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In Act I, scene 2 of Shakespeare's The Tempest, the protagonist Prospero explains his case to both his daughter and his familiar spirit Ariel. Thus, the main themes of the play are elucidated in this one scene more than any other. The concept of power, of power overused and power usurped are evident and constant in Act One, scene 2 of The Tempest. This early in the play, before the audience is privy to the p[ersonalities of Alonso, Ferdinand, Antonia, Sebastian or the other, Prospero establishes the main theme through his characterization, his dialogue, and his stage presence: he embodies the main theme of power tempered with wisdom. Even thought Prospero's very act of bringing on the storm seems morally degenerate at first, the audience seems ironically sympathetic to him. We are led to believe that his birthright as a Duke lends him a sort of ultimate moral authority…
In the epilogue of Midsummer's Night Dream, Puck speaks to the audience directly not as an actor or a character in a play, while in The Tempest, Prospero is still in character but begs the audience to set him free so he can return to Naples. For Puck, King Oberon and all the other actors are mere shadows, exactly as Theseus described the actors in the play-within-a-play, and his statement seems to dissolve the distance between the actors and the audience. Everyone in the play has been dreaming or is part of a dream, and so is the audience in the theater, so no one can even know for certain if there is any distinction between reality and illusion. Prospero has also used magic and illusion to deceive and confuse his enemies, and in fact the entire island is magical. While in control of sprites like riel, he is…
All witches and spirits in Shakespeare's play are able to manufacture dreams and illusions, and in Prospero's case his powers are used first for vengeance against his enemies, but never to the point of murder. Puck's damage is superficial and temporary -- no more dangerous than a dream -- and is easily corrected, although is epilogue offers a vague hint that even the love and romance experienced by the three young couples might end in death sooner than they imagine. Of course, this does not imply that he might cause such evil only that he can foretell the future. In contrast, Sycorax, the Weird Sisters and Lady Macbeth do not really possess any redeeming features, and certainly come across are far more sinister and deadly than Puck, Ariel or Prospero.
My textbook for this course is The Norton Shakespeare, edited by Stephen Greenblatt, et al., the second edition (2008). So if the text needs to be referenced or sited this is the book I need it to be referenced from.
To summarize, I need 3 pages for essay 1 and 2 pages for essay 2 and if there are any quotes needed to further prove the argument please site from the textbook stated above. Also, please do not use outside information unless it is extremely necessary and if so, please cite its origin, other than that please stick to what the text provides to answer the question. Thank you
Miranda even says, "My father's of a better nature, sir,/Than he appears by speech" (I.ii.500-501). Shakespeare may have been writing Prospero like this only to juxtapose his warm nature at the end of the play, which gives the play a "and they lived happily ever after" feel.
Prospero uses his magic to control the spirit Ariel, which gives him a lot of power. Prospero knows of Caliban, Stephano, and Trinculos' plot to kill the king and he uses this knowledge to his own advantage. He thinks that when he takes back his throne in Milan, he can use it as blackmail against them. He thinks that they will do whatever he says because of this and because of the fact that Miranda will become queen one day.
Prospero shows his protective side as a father to Miranda. He tries to make sure that Ferdinand really loves Miranda by making her…
Shakespeare, William. The Tempest (the Annotated Shakespeare). Yale University
Press; 1st edition, 2006. Print.
This is, in fact, the basis of colonization as the natives are subdued and forced to abandon their language and traditions in favor of the colonizers'.
Critics who supported the thesis of "The Tempest" being a description of the Spaniards' experience in the Americas considered Caliban to be a Native American despite the multitude of details that differentiate him from the Indians as they were described in the travelers' reports from the New World. The traits that make Caliban resemble Native Americans are taken into consideration, but the differences are disregarded. The methods of control and torture that Prospero utilizes on Caliban remind of the Spanish; for instance, Prospero and Ariel hunt Caliban with spirit dogs, a method of capturing and torturing Native Americans that the Spaniards used (Skura: 49). However, Prospero also has Caliban pinched by the spirits whenever he curses. This ritual could be symbolical of the Haitian…
Shakespeare, William. The Tempest. Washington Square Press, 1994
Coursen, H.R. The Tempest a Guide to the Play. Westport, CT: Greenwood Press, 2000.
Marshall, Tristan. "The Tempest and the British Imperium in 1611" the Historical Journal 41.2 (1998): 375-400.
Skura, Meredith Anne. "Discourse and the Individual: The Case of Colonialism in 'The Tempest'" Shakespeare Quarterly 40.1 (1989): 42-69.
The similar treatment of these very different minor characters highlight's Prospero's obsession with control, as well as his own return to the human world. Consider that although Prospero mourns his exile, he even uses captivity as an enticement for Miranda and Ferdinand's courtship, forcing the young man to carry wood like he does Caliban. The young man responds cheerfully, "There be some sports are painful, and their labor/Delight in them sets off: some kinds of baseness/Are nobly undergone and most poor matters/Point to rich ends. (3.1) But the comparison as well as the contrast between the suitor and the rapist in their similar labors and different emotional responses to that labor adds further depth to the pairing of freedom and captivity themes that structure the play.
Thus, all of the minor character in "The Tempest" highlight different forms of freedom and incarceration, and exist in binary oppositions only in their…
Shakespeare, William. "The Tempest." 11 Jan 2005. MIT Shakespeare Homepage. http://www-tech.mit.edu/Shakespeare/tempest/tempest.2.2.html
While Prospero is truly meant to be the main character in the Tempest, seeing the play performed live reminds us that it is actually Caliban who is most important. Michael Stewart Allen's performance of Caliban brought out the richness and complexity of the character, without reducing him to a crude stereotype - which is a direction that other, less talented actors may have chosen to go in. Rather than overacting, Allen's subtle approach effectively affirms the many ambiguities of Caliban's character that Shakespeare leaves open in his text. Despite the rich poetic lines and monologues that Shakespeare has given Caliban, the fact remains that he does not get to speak very often in the course of the play - especially when compared to Prospero, who seems to be speaking all the time. This ambiguity is exploited in the scene when Caliban affirms that he indeed attempted to rape Miranda, and…
Shakespeare, William. The Tempest. Retrieved 10 March 2008 at http://shakespeare.mit.edu/tempest/full.html .
After Prospero gives his blessing to the marriage between Ferdinand and Miranda, he summons Ariel and instructs him to call the spirits to perform a masque. The spirits appear in the shapes of Iris, Juno and Ceres. The masque is a performance of allegorical and mythical stories and it serves to emphasize various symbolic aspects that are important to the marriage between Ferdinand and Miranda, as well as to the thematic structure of The Tempest as a whole. "The betrothal masque in Act IV may be considered a play-within- the play, giving a timeless and general representation of the Ferdinand and Miranda narrative and illustrating the elaborate power of Prospero's art." ( rown, J. 1969, 32)
The masque performed in the play has all the elements of growth, prosperity and happiness in society. What the masque achieves is a focus on the regenerative functions of marriage. In essence it…
Brown, R, (1969) Shakespeare: The Tempest. London: Edward Arnold
Coursen, H.R. (2000). The Tempest A Guide to the Play. Westport, CT: Greenwood Press.
Neilson, F. (1956). Shakespeare and the Tempest. Rindge, NH: Richard R. Smith.
Orgel, S. (Ed.). (1994). The Tempest. Oxford: Oxford University Press.
