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Laid on its side, Rauschenberg's "Bed" contains the same visual and tangible objects as a real bed. "Bed" seems like more than a representation of a bed; it could just as well be one especially given the use of actual bedding.
The expansion of the visual plane and the reworking of the canvas paralleled expansions of consciousness. Those transformations in consciousness and their impact on the art world were a result of historical and social change. During the 1950s when Rauschenberg worked, technology was growing in its relevance to the global economy. Advancements in science included quantum mechanics and theoretical physics. Medical marvels abounded. Culture was becoming less homogenous as the spread of ideas flowed across borders. Human sexuality and sexual freedom were also growing more liberated. Gender roles were changing and so were global political norms. Within the exciting...
As Steinberg suggests, Rauschenberg helped revolutionize the visual arts. Glancing at a two-dimensional reproduction of "Bed" stops short of conveying the real sense of radical change that the horizontal plane implied. However, Rauschenberg's goal was to take art one step further and welcome cerebral thought. "Bed" combines traditional aesthetic sensibility with conceptual art. Rauschenberg takes an everyday, mundane item and turns it into an object of contemplation. He encourages viewers not to take for granted their biases in perception or the relationship between their bodies and the world around them.
The lonely and symmetrical blackness is stark. At first it looks ordinary, merely decorative. But the shining blackness is harsh against the blinding white of the floor, and seems even more poignant against the gleeful yellow of the brick walls around it. Although the geometry of the work is arresting given the contrast of colors, the work does not call attention to itself as art. But upon being prompted
Art Museum: Case Study This case study involves a campus art museum that for many years had a competent director, but a relatively staid presence on campus. The last director had a far more populist orientation. He tried to bring schoolchildren into the museum on a regular basis, and bring in traveling art exhibitions that were of interest to the larger public. But he seemed more interested in advancing a radical
It would have been as ridiculous for a working class man or woman to make art as it would have for that same person to become an accountant. Still, artists throughout time have snuck in their personal values in their paintings. Hieronymous Bosch is one of the artists I believe to have inserted personal values into Church-commissioned art. Even in the modern era, art is still entwined with money. The
Art and Architecture Architecture and Art In a recent visit to Chicago, I observed the Chicago Picasso which was a gift to the city by the famed artist Pablo Picasso. Located in the downtown Chicago loop, the monument stands 58 feet tall, weighs 162 tons and is constructed of Cor-Ten (corrosive tensile) steel. Pablo Picasso gave this massive work of art to the city of Chicago, even though he'd never been to
Art History - High Renaissance The contextual knowledge of the era of High Renaissance and Mannerism is important as its integral to any study of work emerging from the period. The Renaissance movement took place in Europe from the early 14th to late 16th century, which witnessed a revival of interest in the values and artistic styles of classical antiquity especially in Italy. Early in the movement, the concept of Renaissance
Although these three artists come from different backgrounds and focus on creating works of art that address particular publics, they provide an overall contribution to students' experience while in the Art Now course. Espezel's discussion regarding art extended to the relationship between a series of elements that the artist disposes of at the moment when he or she creates. An individual needs to focus on successfully combining his or her