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Now, O'Connor seems to be suggesting, she is actually in a position where the Word of God, which actually does promise salvation, may come to her. It speaks of the virtue of humility, which she is now in a position to develop -- not because she realizes it as of yet but because she is humiliated and may now move in that direction. This is her revelation: she is like Saul knocked off his high horse. Saul converts. But the conversion is another story -- not the one described here in Joy-Hulga's story. She may convert from her atheism. That is certainly one...
As it begins with Mrs. Freeman and Mrs. Hopewell, so too does it end. They see the Bible-salesman departing from a distance and recount their favorite phrases. They too show themselves to be touched by pride. But unlike Joy-Hulga they have not been knocked off their horses. The nature of their true selves has not been revealed to them as it is, at this moment, being revealed to Joy-Hulga.
Works Cited
O'Connor, Flannery. A Good Man is Hard to Find. NY: Harcourt, 1976. Print.
Works Cited
O'Connor, Flannery. A Good Man is Hard to Find. NY: Harcourt, 1976. Print.
Hulga is just as vulnerable as anyone else is, although she does not want to admit it. Hulga's leg also symbolizes her vulnerability and her pride. She is the only one who touches it, and it is part of what makes her unique and different. While she is ashamed of it, she is also intensely proud of it, because it, like her education, sets her apart from others. It is
Good Country People: Metaphor and Irony Joy Hulga is the main character of Flannery O'Connor's "Good Country People." She represents the proud, young educated student who has renounced any faith in Christ. As her mother Mrs. Hopewell puts it to Manley Pointer, the Bible salesman, "My daughter is an atheist and won't let me keep the Bible in the parlor" (O'Connor 278). Manley turns out to be both Joy's double and
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