Chaucer's General Prologue
Men, Women, Class, and Language in Chaucer's "General Prologue"
It is impossible to categorize characters generically in Chaucer's "General Prologue." Although he describes men and women from both high and low classes, he does so in a way that shows them all to be wholly unique and individual -- such that there are good men and good women, bad men and bad women, nobility of soul in both high and low classes, and corruption in both as well. By using literal and figurative language, Chaucer effects a depiction of character that is as reflective as a mirror for the depths of personality (or lack thereof) it produces. This paper will comparatively describe Chaucer's men and women, and higher and lower classes, and his usage of literal and figurative language in "The General Prologue" of the Canterbury Tales.
Chaucer clearly shows his admiration for virtue over vice in the characters he depicts. In this sense, the Knight is depicted as one of the most virtuous characters in the Prologue. He epitomizes masculine goodness: he is strong, wise, benevolent, courteous, and virtuous. He contrasts sharply with the Miller, who is self-seeking, willful, licentious, and vulgar, as well as with the fat Monk, who does not respect the rules set forth by his religious office (the Monk hunts even though his rule forbids it and feasts like a lord at his table) and Chaucer sarcastically comments on the Monk's disrespectful attitude: "And I seyde his opinion was good. / What sholde he studie and...
Seeing that he was miserable, she told him he could either have her loyal but ugly or beautiful and unfaithful (Chaucer pp). The knight leaves the decision up to her thus, giving the old hag exactly what she wanted, to be in control of her husband. This decision resulted in the old hag becoming beautiful and loyal (Chaucer pp). Women are central to this tale from the beginning to the
She has an earnest love for the purity and perfection of the Virgin Mary, but she is overcome by her own immaturity in expressing her love. Finally, the Prioress desperately wants the world to consider her as pious, devout and worthy of respect and dignity. However, she exudes an amount of prejudice and anger not befitting a lady who is devoted to love and mercy. To assess the character
"Whoso that first to mille comth, first grint" (389). In other words, strike first. She claims to "byte," "whyne," and "pleyne" as though she is offended or hurt before the man does, so then the man will hesitate to complain against her (386-87). Before he is able to challenge her infidelities, she has already retorted with her own questions and criticisms of his social activity, thus creating guilt. For
311). In contrast to bolstering the position of any specific class of society, in the Canterbury Tales Chaucer's method of story telling refuses to take sides: a tale by a knight is deflated by that of a miller, and the miller's wit is undercut by his drunkenness. While many critics have commented upon the ironic contrast between the Chaucerian teller of the tales and their content, such as the greedy Pardoner
Wife of Bath's Prologue, by Geoffrey Chaucer is one of the first pieces of literature that introduces us to a smart, intelligent, and independent woman. One of the most important aspects of the wife's character is her sexuality. In a day when women were not prone to speak out about their sexuality, the wife does and not only that, she brags about how much she enjoys sex. The wife is
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