Tracks Louise Erdich What are the strategies that Erdrich uses to pull the reader quickly into her story? Louise Erdrich pulls the reader into her novel Tracks by using two strong narrators, Nanapush and Pauline Puyat, who are hostile to each other and represent opposed points-of-view, although neither is exactly 100% honest. The story opens during the tuberculosis epidemic of 1912, which "must have cleared all of the Anishinabe (Ojibwa) that the

Native Mythology to North America The Native American Mythologies are myths of lessons that every man can apply in his daily life. Many have misconceptions that Native American mythologies are just stories that are capable of entertaining the listeners. Once a person heard of a Native American myth, he can conclude that they are not just simply stories. Instead, they are able to serve us guidance and inspiration, brought by

Hanuman is a god who helped Rama, an avatar of Vishnu, in rescuing his wife, Sita, from King Ravana of the Rakshasas, and symbolizes the pinnacle of bhakti, a Sanskrit term from Hinduism meaning loving devotion to the supreme God (Hanuman pp). He is also believed to be an avatar of Shiva, and also the source for the Chinese mythological character Sun Wukong, and is most popular in the north

Indeed, the period now spanning the so-called Modern Era and the Industrial Revolution has been dependent upon humanity taming and turning nature to our own ends. This has led to a process whereby we downplay the natural world and of native peoples in general who live in a more harmonious fashion with their surrounding world. While this process, especially during the Industrial Age, has led to dehumanization process and

O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is

Rather than allowing the scene to solidify a stereotype, the author of this book proposes that readers should, assuming they are understand the true voice of the novel Huck Finn, allow the scene to alter the stereotype of Jim as a servant to the Caucasian man. Readers should, according to the author, instead see that Jim, as a free man, acts no differently not because he is bound to