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Symbolism
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What is Symbolism?

Symbolism is a literary device in which objects, characters, settings, or events carry meaning beyond their literal presence in a text. It is a central subject in literature courses at every level, from introductory composition to advanced literary criticism, because it asks students to move past surface reading and engage with how writers construct layers of meaning. Works ranging from August Wilson's Fences and James Baldwin's Sonny's Blues to Flannery O'Connor's Good Country People, John Steinbeck's The Chrysanthemums, and James Joyce's A Portrait of the Artist as a Young Man all reward close symbolic analysis, making symbolism a topic that cuts across poetry, drama, and fiction alike.

Student papers on this topic approach symbolism from several directions. Many focus on a single work—Shirley Jackson's The Lottery, Tennessee Williams's The Glass Menagerie, or Chitra Banerjee Divakaruni's Clothes—and trace how specific symbols develop across a narrative to reinforce themes of death, family, identity, or transformation. Others place symbolic systems in broader cultural or religious contexts, drawing on frameworks such as Kabbalistic tradition or the Hebrew Bible to illuminate how inherited symbol systems shape literary meaning. Some papers take a comparative angle, examining how imagery and symbolism work together across poems like W. B. Yeats's The Gyres or Yusef Komunyakaa's Facing It.

A strong essay on symbolism begins with a focused, arguable thesis that connects a specific symbol to a larger thematic claim rather than simply cataloguing what symbols appear. Evidence drawn from close reading—precise quotations and attention to context—carries the most weight, since meaning depends on how and when a symbol appears. The most common pitfall is treating symbolism as fixed and universal; effective analysis instead shows how meaning is built through the particular choices a writer makes within a specific work.

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Research Paper Doctorate
Homosexual marriage and the search for human union in Plato
¶ … Homosexual marriage does not pose a threat to me or my manhood therefore I am for it." Although I am heterosexual, I know what it means to long for union with another human being.
Paper High School
Epic themes and journeys in The Grapes of Wrath
This paper discusses John Steinbeck's novel The Grapes of Wrath as an epic. It examines the novel's use of the epic simile (found in chapter 3), the epic journey (both physical and spiritual), the epic characters (larger than life types), and the application of epic themes and ideas (such as the struggle of good versus evil).
Essay Doctorate
Europe's post-WWII recovery and the Cold War transition
This paper surveys the challenges Europe faced after the end of World War II. It discusses the destructive nature of the war, the Marshall Plan, the Warsaw Pact and NATO and the Cold War. It examines what transpired after the fall of the Berlin Wall in 1991, including the 'shock therapy' used to bring about a transition from command to capitalist economies in Eastern Europe.
Paper Doctorate
BustedTees.com website design and user experience analysis
Busted Tees is a company that makes apparel with hilarious messages and images. The company sells tees of all colors and sizes, with funny and comical images and symbolism. It also sells unique gift items at discounted…
Paper Undergraduate
Humility and modesty in palliative care and spiritual healing
Humility and modesty are both seen as character strengths and are two aspects of the self which can be difficult to cultivate, but which are definitely things one can develop over time.
Research Paper Doctorate
James Baldwin's *Giovanni's Room* and the significance of Paris
James Baldwin grew up a neglected child. He was a black man in a white man's world -- gay man who was trying to make his mark in the world of literature. "You write of your experiences," James Baldwin once said.
Paper Masters
Linda Hogan's "Aunt Moon's Young Man" and Yellow Woman mythology
Native American literature recounts legends which have meaning for the people for thousands of years. Like stories told around the campfires of any early culture, the telling of tales kept the culture relevant through…
Essay Doctorate
Symbolism and conflict in Hemingway's "Hills like White Elephants"
Hills like White Elephants is one of the most discussed works of Ernest Hemingway primarily due to excessive use of symbolism in the story to depict conflict of interest of a young couple on the subject of abortion.
Paper Masters
Naturalism and symbolism in Flaubert's Madame Bovary
The first section of this paper discusses the tension between Naturalism and Symbolism in Flaubert's "Madame Bovary", by examining the passage where Emma suddenly takes an interest in religion and dreams of becoming a saint. The second section discusses the tension between Naturalism and Symbolism in Dostoevsky's "Notes from Underground", by examining the character of the Underground Man. The third section looks at biological determinism and social determinism in Flaubert and Dostoevsky. Biological determinism is discussed in relation to Charles Bovary's operation on Hippolyte's club-foot. Social determinism is discussed in relation to the Underground Man's brief failed connection with the prostitute Liza.
Paper Undergraduate
Patagonia's organizational culture and radical humanist approach
Patagonia has grown from a small back-yard boot-strapped operation to a multinational organization with far-reaching environmental influence. The culture of Patagonia has—as all organizational cultures do—evolved over the history of the organization. This analysis illustrates the efforts of the Patagonia to establish and maintain cultural congruence, and within the scope of this analysis, also highlights that an organization can exhibit many of the structural trappings of a corporation and still maintain the maverick attitude of a band of climbers and surfers. Collective action—collective corporate action—requires some constraining of individual behavior. The question to be answered in this analysis is whether behavior can be constrained for the good of the employees of an organization—and for the apparent good of the global environment—and not follow the corporate template of constraining behavior for the good of those in power. The artifacts, values and beliefs, and assumptions of Patagonia would imply that the answer to this question is a resounding affirmative—and that the critical consciousness of Choinard has carried and directed the organization on a path of cultural congruence.