Motivation for Murder in Susan Glaspell's Play Trifles
In her brief play Trifles (1916) author Susan Glaspell seems at first to use the aftermath of a woman's having murdered her husband as her main action. However, by the conclusion of this play, it becomes clear that this event, and the way the other characters react to it, is of mere secondary importance. Glaspell uses the setting of the investigation of the murder of Mr. John Wright, by his emotionally abused wife while he slept, to demonstrate deeper underlying concerns. The most important of these is the trivialization, especially by male characters within the play (e.g., Hale; the Sheriff; the County Attorney, and by implication, John Wright) of the women's lives, feelings, perceptions, and rights. In this essay, I will explore ways that Glaspell uses character, language, and setting to develop her theme of women's desperate aloneness in circumstances like Mrs. Wright's, and how Mrs. Peters and Mrs. Hale, similarly subjugated by men, understand Mrs. Wright's rationale for murder, although the male characters do not.
As the play opens, Mr. Wright has been murdered yesterday (as we learn, hanged by the neck with a rope while sleeping in his bed). His wife, Mrs. Wright, is believed to have killed him. Today, Mrs....
El Dorado by Edgar Allan Poe Susan Glaspell worked as a legislative reporter for Des Moines Daily News between 1899 and 1901, during which time she witnessed and covered the trial of Margaret Hossack, accused of attacking and murdering her husband. Glaspell kept files that recorded the entire investigation throughout several months and wrote Trifles 15 years later. The play has only one act and there are five characters altogether,
play Trifles? Analyze and support the theme by giving examples from the story Susan Glaspell's play Trifles is intended to illustrate women's superior 'ways of knowing,' and the callousness of males towards women. It asserts the importance, even the superiority of the feminine perspective. Author Susan Glaspell is called one of the "first feminists" of American theater, and Trifles was groundbreaking when it was first produced in 1921. Her "works
These wounds impact Jake dramatically, as, Brett drags an entourage full of men with whom she has slept in front of him nearly every day, including her fiance, Mike, Jake's own friend, Robert Cohn, and a handsome young bullfighter that the group meets in Spain, Pedro Romero. In fact, Brett eventually ends up leaving her fiance to run away with Romero. After deciding to leave the young bullfighter, Brett
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