EVA Peace And Addie Bunden Term Paper

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When pushed too far, when too greatly damaged, when the soul has been taken away, when the resilience is gone, all that is left is the act of birth, the cold and empty soul, and a generalized feeling of resentment and anger coming from mother and directed at life and history and the self. Faulkner's Addie's rotting body is an act of revenge, Eva's burning of her son is an act of insanity, both seek the harm of those closest to them, because their disappointment in life is so profound, and they are so utterly trapped in their surroundings, that being a good and wholesome person, being a healthy, nurturing mother, is simply no longer possible. This, then, is the nature of the South for both authors, and it is that nature which tells us that until the bodies are...

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Toni Morrison's Sula. New York: Research and EducationAssociates, 1999.
Faulkner, William. As I Lay Dying. New York: Penguin, 1982.

Morrison, Toni. Sula. New York: Vintage, 2004.

Baldanzi, Jessica & Schlabach, Kyle. What Remains?: (De)Composing and (Re)Covering American Identity in "As I Lay Dying." The Journal of the Midwest Modern Language Association, Vol. 36, No. 1, Thinking Post-Identity (Spring, 2003), pp. 38-55.

Yamaguchi, Ryuichi. Faulkner's Artistic Vision: The Bizarre and the Terrible. Chicago: Fairleigh Dickinson Press.

Sources Used in Documents:

References

Davis, Anita Price. Toni Morrison's Sula. New York: Research and EducationAssociates, 1999.

Faulkner, William. As I Lay Dying. New York: Penguin, 1982.

Morrison, Toni. Sula. New York: Vintage, 2004.

Baldanzi, Jessica & Schlabach, Kyle. What Remains?: (De)Composing and (Re)Covering American Identity in "As I Lay Dying." The Journal of the Midwest Modern Language Association, Vol. 36, No. 1, Thinking Post-Identity (Spring, 2003), pp. 38-55.


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