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Ali gives the reader the impression that there must be value in letting go of hatred and acknowledging the better emotions, such as those which are present in the former work by Ali, even if such purity is not the end to our means it is infinitely valuable nonetheless.
Eliaz Cohen writes of the universal historical struggles of power and control in the Middle East in Snow. (Cohen NP) Though Snow is a very brief poem, its conveyance of meaning is paramount to the history of the peoples of the Middle East. Cohen demonstrates that the world changing hands around the people makes it possible to see only the blood upon the snow rather than the beauty of the crisp white snow itself. "Snow on bleeding Jerusalem//as though bandaging her wounds//all rests in tranquility now//filling the cracks of yearning in the Wall//children in your streets Jerusalem//the children of Isaac and Ishmael//are staging white wars//(and their blows are soft)//even the pigeons are hurrying today//cooing because they have found new footprints//on the way leading up to the Gate of Mercy." The scene is one of domestic bliss, children playing in a blanket of snow, seeking solace in the excitement of a new day, elders likely looking upon the scene with joy and hope, even in the face of bleeding Jerusalem where conflict over the territories mentioned in the work is heated and destructive. The joy of expression is so clear within this work it is enough to make the reader wonder if the occupants of the work do not sit around daily wondering what will become of them, what will become of these hopeful children living in streets of fear and destruction, daily, behind barriers that allow them no solace of reconciliation or even understanding.
Middle Eastern poets are rich in insight and their poetry is rich in understanding and expression. They seek to meld the ideals of the standards of their culture and the effects of the conflict upon the individual man and woman living within and trying in the self to see the beuty in the mundane while seeing and feeling the conflict that surrounds and guides their lives, regardless of their real involvement in it. They write of the joy of expression of poetry, the power of its derision and the ability of the word to filter through immense conflict and concern in simple symbolic words of joy, fear, hatred and hope. No topic is off limits, nore should it be and no language is devoid of the subtle and overt meanings associated with human trials, cultural, economic, political and social. Through the works of just this short list of classic Middle Eastern poets one can see the exemplification of writing the political through the view of the people, who have so little control but whose lives are frequently assaulted by its results. Many Middle Eastern authors feel a fierce obligation to write not only about the joy and struggle of writing poetry but also the trails and conflicts of their nations and the people whom they have known and whom they have imagined to have been deeply effected by all. In the works of Ozkan Mert (Turkish) Taha Muhammad Ali (Palastinian) Eliaz Cohhen (Israeli) and Aharon Shabtai (Israeli) one can locate the human drama of living in strife as well as the pleasure of poetic expression, without any real difficulty and with a great sense of wonder that is expressed through poetry and the wondrous human mind.
Ali, Taha Muhammad "Abd el-Hadi Fights a Superpower" & After We Die" Radical Teacher, Spring 2005 72-15 Retrieved November 10, 2007 from Academic Search Premier.
Cohen, Eliaz Snow Retrieved Novemeber 10, 2007 at http://www.pbs.org/newshour/indepth_coverage/entertainment/poetry/profiles/poet_ecohen.html
Cooke, Miriam, and Roshni Rustomji-Kerns, eds. Blood into Ink: South Asian and Middle Eastern Women Write War. Boulder, CO: Westview Press, 1994.
Karlinsky, Nahum. "California Dreaming: Adapting the "California Model" to the Jewish Citrus Industry in Palestine, 1917-1939." Israel Studies 5.1 (2000): 24-40.
Ozkan Mert Whose on the Side of Poetry Retrieved Novemeber 10, 2007 at http://www.cs.rpi.edu/~sibel/poetry/poems/ozkan_mert/index.html
Shabtai, Aharon "Our Land" Radical Teacher, Spring 2005 72-15, Retrieved November 10, 2007 from Academic Search Premier.
Taylor, John. "Contemporary Israeli Poetry." The Antioch Review Spring 2007: 384.[continue]
"Middle Eastern Poetry Is Often" (2007, November 11) Retrieved December 7, 2016, from http://www.paperdue.com/essay/middle-eastern-poetry-is-often-34449
"Middle Eastern Poetry Is Often" 11 November 2007. Web.7 December. 2016. <http://www.paperdue.com/essay/middle-eastern-poetry-is-often-34449>
"Middle Eastern Poetry Is Often", 11 November 2007, Accessed.7 December. 2016, http://www.paperdue.com/essay/middle-eastern-poetry-is-often-34449
Mahfouz was the first Arab to ever win the Nobel Prize for literature, while Orhan Pamuk was the first Turkish individual to win a Nobel Prize at all. In contrast to Mahfouz who criticized his nation's government only indirectly, Pamuk's open criticism of Turkish government practices outside of his fictional universe made him something of a cause celeb for human-rights organizations and writers' unions. Rather than praise, right-win Turkish patriots
I take an oath of loyalty to the table / coated with white Formica, a cup full of pens, the ashtray / I dreamed that the State had passed out of existence / and with our children / we'd settled down in the three volumes of the / dictionary."(Shabtai, 39) Also, in Our Land he dramatically deplores the ugliness of his land. The poem is even more telling because
'The Thousand-and-Second Tale of Scheherazade' contains specific references from the Koran" (Goodman). Thus, Middle Eastern literature's dependence on Islamic thought has spread far beyond the Middle East, and continues to influence other writings, as well. Middle Eastern poetry often carries references to Islam, both implied and obvious. Another historian writes of an early poem celebrating Islam over tribal loyalties. He quotes, "My father is Islam, none else, / Though others
Middle East Has the presence of oil in the Middle East had a significant impact on the peoples of non-oil-producing states in the region? If so, in what ways, exactly? Develop an argument with specific reference to AT LEAST TWO non-oil-producing states. and other Western powers, oil supplies are the only real interest in the Middle East, and most people in the region are well aware of this fact, and of
Muslims excelled in ornate and intricate designs since they rejected drawing and sculpting the human image for fear of idolatry. Their artistic style consists of rugs, silks, leatherwork, metal work, cotton textiles, highly glazed ceramics, and fine glass, as well as wall hangings, tiles, inlaid metalwork, carved wood, and furniture. Another art polished to sheen by Muslims was calligraphy, or stylized form of penmanship that developed into a form
They goal for globalization is to increase material wealth and the distribution of goods and services through a more international division of labor and then, in turn, a process in which regional cultures integrate through communication, transportation and trade. The overall theory is that if countries are tied together cooperatively economically, they will not have needed to become political enemies (Smith 2007). Notice the continuum here -- globalization, like
" The point made by the poet is similar to the poem above. The reference to John, The Father of our souls, shall be, John tells us, doth not yet appear; is a reference to the Book of Revelations, at the end of the Bible. That despite the promises of an Eternal life for those who eschew sin, we are still frail and have the faults of people. We are still besought by sin