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The contrast between the pardoner and the content of his tale also shows that from a literary perspective, Chaucer was illustrating a new subtly of character. What a character thought he was like (a holy man) might not be who he or she actually was. This could be revealed through involuntary 'slips of the tongue,' like the pardoner condemning greed, even while he was a greedy person in life. What one said, medieval thought now recognized, was not always congruent with what one did, even if one was a member of the...
e clergy.
Chaucer's valorization of the middle class and the emerging trades people of the Middle Ages is seen in the bawdy humor of the "Miller's Tale," which not only is viewed in a positive regard, told by an earthy man of the people who works for his bread with the sweat and toil of his hands, but also 'sends up' individuals who marry for status and money, like the many young women featured in the tales who wed older men for monetary gain, and are driven to infidelity out of sexual frustration.
http://find.galegroup.com/gps/infomark.do?&contentSet=IAC-Documents&type=retrieve&tabID=T002&prodId=IPS&docId=A21240794&source=gale&srcprod=ITOF&userGroupName=va0035_004&version=1.0 Works Cited Chaucer, Geoffrey. The Canterbury Tales. Trans. Neville Coghill. New York: Penguin Books, 1977.
Chaucer's Wife Of Bath Prologue And Tale: Geoffrey Chaucer's Wife of Bath starts with the Prologue to her tale through developing herself as an authority on marriage because of the extended individual experience with the institution. From her initial marriage when she was 12 years old, she has had five husbands and received criticisms from several people because of these numerous marriages. The criticisms are mainly based on that fact that
Thomas's gift turns out to be a giant fart, which Chaucer describes using richly comedic imagery: "Ther nys no capul, drawynge in a cart, / That myghte have lete a fart of swich a soun," ("Summoner's Tale," lines 486-487). The humor continues to enliven the Summoner's tale; toward the end the characters seriously debate how to divide up a fart. Chaucer's use of comedy and farcical imagery parallels his mockery
But while it is true that he loved the funny side of life, he was also quite genuine and sincere in his purpose to expose the superficialities of social roles. "If we look at the whole corpus of his work, we see his tragic poems all interrupted, unfinished, or transfigured into celestial comedy" (Garbaty173). Chaucer unlike some tragedy masters of his time was not too concerned with gloom and sadness
Chaucer Both Shakespeare's Hamlet and Chaucer's The Canterbury Tales do offer universal truths. As Volve states about Chaucer's work in particular: "The tale is firmly anchored in one specific period of history…but it seeks as well to represent other periods and other lives," (300-301). Likewise, Shakespeare's plays like Hamlet have endured precisely because there are few cultural, geographic, or temporal barriers that would prevent universal understanding and interpretation. Texts like these
311). In contrast to bolstering the position of any specific class of society, in the Canterbury Tales Chaucer's method of story telling refuses to take sides: a tale by a knight is deflated by that of a miller, and the miller's wit is undercut by his drunkenness. While many critics have commented upon the ironic contrast between the Chaucerian teller of the tales and their content, such as the greedy Pardoner