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Symbolism
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What is Symbolism?

Symbolism is a literary device in which objects, characters, settings, or events carry meaning beyond their literal presence in a text. It is a central subject in literature courses at every level, from introductory composition to advanced literary criticism, because it asks students to move past surface reading and engage with how writers construct layers of meaning. Works ranging from August Wilson's Fences and James Baldwin's Sonny's Blues to Flannery O'Connor's Good Country People, John Steinbeck's The Chrysanthemums, and James Joyce's A Portrait of the Artist as a Young Man all reward close symbolic analysis, making symbolism a topic that cuts across poetry, drama, and fiction alike.

Student papers on this topic approach symbolism from several directions. Many focus on a single work—Shirley Jackson's The Lottery, Tennessee Williams's The Glass Menagerie, or Chitra Banerjee Divakaruni's Clothes—and trace how specific symbols develop across a narrative to reinforce themes of death, family, identity, or transformation. Others place symbolic systems in broader cultural or religious contexts, drawing on frameworks such as Kabbalistic tradition or the Hebrew Bible to illuminate how inherited symbol systems shape literary meaning. Some papers take a comparative angle, examining how imagery and symbolism work together across poems like W. B. Yeats's The Gyres or Yusef Komunyakaa's Facing It.

A strong essay on symbolism begins with a focused, arguable thesis that connects a specific symbol to a larger thematic claim rather than simply cataloguing what symbols appear. Evidence drawn from close reading—precise quotations and attention to context—carries the most weight, since meaning depends on how and when a symbol appears. The most common pitfall is treating symbolism as fixed and universal; effective analysis instead shows how meaning is built through the particular choices a writer makes within a specific work.

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Research Paper Doctorate
Nature and colonialism in Linda Hogan's Power
The themes in Power by Linda Hogan are centered around nature and the unity of nature and human beings. These are also themes that are touched upon in Sacred Hoop by Paula Gunn Allen.
Paper Doctorate
Language, class, and social hierarchy in Bourdieu's theory
Bourdieux's article is insightful and has more than a grain of truth when he argues that the dominating class subdues and controls others by imposing upon them certain pejorative words that, in turn, cause them to perceive themselves and act that way. His article explains a lot of conditions in the sociological arena. On the other hand, it may equally be argued that rhetoric is a tool that is used across the board by institutions, groups, individuals, countries, regardless of socio-economic prowess – in their attempt to threaten and reduce the threat of others. One religious group (particularly a fundamentalist sect) uses it against another all the time; countries fight their wars with this rhetoric; corporations (and individuals) humiliate their competitors with this rhetoric. Rhetoric is a tool, in other words, that transcends groups and classes.
Paper Doctorate
Homosexuality and social class in Y Tu Mama Tambien and My Own Private Idaho
Alfonso Cuaron's 2001 film Y Tu Mama Tambien shares a number of superficial similarities with Gus Van Sant's 1991 film My Own Private Idaho. Both films focus on an intense friendship between two young men, structuring…
Research Paper Doctorate
Beauty and timelessness in Keats' "Ode on a Grecian Urn"
¶ … poetry of John Keats inspires readers because of their lyricism, accessibility, and imagery. Many of Keats' poems focus on beauty as subject and theme, for beauty is a source of inspiration.
Paper Undergraduate
Aristophanes' Lemnian Women: sexual politics in comic fragments
¶ … Aristophanic invective against a rival dramatist: the fragment from the lost Lemnian Women included in Henderson's edition as number 382, attested to in two separate ancient sources (suggesting it was considered a…
Paper Undergraduate
Theater and imagination in Willa Cather's "Paul's Case"
This paper is a discussion of Willa Cather's Paul's Case. It examines the meanings of "theater" and "Romance" in Cather's characterization of Paul. Explaining the why Cather capitalize the word Romance. The paper explains the relationship between theater and Romance for Paul as well as investigating the effect of Cather's emphasis "Perhaps it was because, in Paul's world, the natural nearly always wore the guise of ugliness, that a certain element of artificiality, seemed to him necessary in beauty"
Paper High School
Nostalgia and imagery in Gary Soto's "Oranges"
The purpose of literature is for the author to invoke and emotional reaction by the audience reading that poem. Some works are designed to inspire joy and others are written in the hopes of inspiring fear or longing or…
Paper Undergraduate
Symbolism and irony in Virginia Woolf's "A Room of One's Own"
This is a three page paper. It is about Virginia Woolf, and her essay "A Room of One's Own." This essay focuses mainly on Woolf's rhetorical strategies and the literary devices that she uses to convey her central thesis about the way women have been objectified and silenced by patriarchy. Woolf uses irony, symbolism, and Aristotelian rhetorical strategies to achieve her goal.
Thesis Doctorate
William Blake's radical sexual politics in three early works
William Blake is usually classified with the Romantic movement in English literature -- which coalesced in the revolutionary climate of the late eighteenth century, and roughly spanned the period from 1780 to 1830.
Research Paper Undergraduate
Gender, labor, and symbolism in Susan Glaspell's Trifles
The title of Susan Glaspell's drama Trifles indicates that it will deal with seemingly small matters: as Mrs. Hale says of the pivotal prop in the stage-play -- "Wouldn't they just laugh?