Sphinx, Lamassu Monumental And Mythological: Term Paper

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Hatshepsut's sphinx looks quintessentially "Egyptian" and explicitly draws from the oldest and most conservative Egyptian models; Ashurnasirpal's door guardians have become a symbol of his reign and, ultimately, the entire Assyrian civilization, but may originally have reflected outside influences. Works Cited

British Museum. "Statue of Ashurnasirpal II." London: British Museum, n.d. Web. 22 Apr. 2010.

Kaper, Olaf E. The Egyptian God Tutu: A Study of the Sphinx-God and Master of Demons with a Corpus of Monuments. Leuven: Peeters, 2003. Print.

Lucie-Smith, Edward. Art and Civilization. New York: Harry Abrams, 1993. Print.

Madhloom, T.A. The Chronology of Neo-Assyrian Art. London: Athlone, 1970. Print.

Marquand, Allan, and Arthur L. Frothingham. History of Sculpture. Piscataway: Research & Education Association, 2002. Print.

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"Human-Headed Winged Lion (Lamassu)." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. Web. 22 Apr. 2010.
-- -- . "Sphinx of Hatshepsut." Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. Web. 22 Apr. 2010.

Morgenstern, Julian, and Paul Tice. The Doctrine of Sin in the Babylonian Religion. San Diego: The Book Tree, 2002. Print.

Russell, John Malcolm. The Writing on the Wall: Studies in the Architectural Context of Late Assyrian Palace Inscriptions. Grand Rapids: Eisenbrauns, 1999. Print.

Russmann, Edna R., Thomas Garnet, and Henry James. Eternal Egypt: Masterworks of Ancient Art from the British Museum. Berkeley: University of California Press, 2001. Print.

Thomas, Susanna. Hatshepsut: The First Woman Pharaoh. New York: Rosen, 2003. Print.

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