Their Eyes Were Watching God Essays (Examples)

Again, we see a strong, confident woman in Janie. She is also mature. Hattenhauer maintains that we can see this in they way Janie understands certain truths about life. She states that the "tragic truth, Janie has learned, is something no one could have told her, and something she cannot tell anyone" (Hattenhauer). hile Janie may be in denial of her immediate death, it is clear that she knows it will come to her sooner or later. hen she tells Phoeby that so many individuals never see the light at all, we know that "she sees the light at last: her fate is to wait and see if God's will is to take her life" (Hattenhauer). This is proof that Janie has emerged a strong, independent woman.

Their Eyes ere atching God is a glorious and painful story of one woman's discovery of her own voice. Janie evolves as a…

Works Cited

Hattenhauer, Darryl. "The Death of Janie Crawford: Tragedy and the American Dream in 'Their Eyes Were Watching God.'" GALE Resource Database. Site Accessed April 05, 2008.

Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Collins Publishers. 1998.

This renunciation, depending on one's perspective, represents either a willful act of sacrifice or a selfish act of disobedience. Sandra Pouchet Paquet, however, frames this problematic deed in neutral terms in her analysis of the text, which focuses on its ambivalence toward the role of ancestral knowledge in identity formation. Paquet (2009) asserts that Janie "repudiates the values of her surrogate parents in her conscious quest for selfhood" (p.501). She also suggests that ancestral knowledge operates merely as a means to "psychic wholeness" in the novels and argues that the text is successful in exploring "the divorce from ancestral roots that accompanies conventional notions of success" (p. 500) Indeed, this tension between ancestral knowledge and individualistic goals is why Janie has to grapple with interpreting the nature of the knowledge imparted in her moments of coming to consciousness. Specifically, she wants to interpret the mystery conferred to her through the…

Works Cited

Jones, Sharon L. A Critical Companion to Zora Neale Hurston: A Literary Reference to her Life and Work (New York: Facts on File, 2009)

Hurston, Zora Neale. Their Eyes Were Watching God. 1937. New York: Perennial Classics, 1998. Print.

Morrison, Toni. "Intimate Things in Place': A Conversation with Toni Morrison." The Massachusetts Review. By Robert Stepto. 18.3 (1977): 473-89. JSTOR. Web. 9 December 2009.

Ramsey, William M. "The Compelling Ambivalence of Zora Neale Hurston's Their Eyes Were Watching God." The Southern Literary Journal. 27.1 (1994): 36-50. JSTOR. Web. 26 October 2010.

Horizon in Zora Neale Hurston's Their Eyes ere atching God

The horizon is the line which forms the apparent boundary between earth and sky. The horizon is as far as you can see. The horizon appears to be the furthest point you can reach, but is not a place you can actually travel to. The horizon blurs at the line between earth and sky. The horizon is always present, no matter where you are or which direction you are facing. The horizon is where the sun rises and where the sun sets, representing a process coming full circle. These are all features of the horizon and they are all relevant to Zora Neale Hurston's Their Eyes ere atching God.

The novel suggests the importance of the horizon because it begins with it and ends with it. In the opening of the novel, Hurston writes:

Ships at a distance have every…

Works Cited

Barbeito, P.F. "Making Generations' in Jacobs, Larsen, and Hurston: A Genealogy of Black Women's Writing." American Literature 70.2 (1998): 365-95.

Bond, C. "Language, Sign, and Difference in Their Eyes Were Watching God." Zora Neale Hurston: Critical Perspectives Past and Present. Eds. K.A. Appiah & Henry Louis Gates. New York: Amistad Press, 1993: 204-217.

Hurston, Z.N. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1990.

Lillios, A. "The Monstropolous Beast': The Hurricane in Zora Neale Hurston's Their Eyes Were Watching God." Southern Quarterly 36.3 (1998): 89-93.

Gender Identity/Male-Female Roles and Power Relationship. In a discussionof characters from "The Awakening" by Despite the fact that there are numerous differences existent in the novels The Awakening by Kate Chopin, Light in August by illiam Faulkner, and Their Eyes ere atching God by Zora Neale Hurston, there are some poignant similarities between these three works of literature. They were all written in the years directly preceding or occurring subsequent to the arrival of the 20th century, and they all deal with issues related to race (albeit extremely indirectly in Chopin's book). Moreover, all of these pieces chronicle definite challenges presented to women due to notions of gender and society that were pressing during this historical epoch. Some of the more salient issues affecting women during this time period, such as marriage and motherhood and the degree of autonomy (or dearth thereof) women had in living their lives is explored…

Works Cited

Chopin, Kate. The Awakening. Project Gutenberg. Web. 2006.  http://www.gutenberg.org/files/160/160-h/160-h.htm 

Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Collins. 1937. Print.

Faulkner, William. Light in August. New York: Vintage. 1972. Print.

men Janie's life influence: Logan Jody Tea Cake. 5-8 specific details quoted

Their Eyes Were Watching God

African-American writer Zora Neale Hurston has made a strong presence within the inter-war period and her most impressive book was Their eyes were watching God, the life story of Janie Crawford. Janie's life was dramatically marked by three men -- all of which were her husbands, at one point in her life.

Janie's first husband is Logan Killicks. Logan is an older man who became interested in Janie as a companion to running his farm. He was in fact looking for a wife to help around the house and help him keep the farm. The marriage had been arranged by Janie's grandmother, Nanny, who had been raped and had seen the same tragedy happen to her daughter. Janie was the result of two generations of rapes and Nanny was trying to ensure that…

References:

Awkward, M., 1990, New essays on Their eyes were watching God, Cambridge University Press

Hurston, Z.N., 1937, Their eyes were watching God, University of Illinois Press

Janie in Zora Neale Hurston's Their Eyes ere atching God and Celie in Alice alker's the Color Purple

The main character and narrator of Zora Neale Hurston's novel Their Eyes ere atching God (1937), Janie, has much in common with the narrator and main character Celie within Alice alker's novel The Color Purple (1982). Each speaks authentically, in her own voice: the too-often ignored voice of an African-American female in a white male-dominated society. For both characters, however, authenticity of voice has come at great cost, and through the surmounting of numerous obstacles, the greatest of these being the fears and the lack of confidence within themselves. I will discuss several common characteristics of Celie and Janie within these two novels by female African-American authors.

As Henry Louis Gates, Jr. suggests, fear and hesitancy by African-Americans, male and female alike, to speak authentically, has deep roots: "For just over two…

Works Cited

Berlant, Lauren. "Race, Gender, and Nation in The Color Purple" in Modern

Critical Interpretations: Alice Walker's The Color Purple. Harold Bloom (Ed.).

Philadelphia, PA: Chelsea House, 2000. 3-11. Questia Online Library.

