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Olive Trees With Yellow Sky and Sun: A Formal Analysis
The first thing that can be noticed about Van Gogh's 1889 painting is that it appears to be divided into two distinct parts: above and below. Above is the bright, yellow sun, taking up the entire space of the sky with its warm blaze. Lighted and fed by this blaze are the olive trees below. The dark green of their leaves, together with the browns of their branches and the ground in which the trees grow form the striking contrast of the more somber "below." In the background are distant blue mountains. These are noticed only after the contrast between the sun and the trees catch the viewer's eye. The mountains are also the only part of the painting not enveloped in blazing color. The softer tones of blue then served two purposes: to form another contrast with the…
Kaldy, Joanne. "Olive Trees With Yellow Sky and Sun (1889); Vincent van Gogh (1853-1890)." Minneapolis Institute of Art, 1999. http://www.amcp.org/data/jmcp/vol5/num3/impressions.html
National Gallery of Art. "Exhibition Brochure." National Gallery of Art, Washington D.C., 2004. http://www.nga.gov/exhibitions/vgbro.htm
Shinn, Matt. "Vincent's Choice: Van Gogh's musee imaginaire. - Book Review." New Statesman, April 28, 2003. Internet Database: Findarticles.com: http://articles.findarticles.com/p/articles/mi_m0FQP/is_4635_132/ai_101191899
Utopian Images of the Natural State
Ernst Ludwig Kirchner's "Bathers Beneath Trees" and Franz Marc's "Bathing Girls." are paintings of the same subject; three women in nature getting ready to bathe and, or, swim. Both are utopian visions of what each artist felt was ideal. The utopian representation of both artists is seen in the use of an idealistic notion of freedom and a personal response to nature. Freedom is seen in the comfortable presence of the nudes and the use of color in nature reflects the artists' perception of utopian existence.
Bathers Beneath Trees is replete with the colors of the island paradise Kirchner thought of as his utopian vision. The tall trees reach to the top of the painting and are done in dark greens with the tree trunks allowed to come forward with the color yellow against a blue and green skyscape. The only blue in…
Kirchner, Ernst Ludwig (accessed 2004, April). Bathers Beneath Trees, Fehmarn, 1913. At http://www.nortonsimon.org/collections/browse_artist.asp?name=Ernst+Ludwig+Kirchne
Kirchner, Ernst Ludwig (accessed 2004, April). Trees in Autumn, c. 1906. At
The choice cannot be repudiated or duplicated, but one makes the choice without foreknowledge, almost as if blindly. After making the selection, the traveler in Frost's poem says, "Yet knowing how way leads on to way/I doubted if I should ever come back" (14-15). And at the end, as one continues to encounter different forks along the way, the endless paths have slim chance of ever giving the traveler a second choice. One can see this as similar to Mrs. Mallard's change. As she looks out into the future, she sees endless possibilities for choice and nothing feels like she would ever return to the determinate state of marriage.
The final two lines of "The Road Not Taken" say, "I took the one less traveled by / and that has made all the difference" (19-20). Unlike in Chopin, the traveler determines to take the path. In Chopin, the path forces…
Carver, Raymond. (1981). Cathedral: stories. New York: Vintage.
Chopin, Kate. (2003). The Awakening and selected short fiction. New York: Barnes & Noble.
Frost, Robert. (1969). The Poetry of Robert Frost: the collected poems E.C. Lathem, Ed. New York: Holt.
Yet, the warmth of the sun is overwhelming and the bright blue is a thing of beauty in itself, but there is something unsettling about this scene, too. It inspires loneliness. The house is there, as if in the middle of nowhere. The two black crows following the man, looking for the seeds are his only companions. Like in so many of Van Gogh's landscapes, the image seems to be reversed, like in a distorted image of a parallel reality or as if reflected by a huge mirror hung over the earth.
Van Gogh's love of literature and especially poetry transpires from his paintings. Although the painter does not abuse color, he creates a symbiosis between color and drawing, combining sketches and patches of color in such a successful way that he realizes true poems on a canvas. e it a poem about the meaningless of human life in a…
1. van Heughten, Sjaar. Van Gogh and the Colors of the Night. The Museum of Modern Art. New York. 2008.
2. Suh, Anna. Van Gogh's Letters: The Mind of the Artist in Paintings, Drawings and Words. September 2010.
Cantilever construction is known by projecting a form that is attached at one end to the building, while the other end juts out.
Second I will discuss the symbolism of the two buildings. The symbolism of both shows that the key images of both buildings depends on the perspective from which the building is viewed. The author talks of a 'colossal artichoke...a blooming flower' when referring to the Gehry museum while Wright's Guggenheim is in the shape of a seashell. These are all key images as related to the two architects.
The third discussion will focus on the iconography of the buildings which can be described as the viewer's participation in identifying and explaining what is going on in the building.
As mentioned above neither building has a form that follows function and the Gehry creation especially is difficult to tell what is going on in the building. Each perspective…
The Building. Guggenheim Museum. http://www.guggenheim.org/the_building.html , Accessed March 12, 2008
Martin, David F., and Lee a. Jacobus. The Humanities Through the Arts. 7th ed.
New York: 2008.
Picnic to the Earth
Faiz Ahmed Faiz and Shuntaro Tanikawa illustrate the transforming power of love as it is experienced through everyday occurrences. Faiz and Shuntaro express on how being in love has changed them by focusing on very personal, yet common experiences. By relating their transformation through such experiences, they are establishing the truly powerful effects of love. Through vivid imagery, each poet demonstrates how love adds life and excitement experiences to their life.
In "Before You Came," we realize how the poet has been transformed by his lover's presence. Before his lover arrived, we know that things were simply as they were in the poet's life. In other words, things were rather plain and ordinary. The poet states that the "road was just a road, wine merely wine" (Faiz 4). After poet meets his lover, he states that "everything is like my heart" (5), meaning that everything is…
This conflict was the thought of Miss Brill that everything around her were just a play and that even her self was part of the stage show where is currently at.
Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted?
The detailed mentioned above only showed how at first Miss Brill thought of everything as common events that she has been seeing in her Sunday habit of spending time outside her home and watching things and people around her.
Miss Brill had the idea that everything was really a stage show when she saw a dog that trotted and acted like a dog in a real show. From there, the interesting thought that everything was a show conflicted with the reality…
Can't say I disagree with him -- so I guess this yellow wallpaper crazy lady didn't have it so good, for all her money.
Sure, that lady went crazy, even though she was rich and livin' a high life. But heck, I might have gone crazy myself staring at the same wallpaper all day, with nothin' to do and I don't have half a mind to get crazy, people would say -- I think I might have gone crazy just on my own steam of thinkin' about what I could be doin'.
I can't just get my head around this whole other woman thing. First I thought she was like another person, then I realized that she was just a pretend woman in the imagination, behind the wallpaper -- and then, I kinda realized that the woman behind the paper was like Jim.
Let me explain, I'm not sayin' that…
( Achterberg 21) The man then proceeds to chop up the rest of his shaman's body, which he then boils in a pot for three years. After three years the body is reassembled by the spirits and covered with flesh. This means that in effect the ordinary man is now, through the process of initiation and dismemberment, resurrected as a shaman who has the capability to communicate with the spiritual world and who can acquire the knowledge to help and heal numerous illnesses. As the research by Achterberg notes, he now has the ability to, "…read inside his head…" (Achterberg 22) In other words, he now has the ability to see in a mystical sense without the use of his ordinary vision. (Achterberg 22) The initiation process also refers to the view that the shaman acts and perceives in a way that is different to ordinary human beings.
