Janes used humor to describe her "failed" tattoo as a Rorschach inkblot. This was a light-hearted, comedic way of showing how what she wanted (something delicate but strong -- like an iron-wrought fence) could turn out so wrong. Dolgoff's humor is more situational -- popping Vicodin to get through a tattooing. The humor works for both pieces, because it lightens the mood: Janes refers to herself as a "badass" in a playful but serious way and Dolgoff shows a softer, more sensitive side to getting a tattoo.
I don't think they would need to be forgiven anymore. Today, so many people have tattoos that it just seems like something that is accepted. Especially as the younger generation grows up, the tattoo taboo will recede into the past like an ancient memory. It is almost like a rite of passage today -- or an expression of creative genius, as Dolgoff notes. So in this sense, the tattoo could be seen as a rite, commemorating something in one's life -- or it can be seen as an artistic expression.
3. Jane took her friend with her to get tattooed and buried her "ugh" feeling when it was over (her second -- not her first). Dolgoff popped Vicodin for her ankle tat. Jane was more idealistic and hopeful (as well as careless and thoughtless -- which is what made the disappointment all the more piercing). Dolgoff was definitely more considerate and calculating about her ankle tat (it represented her twin daughters). Thus, it is not surprising that their experiences were different. Yet both remained meaningful to the authors as Jane stated, "I choose to look at the tattoo as a reminder of who I was and who I am now" and for Dolgoff it is the same: her tattoo allows...
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