Retrieved May 22, 2005, from:

Community and the Impact on the Individual

How do individuals exist as part of a community and what does this means to a person's individuality? This is a key question explored by Zora Neale Hurston in Their Eyes ere atching God and by Carson McCullers in Ballad Of The Sad Cafe. Zora Neale Hurston and Carson McCullers both include a setting that represents the community. In Their Eyes ere atching God the setting is the porch, while in Ballad Of The Sad Cafe the setting is the cafe. The two settings both represent people existing as part of a community, rather than individually. The two settings also represent the conflicts that occur because people exist as part of a community. Overall, Zora Neale Hurston and Carson McCullers both show the conflict that occurs as an individual tries to align their own needs with the needs of the larger community. In…

Works Cited

Fowler, Doreen. "Carson McCullers's Primal Scenes: The Ballad of the Sad Cafe." Critique: Studies in Contemporary Fiction 43 (Spring 2002): 260-71.

Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1990.

Johnson, Barbara. "Metaphor, Metonymy and Voice in Their Eyes Were Watching God." Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea, 1986: 157-73.

LitKicks. Their Eyes Were Watching God. 2005. Retrieved April 26, 2005. URL:  http://www.litkicks.com/BeatPages/page.jsp?what=Harlem%20& ; who=picasso

Gender and Violence

Narrative of the life of Frederick Douglass and Their Eyes Were Watching God share much in common, though the works were written at different points in time. Douglass's autobiography first appeared in 1845, written to prove that a slave could develop, virtually unaided, into a moral and intellectual human being, and a speaker of power and eloquence. Hurston's Their Eyes Were Watching God appeared almost a century later in 1937 and is seen as a work that documents the legitimate experiences of black people, especially women. Yet, protagonists whose lives were shaped by violence, oppression, patriarchal control, and a quest for personal freedom characterize both works. One reason that could be attributed to the stark similarity in Douglass and Hurston's narratives is the historical context and effects of slavery and oppression of the black people. Thus, the blatant enslavement and brutality described by Douglass manifests itself in…

References

Douglass, F. (1995). Narrative of the Life of Frederick Douglass. New York: Unknown

Dover Thrift Edition).

Hurston, Z.N. (1978). Their Eyes Were Watching God. Illinois: University of Illinois Press.

Some artists, such as Aaron Douglas, captured the feeling of Africa in their work because they wanted to show their ancestry through art. Others, like Archibald J. Motley Jr., obtained their inspiration from the surroundings in which they lived in; where jazz was at the forefront and African-Americans were just trying to get by day-to-day like any other Anglo-American. Additionally, some Black American artists felt more comfortable in Europe than they did in America. These artists tended to paint landscapes of different European countries. Most of the latter, however, were ostracized for this because many black politicians felt they should represent more of their African culture in their work (Campbell 1994, Powell and Bailey).

Whatever the case, most African-American artists during this period of time had a similarity that tied them together. Black art was often very colorful and vivacious; having an almost rhythmic feel to it. This was appropriate…

REFERENCES

Allego, D. "Margaret Walker: Biographical Note." Modern American Poetry. 1997. Cited in:

 http://www.english.illinois.edu/maps/poets/s_z/walker/bio.htm 

Beaulieu, E. Writing African-American Women: An Encyclopedia of Literature by and About

Women of Color. Greenwood Press, 2006.

O rother, Where Art Thou?

Homer in Hollywood: The Coen rothers' O rother, Where Art Thou?

Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is based. In Contempt, Prokosch, a rich American dilettante film producer played by Jack Palance, hires Fritz Lang to film a version of Homer's Odyssey, then hires a screenwriter to write it and promptly ruins his marriage to rigitte ardot. Fritz Lang gamely plays himself -- joining the ranks of fellow "arty" German-born directors who had earlier deigned to act before the camera (like Erich von Stroheim in Wilder's Sunset oulevard, playing a former director not unlike himself, or…

Bibliography

Peter Biskind, Easy Riders, Raging Bulls How the Sex-Drugs-and-Rock'N'Roll Generation Saved Hollywood. New York: Simon and Schuster, 1999. Print.

Cavell, Stanley. Pursuits of Happiness: the Hollywood Comedy of Remarriage. Cambridge: Harvard University Press, 1984. Print.

Connors, Catherine. Petronius the Poet: Verse and Literary Tradition in the Satyricon. Cambridge: Cambridge University Press, 1998. Print.

Doom, Ryan P. The Brothers Coen: Unique Characters of Violence. Santa Barbara, Denver and Oxford: Praeger / ABC-CLIO, 2009. Print.

Sweat, by Zora Neal Hurston. Specifically, it will contain a biography of the writer and criticism of her work "Sweat," along with another story.

HUSTON'S "SWEAT" AND ANOTHE STOY

Hurston was born on January 7, 1891. She grew up in Eatonville, Florida, which was the first all-black town incorporated in the United States. "She received her early education at the Hungerford School, modeled after Tuskegee Institute, with its guiding principles of discipline and hard work; Hungerford's founders had studied with Tuskegee's founder Booker T. Washington" (Hill XVII). An avid reader, she soon learned to love myth and lore, and teachers and friends encouraged her love of books and reading. When she attended college, she majored in English, and began writing for several journals. She wrote "Sweat" in 1926. She also studied anthropology, and traveled to the South to research black folk tales and voodoo. She also wrote plays and journal…

References

Hesse-Biber, Sharlene, Christina Gilmartin, and Robin Lydenberg, eds. Feminist Approaches to Theory and Methodology: An Interdisciplinary Reader. New York: Oxford University Press, 1999.

Hill, Lynda Marion. Social Rituals and the Verbal Art of Zora Neale. Washington: Howard University, 1996.

Hurston, Zora Neal. "Sweat." Florida Gulf Coast University. 30 July 1996. 8 Dec. 2002. http://itech.fgcu.edu/faculty/wohlpart/alra/hurston.htm#sweat

Their Eyes Were Watching God. New York: Perennial Classics, 1999.

Short story -- A brief story where the plot drives the narrative, substantially shorter than a novel. Example: "Hills like White Elephants," by Ernest Hemingway.

Allusion -- A casual reference in one literary work to a person, place, event, or another piece of literature, often without explicit identification. It is used to establish a tone, create an indirect association, create contrast, make an unusual juxtaposition, or bring the reader into a world of references outside the limitations of the story itself. Example: "The Wasteland" by T.S. Eliot alludes to "Paradise Lost" by John Milton.

epetition -- The repeating of a word or phrase or rhythm within a piece of literature to add emphasis. Example: The story of Agamemnon in The Odyssey by Homer.

Blank verse -- Unrhymed lines of ten syllables each with the even-numbered syllables bearing the accents, most closing resembling the natural rhythms of English speech. Example: "The…

References:

Wheeler, Dr. L. Kip. "Literary Terms and Definitions." Web.

"Word List of Literary and Grammar Terms." Web.

Synthesis: This quote is similar to a comment Nick makes about the Tom and Daisy Buchanan in F. Scott Fitzgerald's the Great Gatsby: "They were careless people, Tom and Daisy -- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made" (188). Though the Buchanans are not exactly like Mama Elena in their motives, and completely unlike her in their "carelessness" because Mama Elena's destructive impulses are controlled and purposeful, both quotes demonstrate the selfishness and amount of control that the characters involved like to exert on the others around them.

