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Obviously, having only the grinding of one's teeth as an identifiable feature would be a rather hellish mode of existence, and the simplicity with which Dante conveys this hellishness is both a testament to his poetic genius and a highly effective means for providing imagery without interrupting the story. Other descriptions of suffering are somewhat longer and far more active, but are no less succinct and powerful for this: "There never was an earthquake of such might / That it could shake a tower so violently, / As Ephialtes suddenly shook himself" (Inferno, Canto XXXI). The image Dante conveys here again comes form a singular detail, yet the amount of information that this detail -- and the specific description provided by the poet -- conveys is extraordinary, enabling the reader to clearly see the...
It is by enhancing specific details such as these that Dante is able to produce such clear and vivid images of suffering without inordinately lengthy descriptions or resorting to complex bouts of symbolism and character exposition -- though the suffering and agony that the inhabitants of hell feel is eternal, the understanding of it is quick.
Dante's Inferno has remained a highly engaging text for centuries precisely because it speaks clearly to readers form a variety of cultural and historical backgrounds. The way that this is accomplished is through the communication of images, not grand philosophical ideas. Time and time again, Dante shows himself a master at this throughout his epic work.
Dante's Inferno And Manzoni's The Betrothed Alessandro Manzoni's only novel The Betrothed is a national institution in Italy and second in popularity in this history of Italian literature only to Dante's Divine Comedy. He was a liberal nationalist from an aristocratic family and a leading supporter of the reunification (Risorgimento) of Italy. His novel is set in Lombardy in 1628-31 and was in fact a call for liberation from foreign rule,
Dante Aligheri Dante's Purgatorio Dante's Divine Comedy depicts three possibilities of life after death: Inferno, or Hell, where the unsaved spend eternity, Purgatorio or Purgery, where the saved who still have some sins to account for go, and finally Paradiso, or Paradise, the final destiny of the faithful. The Canto's of each possibility are told through the viewpoint of Dante and Virgil, who make the journey together. The discussion that follows is
Introduction An epic poem, Dante’s purgatory remains one of the poet’s most popular works. This second section of Inferno proceeds to recount Dante’s encounters as he ascends Mount Purgatory with Vigil as his companion. It is important to note that the ascent (and related experiences) effectively serves to culture Dante on the mercy of God and the life of a Christian so as to cleanse and therefore rid him of his
Images of Refined Love: Beroul's Tristan and Dante's Inferno Love has many faces, earthly and sacred. Passion is love, but so is devotion. Sometimes one must fight for one's beloved, and sometimes it is one's beloved who dispels the demons. The medieval concept of Refined Love combined these aspects of the quest within and the quest without, of the noble and the ignoble, and of the sinful and the sacred. The knight
Dante distinguishes a feeling of false guilt in Tartuffe's eyes, as his character seems to be unaffected by the situation that he is in. Even as he is limited by his inability to move or speak, his mind appears to be remained intact, considering that he tries to influence Dante to think that he does not actually belong there. In spite of the fact that one might be inclined to
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and