Achterberg J. Imagery in Healing: Shamanism and Modern Medicine. London:
Shambala Press. 1985.
Berlo J. And Phillips R. Native North American Art. New York: Oxfors University
As in the other painting, light provides the interpretation of the picture, but whereas ships or individuals may serve as subject of Cuyp's painting, here light serves as the subjects of Turner's. Light from the full moon shines on the glittering water, with silhouetted ships (as in the other picture) framing the view. The other picture draws your eye to the centerpiece; here, Turner draws your eye out to sea and to the corners of the panting. Nature sweeps a clear elliptical path and becomes the centerpiece brushing ships and flame to the sides.
A palette knife conveys mood and atmosphere. Some areas, such as the silvery-white moon and the orange torchlight are painted more thickly than others, and unlike Cuyp's canvass which is smooth and polished, Turner's is rough and textured with the raised surfaces perfectly catching and representing the light and drama of the scene. Here, the paint…
" (Pettersson, 2006) Oral and written verbal art languages are both used for the purpose of information communication as well as information presentation with the reader and listener receiving an invitation to consider the information.
The Narrative & the Symbolic
The work of Abiola Irele (2001) entitled: "The African Imagination: Literature in Africa & the lack Diaspora" states that Hampate a "...incorporates the essential feature of the oral narrative at significant points in his work in order to reflect their appropriateness to situations and for special effects. Their conjunction with the narrative procedures sanctioned by the Western model thus enlarges their scope and give them an unusual resonance. At the same time, although he writes with conscious reference to this Western model, he does not feel so constrained by the framework of its conventions that he is unable to go beyond its limitations. His departures from the established codes of…
Aggarwal, Kusum. Amadou Hampate Ba et l'africanisme. De la recherche anthropologique a l'exercice de la fonction auctoriale. Paris: L'Harmattan, 1999.
Dielika Diallo "Hampate Ba: the great conciliator." UNESCO Courier. FindArticles.com. 30 Sep, 2009. http://findarticles.com/p/articles/mi_m1310/is_1992_Jan/ai_11921818/ . UNESCO 1992. Online available at:
Conflict Between Exterior and Interior Life
Kate Chopin's "The story of an Hour" offers a story behind a story. First it can be noted that this talks about Mr. And Mrs. Mallard. Mrs. Mallard received a news that her husband has just died. This prompted for a roller coaster of emotions to build inside her heart and mind.
First, she felt sadness. She was saddened by the fact that she is now alone and that her husband will no longer be with her. But the feeling of sadness did not stay for long in Mrs. Mallard's heart because she suddenly realized that she is now free. The death of her husband would mean that nobody will hurt her anymore. Because her husband is dead, nobody will discriminate her anymore. Nobody will make her feel that she is just a low or second class citizen. Nobody will prevent her from doing…
Chopin, Kate. The Complete Works of Kate Chopin. Ed. Per Seyersted. Baton Rouge: Louisiana State UP, 1969.
Geography on Political, Cultural, and Economic Development of Early Civilization in Mesopotamia, Egypt and the Indus Valley
The focus of this study is the effect of geography on the political, cultural, and economic development of early civilization in Mesopotamia, Egypt and the Indus Valley. The characteristic that Mesopotamia, Egypt, and the Indus Valley all have in common is that they were all river valleys. Therefore, the geography of these locations was very much alike and likewise their culture, political landscape, and economic development were all very much the same.
Statement of Thesis
The civilization of Mesopotamia, Egypt and the Indus Valley were highly affected by the geography of these regions, which resulted in rapid expansion, and growth of these civilizations and which affected the cultural, political, and economic environment of these areas of the world.
Mesopotamia & Egypt
What is known as the Urban revolution occurred in Mesopotamia and Egypt…
Ancient Civilizations to 300 BC Introduction: The Invention and Diffusion of Civilization (2006) The University of North Carolina at Pembroke. Retrieved from: http://www.uncp.edu/home/rwb/lecture_ancient_civ.htm
Guisepi, R.A. (nd) The Indus Valley and the Genesis of South Asian Civilization. Retrieved from: http://history-world.org/indus_valley.htm
African estaurant evival
New York is home to people from all over the world, and it is well-known that they often bring with them cuisine from their homelands. Foodies descend on food courts in subterranean malls in Queens, ussian bakeries in Brooklyn, and ethnic food trucks pretty much anywhere throughout the five boroughs. For being a cosmopolitan city with such cosmopolitan tastes, surprisingly little attention is paid to the diversity of African food. The continent of Africa is rich in food tradition and, increasingly, we are seeing these traditions manifest throughout New York. This trend is occurring in many places, in particular Manhattan and Brooklyn. In fact, several openings over the past few years have dramatically altered the African dining scene, and this development is very much worthy of coverage. This citywide exposure to the African food trend makes it an excellent topic heading into the summer eating season.
Kugel, S. (2007, March 18). Sampling a Continent at Home. Retrieved from nytimes.com: http://www.nytimes.com/2007/03/18/travel/18weekend.1.html?_r=0
Laing, N. (2013, October). New York's First African Restaurant Week Offers New Flavors and a Dash of Culture. Retrieved from fo2w.org: http://fi2w.org/2013/10/14/new-yorks-first-african-restaurant-week-offers-new-flavors-and-a-dash-of-culture/
Pearlman, E. (2014). Ponty Bistro. Retrieved from blacboardeats.com: http://www.blackboardeats.com/sp/ponty-bistro-gramercy-new-york-3
Spiropoulos, R. (2014, June 28). Dining African: 3 Restaurant Biz Success Stories Savor N.Y. African Restaurant Week. Retrieved from blackenterprise.com: http://www.blackenterprise.com/lifestyle/new-york-african-restaurant-week-wraps-in-style/
Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his 'sensations'. All three worked together for some time at Pontoise, where Pissarro and Gauguin drew pencil sketches of each other (Cabinet des Dessins, Louvre).
Gauguin settled for a while in ouen, painting every day after the bank he worked at closed.
Ultimately, he returned to Paris, painting in Pont-Aven, a well-known resort for artists.
Le Christ Jaune (the Yellow Christ) (Pioch, 2002) Still Life with Three Puppies 1888 (Pioch, 2002)
In "Sunny side down; Van Gogh and Gauguin," Martin…
Bailey, Martin. (2008). Dating the raindrops: Martin Bailey reviews the final volumes in the catalogues of the two most important collections of Van Gogh's drawings. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research:
Martin. (2005) "Van Gogh the fakes debate. Apollo Magazine Ltd. Retrieved February 26, 2009 from HighBeam Research:
http://www.highbeam.com/doc/1G1-127058183.html . Bell, Judith. (1998). Vincent treasure trove; the van Gogh Museum's van Goghs. Vincent van Gogh's works from the original collection of his brother Theo. World and I. News World Communications, Inc. Retrieved February 26, 2009 from HighBeam Research:
Thomas Hart Benton was born in 1889 in a family with long tradition in American history. His father was a Congressman and his great uncle, whose name he bore himself, was one of the most influential man in the United States in the 19th century, the first Missouri senator and the only senator until nowadays that served 30 years continuously in the Senate (he was elected five times in a row).
Thomas Benton attended the Art Institute of Chicago between 1906 and 1907 and at 19 he was in Paris, center of European painting at the time, where he stayed for three years. Greatly influenced by the French Impressionists, and especially by Cezanne, Thomas Hart approached modernism at the beginning of his painting career. He also imitated Stanton MacDonald-right's Synchronism, a somewhat abstract type of painting which he was later keen to deny.