Tempest and "On Cannibals" have something to say to the emerging modern world order of the 16th century about non-Western peoples. What is hakespeare trying to say about such peoples through the character of Caliban? What is Montaigne trying to say through the figure of the cannibal?
The Western Empire began to spread more through its use of knowledge than power. Through great explorations and intellectual predictions nations began to spread, conquering lands that lay beyond their borders and taking over people who were natives to these lands. The superiority of the West began to emerge and the concept of 'civilization' took a new form as the Western people invaded foreign lands, subjugating the natives with the notion of 'civilizing the savages'. It was considered a 'higher purpose', for the natives were seen as savages who had to be shown the path to knowledge and thus, salvation. The concept people…
1. William Shakespeare, The Tempest http://eee.uci.edu/03f/60130/Montaigne-Cannibals.htm
2. MONTAIGNE, MICHEL DE (1580) OF CANNIBALS http://classics.mit.edu/Shakespeare/tempest/
The imagery of conflict between good and evil is carried further in the speech. For instance, in line 43 we have reference to the image of "mutinous winds" and to the image of " dread rattling thunder." All of these images contribute to the vision of a larger battle that rages between good and evil in the visible world and invisible world of magic and which influences and affects humanity. In this sense Shakespeare refers as well to the central Roman god Jove, who is the god of storms. (Act 5.Sc.1. 42-43)
In other words, these references are intended to imply that there is an underlying and larger battle that Prospero has been involved in worth the aid of his supernatural helpers that goes beyond purely personal elements. The power of Prospero's magic are is also suggested by the words "potent art." (Act 5.Sc.1. 50) This is amplified by the…
Shakespeare, W. The Tempest. Pretoria: De Jager- HAUM. 1988.
Tempest -- Act 2, Scene
Act 2, Scene 2. This scene is a short scene, with only the characters of Caliban, Trinculo, and Stephano present. It opens with Caliban carrying wood to Prospero, his master, and being tormented by spirits only he can see. Caliban hides under his cloak because of a storm. Trinculo enters, and sees Caliban, and thinks he is a monster. He hides under the cloak too, because of the storm. Stephano enters singing and drinking from a bottle. He discovers Trinculo, and they both are happy they have survived the shipwreck. They think Caliban is a monster, and if they capture him he can be sold for good money. Caliban convinces them he will honor them if they will let him serve them. They agree, and they leave, drinking and singing.
This scene is humorous, but it also packs a lot of information into relatively few…
Shakespeare, William. "The Tempest." 77-87.
He would need to do that here, for sure.
Caliban is a slave, which might be a problem for the actor. He is also a drunkard in some scenes, calling for understanding and a physical presence, too. Foxx has the physique necessary for this assignment, too. He could certainly carry off wearing a loin-cloth and cloak, as the wood-carrying scene seems to require. He is a master of both physical and mental acting, and that would be important with this character, who can be both brutal and endearing. There could be a problem with Foxx. Caliban requires an actor who can be both commanding and very subservient. He is fearful of "spirits." "Here comes a spirit of his, and to torment me" (Shakespeare 77, 15), and he offers to lick Trinculo's foot simply for a drink. "I will kiss thy foot" (Shakespeare 85, 155). Whoever plays Caliban has to represent…
Shakespeare, William. "The Tempest." 77-87.
The different understandings of the world are indicative of differences in class just as they are a cause for racism, and again the characters of Solibo Magnificent have found a way to work in this system rather than resisting it.
In addition to systems of class distinction and outright racism, other instances of general discrimination can be found throughout these texts. The Tempest has only one character that is necessarily female (Ariel is somewhat ambiguous), and the way she is treated along with her degree of disenfranchisement seems to suggest a definite gender discrimination at work. Miranda seems to sense this to some degree, and ultimately takes some agency in her romance with Ferdinand, whereas the musician described early in Solibo Magnificent is seen in a discriminatory light that shows no promise of changing: he is treated a certain way and even called a certain name because of "his notorious…
Chamoiseau, Patrick. Solibo Magnificent. New York: Anchor.
Shakespeare, William. The Tempest. Accessed 16 March 2011.
One of the most striking characters in The Tempest is that of Caliban, the other mythical being in the play who plays a dominant role in its narrative. Unlike Prospero's servant Ariel, Caliban is portrayed as a savage and adversarial figure. On the other hand, he is capable of speaking some of the most beautiful and stirring poetry of the entire play. Caliban thus illustrates many of the ambiguities of colonization. On one hand, the island is more rightfully his than Prospero's, yet the play conspires to suggest that because of Prospero's more civilized, European behavior, Prospero somehow has a greater right to govern the island.
The paradox of Caliban is illustrated early on in the play when Prospero summons him. Caliban admits that he attempted to rape Miranda, to people the island with monstrous beings like himself. Thus, he is depicted as embodying many of the stereotypes commonly…
Tempest and of Cannibals
The idea that Europeans brought enlightenment to the savage colonies has always fascinated modern writers so much so that many of them employed their imagination to create pictures of 'barbaric' individuals who inhabited these colonies. Shakespeare and Montaigne in their attempts to recreate those savage communities gave us the powerful characters of Caliban and Cannibal. Focusing on this obsession of writers with the image of a savage non-western man, Bartra (1994) writes: "The identity of the "civilized" has always been flanked by the image of the Other, yet the common image of the Other as a wild and barbaric figure, as opposed to Western man, has been considered a reflection - albeit distorted - of non-Western peoples, a eurocentric expression of colonial expansion from which evolved an exotic and racist version of those whom the conquistadors and colonizers had discovered and subdued." [p. 3]…
Bartra, Roger (1994) Wild Men in the Looking Glass: The Mythic Origins of European Otherness Ann Arbor: University of Michigan Press.
Michael O'Toole, Shakespeare's Natives: Ariel and Caliban in The Tempest
After examining her national and family history, Williams came to believe that the 1950's aboveground detonation of a nuclear bomb near her family's home could be the source of her family's struggle with cancer, as well as the cause of the community's propensity to contract cancer as a whole. Williams details her feelings about this fact in a personal as well as a clinical manner. This is not simply a natural and historical tragedy, but a tragedy she must live with for the rest of her own life -- she will never have another mother, just as many of the flooded-out birds will never have another home. The author admits that the bomb she remembers seeing explode as a young child, the bomb that could have caused the cancer that killed her mother, haunts her in her dreams.
Thus her search for a source of blame for an apparently random…
There are many characters in Shakespeare's The Tempest that could fit the characteristics of being the "little man behind the stove." The Tempest has a strong degree of dramatic irony, and Shakespeare even incorporates the breaking of the fourth wall in the final scene of the play. This means that the audience itself serves as the "little man behind the stove." However, there are clearer characters that represent the little man. For example, Caliban is "little" in the sense that he is a sort of subhuman creature. As the son of Sycorax, Caliban is portrayed as being a little bit odd and different. He is not like the spritely Ariel, who can also be considered as a "little man." Both Caliban and Ariel play roles that could be construed as being similar to that of Ellison's "Little Man at Chehaw Station." Caliban's role is even more like that of…
My noble father,
I do perceive here a divided duty:
To you I am bound for life and education;
My life and education both do learn me
How to respect you; you are the lord of duty;
I am hitherto your daughter: but here's my husband,
And so much duty as my mother show'd
To you, preferring you before her father,
So much I challenge that I may profess
Due to the Moor my lord.