Dialectic Journal #2

Quote: "Each person has to discover what will set off these explosions in order to live, since the combustion that occurs when one of them is ignited is what nourishes…

Judaism and Christianity both have fairly common as well as totally contrasting religious concepts. In spite of the apparent differences and divisions it has to be understood that both these religions are like different streams of water merging in the ocean of god.

Christianity and Judaism are both religions of abrahamic origin. There are many similarities and differences between the two religions. Since Christianity originated from Judaism, it lends to the thought that both the religions are very closely related. However, in spite of their common origin, they differ considerably in some of the important issues while at the same time exhibit resemblance in many aspects. Even the monotheistic belief, which both these religions stand for, is quantified by entirely different perception of the attributes of godhead. Similarly, in the understanding of the messianic concept there is a significant contradiction giving us a hint of the vastly different nature of…

Bibliography

1) Tracey R. Rich, "Moshiach: The Messiah," Accessed on May 23rd, 2003

 http://www.jewfaq.org/moshiach.htm 

2) Catholic Encyclopaedia, "original Sin," accessed on May 23rd, 2003  http://www.newadvent.org/cathen/11312a.htm 

3) Jono, " Different sects of Judaism," Accessed on May 23rd, 2003,  http://members.aol.com/bagelboyj/reports/sects.html

The life of a child is special and one that should be celebrated as much as possible. Ann Taylor understood this notion and she also understood that the best way to reach a child was through rhyming. Through easily remembered poems, Taylor explores many issues that are significant in the life of a child. Some of these issues are pleasant while others are educational. Either way, Taylor's poetry captures the scenes and images to which a child can relate. Overmier observes, "The poetry and prose of Rural Scenes convey realistic descriptions of the inhabitants and the daily activities of a typical rural community" (Overmier) This can be seen in the simple images that appeal to children as well as the common everyday experiences that teach a child about good manners, correct behavior, parental care, and God's love. Ann Taylor found her niche through the hearts and minds of children everywhere…

Works Cited

Overmier, Judith. "Ann Taylor." Dictionary of Literary Biography. 1996. GALE Resource Database. Information Retrieved November 28, 2008.  http://www.infotrac.galegroup.com 

Taylor, Ann. "For a Naughty Little Girl." Old Poetry Online. Information Retrieved November 28, 2008.  http://oldpoetry.com/oauthor/show/Ann_Taylor 

Meddlesome Matty." Old Poetry Online. Information Retrieved November 28, 2008.

However, Pharaoh's heart was heartened and he refused. ecause of this, Aaron was instructed to lay down the rod in front of the Pharaoh and it became a snake. The pharaoh then ordered his sorcerers to throw down their rods and they also became snakes but Aarons snake ate the other snakes and the Pharaoh's heart was hardened and he would not release the children of Israel. Then the Lord turn to River into blood and there was no water for seven days.

Pharaoh's heart continued to be hardened and several other plagues followed. According to the Old Testament these plagues included frogs, flies, lice, the death of cattle, boils, hail, locust, the plague of darkness. Finally, the Lord killed the entire first born of Egypt. He instructed the people of Israel to cover their doors with the sacrificial blood of a lamb so that death would pass over them.…

Bibliography

Demille C. The Ten Commandments. (1956) Paramount Studios

Freedman, D.N. & Mcclymond, M.J. (Eds.) www.questia.com/PM.qst?a=o&d=102109074"Ehrlich, C.S. (2001). Moses, Torah, and Judaism. In the Rivers of Paradise: Moses, Buddha, Confucius, Jesus, and Muhammad as Religious Founders /, (pp. 11-null9). Grand Rapids, MI: Eerdmans.  http://www.questia.com/PM.qst?a =o&d=5001865837

Fuchs, E. (1999, Winter). Moses / Jesus / Women: Does the New Testament Offer a Feminist Message. Cross Currents, 49, 463.

In fact, Wiesel thought to himself: "Don't let me find him! If only I could get rid of this dead weight, so that I could use all my strength to struggle for my own survival, and only worry about myself. Immediately, Elie felt ashamed of himself. (Wiesel, 1972, p.106).

One of the guards tells Elie something he has witnessed and now felt first hand: "Here, there are no fathers, no brothers, no friends. Everyone lives and dies for himself alone." (Wiesel, 1972, p.93). These words came to life for Elie as well as for his fellow prisoners. Everyone lives and dies alone in the camps because of the dire conditions which strip away a person's ability to moralize and to rationalize and to think and to empathize. Instead, all energy is focused upon survival, upon getting the next piece of bread, upon putting your next foot forward; and, even these…

References

Aberbach, D. (1989). Creativity and the Survivor: The Struggle for Mastery. Int. R. Psycho-Anal., 16:273-286.

Bergman, PhD, J. (n.d.). Darwinism and the Nazi race Holocaust. Retrieved April 20, 2010, from  http://www.freerepublic.com/focus/news/2259552/posts 

Borowski, T. (1976). On the Way to the Gas Chamber. New York, NY: Penguin Books.

Haas, a. (1995). Survivor guilt in Holocaust (Doctoral dissertation, California State University, Dominguez Hills) (pp. 163-184). CA: California State University.

Soul City

As long as I can remember, I've been able to read the minds of men. Mostly men, although some women also yield themselves to me just as readily as they do. When I was in my mother's womb, I could sometimes hear her singing to me. She'd rhyme my name with big words like soliloquy and annuity and anonymity. But my name was no accident. My mama knew I could hear her, which is why she used to tell me how strong and beautiful I was. I was her Ubiquity. My daddy was one of the only men whose mind seemed hazy, or perhaps even too complex, for me to read clearly. The only other man to stump me is that wicked good-for-nothing shyster the Reparations Man. But that's a story for another time. This now, this here, this is my time.

My mama knew I had a…

ancient poem "Works and Days" by Hesiod. Specifically, it will contain an argumentative historical essay on the question, "What kind of social values do you find in Hesiod's advice to his brother in 'Works and Days.' What does this say about Dark Age culture in Greece? Hesiod's advice to his brother Perses is simple and complicated at the same time. Hesiod's social values include the values of work rather than idleness, which he passes on quite clearly to his brother. However, there are many other customs and beliefs in the poem that indicate this was a simple culture based on agriculture and localized government. These values were common in the Dark Age culture in Greece, and represent one of the reasons Greek culture later became so advanced, and a model to other cultures of the age.

Little is known about the Dark Ages in Greece. In fact, some scholars believe…

References

West, M.L., and Hesiod. Theogony: And, Works and Days. Oxford: Oxford University Press, 1999.

Westopia: An Epic Narrative Describing the History of the West post-Reformation and the Rise of New Peoples and Places in Conflict with the Old

In anno domini 1650, the God of the West -- of the World -- was banned in Maryland. The Pure had come, had been given land, had found shelter under the Toleration Act -- yet acted with intolerance towards those who went to God with hearts much different from their own. The Pure were proud and firm -- like the Chosen People of the Old Testament -- the children of Abraham.

