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¶ … Othello by William Shakespeare and the film version of the play directed by Oliver Parker. Specifically it will analyze play from a dramatic and design point-of-view. The film, released in 1995, stars Laurence Fishburne, Irene Jacob, and Oliver Parker. This film is an excellent rendition of Shakespeare's classic play, made even more appealing by the exceptional acting by Laurence Fishburne, who brings a sensual side to the role that is quite effective.
There have been many performances of Shakespeare's play "Othello" on the stage and in film. One of the best is the 1995 version that starred Laurence Fishburne as Othello. His performance made this dramatic play even more memorable and understandable, and truly brought the character of Othello to life. He gave Othello a sensual quality that helped explain Desdemona's attraction to him, and added another dimension to the character. The film also highlighted the racial tension at the heart of the play, and brought it more out into the open. Fishburne is a fine actor and...
In fact, each of the actors portrayed their parts with exceptional skill and emotion.
The film lasts about two hours, and it is clear after viewing that many cuts had to be made to fit it into that time frame. The script contains the original play, but pares it down to the scenes that are truly meaningful to the plot and characters. This made it easier to follow than the written play. It kept the dramatic intensity of the play, even by cutting so much. The essentials of plot and action were still there, so cutting the production did not harm it. Fishburne's acting throughout the play is intense, and he brings the brooding Moor to life effectively through dialogue and action. He is suitable intense and believable, and his love for Desdemona is clear, even if it does turn to outrageous jealousy. At one point in the film, he states about Desdemona, "My life upon faith," and he is entirely believable and human at that point. It is tragic that their love affair has to take a turn…
References
Othello. Dir. Oliver Parker. Perf. Laurence Fishburne, Irene Jacob, and Kenneth Branagh. Columbia Tri-Star, 1995.
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Othello Aristotle's Poetics is the most informative piece of work on the nature of art. It is in the Poetics that Aristotle defines the fundamental nature of tragedy. For Aristotle, what defines tragedy (and all art, in general) is in the way that it is imitation (Golden 142). Every form of art (qua imitation) can be compared in terms of the artistic means, object, and manner used in their creation. In
He does so to mask his true malicious intentions. Here he shows how his manipulation is actually paying off, "[...] He [Othello] holds me well; / the better my purpose shall work on him," (I.3.382). Iago shows his audience yet another motivation for his ensuing treachery in this passage as well. Earlier in the play, Iago spoke about his own jealousy towards Cassio when Othello choose him over Iago