem far from the modern story of a superhero named Daredevil, but the two are closer in spirit than one might think. Daredevils story is actually somewhat similar as he wrestles with his role as both a lawyer and a vigilante in Hell\\\'s Kitchen, where he tries to instill justice in a flawed world where justice seems all but missing. One big difference between the two is that Orestes…...

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Works CitedAeschylus. “The Eumenides” (The Kindly Ones). Rosen, Louis Michael. “The Lawyer as Superhero: How Marvel Comics’ Daredevil Depicts the American Court System and Legal Practice.” Capital University Law Review, vol. 47, no. 2, Apr. 2019, pp. 379–433

RR SuperheroCharacter DevelopmentThe main character in the graphic novel La Borinquena by Edgardo Miranda-Rodriguez is presented visually as a shapely, curvy young heroinefirst introduced to the reader as a superhero flying through the air and saving the lives of others. Everything is stylized in the rendering. However, the same character, as depicted in real life is also curvy and shapely and goes on a kind of Dora the Explorer adventure later in the novel. She discovers her powers in the process and becomes the hero she was born to be, saying Its a gift, an honor given to me by my island for my people. In other words, she learns that she is connected to the past and to her people in a meaningful way that she has some special purpose that results from that connection and her appreciation of the past and present.The character development of this novel is…...

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Works CitedMiranda-Rodriguez, Edgardo. “La Borinquena.”

4. Do you think that Astro Boy will be successful? Why?

This is a difficult question to answer simply and unequivocally. On the one hand, it is relatively certain that the character of Astro Boy will be a success in a financial and commercial sense. Part of the reason for this is that the impetus and popularity of global youth culture is behind anime and characters like Astro Boy. The large companies like Sony have taken cognizance of this global enthusiasm and popularity and they are fully prepared to exploit it and to raise the character to the level of cult status through marketing, advertising and film.

However, there is a certain degree of danger in this commercialization. It may have the effect of alienating the hardcore fans and fan base. Anime as a global youth culture has been firmly rooted in the unconventional aspects of the medium and in the progressive…...

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References

Kahn R. And Kellner D. Global Youth Culture. November 12, 2007.  http://64.233.169.104/search?q=cache:Q5IwlKLQ-4UJ:www.gseis.ucla.edu/faculty/kellner/essays/globyouthcult.pdf+Japanese+indicative+of+the+emergence+of+a+global+youth+culture%3F&hl=en&ct=clnk&cd=5&gl=uk

Crouching Tiger Hidden Dragon
The film, documentaries and the last docudrama are exceptional production pieces by notable directors and producers. Crouching tiger-hidden dragon defies the usual mantra of strength only attributed to men. Jen effectively acts as person having higher morals. The martial arts performance was exceptional, an unusual feature in Hollywood. Islam, the empire of faith is another documentary made on the rise of Islamic empire and the life of Prophet Mohammad having a great impact on establishment of religion. 'Gandhi' also remains an unquestioned production classic that eloquently portrays Mohandas Karamchand Gandhi, the unquestioned leader of India. The film sheds light on Hinduism as a religion and its faith and dogmas. Lastly, Kundan is a docudrama based on life of Dalai Lama. 'Kundan' might not have justified the stature of Buddhism in history of mankind but the piece of production remains an earnest effort on part of Martin Scorcese…...

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References

Bowker, J. & Bowker, D. (1997). World religions. Dorling Kindersley.

Chan, K. (2004). The Global Return of the Wu Xia Pian (Chinese Sword-Fighting Movie): Ang Lee's Crouching Tiger, Hidden Dragon. Cinema Journal, 43(4), 3-17.

Conze, E. (2004). Buddhism: Its essence and development. Windhorse Publications.

Driver, M.W. & Ray, S. (2004). The medieval hero on screen: representations from Beowulf to Buffy (Vol. 56). McFarland & Company Incorporated Pub.

Ethics of Spider Man
The character Spider Man is a foundational superhero of the modern era. His history and life demonstrate the development of an ordinary and even some would say subpar or at the very least "un-cool" young adolescent into a super hero by a twist of fate, i.e. being bit by a genetically modified spider on a science filed trip. The early life of the Spider Man character as depicted in both comic books, television cartoons and movies in live action or animation depict a young man, who stumbles upon a great power and then struggles with how to use that power. In the 2002 film depiction, and true to the comic storyline Peter's/Spiderman's ethics are developed through the film as he struggles with his new found powers, seizing the opportunity to use them for personal gain, by attempting to win money as an amateur fighter/wrestler in a contest…...

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References

Lee, S. (1962) (Spider Man) Amazing Fantasy Vol. 1 #15.

Jenkins, P. (September 2002) Peter Parker, Spider-Man Vol. 2 #48, titled "The Big Question,"

Raimi, S. (Director). (2002) Spider-Man [Motion Picture]. USA. Columbia Pictures Co.

Raimi, S. (Director). (2004) Spider-Man 2 [Motion Picture]. USA. Columbia Pictures Co.

1. The Ethics of Concealing a Superhero Identity: Should superheroes be required to reveal their true identities to the public, or is maintaining secrecy a necessary aspect of their effectiveness?

2. The Psychological Toll of Living a Double Life as a Superhero: How does constantly balancing a normal identity with a superhero persona impact the mental health and well-being of individuals who possess superpowers?

3. The Moral Dilemmas Faced by Superheroes: How do superheroes navigate complex ethical choices and dilemmas, and how does their sense of moral responsibility shape their actions and decisions?

4. The Intersection of Power and Responsibility in Superheroism: How....

The Weight of a Secret: The Ethical Dilemmas of a Superhero's Hidden Identity

Living a double life as a superhero is a thrilling prospect, but it also presents a complex array of ethical challenges. The secret identity, a cornerstone of superhero lore, serves as a shield to protect loved ones and maintain a veil of anonymity. However, it also raises questions about the moral implications of deceiving society, particularly those closest to them.

Firstly, the secrecy surrounding a superhero's identity can strain personal relationships. The constant need to conceal one's abilities and motivations can lead to isolation and a sense of loneliness.....

1. Batman and Superman represent conflicting ideologies in popular culture through their different approaches to justice - Batman’s vigilante methods of seeking revenge and fear tactics versus Superman’s more traditional, moral-driven sense of justice.

2. The characters of Batman and Superman reflect the debate between individualism and collectivism, with Batman embodying the rugged individualism of taking justice into his own hands while Superman symbolizes the collective good and working within the system.

3. Batman can be seen as a representation of the darker, more cynical aspects of human nature, while Superman represents hope, idealism, and the belief in....

The comic book industry during the Cold War era reflected the tensions and ideological conflicts of the time in several ways:

1. Superheroes as symbols of American values: Many comic book superheroes, such as Superman and Captain America, were portrayed as defenders of American values and ideals during the Cold War. These characters often fought against villainous representations of communism and totalitarianism, emphasizing the superiority of democracy and capitalism.

2. Anti-communist themes: The comic book industry frequently depicted villains who were either explicitly communist or aligned with communist ideologies. These characters were often portrayed as sinister, power-hungry figures who sought to subvert....