Millennia had passed and the children were grown -- enveloping within them some sense of the God of the West -- Christ Who redeemed them -- yet their sense was separate from that of the past: their doctrine was steeped in the predestinated forms of the Protestors -- of Luther and Zwingli and Knox and…

Governments make and break alliances, treaties, and agreements for financial and political gains, as well as for power and control, all in a constantly fluid manner. Such changes have been taking place as long as there have been countries, so the maneuverings should not be of any surprise; what this paper seeks to do is determine how those ongoing changes reflect the current environment as well as how the alliances will influence governments over the next several years, and decades.

Historical Context -- World War I (1914 -- 1919)

A recent historical report states that "with deliberate deceptions, lies and attempts on all sides to appear as the wronged, it is little wonder that, after a hundred years, there is still no consensus on why the July Crisis escalated into the First World War" (Mombauer, 2014, p. 23). World War I was known as the war to end all wars,…

References

Bilefsky, D. & Baumejan, M.; (2015) Terrorists strike Charlie Hebdo, newspaper in Paris, leaving 12 dead, NY Times accessed on February 27, 2015 at  http://www.nytimes.com/2015/01/08/world/europe/charlie-hebdo-paris-shooting.html 

Bogdanor, V.; (2014) The shadows lengthen, History Today, 64(8)19-25

Bosco, D.; (2014) Assessing the UN Security Council: A concert perspective, Global Governance, 20(4) 545-561

Brinkley, J.; (2013) Islamic terror, World Affairs, 176(2) 43 -- 55

life of slaves in Harriet Jacobs' Incidents in the Life of a Slave Girl and the lives of the mentally ill in Victor LaValle's Devil in Silver

The theme of freedom and escape was common in antebellum literature written by former slaves -- and is also common in narratives of the lives of the mentally ill today. Both Harriet Jacobs' Incidents in the Life of Slave Girl and Victor LaValle's Devil in Silver chronicle unjust imprisonments: in Jacob's case, the narrator's life as a slave; in LaValle's novel, the horrors perpetrated upon the mentally ill. These texts indicate that those who are marginalized in our society are selected in an arbitrary fashion based upon categories such as race or class rather than have intrinsic properties that make them uniquely different. Over the course of the narrative, both protagonists overcome the societies of fear and tyranny that are created by their…

Works Cited

Jacobs, Harriet. Incidents in the Life of a Slave Girl. UNC Chapel Hill, 2003. 30 Apr 2014.

 http://docsouth.unc.edu/fpn/jacobs/jacobs.html 

LaValle, Victor. Devil in Silver. Spiegel & Grau, 2012.

"

But this seems to be an assumption athe than an established fact. Jugensmeye late points out that Abouhalima denies his involvement in the Wold Tade Cente bombing. If so, how can one know that Abouhalima was "disappointed" to see little damage? One can also see assumptions in the wods Jugensmeye uses. Fo example, Jugensmeye wites that Abouhalima "felt fee to talk about the subject of teoism in geneal and teoist incidents of which he was not accused, including the Oklahoma City fedeal building bombing."

Instead of witing, he "was not involved," Jugensmeye says he "he was not accused," as if Abouhalima could be accused of the Oklahoma City bombing.

Instead of making assumptions about Abouhalima, Jugensmeye could have focused on the contadictions in the actions and views of the Islamist militant and his appaent lack of knowledge in Islamic law. Jugensmeye povides evidence fo that by telling the stoy…

references to religious doctrines are almost always abstract and vague. As Jurgensmeyer's discussion of Abouhalima's ideological views demonstrates, Islamists like Abouhalima are not well-versed in Qur'anic studies or other Islamic core texts. It is important to critically examine the views of Abouhalima and other Islamist terrorists and expose their lack of Islamic knowledge and contradictions inherent in their views as this may help in discrediting them in the eyes of most Muslims.

Mark Jurgensmeyer, Terror in the Mind of God: The Global Rise of Religious Violence (Berkeley, CA: University of California Press, 2001), p. 60.

Ibid, p. 61.

Ibid, p. 62.

Ibid, p. 61.

However, because of Gilgamesh's thought that he may be invincible, he is actually putting his friend's life at risk by going on his adventure. In his attempt to prove that he is brave and that he would rather die for a cause, he actually indirectly causes the death of Enkidu, who shows that he was the stronger of the two.

5) Defining Honor

Honor is a characteristic that few individuals posses. It is a special type of distinguishing factor, that although many attempt to have, very few actually embrace it to its full meaning. Honor entails pride and personal excellence. It is fully believing in an action or an entity that represents something very important to the self and to those around. To me, honor is being able to stand up for your beliefs despite the opinion of others.

Honor in society can actually be viewed in two ways, depending…

For Your Eyes Only

"Bond had time for these reflections because M. seemed to be having difficulty in coming to the point. Bond had been asked if he had anything on at the moment, and he had replied happily that he hadn't and had waited for Pandora's box to be opened for him. He was mildly intrigued because M. had addressed him as James and not by his number -- 007. This was unusual during duty hours. It sounded as if there might be some personal angle to this assignment -- as if it might be put to him more as a request than as an order. And it seemed to Bond that there was an extra small cleft of worry between the frosty, damnably clear, grey eyes. And three minutes was certainly too long to spend getting a pipe going."

This passes introduces Bond to the reader in the…

Second, he must attempt to present good doctrine. Contrary to what some may suggest, these first two goals are not identical -- merely by translating from the page to the screen what the gospels describe happening would not explain the theological significance of the events, as Jesus is rather too busy being executed to have much time to explain his purpose of salvation in those chapters -- this purpose is clarified at other points before and after his death, and must somehow be worked into this narrative without making it overly ahistorical. Finally, in order to function as a film, the film must function on an artistic level and be coherent both to the viewer and within the tradition of Christological art. It would not reflect well on Christ to be presented within the context of a shoddily film -- many people would refrain from belief for no other reason…

Faulkner's story is titled "A Rose for Emily," the text does not mention rose. It is ironic that Faulkner gives his story a title that seems to run counter to the characterization of Emily. Emily is portrayed as an object, at the same time the narrator pities her and describes her as an irritating person who would rather live life on her own terms, which eventually leads to her death. This appears to the reason for such a tittle. It seems to be an attribute to Emily, a way of expressing condolences to her death as well as sympathy to loneliness and her imagination about her status. He begins the story with a description of her funeral "When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument..." (Faulkner 484) he goes on to say that "…the…

As he himself admits, "I have a very grim perspective. I do feel that it's a grim, painful, nightmarish meaningless existence, and the only way to be happy is if you tell yourself some lies. One must have some delusions to live" ("Cannes 2010: oody Allen on Death -- 'I'm Strongly Against It'"). hat Midnight in Paris is for him (and us), therefore, is a kind of distraction from the reality that at some point the final credits will roll.

Malick's Tree of Life, then, is a kind of answer to Allen's melancholy. It is, of course, a religious answer told through an impressionistic and indirect medium. Nonetheless, unlike Allen, Malick is willing to embrace the spiritual side of man and explore its meanings and possibilities. For Malick, life is a spiritual journey that can lead one either upwards to the good or downwards to the bad. Allen's film may…

Works Cited

Allen, Woody, dir. Midnight in Paris. Los Angeles: Sony Pictures Classics, 2011.