(Othello, Act 1, Scene iii, lines 179-188)
Desdemonda's character is defined early in Shakespeare's Othello. She plays a supportive role, allowing the nature of Othello's character to emerge clearly by the end of the play. Here, Desdemonda defends both herself and her husband. The passage tells the audience much about gender roles and norms in Elizabethan society, as Desdemonda speaks of her father as the "lord of duty," and refers to a…
Literary Characters in Exile
Exile can be the self-imposed banishment from one's home or given as a form of punishment. The end result of exile is solitude. Exile affords those in it for infinite reflection of themselves, their choices, and their lives in general. Three prominent literary characters experience exile as part of the overall narrative and in that, reveal a great deal about themselves to themselves as well as to the readers. The three narratives in questions are "The Epic of Gilgamesh," "The Tempest," and "Things Fall Apart." All of the main characters of these narratives experience exile as a result of actions taken by the protagonists at earlier points in the story. The protagonist in each respective story are exiled because of their choices and the exile forces each character to face consequences that ultimately bring their inner character to the surface in a more direct manner…
Achebe, Chinua. Things Fall Apart. New York: First Anchor Books Edition, 1994.
Mason, Herbert. Gilgamesh A Verse Narrative. New York: Houghton Mifflin Company, 2003.
Shakespeare, William. "The Tempest." Ed. Barbara A. Mowat & Paul Werstine. New York: Simon & Schuster Paperbacks, 1994.
Sutton, Brian. "Virtue Rather Than Vengeance": Genesis and Shakespeare's The Tempest." Explicator, Vol. 66, No. 4, 224-229.
2.4-5). Shakespeare seems to be suggesting that this storm is so bad that it has even managed to extinguish the magical fire seen by sailors.
Finally, Strachey and his fellow passengers make it to land, and he recalls that they "e found it to be the dangerous and dreaded Island, or rather Islands of the Bermuda..." This ominous mention of "the island" brings to mind the entire island of The Tempest, on which not only are the noble characters shipwrecked but even Prospero and Miranda, who at first find themselves on a cursed island, where Ariel's "groans / did make wolves howl and penetrate the breast / of ever angry bears" (1.2.287-289). The island of The Tempest is thus likely inspired by Strachey mention of the "dreaded Island" they landed on in Bermuda.
Reading Strachey's account of the storm experienced by the passengers of the Sea Venture alongside illiam Shakespeare's…
Shakespeare, William. "The Tempest." Shakesspeare Navigators. Web. 2 Oct 2011.
Strachey, William. "William Strachey's Account of the Storm."Shakespeare in American Life.
Web. 2 Oct 2011.
Both of these characters show Prospero's twisted sense of justice.
Prospero's use of magic to control Caliban through "pinchings" and chains is somewhat more justified, given the story of Caliban's attempted rape of Miranda. It also clearly shows, however, that Prospero assumes control of situations without taking others' feelings or rights into account. Caliban grew up on the island and had the full run of it for years before Prospero came to its shores, yet this is not given even a modicum of respect by Prospero's self-centered (and ethnocentric) view. His treatment of Ariel is even worse; this spirit did nothing to harm Prospero, but rather is enslaved by the magician simply because Prospero freed him from the tree where he was imprisoned. This was not an act of illusion done to give Ariel a "renewed faith in goodness," but rather a very corporeal act that traded imprisonment for enslavement.…
Both William Shakespeare and Alexander Pope mocked the times in which they lived in their respective works of literature: The Tempest and The Rape of the Lock. In using elements of the supernatural and pagan universes, these two authors make fun of Church authority, which was in decline during the Renaissance. Shakespeare and Pope portrayed monarchic power in a favorable light relative to their portrayal of the Church. In both The Tempest and in Rape of the Lock, supernatural beings influence royalty. Church authority is depicted as being weak and ineffective because of the inclusion of pagan elements. For example, in The Tempest, Prospero is the exiled Duke of Milan. Stranded on an island, he turns not to the divine authority of the Church but rather to occult powers: he manages to control and enslave a spirit-being named Ariel. Similarly, Belinda in The Rape of the Lock has a…
The Merchant of Venice, though ostensibly a comedy, is one of the more serious plays in the comedic genre. The Taming of the Shrew is far more humorous and light hearted, but it is not without its lessons. The specific lessons vary greatly depending on one's interpretation of the play, especially in performance, but one key lesson that most of the female characters fail to learn is the advantage of working in tandem with their husband. Petruchio manages to win a substantial amount of money through his new wife Kate's quick obedience; she has learned through the course of the play to at least give the appearance of docility and subservience, which the other women lack -- they have failed to learn anything from her transformation, seeing no problems in themselves form the outset. This failure costs them some cold, hard, cash.
It is in Julius Caesar, however, that Shakespeare…
Offshoring is occuring across a variety of job functions in areas such as IT, manufacturing and the service industry. Functions that easily be digitized or handled by phone or that involve skills that are available or easily developed are all fair game (Hoffman). The range of functions is substantial and increasing over time. Currently, major areas are depicted in Figure1, Offshoring Opportunities Across the Organization. According to some experts such as aker and Kripalani (2004), while the lower-skill sets are being outsources, there is still a global marke palce for high-quality professionals. As an exampe, the authors point out that the IT industry where of the six types of software professionals, architects, researchers, consultants, project managers, business analysts and basic programmers, only basic programming jobs are being outsourced to offshore operations. Therefore, aker and Kripalani deduce that America will still remain the supreme source for application development because of tis…
Baker, S. And Kripalini, M. (2004, March 1). Software: Will outsourcing hurt America's supremacy?" Business Week, pp. 84-90.
Einhorn, B. And Kripalani, M. (2003, August 4). Move over India, China is rising fast as a services outsourcing hub. BusinessWeek International Edition: Asian Business: 20:3844.
Hoffman, M. Offshoring - Is it a win-win game? Global Issue. Retrieved August 18, 2005 from Web site: http://www.student.city.ac.uk/~ra828/assets/michael/michael1.html
Kripalani, M., Einhorn, B., and Magnusson, P. (2003, June 16). A tempest over outsourcing. Business Week, pp. 20-21.
programs have taken hold of many university programs because they offer a "common intellectual experience to stimulate discussion, critical thinking, and encourage a sense of community among students, faculty and staff" (University of Florida). Most of the programs are for first-year students because there is a need to indoctrinate these students into the university experience. Also, students learn to appreciate literature on an entirely new level as they see how one written work can encompass many different subjects. The two books offered, The Red Badge of Courage and The Tempest, offer different experiences for the students, but they both encourage further reading in great literature. However, there is an obvious choice among the two because the potential for discussion ad integration is greater. The Red Badge of Courage is a work that can be understood in a contemporary context and is easily adaptable to multiple subjects.
Students entering college for…
Crane, Stephen. The Red Badge of Courage. New York: Forgotten Books, 1923. Web.
Glencoe Literature Library. Study Guide for the Red Badge of Courage. New York: McGraw Hill, 2006. Web.
University of Florida. "Common Reading Program." New Student and Family Programs, 2012. Web.
Relationship of Love in Shakespeare
Within the writings of Shakespeare there are many great loves. Some of the greatest are also the greatest examples as love for purpose. The love between a man and a women are often the avenue by which intrigue transpires into change. Within this work three great loves will be examined and compared, the first The love between Ferdinand and Miranda in Tempest will act as the starting point from which the other two are compared. The second couple is Queen Margaret and the Duke of Suffolk in Henry VI and the third Desdemona and Othello in Othello. It is through these three couples and the works they are the centers of that the demonstration of love as a tool for plot development and intrigue by Shakespeare will be proven.
