¶ … Paul's Case
Faust -- In his book Literature: An Introduction to Fiction, Poetry, Drama, and Writing Kennedy tells us only that it is a "tragic grand opera." (Quote: "Faust: tragic grand opera (1859) by French composer Charles Gounod.")Expand on his note. What is Faust noted for? In what other forms does the story appear?
Faustus is a great scholar who sells his soul to the devil for power and a vision of Helen of Troy, in Marlowe's dramatic version of the tale, and for the love of a beautiful peasant girl in Goethe's epic dramatic poem Faust. Although Faust has a great mind and is frustrated by what he perceives as the limits of his existence as a human being, ultimately Faust becomes distracted by petty, earthly, and sensual cares and sells his soul to the devil. He loses his chance at eternal life, the chance every person has to live if they are good and faithful and instead becomes obsessed with transient things. He is also very arrogant and thinks himself smarter than most mortals. Paul is a kind of modern-day Faust, although Paul has very little reason to think that he is superior to other people. However, Paul gives up everything for a few days in a fancy hotel in New York City, where he can drink champagne and gaze at socialites.
"Cordelia Street" (mentioned in paragraphs 19, 22, 24, 27, 51, 55, 57) --Who was Cordelia? What does her sad life symbolize that might be important in Cather's story?
Shakespeare's King Lear had three daughters. When dividing his kingdom amongst them after he grew too old to administer it himself, two of them (Goneril, the eldest, and Reagan, the middle child) praised him lavishly when he staged a competition amongst them for their birthrights. His youngest daughter Cordelia refused to praise him, and said she loved him according to her bond -- in other words, she was honest, and had no more nor no less to give him than her affection as his daughter. Lear was angry, and as a result, gave Cordelia nothing in return. However, Goneril and Reagan cast Lear out of their homes after they got their land -- Cordelia and her father tried to win the kingdom back, but Cordelia was killed after she is taken prisoner.
This story shows the importance of simple, homespun truth without added 'glitter' or false praise -- something that Paul never learns, even though he loves the stage where Shakespeare's plays are still performed.
"He had no mind for the cash boy stage" (paragraph 25) --Hint: Look up Horatio Alger.
Unlike a Horatio Alger hero, Paul is unwilling to work hard at lowly occupations, to save his pennies and eventually (perhaps) grow rich when his industry impresses his social betters. Paul is rather lazy. He does not like to flatter other people, since he sees himself as superior to others, thinking he possesses greater refinement and culture. In contrast to another young man in the story, the young man who marries a serious woman to discipline his appetites, Paul has no desire to do so.
"It was at the Theatre and at Carnegie Hall that Paul really lived; the rest was but a sleep and a forgetting." (paragraph 29) --The last part of this quotation (in italics) is a sneaky reference to a poem by William Wordsworth, called "Intimations of Immortality." Look up this poem and determine what Wordsworth says about the various stages of life. How does this relate to Paul's story?
Paul lives in a fantasy world, not in the real world. His fantasy life leads to his death. The reference to sleep and forgetting suggests that he regards the real world as death, but in doing so he brings about his own demise. Unlike Wordsworth, Paul never appreciates his youth. He cannot enjoy the simple pleasures of life; instead he is always lusting after false things and money to enjoy himself.
Carnations (paragraphs 47, 64)
Carnations are the flowers of death. Paul loves the sight of the carnations in a shop window, even in winter, when clearly they are a false, artificial extravagance. When later he buys some, they quickly wither in the cold. They are a metaphor for the life Paul desires and for Paul himself -- outside of the false lighting of a shop, once the flowers are taken out of their hothouse environment; they die instantly in the cold world of reality.
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