Jane Austen's Emma Jane Austen's Gentleman Ideal in Emma In her third novel, Jane Austen created a flawed but sympathetic heroine in the young Emma Woodhouse. Widely considered her finest work, Austen's Emma once again deals with social mores, particularly those dealing with ethical actions and social status. This paper focuses on how Austen uses the figure of George Knightley to propose a new English Gentleman Ideal to criticize the strictures regarding the

This is a fact that Austen herself most certainly appreciated as an unmarried female of the same social set she was writing about, which explains the centrality of this concept to so many of her novels. Persuasion is far from the only Austen novel where conflicts between emotional love and the necessary practical considerations of marriage arise, nor the only one where ironic changes in circumstance lead to the

223) a person without a condition of some kind, was cruelly marginalized by society, as even the well-meaning people would avoid the connection with someone who was not seen well by the others, so as not to be marginalized in his or her turn. The situation of the woman is again entirely dependent on the man, since the society would not accept a woman who did not perform her

Her blooming full-pulsed youth stood there in a moral imprisonment which made itself one with the chill, colorless, narrowed landscape, with the shrunken furniture, the never-read books, and the ghostly stag in a pale fantastic world that seemed to be vanishing from the daylight. (Eliot, XXVIII) However it is worth noting the implicit paradox expressed here in the notion of a married woman's "oppressive liberty." Dorothea Brooke marries sufficiently well