Music Review
The Miami Big Sound Orchestra is an ensemble group that plays original arrangements by Miami composers. The music that the ensemble plays has a distinct sound that can be attributed to the cultural influences of Miami and the instruments that are used. It is difficult to describe the ensemble's specific style as they appear to embrace a variety of styles.
The Miami Big Sound Orchestra is clearly influenced by Latin sounds, which is evident through the style, rhythm, and composition of the music being played. The music the Miami Big Sound Orchestra plays sounds a lot like music that was played by major artists such as Tito Puente. The music relies heavily on brass and woodwind instruments. It was interesting to see how one of the songs highlighted the use of the flute. In the song, there was a prominent flute solo, however, the solo sounds a little out of place. The Miami Big Sound Orchestra is essentially a brass driven ensemble and the...
Jazz Performance: "Blues After Dark," Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 This dynamic performance starts rather tentatively with the trumpet and saxophone, before the band joins in earnestly. Piano, bass, and drums accompany the lead trumpet (Dizzy Gillespie) and tenor saxophone (Sonny Stitt). The introduction builds rather quickly after that, build around a central phrasing structure. There are deliberate
However, there was a greater seriousness to the concert than jazz as 'background music' might possess. The music had a kind of melancholic quality, despite the fact that it was not spontaneously arising as an emotional outpouring of the musicians. The other instruments prominently featured were piano, drums, and base. All of these instruments are very visceral in nature, and complimented the soprano saxophone's lighter tone. Although all of the
Jazz "Blues After Dark," Feat. Dizzy Gillespie (trumpet), Sonny Stitt (tenor sax), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium, 1958 Starting with the dueling instruments, it almost sounds like two muted trumpets, because the harmonics are intense. For a few notes, it remains that way until I see that it is not two trumpets but rather, a trumpet and a saxophone. They are playing together brilliantly. A smooth stand
This is not really a typical swing rhythm, however. Jazz musicians almost always play eighth notes straighter than that, except perhaps in the style known as the shuffle. A correct ratio for swing cannot be given precisely. Different musicians tend to interpret swing in different ways. Earlier jazz musicians tended to play with a more exaggerated swing. Some styles of jazz - especially hybrids of jazz with other forms
Pioneering Jazz Musician, Sidney Bechet About Sidney Bechet Sidney Bechet was a pioneer jazz musician who changed the music of his time into a unique art form. Considered to be one of the greatest jazz musicians of New Orleans, Bechet was an innovator on both the clarinet and saxophone. His music changed jazz music forever and inspired countless musicians of all types. Bechet was born in New Orleans in May 1897. He was
Jazz Performance Report Jazz in its essence is a group of assorted musicians seamlessly communicating with one another. The communication may be planned or take place in spontaneity as the musicians become one in music. Since the tempo, key, rhythm and etiquette of the music is so potent, the musicians allow for great excitement generated by the music to shine, thereby making spontaneous improvisation easier. Jazz is a constantly evolving music
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