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Dee is not interested in family history; she is interested in making an artistic statement.
The discussion of the butter churn is merely a prelude to the big event over the quilts. The quilts are sewn together of fabrics from ancestors' clothing. This association makes them important reminders of family to Maggie and Mama. However, these two see the practical or everyday value of the items as well. Mama intends to give them to Maggie upon her wedding. Dee is aghast at the suggestion. "But they're priceless!' she was saying now, furiously; for she has a temper. 'Maggie would put them on the bed and in five years they'd be in rags'"...
Mama and Maggie see these heirlooms as items that should be used as well as important reminders of the past. Dee only sees their monetary and artistic value.
Near the end of the story, Dee declares these items "your heritage" to Mama. However, their definitions of heritage differ. Dee sees the items as museum type pieces, almost as trophies of where she came from and where she is now. Mama and Maggie see the heirlooms as practical items that are made more valuable by their associations with family members. These ancestors are celebrated and remembered every time one of these heirlooms is put into "Everyday Use."
Mama and Maggie's values are simple, their goals mundane yet uplifting at the same time. Dee, on the other hand, is full of spunk and ambition. She views the quilts as if they were anthropological artifacts, remnants not of her grandmother but from some lost civilization. Dee, renamed Wangero, wanted to hang the quilts on the wall like art. Her desire parallels her creative streak and her wacky way
By simply concentrating on connecting with their African heritage many failed to understand that their parents and their ancestors who lived on the American continent in general created a culture of their own that entailed elements belonging both to the African continent and to the American one. Most of the short story is about how Dee struggles to find her personal identity by turning to cultural values. While Dee is
Walker's "Everyday Use" examines a generation clash a family. What Dee (Wangero) implies mother sister " understand" "heritage"? Why suddenly important Dee? Part II: O'Brien's "Going After Cacciato" focuses experience Paul Berlin Vietnam War. Walker's "Everyday Use" Alice Walker's short story "Everyday Use" depicts the two very different life paths of the daughters of the main character. The mother's older daughter Dee is a very ambitious young woman, and the mother notes
While she away, she changes her name to "Wangero Leewanika Kemanjo" (1425) because she will not endure "being named after the people who oppress me" (1425). She is concerned with herself and she seems to only come home to take things back with her, including things like a butter dish and dasher. When she decides she wants the quilts, she sees no reason why she should not have them,
After reading the short story, “Everyday Use”, one can get the impression that educational backgrounds can affect the way an individual will grow up. The narrator’s education did not go far because in second grade, because her school closed. Therefore, she grew up working instead of learning to be able to take care of herself and her children. On the other hand, her daughter, Dee, grew up with education and went
The solid fact that Sister has remained a fixture in the house and should have the greater claim to her mother's attention is dazzled away by the return of Stella-Rondo. The mother's indecision and vacillation is somewhat comic as she continues to insist that "I prefer to take my children's word for anything when it's humanly possible" (5). Deciding which child to believe is her character's conflict. Because Welty