The love between Ferdinand and Miranda is the pinnacle of the example of love as a…
And makes it fearful and degenerate; / Think therefore on revenge and cease to weep. / But who can cease to weep and look on this? / Here may his head lie on my throbbing breast: / But where's the body that I should embrace?
She is even so brazen as to express her love and loss to her husband King Henry VI. KING HENRY VI Come, Margaret; God, our hope, will succor us. QUEEN MARGARET My hope is gone, now Suffolk is deceased.
All quotes taken from the MIT searchable Complete Works of Shakespeare at http://the-tech.mit.edu/Shakespeare/.
It is what we know, because that which we understand from the experience of the vision quest finds no words to express it, and if we cannot express it, hear it said, we question and fear it. But we continue to long for the escape, to shed the body like the snake that sheds its skin.
We try to share our experience, the knowledge that nature has imparted upon us -- but it is difficult, and often times seems to fall upon deaf ears. But we cannot pace others, only ourselves, and we cannot make them hear what they resist; perhaps they just are not ready. Enlightenment through nature comes to people at their own pace through life. Often times, I think, it is later in life, when the noise of youth subsides. It is then, for some, that the distant mountain beckons us to our individual vision quest, and…
Needleman J., and Lewis, D. (Eds.). (1976). On the Way to Self-Knowledge. New York,
Perluss, Bessy, (2008). Climbing the Alchemical Mountain. Psychological Perspectives, 51/1, 87-107.
Perluss, Betsy, (2007). Touching Earth, Finding Spirit: A Passage into the Symbolic Landscape. Spring Journal, 76/2, 201-222
Homer and Caliban
The development of the theories of art education by various theories has been influenced by the various artistic works, especially poetry. In the past few centuries, poetry has become an important element in the development of English literature and various theories on the art of education. Notably, these poetry and theories are developed by various philosophers who have contributed in the growth of the field of education and the teaching practice. Apart from contributing to the development of education and teaching practice, these works of poetry helps in understanding medieval societies and the modern society in light of the changes that have taken place. This is achieved through portrayal of cultural stereotypes, heroic traits, treatment of women, and portrayal of inhabitants of the New orld among others.
Homer's Heroic Traits and Chaucer Fashion Heroic Traits
Homer valorizes the single hero who becomes a cultural stereotype as expressed…
Dan. "Qualities of a Hero and Odysseus." Teen Ink. Emerson Media, n.d. Web. 15 Jan. 2015. .
O'Toole, Michael. "Shakespeare's Natives: Ariel and Caliban in The Tempest." Columbia University in the City of New York. Columbia University, n.d. Web. 16 Jan. 2015. .
Stuber, Leann. "The Contradiction of Masculinity in the Middle Ages." The Delta 4th ser. 3.1 (2008): 5-23. Illinois Wesleyan University. Digital Commons at ILU, 2008. Web. 18 Jan. 2015. .
Vaughan, Alden T., and Virginia Mason. Vaughan. Shakespeare's Caliban: A Cultural History. Cambridge: Cambridge UP, 1991. Print.
In "After Apple-picking," the speaker reflects explicitly only on the feel of picking apples, and the lingering feelings and thoughts that this work leaves in the mind and body. The commonality in theme that this bears to the epilogue Shakespeare wrote for The Tempest might not be immediately apparent, but again the language and diction of the poem provide clues as to what Frost was really getting at in this poem. The speaker mentions sleep and dreams or dreaming several times in the poem, both of which are commonly used as euphemisms for death (including by Shakespeare himself, in several famous speeches). Winter, too, is generally symbolic of old age, making the speaker's mention of "winter sleep" doubly evocative of increasing age and the awareness of mortality. The autumn scene of the apple picking itself is also, of course, indicative of change in the seasons; the ripeness of the fruit…
Shakespeare used Music in his orks
illiam Shakespeare (1564-1616), English playwright and poet, is recognized all over the world as the greatest dramatist of all times. His plays have been performed more times than those of any other dramatist and have been translated in almost every major language. (Kastan) hile many aspects of Shakespeare's plays have been discussed and analyzed, it is perhaps not so widely known that music has also played an important role in many of his plays. In this paper we shall review the historical background of music in the Shakespearian era and discuss how and why music was used in Shakespeare's works. The type of music used by the playwright as well as some examples of music in specific plays shall also be described.
Historical Background of Music in the Shakespearian Era
The 16th century in which Shakespeare was born was a period when England was…
Lackey, Stephanie. "Shakespeare and his Music." October 12, 1998. Vanderbilt University's MusL 242 Gateway Page. April 25, 2003. http://www.vanderbilt.edu/Blair/Courses/MUSL242/f98/slackey.htm
Kastan, David Scott. "William Shakespeare." Article in Encyclopedia Encarta. CD-ROM Version, 2003
Music in the plays." The Internet Shakespeare Editions. March 1996 (Updated January 26, 2003). April 25, 2003. http://web.uvic.ca/shakespeare/Library/SLTnoframes/stage/music.html
Music of the streets and fairs." The Internet Shakespeare Editions. March 1996 (Updated January 26, 2003). April 25, 2003. http://web.uvic.ca/shakespeare/Library/SLTnoframes/literature/streets.html
Jefferson's Principles and their Impact on Education
Jefferson's radical beliefs in the inherent moral and developmental capacities of humans, and in their capacities to take part to participatory democracy, in turn reinforced his enduring commitment to an education that would be accessible to all. Jefferson was well aware that democracy could only work properly when the people were both virtuous and enlightened.
From these notions that people were naturally virtuous but not naturally enlightened, but that enlightenment was necessary for democracy, it followed that the society had a vested interest in investing in education to provide enlightenment.
In a letter to the Welsh born philosopher Richard Price dated January 8, 1789, Jefferson observed that "wherever the people are well informed they can be trusted with their government."
uch well informed or enlightened people could be relied on, "whenever things get so far wrong as to attract their notice," to set…
Ford, W. Ed. Thomas Jefferson Correspondence. Boston, 1916.
Jefferson, T. The Life and Selected Writings of Thomas Jefferson. New York: Modern Library, 1993.
Public and Private Papers New York: Vintage Books/the Library of America, 1990.
Here, though ordsworth has once again assumed his place apart from the natural world, he denotes that it is of value to return to this beautiful space in his memory when he is in need of emotional or psychological respite. And ultimately, this reinforces the romantic imperative of distilling the human experience within its context. For ordsworth, the context of modernity invokes a greater appreciation for man's inextricable bond to the natural world.
For Shakespeare, a pre-romantic prerogative toward leaving one's own stamp on the world seems to drive the perspective of Sonnet 116. So is this evidenced by his closing remarks, which states rather definitively, "If this be error and upon me proved, I never writ, nor no man ever loved." Both with regard to the way that Shakespeare characterizes the everlasting nature of true love and the way that he references his own role in the world…
Shakespeare, W. (1609). Sonnet 116. Shakespeare-Online.com.
Wordsworth, W. (1807). I Wandered Lonely as a Cloud. Poem Hunter.
This would result in a proliferation of German success and influence throughout the continent and an effective solidarity amongst German immigrants.
5) hat was the "wolf by the ears" quandary that Takai suggests late century American slaveholders found themselves to be in? hat were they afraid of? hat solutions to the problems created by slavery were possible considering the existing conditions and mentalities in American societies at the time?
