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Despite is probable Austrian origins in the more modern era, this piece reflects the Roman style of capturing figures in statue form. Made from Ivory, it shows St. Sebastian in withering pain after he has been injured. The St. was martyred early on in Christian history, and this scene portrays his last dying breaths, being held up by a companion.
Both works present images of great warriors and figures in heir last few moments of life after being injured. Thus, it captures the true character of the figures in question by portraying them at their moment of ultimate weakness. Each figure is too weak to stand alone, and is being propped up by another object or person, which shows the true extent of their injuries. Additionally, the statues are similar in style, on being from the Roman period, and the other being from the Medieval period trying to replicate the style of the Roman period.
However, the emotion expressed within each work presents a much different...
The wounded Amazon woman is severely injured, yet shows little emotion on her face. She is portrayed as a true warrior, brave and noble until the very end. This then reflects the Roman image of a glorious death in the heat of battle. St. Sebastian, however, has an immensely expressive face, showing both horror and tremendous pain. This was done to show the pain the martyr went through to protect early Christendom. It was important to show this pain, for then, those who might look upon it could really appreciate the Saint for his martyrdom.
References
Museum of Metropolitan Art. (2009). "The Greek Galleries." Retrieved 7 Dec 2009 from http://www.metmuseum.org/explore/Greek/greek13.htm
Metropolitan Museum of Art. "The Greek Galleries." 2009.
Metropolitan Museum of Art. "The Greek Galleries." 2009
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