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Symbolism
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What is Symbolism?

Symbolism is a literary device in which objects, characters, settings, or events carry meaning beyond their literal presence in a text. It is a central subject in literature courses at every level, from introductory composition to advanced literary criticism, because it asks students to move past surface reading and engage with how writers construct layers of meaning. Works ranging from August Wilson's Fences and James Baldwin's Sonny's Blues to Flannery O'Connor's Good Country People, John Steinbeck's The Chrysanthemums, and James Joyce's A Portrait of the Artist as a Young Man all reward close symbolic analysis, making symbolism a topic that cuts across poetry, drama, and fiction alike.

Student papers on this topic approach symbolism from several directions. Many focus on a single work—Shirley Jackson's The Lottery, Tennessee Williams's The Glass Menagerie, or Chitra Banerjee Divakaruni's Clothes—and trace how specific symbols develop across a narrative to reinforce themes of death, family, identity, or transformation. Others place symbolic systems in broader cultural or religious contexts, drawing on frameworks such as Kabbalistic tradition or the Hebrew Bible to illuminate how inherited symbol systems shape literary meaning. Some papers take a comparative angle, examining how imagery and symbolism work together across poems like W. B. Yeats's The Gyres or Yusef Komunyakaa's Facing It.

A strong essay on symbolism begins with a focused, arguable thesis that connects a specific symbol to a larger thematic claim rather than simply cataloguing what symbols appear. Evidence drawn from close reading—precise quotations and attention to context—carries the most weight, since meaning depends on how and when a symbol appears. The most common pitfall is treating symbolism as fixed and universal; effective analysis instead shows how meaning is built through the particular choices a writer makes within a specific work.

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Symbolism and death in Robert Frost's "After Apple-Picking"
Robert Frost, in his poem "After Apple-Picking," uses many different symbols and metaphors to describe the final moment of a man falling asleep or, perhaps even dying. On the surface, the poem is a simple reflection of…
Research Paper Doctorate
Perception's subjectivity in artistic and scientific observation
Perception is the way we get the information about real objects that exist independently from our consciousness. Perception reflects state and qualities of objects and forms our understanding of their existence.
Research Paper Undergraduate
Implicit factors affecting love intensity in romantic relationships
Implicit Factors and Love: Change in the Intensity of Love Over Time
Paper Undergraduate
Fantasy and racial prejudice in Baldwin, Morrison, and Du Bois
The word "fantasy" has many positive connotations in its most frequent usages; achieving success beyond one's "wildest fantasies" is not generally seen as a negative thing, for instance.
Essay Doctorate
Hemingway's "Hills like White Elephants": selfishness, naivety, and symbolism
Ernest Hemingway's "Hills like White Elephants"
Research Paper Undergraduate
Character development and maturation in Steinbeck's The Red Pony
Red Pony by John Steinbeck is considered one of the author's finest works. Actually the Red Pony is four short stories put together as one novel. The four stories are "The Gift," "The Great Mountains," "The Promise,"…
Paper Undergraduate
Faulkner's fragmented time and human consciousness in the Sound and the Fury
The plot of the Sound and the Fury is simple, if one considers the actions that take place in the present time. However, it can be difficult to follow, as Faulkner continually interjects memories into the present…
Research Paper Undergraduate
Social class and attitude in Sarah Orne Jewett's "A White Heron"
Social Class and Women's Roles in a White Heron
Paper Undergraduate
Suicide and literary convention in Plath's "Edge" and Lincoln's "Suicide's Soliloquy"
¶ … Sylvia Plath and Abraham Lincoln wrote about suicide, and therefore both undoubtedly contemplated the act. Plath did end her own life, though, whereas Lincoln's life ended by his homicide at the hands of John Wilkes…
Paper Undergraduate
The relationship between Bartleby and the narrator in Melville's story
The relationship of Bartleby and the narrator in Herman Melville's "Bartleby the Scrivener"