Spear of Destany The history of civilization is full of legends and myths that have cut across cultural barriers and are nowadays some of the most well-known stories related to the old times of religion and civilization. One of these myths include, among others, the Holy Graal, the Shroud of Turin, or the Spear of Destiny, both of them linked to the life and death of Jesus Christ. The present research provides

"I grant you the sacred charge of propagating our order under any and all conditions, because it is sure to have a lasting effect on posterity. As I've told you many times, the Priory de Zion has been the guiding force behind the Knights Templars, the French faction which has been our military might and the possessor of the holy grail which Mary Magdalene took into this country after the

T.S. Eliot and Paul Verlaine The late nineteenth century Symbolist movement in literature was first identified as the primary origin of twentieth century Modernism by Edmund Wilson, in his 1931 work Axel's Castle: A Study in the Imaginative Literature of 1870-1930. Wilson's study ranges widely enough to cover the Modernist prose of Proust and Joyce in addition to the experimental prose-poetry of Gertrude Stein, but he makes a particularly strong case

We know now that more than one knight who went to the Holy Lands ostensibly to "rout out the infidel" actually had a more pragmatic agenda: they brought home loot, everything they could physically handle plus anything more they could load on pack animals and/or enlist the aid of a squire or a fellow traveler to help them haul away. In that context, therefore, it's neither very surprising nor out

Many readers, even hundred of years ago, did not take the tale of King Arthur as "pure fiction" (15) and Ashe asserts that these readers were "more right than wrong" (15) in their assumptions. It is likely the story is true in some respects. In many ways, the man was a hero larger than life, which makes many skeptics call into question his existence. Ashe states that many even

Humanism in the Renaissance posited that everyone is worthy of an equal chance, and even though peasants were not the socioeconomic equal of the wealthy, peasants were human and deserving of an equal opportunity. Humanism in fact was an attempt "…to resurrect and emulate the literature and art of the ancient Greeks and Romans," Neil Haughton writes in the Journal of Cosmetic Dermatology. Renaissance painters emphasized the "positive attributes of