Film.

Augustine. City of God. Edinburgh: T&T Clark, 1888. Print.

Augustine. The City of God against the Pagans. Cambridge University Press, 2002.

Moves on for Baba & Amir

In the novel, the Kite Runner by Khaled Hosseini, a strained relationship between father and son spans nearly a lifetime from Afghanistan to America. From the beginning, their interactions are sown with seeds of guilt, regret, inadequacy, and hopes for redemption that carries to the end of this reinvigorating and life-affirming story. Baba and Amir's attitudes toward religion plays a major role in how they deal with their moral dilemmas and ultimately how they overcome them. As Amir struggles to gain his father's love, he comes to find that they are more similar than he though both in their betrayals, and actions for salvation.

Baba, Amir's father, is the constant star of berating religion and all its failings. Very early in the novel he unloads his perspective that nothing of any value can be learned from idiot Mullahs:

Piss on the beards of all…

Life and Death: The Life Support Dilemma by Kenneth E. Schemmer M.D

Kenneth Schemmer in his thorough, thought provoking book brings to life the controversial subject of the life support issue. For years, many all over the country have pondered, "What if a person were in some kind of an accident and the physicians told them that they were not going to make it?" And all that he or she could do is just lie there in extreme pain waiting for their life to the end. Or even worse case scenario what if they happened to end up completely brain dead? These debated questions are taken on by Dr. Schemmer in making his point that life support decisions may not necessarily be the decision of the family, the doctor or the patient but by a higher being that gives life and takes life. Schemmer uses these controversial questions in his…

References:

Court backs right to die | terminally ill have right to refuse medical life support. (1984, Dec 28). The San Diego Union, pp. A.1-1.

Ackerman, T. (2005, Mar 27). Life support battle shifts / A decade ago, patients families had to press for 'right to die. Houston Chronicle, pp. 1-B.1.

Allen, P. (2000, Oct 07). Right to die upheld despite new euro law, doctors can end life support rules judge. Daily Mail, pp. 33-33.

Dolan, M. (2001, Aug 10). Justices deal setback to right-to-die movement; health: State court bans removal of life support from conscious patients whose wishes are not clear. Los Angeles Times, pp. A.1-A.1.

all-E's appreciation for the world and his Eden-like naivete (versus the terrible knowledge brought about by Eve's discovery of the living plant that will bring back humanity), shows how false and world-weary the humans have become in their consumerist bubbles.

There is one particularly marked difference between all-E and the traditional Christian vision of divine grace offered in the Bible, thought. The concept of salvation is usually conceptualized as ascending to heaven and losing one's ties to the earth. For all-E, however, the only grace comes when human beings and the robot return to the planet and reconnect with the ability to move in an earthbound way and to love the earth, as embodied in the tiny planet that still survives and leads them there.

orks Cited

French, Phillip. "all-E." The Guardian. 20 Jul 2008. 6 May 2014.

http://www.theguardian.com/film/2008/jul/20/animation.conservation

Genesis. Bible Gateway. 6 May 2014.

http://www.biblegateway.com/passage/?search=Genesis%201&version=NIV

Murphy, M. "Anatomy of…

Works Cited

French, Phillip. "Wall-E." The Guardian. 20 Jul 2008. 6 May 2014.

 http://www.theguardian.com/film/2008/jul/20/animation.conservation 

Genesis. Bible Gateway. 6 May 2014.

 http://www.biblegateway.com/ passage/?search=Genesis%201&version=NIV

I am very happy that everywhere there are rich woods with good timber I will use for the construction of houses for our people. but, we are a long way from being able to build a solid foundation for a colony of her Majesty here. Our people are either suffering from illnesses or they are starving. There are innumerable riches here offered by nature beneath and above the ground, but it is hard to harvest them or to exploit them with a handful of people from who half are ill or starving. I hope that her Majesty's subjects and our compatriots will soon find out about what lies here as I was able to find out and join us in our efforts to spread the holly beliefs of our Mother Church of England among these savages oversees and bring the glory of conquering new territories and acquiring all the commodities…

belief systems of Christians and Muslim, particularly in how they view angels. Both religions believe angels exist, and that they are an important part of their religious beliefs. They both believe angels can guide and support people here on Earth, and they are messengers of God or Allah. They also believe they can be vengeful and destructive, and angels play an important role in the stories of the Qur'an and the Bible. Angels are only one of the commonalities between these two religions, but they are an important link to two very diverse religions, and they show that many religions have core beliefs that link them together, whether they want to admit it or not.

Comparing Angels in Islam and Christianity

The purpose of this paper is to introduce, discuss, and analyze the topic of Islam and Christianity issues. Specifically it will compare and contrast the faith doctrine of angels…

References

Akbar, M.J. (2002). The shade of swords: Jihad and the conflict between Islam and Christianity. London: Routledge.

Ali, A.Y. The holy Qur'an. London, UK: Wordsworth Editions.

Gauss, J.A. (2009). Islam and Christianity: A revealing contrast. From Christian Broadcasting Network. Retrieved June 11, 2009 from  http://www.cbn.com/spirituallife/BibleStudyAndTheology/perspectives/Gauss_Islam_Christianity.aspx .

Holy Bible (New King James Version). (2009). From Bible Gateway. Retrieved June 11, 2009 from  http://www.biblegateway.com/ .

Amish are a well-known religious group in America. "The Amish culture is known for simple living, reluctance to use modern technology, and a heavy emphasis on church and family relationships." (ogers, Horst, ogers, Lee, & eihart, 2013, p. 916). They are known for their beliefs and practices and their desire to live in a clean and virtuous environment. They are hard workers and discourage lives of excess and greed. A brief into their religion and beliefs helps shine light into a popularly researched and examined religious group.

Some of the aspects of culture to be briefly explained involve rules and dress. For instance, the Ordung or the list of oral or written rules outlines the fundamentals of Amish religion, helping to define how to live and be Amish. The Ordung can and does dictate every facet of an Amish person's life. This can include hair length, beard length for males,…

References

Howley, A., Howlet, C., Burgess, L., & Pusateri, D. (2008). Social Class, Amish Culture, and an Egalitarian Ethos: Case Study from a Rural School Serving Amish Children. Journal of Research in Rural Education, 23(3), 1.

Rogers, A.B., Horst, M., Rogers, F., Lee, J., & Reihart, M. (2013). From the barn to the operating room and back: The Amish way of life leads to improved throughput and outcomes following trauma. Journal of Trauma and Acute Care Surgery, 75(5), 916.

Thompson, W.E. (1984). OLD ORDER AMISH IN OKLAHOMA & KANSAS: RURAL TRADITION IN URBAN SOCIETY. FREE INQUIRY IN CREATIVE SOCIOLOGY, 12(1), 40.

He wants to honor his dead wife, so he takes the dog along with him just as she did. This is perhaps the only gesture the father makes toward the dog. Throughout the poem, it appears as if the father is indifferent to the dog, if anything at all.

