Oedipus According To The Traditional Interpretations Of Essay

PAGES
2
WORDS
960
Cite

Oedipus According to the traditional interpretations of classical drama, Oedipus the King was brought down by the gods or fate because of his pride, egoism and arrogance, which the ancient Greeks called hybris (hubris). His father King Laius left him exposed to the elements on a mountainside when he was three days old because he believed the prophecy that his son would murder him then marry his mother, so he imagined that he was saving his own family line from disgrace. Yet when he met his son on the road to Delphi many years later, he and his chariot driver were treated him in a very rude and contemptuous manner, so Oedipus killed them, without even knowing who Laius was. Neither man was willing to give way on the road, and would not tolerate the insults of the other, so the old prophecy was fulfilled. Oedipus goes on to become king of Thebes, and ends up marrying his mother Jocasta and having children with her. When a plague and blight strikes the city, though, he insists on finding out the cause and then discovering the murderer of Laius, ignoring all warnings that he really should not want to know the truth. Here again, Oedipus feels great pride in his wisdom and cunning, but both he and Jocasta and disgraced and destroyed when everyone in Thebes learns the truth of their sins.

From the very start of the play, the pride and hybris of Oedipus...

...

In speaking to the Choras, which often represents the citizens of Thebes as well as the judgments of the audience and history, Oedipus announces that he is "hither come, myself, I Oedipus, your well-renowned king" (Ford 85). Even when he hears the story about the death of Laius he thinks first and foremost that the same assassin might strike at him, so "therefore in righting him I serve myself" (Ford 89). He proclaims that whoever comes forward to admit to the crime will only be exiled rather than executed, ironically passing sentence on himself. He threatens Teresias until he tells him that he is the murderer of his father but then refuses to believe this. Instead he accuses him of plotting with Creon to overthrow and assassinate him, to which he replied that "greatness proved thy bain" (Ford 97).
Laius never appears in the play except through the memory of Jocasta and others who remembered him, but he was also an angry, prideful and even tyrannical man. Thinking a three-day-old infant was a threat to him and his dynasty he "gave it to be cast away" (Ford 105). Oedipus recalled meeting an old man in a chariot on the road the Delphi, and how Laius and his driver "threatened to thrust me rudely from the path." He did not know that this man was…

Sources Used in Documents:

WORKS CITED

Ford, James H. (ed). The Greek Classics: Sophocles Seven Plays. El Paso Norte Press, 2006.


Cite this Document:

"Oedipus According To The Traditional Interpretations Of" (2011, September 30) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/oedipus-according-to-the-traditional-interpretations-84628

"Oedipus According To The Traditional Interpretations Of" 30 September 2011. Web.25 April. 2024. <
https://www.paperdue.com/essay/oedipus-according-to-the-traditional-interpretations-84628>

"Oedipus According To The Traditional Interpretations Of", 30 September 2011, Accessed.25 April. 2024,
https://www.paperdue.com/essay/oedipus-according-to-the-traditional-interpretations-84628

Related Documents

Both literally and figuratively of noble character, Oedipus is the epitome of tragedy, moving from hubris to his downfall to ultimately tragic hero. In a mental sense, Oedipus realizes his flaw and finds this completely unacceptable. He punishes himself by means of self-mutilation and his removal from kingship. Antigone also suffers from a sense of hubris. She is completely self-sufficient. She fails to rely on others, or indeed to submit

Laius is responsible for his condition and there is no way for him to escape his fate, even with the fact that he does everything in his power with the purpose of fighting divinity's will. It is difficult and almost impossible to determine whether Oedipus should be accountable or not for killing Laius at the moment when he does so. One must consider that similar to how some religions promote

Death of a Salesman: Tragedy in Prose Tragedy, can easily lure us into talking nonsense." Eric Bentley In Arthur Miller's Death of a Salesman, we are introduced to Willy Loman, who believes wholeheartedly in what he considers the promise of the American Dream -- that a "well liked" and "personally attractive" man in business will unquestionably acquire the material comforts offered by modern American life. Willy's obsession with the superficial qualities of attractiveness

In the third section of the book Babette is cheating on Jack, hoping to gain access to a drug (Dylar) that treats people who fear dying. Clearly DeLillo is playing off of society's fear of death. Eventually Jack kills the man Babette was having liaisons with. White Noise was published in 1985, which makes DeLillo something of a clairvoyant because the author reflects on "…the way the mediations of television

Audiences can ponder the issue of fate when presented with Oedipus, afterlife when thinking of Antigone, and motherhood and marriage when confronted with Medea. Further, modern plays often offer this type of ending as well. For instance, Tennessee Williams' The Glass Menagerie allows audience members to consider the theme of love and romance, superimposed with family. At the end of the story, audience members must contemplate whether Tom should

Life After Death: Afterlife Within the Realm of Ancient Greek Beliefs The question as to what happens after death is not fathomable within human reason. As such, it remains one of the biggest mysteries of life. The belief in life after death is what keeps the hopes of the human race intact even in the face of the tragedy of death. The concept 'afterlife' appears absurd in light of rational thought