However, Thomas Benton later on gradually moved…
We have discussed the colors and the structure. If we are to look at the humans that populate the painting, we may sense a kind of domination from the nature. I am asserting this because, as we can see, there are only two men working on the field, while the natural elements, as we have seen, indeed seem more powerful. Placed in the center of the painting, the two men are somewhat surrounded by the natural elements, a surrounding that may seem either protective or threatening. In any case, they seem to be at the mercy of the natural elements.
July Hay by Thomas Hart Benson can be considered, without fear of using an excessive metaphor, a symphony in motion. As I have discussed and proved in the lines here above, the elements of nature and the two men seem to complete a sublime picture and are definitely complementary one to the others. The nature of colors used, vivid and bright, seem to fulfill this 'musicology'. http://www.artchive.com/artchive/B/benton.html
Salerno, Lynn. The Regionalists as reactionary painters. On the Internet at http://home.sprynet.com/~bdsalern/amart1.htm
images in the film Badlands by Terrence Malick are often disharmonious, wherein the potential importance of an encountered object evades the thinking, activity, and perception of the characters. It is as if Malick desires for every object in the scene to dance around available categories, without settling into any particular one. This indecisiveness and abstract conception seems to become his saving grace and what makes the film so interesting and dynamic. If one pays attention to the visuals of the film, one can see the points and unique perspective of Malick.
The opening sequence of the film which has the actress, Sissy Spacek, or "Holly" on her bed with her dog, caressing him as she discusses her mom, plays in stark contrast to the dead border collie, or unknown breed of dog, Kit finds on the street. He has his hands on the dog's snout. The dog is small, looked…
Will it be able to fly or glide, or float through the air. There is an unanswered question here. The girl is still blowing bubbles and has barely noticed what has happened yet. But two other gargoyles turn to watch this one gargoyle who has freed itself from its eternal bondage. One of these is screaming, as if he is afraid, or wants to join the one who has become free.
The young girl seems to be involved in what is before her, not the image of the gargoyle. But lying in the shadows is her teddy bear, an image of her babyhood, lying forgotten on the edge of the stone.
The gargoyles depicted in this painting are not the medieval norm. Though their heads are monstrous and have huge fangs, they are also half-human. The bodies are definitely human, though the back legs remind one of amphibians' legs, with…
On the contrary, if I had been able to be a clergyman or an art dealer, then perhaps I should not have been fit for drawing and painting, and I should neither have resigned nor accepted my dismissal as such. I cannot stop drawing because I really have a draughtsman's fist, and I ask you, have I ever doubted or hesitated or wavered since the day I began to draw? (Van Gogh, Letter to Theo, April 1882).
That he was a talented artist was undeniable. Yet, art was no substitute for religion, and, further still, art was no direct avenue to sanctifying grace. Van Gogh's increasing sense of alienation and feeling of despair would continue unabated -- evidenced by he and his brother Theo's inability to live together for long; the inability of his dream of an artists' collective (the artistic equivalent of a kind of monastic community) to come…
Fritillaries. (2006). Musee d'Orsay. Retrieved from http://www.musee-
Garrigou-Lagrange, R. (1938). The Three Ways of the Spiritual Life. London: Burns
Tapies, Van Gogh, And Munch
Antoni Tapies' Composition with Figures (1945) is a work of modern art that uses the impasto technique to create a figurative or symbolic painting. Its style and use of color appear to be inspired by Van Gogh, yet its melancholic tone and expression (most clearly seen in the hollow, hopelessness of the central subject's eyes) appear inspired by Munch. Tapies' Composition comes at the beginning of his career but at a time in history when the modern world has already attempted to rip itself apart twice (WWI and WWII). Thus, one sees in this composition a subject located between two extremes with a "celestial light" above it that does not seem to be able to fill the entity below. Yet what the light is doing is indeterminable exactly because the more one looks at the painting, the more realizes that it contains complexities that arouse…
Cirlot, L. (2009). Grove Art. Oxford University Press.
Johnson, P. (2003). Art: A New History. NY: Harcourt.
Turner, E. (2015). Art Review: Marble Dust & More in Miami's Antoni Tapies Exhibit.
Hampton's Art Hub. Retrieved from http://hamptonsarthub.com/2015/03/18/art-review-marble-dust-more-in-miamis-antoni-tapies-exhibit/
June Morning (1945)
Thomas Hart Benton's June Morning imbues the reader with emotion from first glance to closer inspection. At first, the painting feels a bit dark as a summer storm is rolling out of this rural setting. The sky to the right is still filled with dappled gray clouds that arc in bands to the left. The left sky glows lightly golden behind the arms of clouds stretched across it, giving stark contrast to the their dark forms.
The pastel sun illuminates the balance of the left side of the painting. In the background it lights a sliver of ocean, made of shades of sky blue, and is just barely visible to the viewer. A gentle highlight indicates the swell of the ocean as it comes in to break somewhere on an unseen shore.
This same sunlight dully lights the roof of an old farmhouse with a…
Metropolitan Museum of Arts: Johannes Vermeer (Dutch, Delft 1632 -- 1675 Delft)
Young Woman with a Water Pitcher (1662)
History of the Painting
The Metropolitan Museum of Art (MMA) notes that this was the first Vermeer painting to enter an American public collection, and is one of a small group of canvases dating from about 1662 -- 65 in which isolated women appear as mistresses of their private domains.
Technical analysis reveals that a larger map than the one now visible originally extended to the left behind the woman, so that her head was framed within the wall hanging's lower left corner. In addition, the back of a chair set on an angle was placed in the left foreground and partly overlapped the window. The chair, the use of an open window as a spatial device, and the bright, local coloring are consistent with Vermeer's style in works dating from…
Metropolitan Museum of Art: Johannes Vermeer (Dutch, Delft 1632 -- 1675 Delft)
Young Woman with a Water Pitcher (1662)
Netta, I. (2001) Vermeer's world: an artist and his town. Munich; New York: Prestel,
" (Anaya: 244). His doubts do not mean he rejects Catholicism. He does not reject the religion of the Lunas either; he merely understands that maturity brings about the need to construct his own identity based on his own beliefs. He accepts God throughout the novel, and looks for Him in everything except in himself. Towards the end, his experiences along with Ultima's teachings guide him towards a religious discovery that is in fact, self-discovery: "There are so many dreams to be fulfilled, but Ultima says a man's destiny must unfold itself like a flower, with only the sun and the earth and water making it blossom, and no one else meddling in it" (Anaya: 223).
TEXT "The sun was good. The men of the llano were men of the sun. The men of the farms along the river were men of the moon. But we were all children of…
Every day I will give you a color, like a new flower in a bud vase on your desk. Every day will paint you, as women color each other with henna on hands and on feet.
Yellow as a goat's wise and wicked eyes, yellow as a hill of daffodils, yellow as dandelions by the highway, yellow as butter and egg yolks, yellow as a school bus stopping you, yellow as a slicker in a downpour
Every poem, Piercy gives the readers a color, "like a new flower in a bud vase" (her metaphors), on your desk. Every day "she paints us" (word play), with yellows (repetition, sound), "the purple of ripe grapes" (alliteration). She is using her poetry to bring change, emotional, intellectual, perhaps social and political. This is her way to bring life, to change life as in "ising in perilous hope":
What words can I say that…
Daiches, David. "Composition of Poetry: Meaningful Soul Poem." Website Retrieved December 1, 2006. http://www.buzzle.com/editorials/1-25-2005-64756.asp
Marge Piercy website. Looking at Myself A Study in Focused Myopia From Parti- Colored Blocks for a Quilt, (University of Michigan Press, Ann Arbor, MI). Website retrieved December 1, 2006. http://www.margepiercy.com/main-pages/38-books-reviews.htm
Piercey, Marge. (2003) Colors Passing Through Us. New York: Alfred Knopf.