The paradox we encounter in the poem is if a dog can actually suffer from grief with the ultimate question resting on the notion of animals missing human beings. The most ironic aspect of this poem is how the dog appears to be suffering more than the father is. The poet does not go into the father's suffering at all, except to say that he refuses counseling. The meaning and primary idea behind the poem is that all creatures suffer loss whether or not they can express it in ways that humans might be able to understand. It took death for…

Works Cited

Rucker, C. "Mixed Company"

This conflict was the thought of Miss Brill that everything around her were just a play and that even her self was part of the stage show where is currently at.

Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted?

The detailed mentioned above only showed how at first Miss Brill thought of everything as common events that she has been seeing in her Sunday habit of spending time outside her home and watching things and people around her.

Miss Brill had the idea that everything was really a stage show when she saw a dog that trotted and acted like a dog in a real show. From there, the interesting thought that everything was a show conflicted with the reality…

corpse strangled with the rope still around his neck, the first thing I wanted to do was to remove the rope. Because the look on the dead body's face was horrible, and obviously the rope was what was responsible for the death, and also for the horrible look on the corpse's face, with bulging bloodshot eyes and the tongue sticking out. But Harry went and looked at the body to make sure that he was dead, and then basically Harry told me that this was a crime scene, so we shouldn't disturb any possible evidence. So we didn't take the rope off, and instead we went to talk to the victim's wife. She hadn't moved from the last time we saw her; she was just motionless in her chair. I asked her if she had told anybody about her husband's death, and in a weirdly non-emotional way she said that…

Working With the Aging

Ladies and gentlemen, I stand here before you at a time in which the health care of older Americans has become a critical issue. Or should I say issues? We have more people needing more and more specialized care -- this is critical. We have fewer and fewer people being asked to do more and more -- that is critical. Current healthcare policy, especially for the aging, seems inadequate to address the challenges of what lies ahead. The situation seems very bleak at times. All signs seem to show that it will get bleaker. Well, I am here to tell you that I am the weatherman. I have weathered this storm with you. And I can tell you that the forecast looks good, if we can just keep our eyes on what is important and understand what tools we have to get through this, and overcome…

Michelangelo’s Creation of Adam

The Creation of Adam (1512) as conceived and depicted by Michelangelo represents a significant moment in art history because it brings a humanistic style of expression and sense of realism to the art world that had not existed prior. The work is focused almost exclusively on the Body as a subject. The two figures—God the Father and Adam—represent the majesty of the human anatomy in its ideal form: muscular, flexible, unique, authentic, poised, admirable, beautiful and proportional. In the painting, God is mostly draped with a thin cloth; Adam is completely nude and his position (reclined with one knee propped up while he stretches backwards and reaches forward languidly) suggests one of royalty being wakened after a long slumber. Indeed, the idea that Adam is like royalty is one that Michelangelo infuses into the scene giving the painting its high-minded rapturous quality, which is much in…

The metaphor of the jigsaw puzzle-- "what good would it do to finish early? Three, the jigsaw puzzle isn't the important thing. The important thing is the fun of four people (one thin person included) sitting around a card table, working a jigsaw puzzle"-- illustrates that fat people enjoy the process of life and live in the moment, versus thin people who are purpose-driven and obsessed with completing tasks, even leisure-time activities that are supposed to be fun.

Q5. Identify the author's purpose and discuss whether or not she achieved that purpose.

The purpose of the author is to deflate society's obsession with perfection and to turn a bit of conventional wisdom -- the superiority of thinness and perfectionism -- on its head. The essay, through humor, achieves this purpose. Asserting the position in a serious way would likely have given rise to a debate about the health problems fostered…

..if you really want the Christ and truly love him, there is nothing that will prevent his coming and taking up his abode with you provided your love for him manifests..." through loving inner spirit of Christ instead only the outside. One may appear to be a Christian yet the Lordship of Christ in the life of the Christian means that present is love, compassion and forgiveness for others. The Christian loves the 'inner spirit of Christ because to desire only the outside of Christ will not allow Christ true Lordship in our lives. Loving the inner spirit of Christ requires loving the spirit of love...faith...compassion... The spirit of forgiveness." (Lindsey-Weinman, 19?

-2000)

Humanity tends to only: "...desire the outside of Christ..." (Lindsey-Weinman, 19?

-2000) the Christian loves more than simply an image of Christ as 'Lordship of Christ' does not mean loving the image of Christ in his white…

Bibliography

Article I - God (2007) UMC Online available at  http://archives.umc.org/interior.asp?ptid=1&mid=1654 

Article V - of the Sufficiency of the Holy Scriptures for Salvation. (2007) Online the United Methodist Church available at  http://archives.umc.org/interior.asp?ptid=1&mid=1649 

Free Grace: The Sermons of John Wesley (1703-1791) Global Ministries: The United Methodist Church. 2007.

Jones, Rev. Dr. Gregory (nd) the Practice of Ministry and Your Understanding of God, Divine Grace, Humanity, the Lordship of Jesus Christ and the Holy Spirit dean of Duke Divinity School" FIX

Meanwhile, the deranged viewers walk among the police officers who take notes, wash down the street of it blood, sweep up glass. Another metaphor likens the hanging "lanterns on the wrecks that clings, Empty husks of locust, to iron poles." With locusts, what was once green and lush, becomes brown and barren. Here, what was just minutes ago a living, breathing body, becomes dead and inert.

And what is the reaction of the voyeurs to this sight? Was it what they wanted, hoped to see? Now the onlookers look just like patients, "Our throats were tight as tourniquets, Our feet were bound with splints, but now, Like convalescents intimate and gauche..." However, worse yet, is the horror of recognition that there is no reason why one person lives and another dies. This is the lesson for the day: This person could have been good or evil, a friend or foe,…

Reference

Shapiro, Karl. New and Selected Poems 1940-1986. Chicago: University of Chicago Press, 1987.

Wearin' of the Green

An Irish-American's Journey

Margaret-Mary clutched her daughter's tiny hand. Watched with pride as the five-year-old waved the little Irish Flag in her other hand. It was a cold, blustery day, but then it always was on St. Patrick's Day. Yet as Margaret-Mary braved the wind and the crowds, she didn't feel the least bit cold. Never did, but especially not today. It wasn't just that today she was sharing a special moment -- a communion if you will -- with all her Irish brothers and sisters the world over. No, it was more than that. This was a day long looked forward to, a day that had demanded special preparations like getting up at five in the morning, wrapping Colleen in the embracing warmth of a sweater of real Irish wool -- green of course --and rushing off into the frigid pre-dawn to wait for the…

Camera angles that focus on wretched faces, of young boys in red coated uniforms begging for mercy, and of the arrogance of the British officer corps, not just towards Americans, but towards their own enlisted men, are shown with filming skill. As might be expected for this type of film, John Williams' score was masterful and very much in line with the generation of epics from the 1950s and 1960s -- painting a realistic picture of the film without dialog. Similarly, the audience is set up between the idyllic farm and hard work of a widower in the opening scene to the juxtaposition and hoped for return to normalcy in the final moments -- however, knowing that things will never be as they were (See: http://www.tcm.com/tcmdb/title.jsp?stid=336714&contentTypeId=130&category=trailer). The scene, however, that most stays with the audience is not one of the grander battles, but a one-on-one battle between Benjamin and Tavington,…

REFERENCES and WORKS CONSULTED

Bittarello, M.B. (2008). "Re-Crafting the Past: The Complex Relationship

Between Myth and Ritual." Pomegranate: The International Journal of Pagan Studies. 10(2): 214.

