Painting Read Monet's the Stroll Monet Monet's

Painting Read Monet's the Stroll Monet Monet's the Stroll, Camille Monet Her Son Jean (Woman With a Parasol) This painting epitomizes the impressionistic style and artistic philosophy in a number of different ways. If one looks closely at the painting by Monet one can see that the foreground, the sky as well as the dress and parasol are created by many short strokes of opaque paint. This gives the impression of a moment captured and intense movement and dynamism.

Essentially the term Impression refers to the ability to take a "snapshoot "as it were, of a moment in reality which is represented in its dynamic flow and beauty. This describes the painting by Monet, which is a good example of the Impressionist style and technique as well as of their distinct approach to art. The following discussion will explore this painting in detail. Overview of Impressionism Central to the Impressionistic school or movement in art is the objective of capturing the moment.

Coupled with this is the idea of spontaneity in depicting the myriad changes and fluctuations in nature and the world around us. As one commentator notes about the painting under discussion; "This masterpiece epitomizes the Impressionist concept of "the glance." It triumphs wonderfully in conveying the sensation of a snapshot in time, a stroll on a beautiful sunny day" (WebMuseum: Monet, Claude: The Stroll, Camille Monet and Her Son Jean (Woman with a Parasol).

Impressionism as an art movement began in the 19th century and is usually associated with certain artists, such as Monet, Manet and Sisley. In simple terms this art movement can be described as a philosophy as well as a method of art which is aligned with other illusionistic or representational styles of painting and sculpture. However, a central difference is that "… the illusion comes from what the artist sees rather than, as it was the case before, from what he intellectually knows.

Monet eyes perceive nature as a pattern of nameless color patches without any prevailing conceptual knowledge" (Impressionism - Biography of Claude Monet). In other words, Impressionism does not allow the intellect or reason to intervene between the image and its creation. It is a more immediate and more spontaneous method of painting, which is why it was often practiced outside the studio in the open air. Impressionistic paintings usually follow a number of central techniques or stylistic characteristics, which are all evident in this painting by Monet.

The painters tend to use short, opaque brush strokes in order to rapidly capture the ambience and feeling of the moment. These paintings usually have very little blending and colors are often applied next to each other, which leads to forms of optical mixing. These works usually have little conventional blending. The colors are applied next to each other, leading to optical mixing of colors from the perspective of the viewer. Wet into wet technique is also common, which adds spontaneity to the impressions (Impressionism: Art and Modernity).

Analysis In terms of technique, what is immediately striking about this painting is the soft, intermingling brushstrokes that combine to integrate the surface of the work. This is extremely effective in creating that sense of spontaneity and immediacy that is the hallmark of the Impressionistic style. If one steps away from the screen and looks at the painting. The painting actually achieves a greater sense of realism from a distance. Furthermore, because of this uniform style there is a certain tension that enhances the entire visual experience.

This refers to the fact that although we can quite clearly distinguish the different figures and elements in the painting yet they all seem harmoniously integrated and part of an organic whole. The wind, clouds, parasol and dress all seem to be intimately integrated and yet separate at the same time. Also of importance, and an aspect that we also find in many other famous impressionistic works, is the attention given to the play of light in nature and on objects.

This can be seen in this painting in the play of light from the sun and the way that it intersects with the figures as well as on the grass in the foreground. The use of light tends to emphasize the central figure and to integrate the painting as a whole. This can be seen in the way that the light touches the parasol and the edges of the dress. In terms of composition the painting has a very strong upward movement of perspective.

The central figure is contrasted against the sky and her presence is dramatically enhanced by the lighting in the clouds and sky. Depth is also achieved by.