I Ching Classical Understand vs. Aleister Crowley
Any belief, whether it is a self-made system or is bestowed upon us from above, can be taken as a religious view, for how does one define religion except as a system which sets upon humans a certain lifestyle to follow. The definition might seem vague at the least, but to define religion is becoming increasingly difficult, as more and more new sources of religious believes emerge. In all sense of the world, there is a message, however it may or may not be from an omnipotent, invisible God; it can be from a messiah or a man who has been raised to the level of a Messiah by his/her followers, as is the case of Buddha. [1: END NOTES Connelly, Paul. Definition of Religion and Relates Terms. 1996. 23rd March 2012 .]
The same has been the fate of many of the…
hile this investment has flourished to this point despite strained cross-strait relations, deterioration in the China-Taiwan relationship would threaten Taiwanese investment in China. Taiwan's firms have already been warned by their Ministry of Economic Affairs to increase their level of risk assessment on account of increased risk that China's government poses to Taiwanese investments (Central News Agency, 2007). More important, however, are the damaging effects on total FDI that deterioration in China-Taiwan relations would have. hile Hong Kong is the largest source of FDI, much of that is estern and Taiwanese money that is merely funneled through Hong Kong intermediaries, rather than bona fide HK-sourced capital (Ibid). Some of this money may even be China-sourced (Hou, 2001). If China loses substantial amounts of foreign investment as a consequence of turmoil with regards to Taiwan, its economic growth could stall. However, this remains a lower concern than some of the other…
Xiong, Tong. (2009). Beijing Reports 80% Blue Sky Days in First Quarter. China View. Retrieved August 2, 2009 from http://news.xinhuanet.com/english/2009-03/31/content_11108454.htm
No author. (2003). China's Resource Shortage May be Beneficial in Long Run. Voice of America. Retrieved August 2, 2009 from http://www.voanews.com/english/archive/2003-01/a-2003-01-14-18-China-s.cfm?moddate=2003-01-14
Kejun, Jiang. (2005). Management of Energy Resources in China. Energy Research Institute/World Bank. Retrieved August 2, 2009 from http://siteresources.worldbank.org/INTDECABCTOK2006/Resources/Kejun_Energy_China.pdf
No author. (2009). International Energy Outlook 2009. Energy Information Administration. Retrieved August 2, 2009 from http://www.eia.doe.gov/oiaf/ieo/coal.html
Imagining architecture as the structure upon which meaning grows and contributes to the phenomenon of a place is particularly helpful when investigating Holl's Linked Hybrid, because the design expresses a desire to meld the objective, concrete of the building itself to the experience of the residents living and moving within.
Construction on Linked Hybrid began in 2003 and completed in 2009, when Holl's design won the Council on Tall Buildings and Urban Habitat's award for Best Tall Building (CTBUH 2009). Part of a slew of new developments born out of Beijing's revitalization as a result of its hosting of the 2008 Olympic games, Linked Hybrid is a mixed-use development consisting of "a ring of eight 21-story towers, linked at the 20th floor by gentling sloping public sky bridges, lined with galleries, cafes, restaurants, bars and shops" (Busari 2008). Each tower is rectangular, with some towers being additionally linked at the…
Busari, Stephanie. CNN, "Beijing embraces Brave New World of buildings." Last modified June
24, 2008. Accessed November 6, 2011.
Council on Tall Buildings and Urban Habitat, "2009 Awards." Last modified October 2009.
Adorned with a tiara of five skulls, red scarf, elephant skin, bone ornaments, a long snake and fifty freshly severed heads as a necklace…Simhamukha in a mood of great fierceness dwells in the middle of a blazing fire of pristine awareness" (Tibetan Incense Shop 2011).
This quotation is fairly important, as is the reference to the physical aspects of Simhavakatra, since such references are fundamental to the various poses and styles that may be evoked in a form of meditation to summon the presences and the attendant energies of this deity. There are a number of different representations of physical manifestations that can be found with Simhavakatra and, as the preceding quotation suggests, one of them is referred to as the concept of Fear Dakini in which the ferocity of this female energy is used to ward off negativity as the following quotation makes readily apparent. "Iconographic representations tend to…
Tibetan Buddhist & Newar Tantric Art. "Simhamukha." Accessed November 30, 2011. http://www.tibetanart.com/Product.asp?PID=104&MATCH=1
Kuman, Nitin. 2000. "Dance of the Yogini." Accessed November 20, 2011.
Preece, Rob. 2006. The Psychology of Buddhist Tantra. Ithaca: Snow Lion Publications
Tibetan Incense Shop. 2011. "Simhamukha, Sengdongma, Lion-Faced Dakini," Accessed November 30, 2011. http://tibet-incense.com/blog/simhamukha-sengdongma-lion-faced-dakini/
Other things being equal, higher sap sugar content translates to lower costs of production and greater profits (World ook Encyclopedia 1992).
lack and sugar maples start their growth later in the spring than red or silver maple. As maples begin their growth, chemical changes take place in the sap which makes it inappropriate for syrup production. The term "buddy sap" is often employed to late season sap which produces syrup with a very disagreeable flavor and odor. ecause sugar and black maple resume growth later than red or silver maple, sap may be collected later in the spring.
Japanese maple, a. palmatum, is also a well-liked ornamental tree. It has about 80 strains varying from shrubs to trees. They rarely grow more than 6 meters high. Japanese maples have leaves that are deeply divided into five to nine narrow, toothed lobes. They have light leaves which are delicate shades of…
Acer Saccharum. http://www.wildwnc.org/trees/Acer_saccharum.html
Gabriel WJ. 1975. Phenotypic selection of sugar maples for superior sap volume production. In Proceedings, Twenty-first Northeastern Forest Tree Improvement Conference. p.91-96.
Godman RM. 1965. Sugar maple (Acer saccharum Marsh.). In Silvics of forest trees of the United States H.A. Fowells, comp. U.S. Department of Agriculture, Agriculture Handbook 271: Washington (DC). p 6-73
Gould NE. 1979. Reforestation and timber stand improvement report for Fiscal Year 1978 and 1979. WO-2490 Records and Report. USDA Forest Service: Washington (DC). p 57
On the other hand, the god was also a winged god and using his symbol also could mean that the company advertised its capacity to make things fly, both in a practical and symbolical manner. In any case, the central place on the blimp for the company logo is relevant in showing the importance that is being attributed to the winged shoe.
The text is written in yellow on blue and the most reasonable explanation for this is the fact that yellow is a color that stands out, especially on its blue background. It is also an optimistic color, which means that Goodyear will thus be associated with a positive outlook. The lines above and below the writing are very important, because they emphasize the writing and attract the attention of the audience to them. The text and message is thus centered, both on the blimp and in the minds…
1. On the Internet at http://www.straightdope.com/columns/read/1763/whats-that-flying-foot-in-the-goodyear-logo-all-about.Last retrieved on January 20, 2009
On the Internet at
"A prime source for her early art," Sara hitaker Peters writes (Peters 192), was her "...powerful physical reaction to nature and to individuals." The "suggestively layered mountains, canyons, and mesas," Peters continues, seem to be "vestiges" of "female forms"...as if she had decided to inhabit the earth and the sky around her."
