Women And Television: What Roseanne Term Paper

Even more interesting is how Roseanne was treated as if she were somehow an anti-feminist because she wished to push her own agenda on the show, creating conflict with one of the producers. Interestingly enough, Barr observed, "I made the mistake of thinking Marcy was a powerful woman in her own right. I've come to learn that there are none in TV. There aren't powerful men, for that matter, either- unless they work for an ad company or a market-study group. Those are the people who decide what gets on the air and what doesn't" (Barr, 2011). What her comment makes clear is that, even while perceived as social commentary by others, Roseanne perceives her show as commercial, leading one to wonder if it is possible to have a truly...

...

(2011, May 15). "And I should know." New York Magazine. Retrieved September 20,
2011 from NYmag.com website: http://nymag.com/arts/tv/upfronts/2011/roseanne-barr-2011-5/

Negra, D. (2004). "Quality postfeminism? Sex and the single girl on HBO." Genders OnLine

Journal, 39. Retrieved December 4, 2011 from http://www.genders.org/g39/g39_negra.html

Rowe, K. (1995). "Roseanne: the unruly woman as domestic goddess." In The unruly woman:

Gender and the genres of laughter (pp.50-91 ). Austin: The University of Texas Press.

Sources Used in Documents:

References

Barr, R. (2011, May 15). "And I should know." New York Magazine. Retrieved September 20,

2011 from NYmag.com website: http://nymag.com/arts/tv/upfronts/2011/roseanne-barr-2011-5/

Negra, D. (2004). "Quality postfeminism? Sex and the single girl on HBO." Genders OnLine

Journal, 39. Retrieved December 4, 2011 from http://www.genders.org/g39/g39_negra.html


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