Modernism, and how the literature that is considered to be Modernist literature is representative of the period. Then explain how contemporary world literature comes from Modernism Discuss three Modernists and their work. Then discuss two contemporary authors. Explain how they represent NOW (or the contemporary world which is from 1968 on.) Then discuss the differences between Modernism and contemporary literature. James Joyce, Franz Kafka, and DH Lawrence are three examples of three different

For example, Mr. Aarons leaves his home early, every morning to drive to a construction job in Washington, D.C. The children and Mrs. Aarons milk the family's cow and grow and can fruits and vegetables to provide food for the Aaron family. In spite of all this effort, the family has little or no money for luxuries, such as art supplies for Jess. In contrast, the Burke family comes

6). Beattie, like anyone else, was a product of her times. She is also, again like anyone else, a product of her own individual circumstances. A further interpretation of the bowl as a symbol of the feminine finds a deeper connection between the circumstances of the fictional Andrea and the real-life Ann Beattie. Though she is not especially forthcoming with personal details, there are some facts with which a correlation

Balzac and Kafka: From Realism to Magical Realism French author Honore de Balzac defined the genre of realism in the early 19th century with his novel Old Man Goriot, which served as a cornerstone for his more ambitious project, The Human Comedy. Old Man Goriot also served as a prototype for realistic novels, with its setting of narrative parameters which included plot, structure, characterization, and point-of-view. The 20th century, however, digressed

Hi arrival at Uruk tames Gilgamesh who now leaves the new brides to their husbands (Hooker). Gilgamesh and Enkidu journey to the cedar forest to acquire timber for Uruk's walls (this need for protection indicates both increased prosperity and further urbanization), but before doing so they must defeat Khumbaba, the forest's guardian, a primitive, nature deity. They know fear for the first time, triumphing only with help from the god

One cannot build the right sort of house -- the houses are not really adequate, "Blinds, shutter, curtains, awnings, were all closed and drawn to keep out the star. Grant it but a chink or keyhole, and it shot in like a white-hot arrow." The stare here is the metonymic device -- we assume it is stranger, the outside vs. The inside, but for some reason, it is also