The problem of slavery had become pressing, not just insofar as it represented a serious humanitarian crisis for the U.S. But even further, as it presented the U.S. And many of its citizens a serious threat to stability. Jefferson's comments, which sound derisive enough, were actually couched in the understanding that the slave class of the United States was justifiably angry, restless and therefore, dangerous to its master. Accordingly, Takaki reports that "As it is,' Jefferson cried out, 'we have the…
Diner, H.R. (1983). Erin's Daughters in America: Irish Immigrant Women in the Nineteenth Century. The Johns Hopkins University Press.
Takaki, R. (2008). A Different Mirror: A History of Multicultural America. Back Bay Books.
Greenblatt also provides us with some thought into what be hidden in Shakespeare's strange epitaph. Perspective is also gleaned on many of Shakespeare's works, including the Merchant of Venice, Hamlet, Othello, and King Lear IV. He also goes into how Shakespeare only had one rival, Christopher Marlowe until 1957, when Ben Johnson emerged. The two men were similarly in age and envy. The two men "circled warily, watching with intense attention, imitating, and then attempting to surpass each other" (256). Here we see how healthy competition can spur talent. Additionally, Greenblatt delves into some of the mysterious aspects of Shakespeare's life with a convincing perspective. His marriage to Anne Hathaway is viewed fairly. Shakespeare's early marriage years and why he left for London are still elusive but Greenblatt attempts to ferret out some of the more popular theories regarding these issues. That Shakespeare did, for all intents and purposes, abandon…
Greenblatt, Stephen. Will in the World. New York W.W. Norton and Company. 2004.
By the second night, a group of men had mutinied and attempted to kill the officers and destroy the raft, and by the third day, "those whom death had spared in the disastrous night […] fell upon the dead bodies with which the raft was covered, and cut off pieces, which some instantly devoured" (Savigny & Correard 192). Ultimately, the survivors were reduced to throwing the wounded overboard, and only after they had been reduced to fifteen men, "almost naked; their bodies and faces disfigured by the scorching beams of the sun," were they finally rescued by the Argus, which had set sail six days earlier to search for the raft and the wreck of the Medusa (Savigny & Correard 203).
Theodore Gericault's the Raft of the Medusa captures the moment on the 17th of July when the Argus first became visible to the survivors, and his choice to reflect…
Alhadeff, Albert. The raft of the Medusa: Gericault, art, and race. New York: Prestel, 2002.
Athanassoglou-Kallmyer, Nina. "LEtat Et Les Artistes: De La Restauration a La Monarchie De
Juillet (1815-1833) / Salons." The Art Bulletin 85.4 (2003): 811-3.
Blair, J.A. "The Possibility and Actuality of Visual Arguments." Argumentation and Advocacy
Anglo-Saxon Literature With Christian Messages
Saint Bede, also known as "Bede the Venerable," was an English historian, a Benedictine monk, and a respected scholar, who spent much of his life (he lived roughly 673-735) engaged in spiritual activities; and, according to the Columbia Encyclopedia, Sixth Edition (Encyclopedia.com), Saint Bede "became probably the most learned man in Western Europe in his day."
He wrote scholarly scientific, theological and historical pieces, always doing his homework thoroughly by reading all available materials and checking closely for their authenticity. His Ecclesiastical History of the English Nation "remains an indispensable primary source for English history from 597 to 731," the Encylopedia.com asserts. The reason that book is considered such a valuable resource even after all these years is that it gives "the most thorough and reliable contemporary account of the triumph of Christianity and the growth of Anglo-Saxon culture in England."
Meanwhile, Saint Bede was…
Christian History. "Oswald and Aidan: how an English king and a Scottish bishop
Teamed up to spread the gospel." 20.4 (2001): 19.
Encyclopedia.com. "Cynewulf" and "Saint Bede" Columbia Encyclopedia, Sixth Edition
Retrieved 20 February, 2005. Available from http://www.encyclopedia.com/printable.asp?url=/ssi/C/Cynewulf.htm .
An Analysis of Love in the Renaissance Art of Sidney, Shakespeare, Hilliard and Holbein
If the purpose of art, as Aristotle states in the Poetics, is to imitate an action (whether in poetry or in painting), Renaissance art reflects an obsession with a particular action -- specifically, love and its many manifestations, whether eros, agape or philia. Love as a theme in 16th and 17th century poetry and art takes a variety of forms, from the sonnets of Shakespeare and Sidney to the miniature portraits of Hilliard and Holbein. Horace's famous observation, ut picture poesis, "as is poetry so is painting," helps explain the popularity of both. Indeed, as Rensselaer . Lee observes, the "sister arts as they were generally called…differed in means and manner of expression, but were considered almost identical in fundamental nature, in content, and in purpose" (Lee 196). In other words, the love sonnets…
Aristotle. Poetics (trans. By Gerald Else). MI: Ann Arbor Paperbacks, 1970. Print.
Greenblatt, Stephen. Will in the World. NY W.W. Norton, 2004. Print.
Hogan, Patrick. "Sidney and Titian: Painting in the 'Arcadia' and the 'Defence.'" The
South Central Bulletin, vol. 27, no. 4. (Winter, 1967): 9-15. Print.
Politics is a lucrative business, as the federal government is constantly handling billions of dollars, and making big decisions that have implications for dozens of industries across the country. It is no wonder, then, that politicians find their expertise and connections in ashington to be an asset when considering a post-political career. This phenomenon is called revolving door politics, and it has negative connotations for the fairness of the American lobbying system, and to what extent the U.S. government is willing to provide oversight to the contracts and laws it passes. (Taibbi, 2012)
The revolving door is a problem because it impedes on the so-called iron triangle, which is the separation of spheres of influence between citizens, corporations, and government. hen corporations and government work together too closely, it leads to corruption, inefficiency, and loss of competitiveness, which is bad for a free market society.
This example was…
Foley, S. (18, November 2011). "Goldman Sachs Conquers Europe." The Independent. London. Retrieved from, http://www.independent.co.uk/news/business/analysis-and-features/what-price-the-new-democracy-goldman-sachs-conquers-europe-6264091.html .
Taibbi, M. (11, January 2012). "Revolving Door." Rolling Stone Magazine. New York. Retrieved from, http://www.rollingstone.com/politics/blogs/taibblog/revolving-door-from-top-futures-regulator-to-top-futures-lobbyist-20120111 .
Tempest, R. (June 2010). "Before Deepwater Horizon Disaster." "Wyoming File. Idaho Falls. Retrieved from, http://wyofile.com/2010/06/before-deepwater-horizon-disaster-wyomingites-had-key-roles-in-mms .
