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Her blooming full-pulsed youth stood there in a moral imprisonment which made itself one with the chill, colorless, narrowed landscape, with the shrunken furniture, the never-read books, and the ghostly stag in a pale fantastic world that seemed to be vanishing from the daylight. (Eliot, XXVIII)
However it is worth noting the implicit paradox expressed here in the notion of a married woman's "oppressive liberty." Dorothea Brooke marries sufficiently well that she is not condemned to a life of constantly cooking and washing underwear for Casaubon -- instead, she finds herself without anything to do, and this "freedom" from labor is actually what is most oppressive here. In some sense, then, Eliot's analysis of the problems of marriage is subsidiary to a larger point about women's social role and even educational status (an issue that obsessed...
Pride and Prejudice. 1813. Web. Accessed 20 April 2014 at: http://www.gutenberg.org/files/1342/1342-pdf.pdf
Besant, Annie. Marriage, As It Was, As It Is, and As It Should Be: A Plea for Reform. New York: Butts, 1878. Print.
Browning, Robert. "My Last Duchess." 1842. Web. Accessed 20 April 2014 at: http://www.bartleby.com/42/668.html
Eliot, George. Middlemarch: A Study of Provincial Life. 1874. Web. Accessed 20 April 2014 at: http://www.gutenberg.org/files/145/145-h/145-h.htm
Foster, Shirley. Victorian Women's Fiction: Marriage, Freedom and the Individual. New York: Barnes and Noble Books, 1985. Print.
Shanley, Mary Lyndon. Feminism, Marriage, and the Law in Victorian England. Princeton: Princeton University Press, 1989. Print.
Works Cited
Austen, Jane. Pride and Prejudice. 1813. Web. Accessed 20 April 2014 at: http://www.gutenberg.org/files/1342/1342-pdf.pdf
Besant, Annie. Marriage, As It Was, As It Is, and As It Should Be: A Plea for Reform. New York: Butts, 1878. Print.
Browning, Robert. "My Last Duchess." 1842. Web. Accessed 20 April 2014 at: http://www.bartleby.com/42/668.html
Eliot, George. Middlemarch: A Study of Provincial Life. 1874. Web. Accessed 20 April 2014 at: http://www.gutenberg.org/files/145/145-h/145-h.htm
The sense of comparison is not necessarily explicit but rather implicit. It seems that Fanny is a mere observant to the way in which Mary comes to life her life and to adjust to the requirements of her education, both in a spiritual manner as well as in a financial one. The education of the individual at the time consisted of different aspects, but most importantly, it had one aim
Gender and the 19th c English novel The question of gender in the nineteenth century English novel is complicated by consideration of more recent late twentieth century theorizing about gender. In particular, Judith Butler's highly influential notion of "gender performativity" suggests that gender is, in itself, nothing more than a sort of act. However this becomes an interesting angle to approach the works of creative artists, as a female novelist will
Paired Poets." It attempts to compare and contrast the lives, personality, psychology and the work of T.S. Elliot and DH Lawrence. Furthermore, it elaborates the similarities and the differences between both the poets and also details some of the most significant work done by these poets. Life and Personality of T.S. Elliot and D.H.Lawrence Thomas. Stearns. Elliot; a poet, editor and a critic was born on 26th September 1888 in St.
Chokshi, Carter, Gupta, and Allen (1995) report that during the critical states of emergency, ongoing intermittently until 1989, a low-level police official could detain any individual without a hearing by for up to six months. "Thousands of individuals died in custody, frequently after gruesome acts of torture" Those who were tried were sentenced to death, banished, or imprisoned for life" (Chokshi, Carter, Gupta, & Allen, ¶ 6). The enactment
The novel opens seven years after Gabo's mother, Ximena, was murdered by coyotes -- or paid traffickers -- during an attempt to cross the border. Her mutilated body was found, her organs gone -- sold most likely. Because of the fear surrounding this border town and the lure of the other side, all of the characters become consumed with finding Rafa. These people are neglected and abused. Like other fiction
Jack proceeds to let the audience know "…the vital importance of Being Earnest." Distortion, Moral Conduct, and Restoration Comedy Of course, deception and frivolity are part of a farce, and the way that Wilde has written the play characters switch identities as a way for the theme to be deliberately distorted. So this bothers critic Mary McCarthy, who complained that the play has the character of a "…ferocious idyll" and insists