TRAILERS and PREVIEWS

Brown, Todd. (2007). "Footage from Taras Bulba." Twitch. Cited in:

It will use historical evidence to examine the role of the church is a spiritual entity. It will examine the role of the church as a political entity throughout changing political landscapes. It will explore the role of the church as a social service provider with regards to the importance of this role in helping black people to redeem themselves in light of historical cultural atrocities that they have faced.

esearch Questions

In order to examine that topics of interest un this research study the following research questions be addressed.

1. How has the black church served as redemptive force in helping the black people to heal?

2. What factors served as a redemptive force in helping the image of black people in the black church to improve?

3. How has a black church helped black communities to regain and maintain their self-sufficiency?

4. How has the black church served…

References

Primary Sources

Aaron. (1845), the Light and Truth of Slavery. Aaron's History: Electronic Edition. Retrieved June 19, 2010 from  http://docsouth.unc.edu/neh/aaron/aaron.html#p6 

Adams, John Quincy. (1872). Narrative of the Life of John Quincy Adams. Retrieved June 19,

2010 from  http://docsouth.unc.edu/neh/adams/adams.html#adams6

We do not know if Grammatica is portraying something real or merely representing an image from the stage. This too, is symbolic of its period. The mannerist and baroque eras reflected a time when art was being made to serve the propagandistic purposes of a Church under siege. Like the headless warrior on the stone table, it also was under attack by evil forces. These forces needed to be fought by any means necessary. All were participants in this battle -- and so the figure of the lowly older woman following the direction of the more upper class Judith. Individual initiative is replaced by group action. Impulse is substituted for carefully-planned covert attack. Judith's pointing finger is indicative of a place to which the two must go, a prearranged location that apparently is known only to Judith. Again, secrecy is more important than openness, if secrecy means victory and ultimate…

Greek Concept to Movie Troy

Ancient mythology as never ceased to amaze and fascinate its readers and followers. Especially Egyptian and Greek mythology, having followers everywhere; in the current times it has found a new fan, that is the movie making business, with a special interest in Greek mythology. Nothing is better than watching your favorite characters brought up to life and actually see them doing all the things we had previously only imagined them doing. One such captivating movie is 'troy' based on the Greek Trojan war starring Brad Pitt. Various Greek concepts were shed light in this movie, which will be discussed, in relation to the movie.

The first concept is Fate, since in Greek mythology fate does not just happen. The gods make things happen, in their own engineered ways, and interfere to make things happen on their own account. Then there is MOIA, which means that…

REFERENCES

Walter Benjamin "The Task of the Translator" vol 1: 1913-1926. Marcus Bullock. Pg. 256-259

Roman Jacobson "The World of Movies, Media and Multimedia: language, history, theory" Pg. 26-266.

James Monaco "How to Read a Film" 3rd edition, Pg. 250-255.

She also learns, too late, that the jewels and the life she coveted so long ago was a sham. Hence, the symbolic nature of the necklace itself -- although it appears to have great value, it is in fact only real in appearance, not in reality and the heroine is incapable of assessing the false necklace's true worth.

The tale of "The Necklace" conveys the moral that what is real, the replacement she returned to Madame Forstier, can be won not with beauty but with hard work, sweat, and toil. Like "The Tell-Tale Heart," "The Necklace" revolves around the use of irony and a single, symbolic element, exemplified in the title object that works throughout the tale, using the literary device of irony, to reveal the protagonist's moral character. That final revelation engineered by the title object makes the story compelling, even if both protagonists may seem morally repugnant. The…

Works Cited de Maupassant, Guy. "The Necklace." Classic Short Stories. 28 Jun 2008.  http://www.classicshorts.com/stories/necklace.html  de Maupassant, Guy. "A Piece of String." Classic Short Stories. 28 Jun 2008.  http://www.classicshorts.com/stories/string.html 

Poe, Edgar Allen. "The Tell-Tale Heart." The Online Literature Library. Literature.org.

28 Jun 2008. http://www.literature.org/authors/poe-edgar-allan/tell-tale-heart.html

Leonard Michaels' "Murderers"

In my opinion, the story "Murderers" by Leonard Michaels is not just a story about five boys' obsession with watching the rabbi share intimate moments with his wife; it is a powerful story about one boy's experience with escapism and how that escapism, through tragedy, resulted into his coming of age. By consciously selecting certain details seen through the eyes of a young boy, Michaels presents the exhilarating and devastating events of a single day in a refreshing way.

From the beginning of the story, the narrator, Phillip, seems to be distracted with death, which is an important theme in the story, though it always seems to be in the back ground of the story. Phillip expresses he wants to escape death. This is implied in his statement that he "didn't want to wait for it" (Carver 339) and it also indicates that he is eager to…

Works Cited

Carver, Raymond and Jenks, Tom. Short Story Masterpieces. New York: Dell. 1989.

King David as Described in 2 Samuel 11

Samuel 11 describes the events surrounding the sin of King David with regard to Uriah, whom he essentially had executed so that David's adultery with Uriah's wife would not be made known to him. This shameful action on the part of David displeased the Lord immensely, which is described in the following chapters. This chapter, however, reveals a side of David's character that prior to this incident had not been explored before. Much of what is known about David's character is celebratory -- from his time as the boy who slays the giant Goliath, to his handling of the Ark of the Covenant. David is described as a man after God's own heart (1 Sam 13:14) and most of his actions support this idea. His "humility and innocence" in his approach to Saul, playing for him on his lyre and soothing the…

Bibliography

Bartlett, David; Taylor, Barbara. Feasting on the Word. Louisville, KY: Westminster

John Knox Press, 2009.

Bosworth, David. "Evaluating King David: Old Problems and Recent Scholarship," The

Catholic Biblical Quarterly, vol. 68, no. 2 (April 2006), 191-203.

Paul Laurence Dunbar (1872-1906) wrote his 1913 poem "e ear the Mask" in open defiance of the commonly accepted fallacy of his day that African-Americans were happy in the subservient roles they were forced to assume in the face of white racism. Dunbar, through the use of irony, through inverting the positive connotations of smiling, and through the religious rhetorical tropes of exclamation and crying out to God, conveys the cognitive dissonance between the false face African-Americans were forced to portray to earn a living in white society.

The title of Dunbar's and first lines of the poem may at first suggest a mask that an actor or a performer wears. "e wear the mask that grins and lies, / It hides our checks and shades our eyes." (Lines 1-2) However, the next lines of the poem suggest that the nature of the mask that is worn is far more…

Works Cited

DuBois, W.E.B. "Of the Sons of Master and Man" from The Souls of Black Folk. New York: Penguin Classics, 1989.