Art Creation and Analysis
"Love is not love
Which alters when it alteration finds
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shaken"
William Shakespeare, Sonnet 116. etrieved from http://www.shakespeare-online.com/sonnets/116.html
These lines mean to me that love is something that does not change. It is more than a feeling, because feelings come and go. Sometimes we feel something that we call love intensely and other times not at all. Yet what happens when someone needs us, needs our help, needs some empathy or sympathy from us, or just needs a hand -- some time out of our day? Do we give it? That is what love is to me: it is an exercise of the will -- something that starts in the mind but is made real and manifest in the acting. It is constant, as Shakespeare…
CHA. (2005). SISTER CAROL KEEHAN, DC, RN, MS. CHA. Retrieved from https://www.chausa.org/docs/default-source/staff-directory-downloads/keehan-pdf.pdf?sfvrsn=4
Ellis, R., Grinberg, E. (2016). Georgia Gov. Nathan Deal to Veto 'Religious Liberty'
Bill. CNN. Retrieved from http://www.cnn.com/2016/03/28/us/georgia-north-carolina-lgbt-bills/
Social isk and Vulnerability Analysis Comment by Babyliza: There's No Abstract
Vulnerability to hazards is affected by several factors, comprising age or income, the power of social networks, and neighborhood individualities. Social vulnerability takes into account the socioeconomic and demographic factors that influence the resilience of populations. The Sovi for Bexar County is 0.230416 whereas that for Philadelphia County is 3.418284. This indicates that Philadelphia County as a geographical expanse has a higher vulnerability and susceptibility to environmental and public health hazards. A key group that ought to be taken into consideration is one of people lacking insurance. This is a group that is severely impacted in the course of disasters and after disasters, and are not able to easily recover. Individuals that are not self-insured are generally excluded from these calculations.
All expanses of the United States have experienced disasters, both natural and anthropogenic. The vulnerabilities that are…
Bexar County Emergency Management. (2016). The Mission & Vision of the OEM. Retrieved from: http://www.bexar.org/675/OEM-Mission-Vision
Chavi. (2015). Here Are The 10 Worst Disasters to Occur in Pennsylvania History. Only in Your State. Retrieved from: http://www.onlyinyourstate.com/pennsylvania/pa-disasters/
City Data. (2016). Philadelphia: Geography and Climate. Retrieved from: http://www.city-data.com/us-cities/The-Northeast/Philadelphia-Geography-and-Climate.html
Dunning, C. M., Durden, S. (2013). Social Vulnerability Analysis: A Comparison of Tools. Institute for Water Resources.
In this interpretation Heitler accepts the modified Copenahgenist observer created reality, but adds that the act of observation dissolves the barrier between observer and the observed. The observer is a necessary part of the whole. Once observed, the object is now an inseparable part of the observer (leuler). Arntz addresses this bridge between the observer, the observer, and reality by asking "why aren't we magicians?"; indeed, if we create our reality and can change our reality simply through the act of how we perceive it, and how we choose to perceive it, we should be able shape our world and our place in our world. In Arntz' way, he is offering to the reader what so many self-help gurus have done -- put responsibility for one's reality in the hands of the person living that particular reality, and saying, 'here you go, you can change it.' Empowering, yes….but is it…
Albert, David and Barry Loewer. "Interpreting the Many Worlds Interpretation." Synthese (2004): 195-213.
Arntz, William, Betsy Chasse and Mark Vicente. What the Bleep Do We Know. Deerfield Beach: Health Communications, Inc., 2005.
Bey, Hakim. "Quantum Mechanics & Chaos Theory: Anarchist Meditations on N. Herbert's Quantum Reality: Beyond the New Physics." 2010. Hakim Bey and Ontological Anarchy. 27 March 2010 .
Bleuler, K., Heitler, W. "The Reversal of Time and the Quantization of the Longitudinal Field in Quantum Electrodynamics." Progress of Theoretical Physics (1950): 600-605.
A broader music discourse of English culture of early modern is reflected in the use of music dramatically with unrelenting relations between excess, music and feminine (Dane 435). Christian and platonic thought presents music ideologies which are conflicting and are being contented by the British writers of the early modern: Semantic indeterminacy and sensuous immediacy are presented by music and also the divine order earthly embodiment presented by music. A feminism depiction is seen here whereby the Pythagorean harmony is the positive aspect of music or its masculine aspect and the cultural dissonance is the negative attribute or the feminine aspect. The marginalities are expressed through the singing of Ophelia which is allowed to be not only literal but also dissonance figuratively. Jacobean and Elizabethan stages gender types inspires Ophelia representation. omen's song cultural constructions is problematic through Ophelia singing which lets the 'woman out', her disturbing feminine energy must…
Adelman, Janet. "Man and Wife Is One Flesh: Hamlet and the Confrontation with the Maternal
Body." Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to The Tempest. By Adelman. New York: Routledge, 1992. 11-37.
Aguirre, Manuel. "Life, Crown, and Queen: Gertrude and the Theme of Sovereignty." Review of English Studies 47 (1996): 163-74.
Dane, Gabrielle. "Reading Ophelia's Madness." Exemplaria 10 (1998): 405-23.
The speech is full of images and words denoting grand principles, especially "freedom," and the manner in which these are intermingled with the logical arguments and exhortations for support -- and pledges of support -- that have direct literal meanings blur the line between discursive and presentational symbols. Each of Obama's words has specific meaning out of the context of this speech, and each word largely retains this meaning within the speech, but the context of the speech as a whole shifts the meanings of these words and of the entire speech, transforming the symbols into something that appears to have ore substance presentationaly than is substantiated through a discursive examination of the same speech.
An excellent early example of the way Obama melds discursive and presentational symbols is in his first direct reference to the division that Berlin experienced for decades: "And on the twenty-fourth of June, 1948, the…
Brand, Peg. "Susanne Katherina Knauth Langer." Routledge Encyclopedia of Philosophy. London, 1998.
Langer, S. (1951) Philosophy in a New Key. "Discursive Forms and Presentational Forms"
Liukkonen, Petri. "Susanne K. Langer." Accessed 29 April 2010. http://www.kirjasto.sci.fi/slanger.htm
New World Encyclopedia. "Susanne Langer." Accessed 29 April 2010. http://www.newworldencyclopedia.org/entry/Susanne_Langer#Symbols_and_myth
" James a.S. McPeek
further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone."
asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect and incomplete -- reading of the love poem. hen Jonson created his adaptation of carmina 5, there was only one other complete translation in English of a poem by Catullus. That translation is believed to have been Sir Philip Sidney's rendering of poem 70 in Certain Sonnets, however, it was not published until 1598.
This means that Jonson's knowledge of the poem must have come from the Latin text printed in C. Val. Catulli, Albii, Tibulli, Sex.…
Alghieri, Dante Inferno. 1982. Trans. Allen Mandelbaum. New York: Bantam Dell, 2004.
Allen, Graham. Intertextuality. Routledge; First Edition, 2000. Print.
Baker, Christopher. & Harp, Richard. "Jonson' Volpone and Dante." Comparative
Both fighters and bombers improved their range and capacities to carry more. Overall, the period between the wars saw aircraft go from slow, rickety wooden boxes to sleek, metallic speedsters capable of performing integral military operations.
Nothing best defines the advancements made in aircraft design and capabilities that the Hawker company. Beginning shortly after the First World War, Hawker continually and steadily improved his designs making faster and better aircraft. With designs like the Hawker Fury (1931), the company continually modified it's fighter into new designs like the Hind (1934) and the Hurricane (1935). (Angelucci 1983) by the start of World War II, the Hurricane was Britain's frontline fighter and was powered by the famous olls oyce Merlin 12 cylinder liquid cooled engine. This engine could produce over 1000 hp and allowed the aircraft to reach speeds of more than 300 mph. While the cruising speed was lower, the Merlin…
Angelucci, E. 1983, the Rand McNally Encyclopedia of Military Aircraft, 1914-1980,
The Military Press, New York.
Donald, D. 1998, Fighters of World War II, Orbis Publishing, New York.
