Inductive reasoning leads Legrand to discover an encrypted message that he sets out to painstakingly decipher. Poe's detailed analysis of the cryptogram is quintessentially romantic, encouraging rational inquiry into seemingly supernatural phenomenon. A respect for both the natural and supernatural worlds is implied by the story. Interestingly, nothing supernatural does take place in "The Gold-Bug." Legrand admits to the striking coincidences that led him to the treasure, but coincidences themselves are not supernatural events. Legrand states, "it was not done by human agency. And nevertheless it was done."
The titular bug is a scarabaeus, which is a direct allusion to ancient Egypt. Like pirates, the imagery and lore of ancient Egypt has romantic, compelling connotations for readers. The reference to the scarab is coupled with the eerie image of the skull. When Jupiter finally climbs out on the "dead" limb the situation takes on an ominous tone before resolving itself peacefully. The supernatural is always hinted at but Poe makes sure to explain every phenomenon that seems occult. For example, the narrator describes "the scarabaeus, which he carried attached to the end of a bit of whipcord; twirling it to and fro, with the air of a conjurer, as he went." Legrand is not shown to be a conjurer at all, just a man obsessed with finding a hidden treasure. His seeking the treasure is also motivated by monetary need rather than being an abstract or spiritual quest.
Budding interest in the science of mind is also a key theme in Edgar Allen Poe's work. In "The Gold-Bug," Legrand is suspected to be mentally ill. In fact, the narrator is certain that his friend is going mad and urges him repeatedly to seek help. The narrator comments on Legrand's carrying the bug like a conjurer, "When I observed this last, plain evidence of my friend's aberration of mind, I could scarcely refrain from tears." Legrand later admits to teasing the narrator and deliberately...
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