If they are a couple, they have no children together. Whereas Morisot focuses on the child in "The Basket Chair," Caillebotte accomplishes the opposite. Caillebotte's painting lacks emotional intensity, because his palette is far more retrained than that of Morisot. Morisot's garden is rendered in vivid greens and intensely saturated hues. Caillebotte's, on the other hand, is a more staid palette. Furthermore, unlike Morisot's fenced-off garden, Caillebotte's is a public park. Yet there are no other people in the park: which suggests that there are a disproportionate number of wealthy elite in Paris at the time of painting. In their own ways, the two Impressionists suggest that the bourgeois live in a world apart from the working class society. Beyond the boundaries of their respective gardens, scores of working class French men and women toil to feed the burgeoning capitalist enterprise that characterizes urbanization and industrialization. However, the subjects in the Caillebotte and Morisot paintings do not seem to work very much at all. Both Berthe Morisot and Gustave Caillebotte use a garden setting to convey themes related to social, economic, and political realities in late nineteenth-century France. The bourgeoisie...
Instead, the viewer is treated to an insider version of how the wealthy life a life of utter leisure. Symbolism related to fertility and femininity pervade both paintings, albeit differently. Whereas Morisot clearly paints a scene in which womb and phallic imagery converge on a child, Caillebotte accomplishes exactly the opposite. By showing a barren orange tree and a child-free couple, the artist suggests that modern women do not need to be confined to their roles as wife or mother. The Impressionist renderings of upper-class life reveal changes in social, economic, and political climates.
Impressionism: Introduction and Background Known for its radical departure from traditional aesthetics in painting and the decorative arts, Impressionism was a movement deeply rooted in its ideological, cultural, political, and sociological context. The characteristic visual features of Impressionist painting include experimentation with untraditional colors and styles that signal the early transition towards non-representational forms. Subject matters in Impressionist art changed from depicting officially sanctioned people, places, and symbols towards capturing snapshots
Van Gogh was born in the Netherlands to a preacher and his early life had inauspicious surroundings. He was well into maturity when he realized his true vocation was painting, and though he developed his talent in isolation at first, his later experiences in Paris had a profound affect on his painting. Van Gogh is extremely famous for his insanity and mental difficulties, but these conditions also provided the basis
In reality, Van Gogh did not seek nor did he analyze the harmony of nature here; instead, he transformed it by projecting a vision entirely all his own. In conclusion, the great Impressionist painters revealed in their work a restless, self-conscious search for freedom of expression so characteristic of the late 1880's and into the early years of the 20th century. Their desire for a more modern form of expression
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