It was at Lake George, in fact, that the photography of Stieglitz and of Paul Strand awakened her "to the possibility of taking an objective approach to her own motifs... [and] it happened in Lake George in 1923, where she "...first got down to an effort to be objective" in her depiction of the natural world. Moreover, Peters (135) writes that it was in fact at Lake George (where she eventually would begin to feel confined, hence her permanent relocation to New Mexico) that her subject matter "...began to turn from the uterine-personal to shelter shapes of another…
Messinger, Lisa Mintz. (1988). Georgia O'Keeffe. New York: The Metropolitan Museum of Art.
Peters, Sarah Whitaker. (2001). Becoming O'Keeffe: The Early Years. New York: Abbeville
Pantone -- Pantone is actually a U.S. corporation headquartered in New Jersey. They are best known for PMS, or a Pantone Matching System, which is a proprietary color space used in printing, paint, fabric and plastics. Pantone is all about the use of shading, tone, and timbre of color -- hundreds of versions of each primary color so that the end user can accomplish just what it is they need. However, Pantone is more than just a color database; it is a driver of style and color for numerous industries. For instance, in 2008, Pantone picked #18-3943, or Blue Iris as the color of the year. Almost instantly, designers in furniture, fabric, carpeting, and home decor picked up that this shade of blue and its compatible colors would be "the" color to use (Horyn).
One example of the use of a one-color Pantone job would be the exact look of…
Works Cited Page
"Bathers by the River." June 2004. All About Matisse. October 2010 .
"Color Temperature, Daylight, and Light Bulbs." March 2009. Freestylephoto.biz. October 2010 .
"Color Theory - Color Temperatures." 19 April 2009. Hanprint.com. October 2010 .
"Elizabeth Murray Exhibitions." 23 October 2005. MOMA.org. October 2010 .
Frost's Poetry And Landscape
The Rise of Modernist Poetry
Between the years of 1912 and 1914 the entire temper of the American arts changed. America's cultural coming-of-age occurred and writing in the U.S. moved from a period entitled traditional to modernized. It seems as though everywhere, in that Year of 1913, barriers went down and People reached each other who had never been in touch before; there were all sorts of new ways to communicate as well as new communications. The new spirit was abroad and swept us all together. These changes engaged an America of rising intellectual opportunities and intensifying artistic preoccupation.
With the changing of the century, the old styles were considered increasingly obsolete, and the greatest impact was on American arts. The changes went deep, suggesting ending the narrowness that had seemed to limit the free development of American culture for so long. That mood was not…
The Oxbow" shows the confidence of Americans of the period in technology and progress, as embodied in the Industrial Revolution, and also the ability of Americans to discipline the wilderness through agriculture, rail roads, and other emerging technologies of the day. Van Gough's landscape shows the European shift in painting from outward depictions of heroic subjects with unerring detailed accuracy to a concern with how the landscape can reveal impressions of the artist's own unique vision. However, one Cole scholar has suggested: "in the lazy turn of the great oxbow -- echoed by the circling birds at the edge of the storm -- we can make out the shape of a question mark: where is all this headed," in short that even in this American confidence there is tension and doubt (Johns, 1996).
The tension of "Starry Night" is within the soul, not in practical questions of where the future…
Johns, Joshua. (5 Apr 1996). "The Oxbow." From a Brief History of Nature and the American Consciousness. Retrieved 8 Jul 2007 at http://xroads.virginia.edu/~cap/NATURE/cap2.html#oxbow
Stokstad, Marilyn. 2005. Art History. New York: Harry N. Abrams, Inc.
Vincent van Gogh: The Starry Nights." Van Gough Gallery. 2007. Retrieved 8 Jul 2007 at http://www.vangoghgallery.com/ painting/starryindex.html
As stated previously, there are two types of lighting in theaters, General Composition and Selective. During theses early phases, while there were some forays into selective illumination, they were very limited. Some parabolic reflectors were used to guide lighting in specific arches across the scene, but there was little in the way of pinpoint accuracy. There was also one major problem with illumination to date, it was always in the form of a flame and had to be held vertically over its fuel source, protected from anything that could burn and had to be fed by oxygen. This limited the type of housing that could be used as well as the positioning possibilities of this type of light source.
The first attempt at a focused shaft of light was created by the introduction of limelight. The limelight, or calcium light, was produced by directing an oxygen/hydrogen flame at a cylinder…
Scene Design and Stage Lighting." The Columbia Encyclopedia. 6th ed. 2004.
Babbage, Frances. "The Play of Surface: Theater and the Turn of the Screw." Comparative
Drama 39.2 (2005): 131+.
Graves, R.B. Lighting the Shakespearean Stage, 1567-1642. Carbondale, IL: Southern Illinois
The importance of ritual objects to the Shaolin is shown in how they react to the supernatural appearance of an incense burner. hen the survivors of the massacre woke up the next day, they saw on the surface of the water a white incense burner made of greenstone, which had two ears and three feet and weighed 52 "catties, thirteen ounces"; on the bottom of the incense burner, the four words Fan-Qing fu-Ming had been inscribed. The brothers immediately secured the incense burner and placed it in the third field in front of the temple gate (Baoqi & Murray 206). In this regard, the Shaolin monks of the day embraced the popular belief that Heaven could manifest its support of claimants to the Chinese throne or of founders of religious cults through the bestowal of precious objects, such as these incense burners, swords, or books. "The incense burner, as it…
Anderson, Mary M.
Hidden Power: The Palace Eunuchs of Imperial China. Buffalo, NY: Prometheus Books, 1990.
Baoqi, Qin and Dian H. Murray. The Origins of the Tiandihui: The Chinese Triads in Legend and History. Stanford, CA: Stanford University, 1994.
Campany, Robert Ford. (October-December 2001). The Eminent Monk (Book review). Journal of the American Oriental Society, 121(4):656.
Zebra in the Room
Wore a purple dress. It matched my shoes
Which I bought the other day at Macy's.
The zebra said, "Why don't you have some dessert?"
To which I responded that I was getting fat.
"When I was a kid," the zebra said,
"I was fat." He left it at that and finished his cake.
But he did not shut up because he had something to say. The zebra talked about the taste of the grass in the fynbos, and how delicious it was before the baboons took over. The baboon mama was the worst, and used to eat flowers. The fields were once filled with yellow flowers, bright and blossoming like suns. When the baboons came, the zebras watched with dismay as the flowers departed one by one. The baby baboons ate flowers too, and soon the fynbos dotted with little suns became and ordinary landscape…
Post-Impressionist artists were interested in the ideas of Friedrich Nietzsche, particularly in his concept of the Ubermensch, a superman who would be capable through intense struggle of surmounting the lower forces that would limit his ability to achieve. The idea that man could evolve beyond his present capacities influenced the relationship of European man to previous cultures and to contemporary but less "civilized" societies. This paper explores the ways in which Paul Gauguin applied the Ubermensch concept to his art and to his life, and examines parallel motifs in the oeuvres of his contemporaries.
The Artist Gauguin: Man, Nature, Ubermensch and God
At the beginning of the enaissance, Massacio painted The Expulsion of Adam and Eve from the Garden of Eden, and initiated a new view of humanity: an intensely personal and emotionalized struggle against fate. In spite of the Neo-Classical return to the formal norms of the past, the…
Biography of Gauguin. http://www.abcgallery.com/G/gauguin/gauguinbio/html (November 14, 2002).
Dillon, John K. (1997) The Death of Tragedy: The philosophy of Friedrich Nietzsche's Ubermensch. http://www.nsula.edu/scholars_college/Thesisabstracts/HSTtheses/dillon.html (November 14, 2002).
Gauguin, Paul. (1897) Noa: The Tahitian Journal. 1985 ed. Dover Publishing.
Norris, George. (1996) Expressionism: Its Spiritual and Social Voice. http://www.br.cc.va.us/vcca/norris.html (November 15, 2002).
