Medea A Tragic Hero Term Paper

PAGES
3
WORDS
947
Cite
Related Topics:

Medea relates a story about the power of love, which induces sacrifice as well as jealousy and feelings of revenge aroused by betrayal. Medea, the principal character, is a woman, who is so smitten by her love for Jason that she forsakes her family, country and people to live in "...the land of Corinth with her husband and children, where her exile found favour with the citizens to whose land she had come...." Medea never even realizes the value of maintaining a strong bond with family and country till she is betrayed by Jason's marrying the daughter of Creon, the king of Corinth: "...and softly to herself bemoans her father dear, her country and her home, which she gave up to come hither with the man who now holds her in dishonour. She, poor lady, hath by sad experience learnt how good a thing it is never to quit one's native land."

Medea realizes her plight in a foreign land since the option of returning to the comfort of her own family and country is also closed to her: "O my father, my country, that I have left to my shame, after slaying my own brother." In these agonized words of Medea, one sees the extent of her passion for Jason, a passion that drove her to not just leave her own family and country but to murder that brought shame both on herself and her family. Quite obviously, therefore,...

...

Firstly, the manner of her forsaking her own family, people and country implies a loss in status as a loved and protected daughter and sister. The loss in status and reputation is, in fact, far deeper when one considers the shame of her slaying her own brother and further beguiling "...the daughters of Pelias to slay their father and come here to live in the land of Corinth...The second way that Medea loses class status is the shame and humiliation she undergoes when Jason forsakes her for the daughter of Creon: "From the house I have come forth, Corinthian ladies, for fear lest you be blaming me.... Of all things that have life and sense we women are the most hapless creatures.... For divorce is not honorable to women...."On a third level, she faces a further loss in status with Creon's banishment of her and her…

Sources Used in Documents:

Works Cited

Euripides. "Medea." Translated by Coleridge, E.P. The Internet Classics Archive. URL: http://classics.mit.edu/Euripides/medea.html


Cite this Document:

"Medea A Tragic Hero" (2002, December 11) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/medea-a-tragic-hero-141777

"Medea A Tragic Hero" 11 December 2002. Web.25 April. 2024. <
https://www.paperdue.com/essay/medea-a-tragic-hero-141777>

"Medea A Tragic Hero", 11 December 2002, Accessed.25 April. 2024,
https://www.paperdue.com/essay/medea-a-tragic-hero-141777

Related Documents

Medea as Tragic Hero The pattern of the tragic hero was first defined by Aristotle. Aristotle's work The Poetics discusses the art of Greek tragedy, and defines the rules for a tragic protagonist. If we examine these rules from Aristotle alongside the Medea of Euripides, we may see how Euripides observes or breaks the classic pattern. I suggest that Euripides observes more rules than he violates, to better emphasize those aspects

Oedipus the King: A Tragic Hero In the Bedford Introduction to Drama, Lee Jacobus writes, "Greek Tragedy focused on a person of noble birth who in some cases had risen to a great height and then fell precipitately." The modern critic, Kenneth Burke expands on this. He developed a pattern for these tragedies. Burke believes that that the tragic hero goes through three developmental stages, the first is purpose, the second

Freudian theory believes that extreme suffering removes own from the tamed state which each individual resides within civilization, "Just as satisfaction of instinct spells happiness for us, so severe suffering caused us if the external world lets us starve, if it refuses to state our needs," (Freud 28). Medea is so affected by her suffering that she removes herself from everyday life, "She lies without food and gives herself

Poetry, Drama, Aristotle, Sophocles's Oedipus To Aristotle, Oedipus the King represented the embodiment of the perfect tragedy and the idealistic representation of a hero. He saw the renown figure of a hero battling mythical creatures transposed into the image of a hero battling with his own self, in terms of his existence and behaviour. He drew certain elements concerning tragedy in his work Poetics, where he also revealed the tragic hero

Aristotle's Poetics Elements of Tragedy According to Aristotle, tragedy needs to be an imitation of life according to the law of probability or necessity. Tragedy is serious, complete, and has magnitude. It must have a beginning, middle, and end and be spoken in language that is fit for noble characters. Furthermore it must be acted, as opposed to epic poetry, which is narrated. Tragedy shows rather than tells. Finally it must result

The tragic hero always elicits sympathy from the audience. According to Struck (2002): "Finally, Oedipus' downfall elicits a great sense of pity from the audience. First, by blinding himself, as opposed to committing suicide, Oedipus achieves a kind of surrogate death that intensifies his suffering. He comments on the darkness - not just the literal inability to see, but also religious and intellectual darkness - that he faces after becoming