The sense of not knowing but assuming the worst is played out between the lives of these two people and by default at the racial strife is reflected throughout the culture, to every household and street corner, throughout the events that unfold. The subsequent result being that the reader, can assume that such a thing could happen to anyone, at any inopportune time and that the stress that was revealed during the events is a universal symbol of the constancy of fear in the colonial reality. Works Cited

Dolin, Kieran. "Freedom, Uncertainty, and Diversity: A Passage to India...

A Passage to India. San Diego: Harcourt, Brace, and World, 1984.
Gardner, Philip, ed. E.M. Forster: The Critical Heritage. London: Routledge, 1997.

Paxton, Nancy L. Writing under the Raj: Gender, Race, and Rape in the British Colonial Imagination, 1830-1947. New Brunswick, NJ: Rutgers University Press, 1999.

Un-Disciplining Literature: Literature, Law, and Culture. Ed. Kostas Myrsiades and Linda Myrsiades. New York: Peter Lang, 1999.