You ask me what's the most important event in the city's history. I can tell you.
The Watts Riots. I wasn't born, but it was always talked about.
I see that as a sign that everybody wanted a place in this city.
Black, white, yellow, red, brown, we all want a home to call our own.
And we want to be treated equal.
There's parts of town still in that old Watts Riots mentality
That things aren't good and they never will be.
I try to ignore all that.
I think the point of all the troubles we had back in the day was so that we could move forward.
My little boy is going to grow up thinking the most important event in the history of LA was the day Daddy opened his restaurant. It's different now, for some of us anyway.
But people are always wrong about LA.…
Windows -- Bernice Morgan
One would think that waiting for death in the bitter cold of late winter is about as grim as a life can be. But when you are depressed and dirt poor, living in a ramshackle old house that leaks cold air, with a daughter-in-law in the house that you dislike intensely -- and who wants you out of the house whenever possible -- things are seriously awful. For Leah, who has vivid memories of how life used to be in Estonia, her misery is compounded by her confused mind. Author Morgan does a splendid job of portraying Leah's misery -- and the reality of Leah's life beyond Leah's twisted approach to what life she has left -- through three main themes and symbols: colors, sounds, and death. Also incorporated into the short story is Leah's total lack of motivation, her cynical view of the people around…
Nostalgia for the Past
Nostalgia can take many forms, but can perhaps be summarized by the phrase 'appropriating selected aspects of the past for the use of the present'. It tends to involve an emotional or spiritual response to the past rather than a rationalizing one, and as a result is associated with the art of sentiment rather than of intellect. As we shall see, however, eighteenth- and nineteenth-century artists who made use of nostalgia were prepared to shape its appeal in intellectual as well as purely sentimental or aesthetic forms.
Jacques-Louis David (1748-1825) was a passionately political artist, a proponent of history painting in its most elevated form and of the neoclassicist aesthetic. His 'The Oath of the Horatii' of 1784 (Louvre, Paris) depicts a scene from the Roman historian Livy: the three Horatii brothers pledge to fight the three Curiatii brothers in order to settle a dispute between…
Sally Mann's portfolio abounds of photographs of little girls, including here photographs such as the New Mothers and Sorry Game. All these, as the Easter Dress, are in black and white. In my opinion, the choice for black and white is an attempt by this modern artist to move the viewer's attention away from coloration and into the game of shapes and forms. If we compare this photograph with Dine's painting, the latter puts all emphasis on color (red in that particular case), while Mann insists exactly on everything that is not color: shapes, forms, movements.
The photograph depicts a little girl in a white dress playing/dancing in the foreground, while other characters, most likely members of her family (probably her grandparents, among others) are also present in the framework. As a modern art, photography has a characteristic that many other visual arts, including painting, do not: the ability of…
1. Gilmore, Richard. Philosophical Beauty: The Sublime in the Beautiful in Kant's Third Critique and Aristotle's Poetics. World Congress of Philosophy, in Boston, Massachusetts from August 10-15, 1998. On the Internet at http://www.bu.edu/wcp/Papers/Aest/AestGilm.htm.Last retrieved on October 9, 2006
2. Cronk, R. The Rise and Fall of (Post-)Modern. 1996. On the Internet at http://www.westland.net/venice/art/cronk/riseandfall.htm.Last retrieved on October 9, 2006
3. On the Internet at http://www.tandempress.wisc.edu/tandem/gallery/komarin/gk610.htm.Last retrieved on October 9, 2006
4. On the Internet at http://www.artline.com/associations/ifpda/ifpdafair/ifpdafair2002/nonexhibiting/Segura_Publishing_Company/index.html.Last retrieved on October 9, 2006
INT. DINER -- LATE AFTERNOON
A quiet fall day at a diner in the middle of the city in November 1919, a year after World War I ended. There is a chill in the air. The day has progressively darkened as dark storm clouds roll in. The greens of the trees and grasses appear to become saturated and the reds, yellows, and oranges of the foliage become more pronounced as the clouds filter out the sun's bright, harsh rays.
The diner is for almost empty. JACK sits at a table near the window, his back to the entrance. On the other side of the diner sits an OLD MAN eating hot soup. JACK looks out the window and is distracted by an approaching storm. He is wearing khaki colored pants, a dark red plaid button up shirt with a plain white undershirt underneath, a dark olive jacket, and…
Dorothy ordsworth --"we journeyed side by side."
illiam ordsworth was the famous Romantic poet. His sister Dorothy was his quiet strength, support and inspiration. Dorothy ordsworth (1771-1855) devoted her life to her brother (1770-1850).
Intimate friends and close confidants, they shared an immense mutual dependence and were of extreme significance and value to each other. As illiam put it in his poem, "The Recluse," as quoted in the title above, brother and sister journeyed not only to Grasmere, but through all of life, "side by side," blown by the winds of life, "like two birds, companions in mid-air,/Parted and reunited by the blast (Clark 28).
Dorothy and illiam's mother died in 1778. Dorothy, age six, was separated from all her brothers, including illiam, age eight, and raised by various relatives, while he lived at school. As young children illiam and Dorothy were very close, and it was perhaps this separation…
Alexander, Caroline. "The Other Wordsworth, In England's Lake District." New York Times 28 February 1999, sec. 6, p. 15, col 1.
Alexander, Meena. "Dorothy Wordsworth: the Grounds of Writing." Women's Studies. 1988 Vol. 14:195-210.
Clark, Colette. Introduction. Home At Grasmere. By Dorothy Wordsworth. New York: Penguin Books, 1978.
Mallaby, George. "Dorothy Wordsworth: The Perfect Sister." The Atlantic Monthly. 1950 December. http://www.theatlantic.com/issues/50dec/mallaby.htm .(accessed 11-26-2002),
This poem is a favorite of mine because it reminds me to slow down and appreciate everything. It does not take long nor does it take much to renew and revive and that is exactly what the poet wishes to communicate.
In Joy Harjo's "Remember," the poet uses imagery and personification to convey points of importance. Because the poet is encouraging someone to remember, she pulls images from experience that will be familiar. She begins by telling the reader to "Remember the sky" (Harjo 1) and to "know each of the star stories" (2). In addition, it is important to know the moon. The poet wants to use images the reader already knows and identifies with in order to stress the importance of connecting with the earth. The importance of remembering one's parents is also important because we are all connected. She tells the reader to remember the "earth whose…
Bishop, Elizabeth. "The Fish." Literature: An Introduction to Reading and Writing. 9th Edition.
edited by Edgar V. Roberts and Henry E. Jacobs. Upper Saddle River, NJ:
Pearson/Prentice Hall, 2007. Print.
Frost, Robert. "Stopping by Woods." Literature: An Introduction to Reading and Writing. 9th Edition.
Even though users of light therapy are often advised not to look directly at the light source, the mechanisms of the eye focus incoming light onto the macula, the small region of the retina where vision takes place, and where age-related macular degeneration occurs. Since blue light wavelength make up only a small percentage of the light in white light, any form of light therapy using a high proportion of blue light therefore risks subverting a variety of defensive mechanisms that protect the retina against blue light hazard. These defensive mechanisms include the anatomical positioning and structure of eye and its surrounding features, as well as human posture, which makes it awkward for humans to gaze upwards for long periods of time. Sunnex iotechnologies, 2008)
The work of David H. Sliney entitled: "Ocular Hazards of Light" presented at the International Lighting in Controlled Environments Workshop states the following risks and…
Figueiro, M.G., J.D. Bullough, R.H. Parsons, and M.S. Rea. Preliminary Evidence for Spectral Opponency in the Suppression of Melatonin by Light in Humans. Neuroreport, Vol. 15, 2004, pp. 313-316 in: Figueiro, Mariana, Bullough, John D. And Rea, Mark S. (2007) Light isn't just for vision anymore: implications for transportation safety. United States Department of Transportation Lighting Research Center Region 2 University Transportation Research Center Polytechnic Institute 31 Dec 2 -- "7
Figueiro, M., et al. Demonstration of additivity failure in human circadian phototransduction. Neuro Endocrinology Letters, Vol. 26, 2005, pp. 493-498.
