Bach and Frederick The book merely gives a detailed biography and combined interaction of two of the great men of all times. Both the personalities were quite different yet similar at the same time. Johann Sebastian Bach who is the Baroque master of contrapuntal music went on to meet King Frederick the Great. The King was an amazing King of Prussia who had gone to win many battles. Surely, a king

CP.E. Bach's Symphony in D. reflects incredible diversity in mood, character and expression, contrasting rhythm, dynamics and articulation. His juxtaposition of strings and winds in "conversation" with each other is entertaining and creates texture and color. His changes in tempo and theme are done gracefully and skillfully, with additions of trills and small humorous variations. The slow middle movement is serene and mournful with lower register thematic repetition. It is

The melodies and countermelodies of the two instruments dance around each other before the violins reprise the opening melody. The flutes continue, and the violin joins in again, providing a richness and depth to the composition. The concerto modulates again to a minor key and continues for several measures, as the harpsichord is heard for the first time. Music scholars regard the harpsichord part in Brandenburg No. 5 as

Bach's Cantina Recordings Comparison of Bach Cantata Recordings: Richter and Gardiner Just a few generations ago, Bach's Cantatas had seemed to silence; but "since that time, in the intervening four decades, there has been an explosion of interest in this neglected music, borne out by numerous recording projects" (Lehman & White 508). Although the Cantatas were written generations ago, their music is still relevant in today's cultural environment. Bach's brilliance is

Handel and Bach (Turabian Citation) The first half of the 18th century was a time of tumultuous change in the musical arts. In the five or so decades that spanned that period, almost everything associated with music changed dramatically. At the start of the 18th century, music was restricted by what was known as "counterpoint," and the laws of counterpoint kept music constricted and tight. But by the second half of the

Evening in the Palace of Reason: Bach Meets Frederick the Great in the Age of Enlightenment (Harper Perennial, James Gaines), 2006. Gaines' book discusses two of history's greatest men, each of whom became great for a different reason. One was a political leader and statesman the other a musician. The biography of each could not have been more different. Both had tough lives and both fought against enormous stakes but