People living double lives and the adult themes associated with many of the main characters' forays were hard to talk about openly at the time of its writing. But the play allowed people an insight into others' lives, and also gave them an outlet for their own thoughts, since the Victorian era was relatively repressive. This is also important to remember when considering the 2002 Parker adaptation. This version had the same themes, but in a modern times contextual way. This helps current audiences relate to the same feelings and emotions that 1890's audiences were able to. The Parker adaptation takes Wilde's original concept and sheds new light on it. While it retains the same setting, the lines in the Parker version are delivered by modern actors and actresses. In a way, it is entirely impossible to capture the exact same meaning, tone, structure, and themes if the linguistics are changed at all from the play, or as it was originally worded. While the movie is less verbose and condensed than the written work, the central ideas and themes are still retained, and Wilde would have likely approved of this version, since it paints such a clear picture of the characters. These...
Parker does an excellent job of weaving Wilde's tail. There is little of substance that is removed from the plot, and any audience familiar with the original work should be pleased with Parker's adaptation. Wilde's original intentions, which were to convey the variety of emotional reactions and energies to the audience in live motion, are successfully preserved through the film adaptation.
Oscar Wilde "a man of genius makes no mistakes; his errors are volitional and are the portals of discovery." James Joyce Genius is based on many elements, human and circumstantial. Nothing enables genius to evolve from some internal inchoate spark into a staggering, illuminating flare as the capacity to be external to social norms. The public expects artists to move well beyond the quotidian in artistic form. The funny lines in a play
Jack proceeds to let the audience know "…the vital importance of Being Earnest." Distortion, Moral Conduct, and Restoration Comedy Of course, deception and frivolity are part of a farce, and the way that Wilde has written the play characters switch identities as a way for the theme to be deliberately distorted. So this bothers critic Mary McCarthy, who complained that the play has the character of a "…ferocious idyll" and insists
shakespeare's, "The Taming of the Shrew" Katherine is made to wed Petruchio in order for a suitor to wed her younger more attractive sister, Bianca. Over the years there have been many adaptations of the play and even though it is a comedy, it still covers serious and all too somber subject matter. Women and their role in society has recently undergone a series of transformations. No longer are
"Yeats's flight into fairyland begins in his early childhood with Celtic folklore, 'the chief influence of [his] youth,' and climaxes in his early twenties with the 1888 publication of his first book" (Ben-Merre 2008). Yeats was commissioned to "gather and record the fairy and folk tales of the Irish peasantry" in what eventually became Fairy and Folk Tales of the Irish Peasantry (Foster 76). "The collection includes descriptions of
Exhaustion" demonstrates an interest in the subject of how different media might affect the meaning of art. Barth's general remarks at the opening of "The Literature of Exhaustion" indicate a sort of ambivalence about what he terms "intermedia' arts" (65). He seems to approve of "their tendency to eliminate…the most traditional notion of the artist…one endowed with uncommon talent, who has moreover developed and disciplined that endowment into virtuosity"
Film Noir / Cinema Architecture Perhaps one of the most fruitful ways in which to trace the evolution of Film Noir as a genre is to examine, from the genre's heyday to the present moment, the metamorphoses of one of film noir's most reliable tropes: the femme fatale. The notion of a woman who is fundamentally untrustworthy -- and possibly murderous -- is a constant within the genre, perhaps as a
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