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Benito Cereno by Herman Melville

Last reviewed: April 12, 2012 ~6 min read
Abstract

One of the primary tools Herman Melville utilizes throughout Benito Cereno is a sense of irony. Babo and Cereno's relationship exemplifies this irony, since the slave is actually in control of his master and his master is under the power of the slave. Key elements of narration aid this irony in giving the reader a surprise ending.

Benito Cereno by Herman Melville

Takeover

Herman Melville's "Benito Cereno" is a rather fascinating short story that utilizes a surprising ending that helps to elucidate a number of aspects about the tale are enigmatic and perhaps even confusing for the reader. In short, it is only once Cereno gives his deposition at the conclusion of the story, which is subsequent to his warning Captain Delano about the planned attack of the slaves on the former's ship against the latter's, that the delicious sense of irony that spans throughout the course of "Benito Cereno" is revealed. A thorough analysis of this story, aided by the clarity of hindsight, shows that the irony which the plot hinges upon is typified by the relationship between Cereno, who seems to be the ship's captain and leader, and Babo, who seems to be the former's slave. In actuality, however, Babo has Cereno under his power and the African is the master while the European is his slave in Babo's bid to return to Senegal. The irony of this situation and of the relationship between these two men is essential to the story's surprise ending, and is one of the most powerful aspects of "Benito Cereno."

One of the ways that Melville uitilzes this ironic relationship as the basis of the plot in this story is as the central means of explaining to Captain Delano -- and thereby to the reader -- what allegedly took place on board the San Dominick. Cereno explains these fictitious circumstances to Delano with an authority that the reader believes is his as the ship's master. However, a closer look at the following passage demonstrates that this authority is not necessarily his.

…there was a sudden fainting attack of his cough, brought on, no doubt, by his mental distress. His servant sustained him, and drawing a cordial from his pocket placed it to his lips. He a little revived. But unwilling to leave him unsupported while yet imperfectly restored, the black with one arm still encircled his master, at the same time keeping his eye fixed on his face, as if to watch for the first sign of complete restoration, or relapse, as the event might prove (Melville 1856).

This passage indicates that, ironically enough, it is Babo who is actually in control of the ship's captain, as his looming presence which "encircled" Cereno is there to ensure that the latter does not reveal the actual circumstances of the ragged condition of the San Dominick. What is integral to this interpretation of this passage is Melville's usage of Delano as the narrator of this story. It is Delano who tells the reader that the sudden coughing spell that is triggered while Cereno recounts this tale is due to the latter's "mental distress." Had Delano been a more incisive narrator the irony of the relationship between Babo and Cereno would have become manifest to the reader a lot sooner. However, Delano is more credulous than incisive, and Melville utilizes this aspect of his narration to belie the irony of the relationship between Cereno and Babo to set up the story's surprise ending.

Another fairly salient example of the irony between the relationship between Babo and Cereno is presented when Babo shaves the ship's captain. On a literal level, this incident appears highly indicative of the subservience of Babo to Cereno, since he is performing some mundane task for the benefit of the captain. However, a closer reexamination of the diction utilized in Melville's description of this scene in a dialogue between Babo and Cereno (between Babo and Delano) in this passage demonstrates that what appears to be concern for Cereno on the part of Babo is, ironically enough, menace. "You must not shake so, master. -- See, Don Amasa, master always shakes when I shave him. And yet master knows I never yet have drawn blood, though it's true, if master will shake so, I may some of these times." (Melville 1856). Despite the fact that Babo refers to Cereno as "master" in the preceding quotation, it is Babo who is actually the master of this situation and of Cereno, since Babo is the one wielding a sharp knife at the throat of the other, and is virtually controlling him to continue telling lies to Delano. Babo's concern for Cereno "you must not shake so" is actually a threatening warning -- one which implies that he will cut him if he reveals the truth. The irony of this situation is almost paradoxical, and is a deliberate deception on the part of Melville to build up the suspense of his surprise ending.

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PaperDue. (2012). Benito Cereno by Herman Melville. PaperDue. https://www.paperdue.com/essay/benito-cereno-by-herman-melville-56160

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