Thus, his speech was not simply a complaint about what was wrong with the current system, but a stirring look at how to fix the problem as soon as possible.
Perhaps the most important part of King's speech is his cry for peace and understanding between both groups. He did not urge blacks to take their rights by force, but advocated peace and mutual respect for each other. This part of the speech follows Pratt's essay regarding the critique portion, where King first assesses what is wrong with the treatment of blacks in the country, and then offers ways to fix the problem. He advocates collaboration for reform, and always advocates understanding between blacks and whites in the country. He was a man of peace who used radical reform to help solve a pressing problem.
King's speech represents the contact zone in another important way, and that is because it represents two different cultures and can be taken two different ways. Whites listening to the speech might see it as rabble rousing or inciting violence and violent reform, while blacks listening to it could identify with the wrongs and long for the rights. Whites were fearful of blacks gaining too many rights, especially in the South, where segregation was prevalent. However, blacks suffered indignities all over the country. King's strong feelings and insistence that blacks be taken seriously scared many whites, and they viewed his speech as the beginning of a frightening rebellion, while blacks saw it as the beginning of much needed reforms and rights. Thus, it represents two different cultures in the same words. It shows how far blacks still had to go to assimilate into American culture, while urging the whites to reform the culture as soon as possible. It shows the subjugation of the blacks, the superiority of the whites, and the reforms necessary to rectify the situation.
King presents denunciation of white practices, mediation to solve the problem, and most of all, imaginary dialogue - all of which create the contact zone in this work. His imaginary dialogue...
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