Sharp, M., Scutts, J., March, D. 1999, Aircraft of World War II, a Visual Encyclopedia,
James does imply in the prologue of the Turn of the Screw that there is a deeper meaning to the governess' narrative than merely a straightforward ghost story. So it is unlikely that, as some critics claim, it was merely meant to be a simple ghost story with no deeper meaning or symbolism. However interpretation of the tale has sometimes been taken to the opposite extreme as well, with critics reading far too much in certain dialogue, passages and references than the author likely ever intended. Ultimately, Sigmund Freud would probably have a field day interpreting the sexual repression of the critics who have analyzed this novella so intently.
Cefalu, Paul a. "Rethinking the Discourse of Colonialism in Economic Terms: Shakespeare's the Tempest, Captain John Smith's Virginia Narratives, and the English Response to Vagrancy." Shakespeare Studies. 28 (2000): 85-119.
James, Henry. The Turn of the Screw: And Other…
Cefalu, Paul a. "Rethinking the Discourse of Colonialism in Economic Terms: Shakespeare's the Tempest, Captain John Smith's Virginia Narratives, and the English Response to Vagrancy." Shakespeare Studies. 28 (2000): 85-119.
James, Henry. The Turn of the Screw: And Other Short Novels. New York: New American Library. 1962.
Liddell, Robert. A Treatise on the Novel. London: J.Cape, 1947.
McCormack, Peggy. Questioning the Master: Gender and Sexuality in Henry James's Writings. Newark, DE: University of Delaware Press. 2000.
Racialization is where two, racial groups have become so disgusted with one another that they will begin to take negative views of each other .Where, WASP's would often see blacks as the lowest ethic groups in society, while they would view other ethnics groups in more positive light (but only to a certain extent). A good example of this can be seen with the way many individuals will not acknowledge someone as an American (such as: Christy Yamuguchi's Olympic performance against Midori Ito of Japan). Despite being a fourth generation Japanese-American, the media commentators kept implying that she was Japanese (even though she was from America). This is significant, because it shows how the radicalization of WASP's has created racial triangulation. Where, they cannot acknowledge the accomplishment of minorities, (despite the fact that they are Americans). In this case, the media was using racial triangulation to keep Yamuguchi down to…
Kim, Jean. "Racial Triangulation of Asian-Americans." n.d. 105 -- 138. Print.
Takaki, George. "The Tempest in the Wilderness." The Journal of American History. 79.3 (1992): 892 -- 912. Print.
However, "a 2003 study showed that in many countries with lower minimum drinking ages, 15- and 16-year-olds are less likely to become intoxicated compared with teens in the U.S. (Roan 2008, p.3).
Opponents of lowering the law in the U.S. have increasingly used medical science to support their position, pointing out that the teenage brain is less developmentally mature than an adult brain and "younger someone starts drinking, the greater the likelihood of developing alcohol dependence" (Roan 2008, p.3). But a 2006 Archives of Pediatrics & Adolescent Medicine study shows that while it is true that prepubescents who begin drinking have dramatically higher rates of alcoholism, between 18 and 21, the difference is "insignificant" in terms of how age of first use affects later consumption. "hat we ought to look at is not keeping 18-year-olds from drinking, it's keeping 13-year-olds from drinking," concluded the study (Roan 2008, p.3).
Alias, Michaela. "Lowering the drinking age would benefit young adults." The Daily Collegian.
February 2, 2009. May 31, 2010.
"College presidents seek lower drinking age." Associated Press. August 18, 2008. May 31, 2010.
Most Elizabethans believed their self-identity was wrapped up in a cosmic paradigm of fate and destiny, and were somehow controlled by the stars and planets and had a power over the baser side of man -- tools of God, but with certain amounts of free will. Thus, a very central idea in Shakespeare is this central view that an individual's identity is set by God, the Planets, the Universe, the Gods, and Nature. But in contrast, the idea of free will for the individual -- or even a single utterance or decision, can change forever the destiny of the individual. A superb example of this is in Romeo and Juliet.
Fate and chance surround the identities of the major and minor characters in RJ almost from the opening scene. Because the audience already believed that their destiny was predetermined, they saw the characters as having very little choice in their…
And in this case, he holds life and death in his hands, presiding over major surgery as though he might be God Himself. In paragraph #4 he uses the simile of his colleagues being "like children absorbed in a game." But then in paragraph #6 there is no doubt what he went through was no child's game: he took a "vow…with all solemnity" and now his world is "blood and flesh." Being able to juxtapose images so smoothly is a mark of a writer who understands artistry.
Good literature always features the skilled use of literary devices such as personification and Selzer's essay is certainly good literature in that respect. In paragraph #18 the knife looks like it probably did three thousand years ago except that now it's "head" has "grown detachable." And in paragraph #19 the knife "springs instantly to life" when it is clicked into proper position. Readers…
John Kellys "the great mortality"
The bacillus Yesinia Pestis made two continents pay intolerably high life prices both in human and animal lives. Along a few decades in the first half of the thirteenth century, it engulfed Eurasia and kept the world under its terror, making many think its end was near (The Great Mortality).
The Great Plague has carved in the history of humanity signs that will never fade with the passing of time because of its enormous toll on human lives. John Kelly's book "The great mortality" places the plague in a historic context and tackles the topic of Black Death from the perspective of the twentieth century. The word is not free from the deadly attack of infectious diseases, viruses are still threatening animals and human beings alike. John Kelly points out in the introduction to his book that in spite of the numerous victories reported by…
Catherine's passionate speech to the listless and ignorant Nelly is a proof of the force of this passion. She realizes that Edgar's kindness and gentleness is unsuitable for her own nature: "I've no more business to marry Edgar Linton than I have to be in heaven: and if the wicked man in there had not brought Heathcliff so low, I shouldn't have thought of it. It would degrade me to marry Heathcliff now.... "(Bronte, 95) in her understanding, she could never be at peace in heaven, because her passions are not mild or harmonious. She and Heathcliff belong among the wild forces of nature and their love cannot exist in the middle of society.
Moreover, Catherine feels that her bond with Heathcliff is so strong as to be able to unite them into a single soul. Their oneness further explains the fact that they are not actually compatible in the…
Bloom, Harold. Emily Bronte's 'Wuthering Heights'. New York: Chelsea House Publishers, 1987.
Bronte, Emily. Wuthering Heights. New York: Washington Square Press, 1964.
Gerster, Carole. "The Reality of Fantasy: Emily Bront's Wuthering Heights." Exploring Novels. Online ed. Detroit: Gale, 2003.
Goodlett, Debra. "Love and addiction in 'Wuthering Heights.'." The Midwest Quarterly 37.n3 (Spring 1996): 316(12)
"(Bloom, 41) Any act of evil is seen thus to change the basic structure of the universe and to transform nature into a desolated chaos.
It is not only the natural, physical environment that becomes extremely chaotic through evil, but the human nature as well. All through the play, Lady Macbeth calls upon the forces of evil to keep at bay the "compunctious visitings of nature." It is thus plainly shown that there can be no enactment of malignancy without a reversal of human nature: "The raven himself is hoarse / That croaks the fatal entrance of Duncan / Under my battlements. Come, you spirits / That tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full / of direst cruelty! make thick my blood; / Stop up the access and passage to remorse, / That no compunctious visitings of nature /…
Bloom, Harold ed. William Shakespeare's Macbeth. New York: Chelsea House, 1987.
Paul a. "Macbeth and the Gospelling of Scotland." In Shakespeare as Political Thinker, edited by John E. Alvis and Thomas G. West, pp. 315-51. Wilmington: ISI Books, 2000.
