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Symbolism
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What is Symbolism?

Symbolism is a literary device in which objects, characters, settings, or events carry meaning beyond their literal presence in a text. It is a central subject in literature courses at every level, from introductory composition to advanced literary criticism, because it asks students to move past surface reading and engage with how writers construct layers of meaning. Works ranging from August Wilson's Fences and James Baldwin's Sonny's Blues to Flannery O'Connor's Good Country People, John Steinbeck's The Chrysanthemums, and James Joyce's A Portrait of the Artist as a Young Man all reward close symbolic analysis, making symbolism a topic that cuts across poetry, drama, and fiction alike.

Student papers on this topic approach symbolism from several directions. Many focus on a single work—Shirley Jackson's The Lottery, Tennessee Williams's The Glass Menagerie, or Chitra Banerjee Divakaruni's Clothes—and trace how specific symbols develop across a narrative to reinforce themes of death, family, identity, or transformation. Others place symbolic systems in broader cultural or religious contexts, drawing on frameworks such as Kabbalistic tradition or the Hebrew Bible to illuminate how inherited symbol systems shape literary meaning. Some papers take a comparative angle, examining how imagery and symbolism work together across poems like W. B. Yeats's The Gyres or Yusef Komunyakaa's Facing It.

A strong essay on symbolism begins with a focused, arguable thesis that connects a specific symbol to a larger thematic claim rather than simply cataloguing what symbols appear. Evidence drawn from close reading—precise quotations and attention to context—carries the most weight, since meaning depends on how and when a symbol appears. The most common pitfall is treating symbolism as fixed and universal; effective analysis instead shows how meaning is built through the particular choices a writer makes within a specific work.

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Paper Undergraduate
Sun Also Rises: Annotated Bibliography
Claire Sprague. "The Sun Also Rises: Its 'Clear Financial Basis.'" American Quarterly, Vol. 21, No. 2, Part 1 (Summer, 1969), pp. 259-266.
Research Paper Undergraduate
Great Gatsby the Prevailing Theme
The prevailing theme in the Great Gatsby is the quest for the American Dream and, more importantly, how the American Dream is unattainable. It is a tale full of symbolism, where the American Dream is the quest of money,…
Paper Undergraduate
Contemporary craft concepts and practices
¶ … Art of Building Construction in Al-Alkhalaf Village
Research Paper Undergraduate
Michelangelo Buonarroti and Leonardo da Vinci
¶ … art of Michelangelo Buonarroti and Leonardo da Vinci. Specifically, it will discuss Michelangelo's sculpture David, and Da Vinci's painting the Mona Lisa. These two works are some of the most well-known and…
Research Paper Undergraduate
Social organizations: structure, function, and impact
There are numerous sociological theories for how organizations come together, how they are maintained, how information flows within them, and how they ultimately extend beyond the actions of any single individual within…
Research Paper Undergraduate
Native American Writers the Feminine
The Feminine Earth Mother Through Two Different Styles
Paper Masters
Depression Lit Steinbeck\'s \"The Chrysanthemums\"
Steinbeck's "The Chrysanthemums" begins as Elisa tends her flower garden. She works as she watches the world around her, paying attention to her husband's business dealings. Dressed in overalls and described as…
Research Paper Undergraduate
Painting La Espera by Naret
Applying Feldman's Method of Art Criticism to Naret's Oil Painting "La Espera"
Research Paper Undergraduate
Throne of Death Akira Kurosawa\'s
Akira Kurosawa's Throne of Blood is more than just an adaptation of Shakespeare's Macbeth. The film is a visual feast with riddled rich symbolism. It is that symbolism that makes Throne of Blood so memorable.
Research Paper Undergraduate
Dante's Divine Comedy and Mehta's River Sutra
The written word can be thought of as the language that we use to describe our physical world, that which we see with our eyes and touch with our hands. However, music is the language for that which cannot be physically…