We see the stone images raised again to indicate soulless worshipping. It is used to highlight the impurity and insincerity of worshippers:
At the hour when we are Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
The fourth section is actually that twilight zone that hollow men dreaded. The fear of meeting the eyes had already been overcome. It is their absence which is disturbing now:
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The absence of eyes in the 'twilight kingdom' suggests that this part if yet another version of the world. Here reappearance of eyes would mean rekindling of spirit and rebirth of soul and conscience. The return of eyes is now a hope- 'the hope only'. The syntax is deliberately ambiguous- 'This broken jaw of our lost kingdoms' evokes a powerful and mysterious image of things in the twilight kingdom. The last section deals with another kind of fear and frustration. Here the 'shadow' represents the life...
Human Beings Make Sense of Things In the early-1900s, Edmund Husserl sought to provide psychology with a truly scientific basis, not by copying the physical sciences but through the description of conscious experiences. This would be a truly humanistic psychology, grounded in human life and experience rather than materialistic and mechanistic theories like functionalism and behaviorism. Karl Jaspers called for a psychology that would describe phenomena such as "hallucinations, delusions,
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Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance. In fact, the kind of side-blown, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as well as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the
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In "Piaf," Pam Gems provides a view into the life of the great French singer and arguably the greatest singer of her generation -- Edith Piaf. (Fildier and Primack, 1981), the slices that the playwright provides, more than adequately trace her life. Edith was born a waif on the streets of Paris (literally under a lamp-post). Abandoned by her parents -- a drunken street singer for a mother and a
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