¶ … Force:
Symbolic rape in William Carlos William's short story
William Carlos William's "The Use of Force" is a strange, uncomfortable short story to read about a seemingly very simple subject. A doctor is trying to force a resistant young girl to open her mouth so he can see if she has diphtheria. The girl, not knowing the doctor is trying to help her, bravely but foolishly resists him and he must act forcibly towards her, ostensibly to save her life. There is an uncomfortable suggestion of rape in this act of physical violation on a symbolic level, even though on a literal level the reader can likely relate to the struggles the doctor is undergoing with a young child unwilling to do something for his or her own good. The use of force, the story suggests, is a complex issue, and cannot merely be construed as good or bad. On one hand, the girl is sick and the doctor is trying to treat her, although questions remain about his manner and motivation in seeking to diagnose her.
The little girl is not described as delicate, despite her physical sickness, but regarded by the doctor as kind of a formidable adversary. She is "as strong as a heifer in appearance." She is also very beautiful, as he notes "she had magnificent blonde hair, in profusion. One of those picture children often reproduced in advertising leaflets and the photogravure sections of the Sunday papers." Even while he attempts to treat the girl, the doctor is sizing up her beauty, half-admiring her, half-mistrusting her. She stands in stark contrast to her ordinary-looking father and mother and the poor setting of the household.
The parents also do not regard the doctor with full trust at first, heightening the mystery surrounding Mathilda's mysterious antipathy to him. "As often, in such cases, they weren't telling me more than they had to, it was up to me to tell them; that's why they were spending three dollars...
William Carlos Williams comments on the brutal persistence of patriarchy in "The Raper from Passenack." The title immediately conjures the imagery of rape, and the title fuses into the first line of the poem. "The Raper from Passenack" is written in a narrative format, describing a scene in which the titular character is driving home the nameless girl who he just violated. Most of the narrative takes place inside the
William Carlos Williams' "Pastoral" and "Proletarian Portrait" William Carlos Williams' poem "Pastoral" is narrated in an introspective, confessional voice that describes the narrator's attitude toward the streets in which he was raised. There is very little plot in the poem, and it consists mainly of details concerning the street locale. Given the minimal plot that occurs, the details assume great significance. The reader must therefore be cognizant of how the details
Proletarian Portrait" is a poem by William Carlos Williams that presents a brief snapshot of a working class woman, a proletarian. She is bogged down by two stigmas: class and gender. Because the reader has no other cues of the woman's identity, it is also possible that she is not white, either. Being of the non-dominant culture would make the woman an emblem of the underclass, presuming the setting
684). Arguably the first line in which Williams introduces an aesthetic sensation, "glazed with rain water" lends itself to a bit of a play on words. Water is redundant after the word rain, but rain modifies water as well. Easterbrook writes of Williams as being a poet unique in his ability to "present imagistic pictures." The whole poem "The Red Wheelbarrow," the title itself, and the line "glazed with rain
Tract" by William Carlos Williams Throughout the poem, Williams uses free verse, which results in "Tract" reading more like prose than traditional poetry. This is one of the main concerns Williams an other modern poets had with creating their work. They were concerned with creating new forms of creating art an poetry. A sense of poetic evolution is at the heart of this type of art. In his essay, William
E.E. cummings's "she being Brand/-new" appears to be, at its surface, a poem about a man taking his car for a spin and learning the nuances of his new vehicle. The imagery and descriptions cummings uses allows the reader to understand the various things that need to be broken in. The poem's narrator freely admits the car was "consequently a little stiff," which can be further seen in how the
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