Dunbar, Paul. "We Wear the Mask." 1913.

King, Martin Luther. Why We Can't Wait. New York: Penguin Books, 1963.

Harlem Renaissance. Web Site accessed July 11, 2002. http://csis.pace.edu/amlit/proj3d/harren.html

Thus, Sharon Olds' poem progresses through a series of interesting images, which analyze the relationship between the Apollonian and the Dionysian states, that is, from the pure individuality to a state of merging with the other and overstepping the boundaries of the self.

Yusef Komunyakaa's poem has a similar structure. In his Facing it, the author rememorizes an experience from the Vietnam ar. The poem starts abruptly with the image of the poet's black face that fades "hiding inside the black granite: "My black face fades, / hiding inside the black granite. / I said I wouldn't, dammit: No tears. / I'm stone. I'm flesh. / My clouded reflection eyes me / like a bird of prey, the profile of night slanted against morning."(Komunyakaa, 129) the image that opens the poem is thus already very representative: the author seems to lead a tense struggle with his own self. The black…

Works Cited

Komunyakaa, Yusef. Collected Poems. New York: Oxford University Press, 2003.

Olds, Sharon. Strike Sparks: Selected Poems, 1980-2002. New York: Library of America, 2004

This fox asks the prince to tame him (the word in French is closer to "befriend" or even "socialize") for only in being tamed and forming that sort of relationship does he become unique. The fox says, "ut if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world..." (Ch. 21) it is this which gives color to the world. In taming the fox, and learning that establishing ties and relationships is what gives meaning to life, the prince comes to understand that his rose is unique, because she has a relationship with him. The idea that it is relationships, commitments, and sacrifices which define and give meaning to life is one which continues through-out Exupery's life and work. "One sees clearly only with the heart," the fox informs the prince,…

Bibliography

Brosman, Catharine (ed). Dictionary of Literary Biography, Volume 72: French Novelists, 1930-1960. A Bruccoli Clark Layman Book. The Gale Group, 1988. pp. 314-330. [Gale online database]

Linde. "Goddess in the Wheel of the Year." Matrifocus, 2003 vol 3.1.  http://matrifocus.com/SAM03/wheel.htm 

Mitchell, Bonner. "Le Petit Prince and Citadelle: Two Experiments in the Didactic Style," in the French Review, April, 1960, pp. 454-61. [Gale online database]

Robinson, Joy D. Marie. "Antoine de St. Exupery," in Twayne's World Authors Series Online New York G.K. Hall & Co., 1999 [Gale online database]

This sudden tragedy occurs, no less, just as Ophelia is to happily crown the hanging boughs of the tree, which symbolically represents the happy instance that must have occurred just prior to the play's opening -- Hamlet's engagement to Ophelia. As on the bank of the brook, so too with Hamlet -- an "envious sliver broke"; the "rash" and "intruding" Polonius interjected himself and denied Ophelia what her nature so plainly made her for: to love. He teaches her, rather, to doubt and to suspect. Ophelia falls victim to the plague of Elsinore, which may be stated as the conflict between truth and falsehood.

The Man's Nature

Hamlet engages in this conflict in an altogether different manner, however. If Ophelia and Gertrude approach it from the direction of love, Hamlet approaches it from the direction of reason. Gertrude and Ophelia intuit; Hamlet rationalizes. Ophelia, for example, appreciates Hamlet's predicament immediately…

Works Cited

Battenhouse, Roy W. "The Ghost in Hamlet: A Catholic 'Linchpin'?" Studies in Philology vol. 48, no. 2, 1951, 161-192. Print.

Dane, Gabrielle. "Reading Ophelia's Madness." Exemplaria: A Journal of Theory in Medieval and Renaissance Studies, vol. 10 (1998): 405-23. Print.

Garner, Shirley Nelson. "Shakespeare in My Time and Place." Shakespearean Tragedy

and Gender (ed. By Shirley Nelson Garner). Indiana University Press, 1996. Print.

Glucklich also stresses that these examples of "sacred pain" are not limited to time or geography.

In a more in depth analysis of the phenomena Glucklich quickly demonstrates that unlike is commonly believed, by people who are not entirely aware of the current religious lives of many different cultures would like to believe, all this "sacred pain" is not sheltered by the past, as if we are far to intelligent a world to continue with such a practice.

A few years ago I visited Israel during the Passover holiday. I was watching television one night with a friend and the staterun network ran a show on several Easter practices. One practice that caught our attention was a ritual crucifixion in a small Philippine town. e were shocked to see volunteers being nailed to crosses, then lifted high up above a crowd of devoted onlookers. My friend, Jacob Goren, who is…

Works Cited

Flagellants" The Catholic Encyclopedia online at  http://www.newadvent.org/cathen/06089c.htm 

Glucklich, Ariel. Sacred Pain: Hurting the Body for the Sake of the Soul. New York: Oxford University Press, 2001.

Glucklich, Ariel, "Sacred Pain and the Phenomenal Self" Harvard Theological Review, Vol. 91, No. 4 (Oct., 1998), pp. 389-412.

Impressions

The Louvre

The Louvre, an architectural masterpiece, has dominated central Paris since the late 12th century. The original structure was gradually dwarfed as the city grew. The dark fortress of the early days was transformed into the modernized dwelling of Francois I and, later, the sumptuous palace of the Sun King, Louis XIV. My online tour of the Louvre allowed me to take a virtual, self-guided, room-by-room tour of the museum. The web site allows navigation through exhibition rooms and galleries and allows one to contemplate the facades of the museum. The first thing one sees before entering the museum is the garden, a delight during any season of the year. It is the perfect place for a relaxing stroll and it offers a range of activities for visitors.

There are more than ten sections in the museum for different kinds of art from all around the world including…

Waiting for Godot Character Comparison

Samuel Beckett's Waiting for Godot depicts two vagabonds, Vladimir and Estragon, as its central characters: to the extent that the play's structure accommodates a traditional protagonist, one of them -- or both considered as a unit -- must be that protagonist. Yet I think Beckett is careful to give us reason both to understand Vladimir and Estragon (within their own interactions) as being more distinct characters, while at the same time we can see them as the same character with the same name. I'd like to look at the evidence of a few crucial moments in Beckett's text, in which the distinctions between Vladimir and Estragon are either heightened or elided, in order ultimately to argue as to why I think we must understand the two characters as a unit, and to some degree as the same character with the same name.

At the play's…

Frightening Event in My Life

THE MOST FRIGHTENING EVENT IN MY LIFE

Three years ago, I was driving home from the first social affair with co- workers from my new job. It was late, but I always enjoyed driving late at night when the roads are almost empty. As the trees zipped past my windows, I was still contemplating the evening's events and trying not to obsess about the cordial way my boss had greeted me when I might have expected him to be a little friendlier, under the circumstances. Now, I understand his personality much better, but at the time I was worried that he didn't like me too much.

During the day, two-way roads such as the one I was on at the time always made me very nervous, because the two opposite directions of traffic are separated by nothing more than yellow lines painted on the asphalt.…