Ingling, C.R., E. Martinez, and a.L. Lewis. Tonic-Phasic-Channel Dichotomy and Crozier's Law. Journal of the Optical Society of America, Vol. 73, 1983, pp. 183-189 in Figueiro, Mariana, Bullough, John D. And Rea, Mark S. (2007) Light isn't just for vision anymore: implications for transportation safety. United States Department of Transportation Lighting Research Center Region 2 University Transportation Research Center Polytechnic Institute 31 Dec 2 -- "7 Report
Lack, Leon, Bramwell, Toby, Wright, Helen, and Kemp, Krystyn (2007) Morning blue light can advance the melatonin rhythm in mild delayed sleep phase syndrome
From these examples there is a varied sense of the realism of Eliot in both her prose and her poems. The realism of Eliot demonstrates a reflection of the era. The naturalist and realism movements were ingrained in the Victorian 19th century and yet the descriptive nature of Eliot's works make them in many ways timeless. The characters are enveloped with the reader into the surroundings of events of human social drama.
Eliot, George. The Best-Known Novels of George Eliot: Adam Bede, the Mill on the Floss, Silas Marner, Romola. New York: Modern Library, 1940.
Eliot, George, Brother and Sister
Eliot, George, Two Lovers
Eliot, George in a London Drawingroom
Eliot, George, Mid my Gold-brown Curls
Eliot, George, Two Lovers, in Stevenson, Burton Egbert. The Home Book of Verse. At http://www.famouspoetsandpoems.com/poets/george_eliot/poems/3456
Pizer, Donald. Realism and Naturalism in Nineteenth-Century American Literature. Revised ed. Carbondale, IL:…
Eliot, George. The Best-Known Novels of George Eliot: Adam Bede, the Mill on the Floss, Silas Marner, Romola. New York: Modern Library, 1940.
Eliot, George, Brother and Sister
Eliot, George, Two Lovers
The painting captures a very specific kind of aristocratic pastoral leisure, and it accomplishes this by insinuating a number of activities without actually showing them. Firstly, while Mr. Andrews holds his gun, he does so comfortably as he leans against a bench, seemingly indifferent to the prospect of hunting. Mrs. Andrews holds a quill, but she is not paying attention to whatever she might be writing, instead choosing to glance up at the reader. The wheat and penned animals insinuate the work of a farm, but the wheat has already been collected, thus further imbuing the image with a sense of relaxation and leisure. Because it is first and foremost a portrait, the painting serves to portray its main characters as hardworking yet not at all focused on the work itself, but rather the enjoyment that comes from its completion. Furthermore, the characters' relationship with nature is a complex one,…
"Thomas Gainsborough." The National Gallery of Art. National Gallery of Art, 2011. Web. 28
Sep 2011. .
"Mr. And Mrs. Andrews ." Photograph.Wikipedia.org. Thomas Gainsborough. Wikimedia Foundation, 1750. Web. 28 Sep 2011. .
Taking a lead from the typeface named Matisse ITC, a typography-based design was created with the broad-brushstrokes, primary colors, and dominant white space that characterized the gouche paintings and cutouts created by the artist Matisse. The central theme is of a ski hut on the night of a full moon, with evidence of children playing in the snow left over from the day, and the cold clear starlit night shining between sparsely falling snowflakes. Four distinct typefaces are used in the graphic design. The typefaces have been manipulated to increase the continuity and message of the overall design.
According to Useful Information for Web Developers and Designers, "Typography is the ultimate form of science meeting art. Space, size, type treatment/effects, contrast, color selection -- and much more -- go into every piece of design that involves the use of type."
Although children are taught in school to…
30 Photos That Changed the World. (2010, April 26). Photography Schools Online. Retrieved http://www.photographyschoolsonline.net/blog/2010/30-photos-that-changed-the-world/
Edgerton, G. (2009, April 20). Falling Man and Mad Men. [video]. In Media Res -- A Media Commons Project.
Jones-Kavalier, B.R. And Flannigan, S.I. (2008, February). Connecting the digital dots: Literacy of the 21st century. Teacher Librarian, 35 (3), 13-16.
Hogue, J. And Benezra, K. (2010, November 15). How women connect, catch up and find comfort with online video. Nielsenwire. Retrieved http://blog.nielsen.com/nielsenwire / online_mobile/how-women-connect-catch-up-and-find-comfort-with-online-video/
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the studios in order to see them. They made movies in a profitable manner for the sake of the studios, but placed the entire industry under their control and dominated over it. The discussion here is about some of those famous studios inclusive of that of names like Metro Goldwyn Mayer, Culver, RKO, Paramount Studios, Warner Bros, 20th Century Fox, Walt Disney Studios, Universal Studios, Raleigh Studio, Hollywood Center Studio, Sunset Gower Studio, Ren-Mar Studios, Charlie Chaplin Studios and now, Manhattan Beach Studio.…
"What better way to annoy the Hollywood liberals than to remind them every single day that
George W. Bush is STILL the President?" Retrieved from https://www.donationreport.com/init/controller/ProcessEntryCmd?key=O8S0T5C8U2 Accessed 15 September, 2005
"What's interesting about the business is that it's no longer the movie business" Retrieved from http://www.pbs.org/wgbh/pages/frontline/shows/hollywood/picture/corptown.html Accessed 14 September, 2005
The Dallas Museum of Art has several temporary exhibitions on display now. One is called "Youth and Beauty: Art of the American Twenties." Another related but separate exhibition is called "Texas in the Twenties: Prints, Drawings, and Photographs from Lone Star Collections." Because both special exhibitions focus on a specific point in time in American and Texan history, it was helpful to view both together on the same day. I went on opening day of both exhibitions, which was on Sunday March 4, 2012. There was a small line to get in, but the space inside the museum was arranged so that it did not feel crowded. The museum published a brochure that explained each exhibition, why it was on display at that time at the museum, and what the exhibition meant in the context of modern American art.
The "Youth and Beauty: Art of the American Twenties"…
Dallas Museum of Art (2012). "Current Exhibitions." Retrieved onlie: http://dallasmuseumofart.org/View/CurrentExhibitions/index.htm
As scientist come up with new technology for the welfare of mankind in this world they end up producing luxuries. The attitude of the people towards the environment is changing due to the fact that they need more and more luxuries and this makes them destroy the environment, and this make environment to be polluted in different forms.
In the act of mankind living luxuriously, they sometime use instruments such as air conditioners, fridges and others that do release C.F.Cs in the environment leading to deplete of the ozone layer, Paul Kennard (2006). According to researches the depletion of ozone layer during 19th century when there was no much use of such things, is compared with for 20th century, it has been found that there is 50% increase of the depletion. Deforestation uncontrollable for the purpose of building with the aim of accommodation tends to raise the content of…
Reference and Education: Science
Tania Branigan (25 November 2008). "One-third of China's Yellow river 'unfit for drinking or agriculture' Factory waste and sewage from growing cities has severely polluted major waterway, according to Chinese research." London: guardian.co.uk. Retrieved 2009-03-14.
