¶ … Crime and Punishment" Christian symbolism offers an undercurrent throughout the novel which helps explain Raskolnikov's redemption at the end, and which offers Raskolnikov and the reader a way out of destructive over-rationality. In the first part of the novel Raskolnikov is an atheist, rejecting God and at the same time deificating himself. He believes that he is above God and it is his need to prove this that leads him to murder. He has rejected the Christian characteristics of humility and sacrifice.

This theme of Christian sacrifice is important throughout the novel. The very first mention of religion in the book is with the character Marmeladov in the tavern. He introduces the ideas of forgiveness, mercy and the power of suffering. At the same time insisting that everyone needs someone to turn to, "for every man must have somewhere to go. Since there are times when one absolutely must go somewhere!" (I, ii). This is exactly what Raskolnikov will struggle to accept, though at the time of this passage he is not able to understand it, it acts as a prelude to what is to come. Marmeladov's statement, "hopelessly in the fullest sense, when you know beforehand that you will get nothing by it" (I, ii) reflects the fact that sacrifice is not rewarded.

The next introduction of Christian sacrifice is with the character Sonia. The first thing we learn about Sonia is that on her first night as a prostitute she earned 30 silver roubles. Also evident is the pain that this caused her, "she did not utter a word, she did not even look at her, she simply picked up our big green drap de dames shawl (we have a shawl, made of drap de dames), put it over her head and face and lay down on the bed with her face to the wall; only her little shoulders and her body kept shuddering" (I, ii). The biblical reference here is to the thirty pieces of silver that Judah got for betraying Christ. Sonia, in her prostitution has betrayed Christ and herself, yet she has been rewarded for it. This reference gives weight to Raskolnikov's struggle, that choosing what is right is not rewarded and adds to...

It is relevant that this thirty roubles enters the story because of his sister's impending marriage, a marriage Dunia is doing out of requirement rather than love. It is the same theme of sacrifice being represented again.
Believing that he is extraordinary enough to overstep the boundaries of man, Raskilnokov commits the murder. It is after the murder that his struggle really begins.

His internal struggle between rationalism and Christian values is seen in that he turns to both Sonia and Porfiry after the crime. His meetings with Sonia and Porfiry represent his internal struggle between what his mind seeks and what his heart seeks. Sonia represents the Christian side of Raskolnikov's struggle. After committing the murder, Raskolnikov seeks out Sonia and confesses his crime to her. Sonia represents Rakolnikov's heart, what Raskolnikov knows is right but cannot logically accept. After the murder, the second person Raskolnikov confesses to is Porfiry Petrovich. Porfiry is the opposite of Sonia in that he represents the rational, that is the head over the heart. He is a detective, a detective is one who seeks out evidence and proof and this further implies him as representing the rational 'head over the heart' approach.

After committing the murder we see that Raskolnikov is torn between Christian and non-Christian values. He attempts to pray but then laughs at himself, thus laughing at the part of him that seeks Christian values.

In part IV, Raskolnikov meets with Svidrigaylov. Svidrigaylov represents what Raskolnikov's rational side is trying to achieve. Svidrigaylov has abolished all Christian values and fully accepted a rational approach. Svidrigaylov refers to eternity as a country bath-house "covered with soot and with spiders crawling along all the corners"…