Coursen, H.R. Macbeth: A Guide to the Play. Westport: Greenwood Press, 1997.
Lowenthal, David. "Macbeth: Shakespeare Mystery Play," in Interpretation: A Journal of Political Philology. 1989 (Spring), p. 311-57.
In Genesis 3:15, God said, "I will put enmity between you and the woman, and between your offspring and her offspring. He will bruise your head, and you will bruise his heel." According to some biblical experts, this is an oblique reference to the coming of Messiah.
This is taken by many as one of the earliest Messianic prophecies describing Satan's brief victory over the Messiah and the Messiah's ultimate victory over Satan. It is mentioned here because the offspring (Messiah) is described as being of the woman (Eve). This is extraordinary as the nation of Israel has always been patriarchal; people are mentioned in terms of their fathers, not their mothers. Because of this, many see this verse as also being a prophecy of Messiah's birth through a virgin
Prophecies Fulfilled by Jesus)
The Book of Genesis also makes reference to the importance of the lineage or the heritage…
Alexander B. On the threshold of the New Millennium. 30 Dec. 2006. http://www.fatheralexander.org/booklets/english/new_millennium_threshold.htm http://www.questia.com /PM.qst?a=o&d=96960198' target='_blank' REL='NOFOLLOW'>
Humanity has worth only when they struggle for survival. Otherwise they can be seen as no more than over bred lice. In terms of my own views, I have a somewhat more positive outlook. While it is true that overpopulation and disease are problems created by the carelessness of humanity, there are also many cases of charity and caring that places many human beings above the harsh perception as mere conceited lice who have survived a storm or two. The technological, economic, and humanitarian developments over only the last century shows the great potential of the human heart. While it is therefore certainly not to be denied that humanity has inherent evils, there are also many contrasting cases of excellence that should not be overlooked. As a member of the human race, I prefer to concentrate on the excellence in others and myself. I find that this makes life far…
Crane, Stephen. "The Blue Hotel." The Electronic Text Center, Virginia University. http://etext.virginia.edu/toc/modeng/public/CraBlue.html
Make much of little things, and make little of great things, and there lies the source of all happiness. Tea study does not have the danger of studying or drinking wine, even though a devotee might expend just as much energy to the perfection of tea.
Okakura's own prose, with its attitude of whimsy rather than worshipfulness: "hat a tempest in a tea cup...Perhaps I betray my own ignorance of the Tea Cult by being so outspoken," is in keeping with the principles of Teaism that he outlines. He makes delightful use of the religious nature of tea, poking fun at esterners who dislike tea, who call drinking tea a filthy custom as heretics. This lack of reverence towards tea is a key, ironic part of Japanese religiosity, he implies. By not taking things too seriously, the true ethos of tea is manifest. Tea is served with deliberation, but ultimately…
Okakura, Kazuko. "The Book of Tea." [20 Nov 2006] e-text available at http://www.sacred-texts.com/bud/tea.htm . a
The only way that Starbucks could successfully replace the local coffee offerings in Zurich is if the store is wildly popular and consumers shift their purchasing allegiances from local shops to the new Starbucks.
In other words, the anti-globalization people have it backwards. Corporations don't destroy local business and offerings; consumers do that by re-focusing their patronage to the latest place (Kuhl 57). Giving people the right to make informed choices for themselves means that very often they will choose convenience and consistent products instead of the ideological arguments of globalization critics.
The other reality that critics often don't want to face is that corporations don't create demand for their products out of thin air, so to speak. Starbucks opens new stores in markets that are perceived to be viable markets. Doing any differently would be ridiculous from a business perspective (Kuhl 56). Expanding a business into a new market,…
Boggs, Carl. "Economic Globalization and Political Atrophy." Democracy & Nature: The International Journal of Inclusive Democracy 7.2 (July 2001): 303-316.
Kuhl, Jackson. "Tempest in a Coffeepot: Starbucks Invades the World." Reason 34.8 (Jan. 2003): 55-57.
Constantine did not require all Romans to adopt Christianity (given that Christians were still a minority, this would have been too radical a measure for the time) but his sponsorship, in Lactantius' eyes, and his own, personal faith was seen as evidence that God himself had blotted out the bad emperors who had killed Christians and taken their land -- the land subsequently restored by Constantine.
During the 10th century, however, a far less sanguine view of the influence of religion in politics was articulated in Gregory VII's Dictatus Papae (323) and Henry IV's "Letter to Hildebrand" (323-324). In these documents, the two leaders are clearly fighting for political power. The Holy Roman King Henry IV was struggling to retain the ability of secular authorities to have direct influence over church appointments. The Roman Emperor had previously had tremendous power over every facet of medieval life -- powers the Church…
Even physical relationships are prone to dissolution -- as ebster shows: the lovers are murdered one by one. ebster and the other Jacobeans appear to pine for an era of old world spirituality -- for the new modern world, while full of scientific inquiry and triumph (see Bacon), lacks that sensitivity of soul that could effect true and real humility.
3. For, however, a complete and masterful representation of the many facets of human nature in all its strengths and failings, one need look no further than to the works of Shakespeare, which span both Elizabethan and Jacobean eras. For the folly of kingly pride, there is Lear. For the bitterness of ambition on the murdered conscience, there is Macbeth. For the nature of love and the relationship between man and woman there are the marvelous sonnets 116, 129, and 138: all three of which tackle the subject from a…
Eliot, T.S. "Whispers of Immortality." American Poems. Web. 27 July 2011.
Elizabeth I. "The Golden Speech." The Norton Anthology of English Literature, Eight
Edition. (M. H. Abrams, ed.) W.W. Norton, 2006.
Shakespeare, William. "Sonnets 116, 129, 138." The Norton Anthology of English
In January of 2010 Haiti suffered a 7.0 magnitude earthquake which destroyed much of the country and left the population devastated. When this tragedy occurred, Haiti was "already the poorest in the Western Hemisphere with 80% of the population living under the poverty line and 54% in abject poverty." ("CIA") As a Haitian with little prospects of having a decent life, or making a decent living, I have decided that I want to emigrate to the United States. After much consideration, including researching the immigration and naturalization process, but most importantly the costs, I have discovered that it will be very difficult for me to emigrate. The costs alone are much more than a poor Haitian like myself to pay. It costs over $1,000 U.S. just to apply for a Green Card, and this will only grant me residency, and another $680 U.S. just to apply for citizenship. And…
"CIA - The World Factbook." Central Intelligence Agency. Retrieved from https://www.cia.gov/library/publications/the-world-factbook/geos/ha.html
"Statue of Liberty Inscription, by Emma Lazarus." New York City Travel Guide.
Retrieved from http://www.nycinsiderguide.com/Statue-of-Liberty-Inscription.html%20//%20axzz1dnloO1VL
"Sonnet 130" by Shakespeare and "Sonnet 23" by Louis Labe both talk about love, as so many sonnets do. Their respective techniques however, differentiate them from each other. Shakespeare uses a rhyme scheme that became known as Shakespearean rhyme scheme or English rhyme. He writes about love in a sarcastic manner though. He is mocking the traditional love poems and the usual expressive manner in which women are often compared to. It is ironic in a way because Shakespeare himself also uses the very techniques in his previous writing when he is writing from a man's point-of-view and describing a woman. But in this sonnet he uses the technique of mocking this exaggerated comparison. Usually women are compared to having skin as white as snow, however, in reality, Shakespeare points out, women don't really fit this description, "If snow be white, why then her breasts are dun."