Western Traditional Medicine
Jacme's Pestilence and the Western Traditional Medicine Framework
Jacme's (1949)[footnoteRef:1] description of pestilence is based on the idea that it is caused by a change in the quality or substance of the air that he defines as alteration and putrefaction respectively. The pestilence is caused when the air in a place has changed its quality or substance due to external conditions. The pestilence is caused by a contra-natural change that Jacme illustrates as the wind being less warm than usual in the summers and less cold than usual during winters. As opposed to water, the pestilence of the air is more disastrous for human beings because they breathe the surrounding air all the time. The pestilence affects living things that Jacme classifies into three orders on the basis of the presence of life and growth, feelings and reason. Human beings lie in the third degree and are…
Duran-Reynals, M.L., Translator, Jacme d'Agramont: "Regiment de Preservacio a Epidimia o Pestilencia e Mortaldats," Bulletin of the History of Medicine, 23 (1949) p. 57.
Hergenhahn, B.R. An Introduction to the History of Psychology. Cengage Learning, 2009.
Jones, W.H.S. Breaths 6. Cambridge MA: Harvard University Press and London: Heinemann, 1923.
Kohn, George Childs. Encyclopedia of Plague and Pestilence 3. New York NY: Infobase Publishing, 2008.
Trench Warfare in World War I (WWI)
Trench warfare was used in World War I and they were forced to live in muddy, isolated conditions for months exposed to horrific elements, and inviting diseases like gangrene. During World War I many things changed, as lives were destroyed, dreams shattered, and many soldiers died or suffering immeasurable psychological and physical conditions.
WWI was the first time in history that war involved the use of new technology such as airplanes, tanks and submarines. However, for many WWI soldiers, trench warfare presents the most lasting image of World War I. Trench warfare caused many horrific deaths. In addition, many soldiers who participated in trench warfare had serious psychological and health problems by the time they returned home.
About Trench Warfare
Trench warfare is a type of warfare in which opponents of war "attack, counterattack, and defend from relatively permanent systems of trenches dug…
Baggett, Blaine. (November, 1996). The Great War and the Shaping of the Twentieth Century Humanities, PBS.
Beyond Books. (2002). In the Trenches New Forum Publishers, Inc. Retrieved from the Internet at http://www.beyondbooks.com/bbx/login/bb/eur12login.asp?asplreq=http://www.beyondbooks.com/eur12/6c.asp.
Ellis, John. (1989). Eye Deep in Hell: Trench Warfare in World War I. John Hopkins University Press.
Hansen, Ole. (2001). The War in the Trenches. Raintree Publishing Co.
For your information-Table of Contents provided at the end of the paper =Not a part of this paper- Extra information provided
eaders' response to online newspapers
The age of the internet has revolutionized the methods of communication and information exchange. A great deal has changed in the last decade with the information technology explosion. With more accessibility and economical port charges internet has made its presence felt in a number of avenues ranging from corporate desks to common households. This has enabled speedy communication procedures such as email, conferencing, instant messaging, web telephony, video conferencing and so on. Information that was hitherto difficult to access and obtain suddenly became available a click away. With increased usage and application of the internet and other virtual private networks (VPN), information was readily and easily available on the desktop. A user had little or practically no need to leave the confines…
Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance.
In fact, the kind of side-blon, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as ell as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the trade route of the Silk Road to Asia. In addition to these transverse flutes, Southeast Asians possessed the kind of long vertical flutes; similar to those found in Central Asia and Middle East.
A considerable amount of similarities exist beteen the vertical flutes of Southeast Asia and flutes from Muslim countries. This type of flute possibly came from Persians during the ninth century; during the religious migration to SEA. Likeise, the nose-blon flute culture, common to a number of…
Purple highlight means reference from his thesis, chapters 1-5
Blue highlight means reference from his raw research that was sent (17 files)
Yellow highlight means that writer could not find reference; one of the 17 files received
Gray highlight means writer found this source
Thus, when it comes to vowels, this short comparison led me to believe the southern dialect uses longer, more rounded, looser vowels than the inland North dialect.
Consonant sounds also differ between the two regions; or perhaps it is more accurate to note that consonants are used in different ways in the southern and inland northern areas of the United States. Take, for instance, the word "white." While I pronounce this word with a defined, voiced [j] sound at the end, the southern speaker allows it to conclude by lengthening the [a] vowel, as in father. This difference leads to southern words sounding softer and more rounded than the hard, tight edges of Northern words. Although there is a great deal of bias regarding the Southern dialect in the United States today, with some saying it sounds uneducated, listening to the features alone reveal it as a beautiful, if different,…
Purple is the color of dusk and twilight, a time in-between day and night, night and day. As such, purple symbolizes transition and transformation. Color is often a mystical symbol for Dickinson in her poetry. Silver and gold make frequent appearances; Dickinson writes about "An everywhere of silver," whereas gold is used in relation to sunlight in "Nature, the gentlest mother." In "Nature rarer uses yellow," Dickinson admires the sparing use of the hue in the natural world. For Dickinson, each color conveys a mood or meaning; its appearance in nature is never arbitrary. Her liberal use of color imagery suggests a deep contemplation of color as an interface between the mundane and mystical worlds.
Spiritual themes in the poetry of Emily Dickinson usually centers on religious awakenings, revivalism, and on personal relationships with God. In "ill there really be a morning?" The narrator is a "little pilgrim" crying out…
All poems retrieved from Dickenson, Emily. "The Complete Poems." Online at Bartleby.com. Retrieved July 2, 2008 at http://www.bartleby.com/113/
Emily Dickinson." Biography from Poets.org. Retrieved July 2, 2008 at http://www.poets.org/poet.php/prmPID/155
Emily Dickinson." Retrieved July 2, 2008 at http://www.americanpoems.com/poets/emilydickinson
"The upper lip and gum and teeth were gone. The man's head was cocked at a wrong angle..." (O'rien 126).
At the same time, the author juxtaposes the image of war and horror with symbols and images of beauty.
The young man's head was wrenched sideways, not quite facing the flowers" (O'rien 128) the author also couples " sunlight " with " ammunition belt" (O'rien 128).
These contrasts reflect on the gentle life that the dead soldier once led and his reluctance to be a part of the war. However, he was obliged to become involved because of the pressure for his family and society. This again refers to themes in the other works discussed, where the social views of 'glory' and patriotism are sharply and ironically contrasted with the gruesome realities of war.
In this story, the writer uses descriptive images to achieve his critique of war. This is…
DiYanni, R. Literature: Approaches to fiction, drama and poetry. (2nd ed.) New York: McGraw-Hill. 2004.
O' Brien T. The Things They Carried. New York: Broadway Books. 1990
This is crucial to note because it disproves the idea that "Zumthor's architecture is preoccupied with materials and tectonics" so that "his design process somehow began and ended with concerns about physical matter" (Platt & Spier 2001, 21). If this were the case, the weight of the stone itself would likely have been highlighted, but instead, Zumthor chooses to subvert this weight by punctuating the stone with light, thus simultaneously imbuing the structure with the apparent timelessness of a stone mountain with the airy elevation of its position in the atmosphere. This effect helps to embody phenomenology's nuanced conception of materials and their relation to a structure's context, because the focus is not necessarily on the material itself, but rather its functional and emotional role within the space as a whole. Zumthor's use of stone is not a celebration of granite as such (in the way that the international style…
Castello, Lineu. Rethinking the meaning of place: conceiving place in architecture-urbanism.
Burlington: Ashgate Publishing Company, 2010.
Genaze, Matthew R. 2010. Towards a hydraulic society: An architecture of resource perception.
Ph.D. diss., Rice University.