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In "The Times They Are a-Changin'," released in February 1964, he encapsulated the spirit of the times, and issued a timely warning to the older generation to accept the changing times or be drowned in a youth-inspired social revolution. (McWilliams, 32)
While Dylan was introducing protest folk music in the mainstream popular music in the early 1960s, bands such as "The Beatles" had captured the imagination of the Western youth on both sides of the Atlantic. By accepting the influence of each other's music in their work, these artists revolutionized Western popular music. The power of such music in shaping the direction of the youth culture was immense. It spread the message of peace, love, racial and gender equality and challenged the hypocrisy of the existing social order.
Not all aspects of the sixties music were positive. Many of the sixties rock musicians adopted a hedonistic lifestyle and indulged in excessive drug use and casual sex. Much of the psychedelic rock music of the late sixties was created under the influence of drugs such as LSD or described the acid trips. Several prominent rock stars such as Janis Joplin, Jim Morrison, and Jimmy Hendrix died tragically young due to drug abuse. (Degrazia)
The popular music of the sixties is no doubt inexorably linked to the history of the decade. It...
Although the idealistic spirit of the sixties' music became diluted with time, it has left an indelible impression on subsequent popular music and youth culture. Even today, when crass commercialism has spread its tentacles deep in the music industry, rock musicians such as Bono and Bob Geldof still represent the "spirit of the sixties" by promoting humanitarian causes and fighting poverty in Africa.
Works Cited
DiGrazia, Judith L. "The Sixties: Notes of Discord." Yale-New Haven Teachers Institute. 1983. January 18, 2007. http://www.yale.edu/ynhti/curriculum/units/1983/4/83.04.04.x.html
McWilliams, John C. The 1960s Cultural Revolution. Ed. Randall M. Miller. Westport, CT: Greenwood Press, 2000.
Rodnitzky, Jerome L. "The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973." Popular Music and Society 23.4 (1999): 105.
Dylan started to introduce amplified rock music into his acoustic folk repertoire by 1965 and the "Beatles" replaced their simple "I wanna hold your hand" lyrics by more socially relevant themes in their songs in the latter part of the sixties.
1960s
Works Cited
DiGrazia, Judith L. "The Sixties: Notes of Discord." Yale-New Haven Teachers Institute. 1983. January 18, 2007. http://www.yale.edu/ynhti/curriculum/units/1983/4/83.04.04.x.html
McWilliams, John C. The 1960s Cultural Revolution. Ed. Randall M. Miller. Westport, CT: Greenwood Press, 2000.
Rodnitzky, Jerome L. "The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973." Popular Music and Society 23.4 (1999): 105.
Dylan started to introduce amplified rock music into his acoustic folk repertoire by 1965 and the "Beatles" replaced their simple "I wanna hold your hand" lyrics by more socially relevant themes in their songs in the latter part of the sixties.
Music has always been an important part of my life. From the time I was a little boy into my adolescence and through my teenage years, music was my companion whenever I could put my headset on and not get in trouble for listening to music. My good times were accompanied by music and just like my friends, music was there when I wasn't doing so well. In fact music
Eminem: Making of a Celebrity Popular music has become an essential part of the American (and increasingly global) youth culture especially since the 1960s and the era of Elvis Presley and the Beatles. The music has branched off into different forms and genres since then and has become an important part of what is generally termed "pop culture." Initially, an American trend created through the interaction of the community, artists and
He encourages people to come aboard a train being engineered in "weirdo abandon" by musicians who "dramatized a sense of what it is to be American" (1987, p. 10). Christgau, another writer who sees the correlation between this music and the greater society in which it occurred, adds: "rock criticism embraced a dream or metaphor of perpetual revolution. . . . Worthwhile bands were supposed to change people's lives,
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